Showing posts with label Trevor Watts. Show all posts
Showing posts with label Trevor Watts. Show all posts

Wednesday, September 1, 2021

Splinters - Inclusivity (September 1, 2021 Jazz In Britain)

Newly mastered from Trevor Watt's original tapes. The complete recordings of the original Splinters lineup, including for the first time, the entire legendary 100 Club show and the previously unheard Grass Roots concert. The latter is believed to be the final recording of drummer Phil Seamen who died two weeks after this performance. Fully authorised.

If you are looking for a story which captures the mood of Great Britain in the early 1970s then what follows cannot be bettered. Indeed, all the folk memory leitmotifs of this period are contained within its sprawling narrative; polarised politics and protest; economic instability and wage concerns; unemployment; a very public tussle between old and new values; the forging of promising new alliances that, come the dawn, never quite delivered what they aimed to, their collective ideals crashing against the flinty realism of personal ambition, circumstantial change and individual discontent.

Then there is the cast list; a mix of moderates, mediators and extremists, all struggling to make sense of an arena in which uncertainty, novelty and hubris rub shoulder to shoulder. They even look the part, their riot of sideburns, outrageous hair, chocolate brown shirts, tank tops and leather jackets a reminder that, as far as sartorial fashion went, the 1970s was an all-time low for men of all ages. And if that were not enough, into this heady mix you can add the BBC, a rich source of anecdote and allegation that has become synonymous with the double-standards of the age, yielding both comedy gold dust and questionable personal mores in equal measure. Simon Spillett - May 2021 

1. The 100 Club: Phase 1
2. The 100 Club: Phase 2
3. The 100 Club: Phase 3
4. The 100 Club: Phase 4
5. The 100 Club: Phase 5
6. The 100 Club: Phase 6
7. The 100 Club: Phase 7
8. The 100 Club: Phase 8
9. The 100 Club: Encore
10. Grass Roots: Phase 1
11. Grass Roots: Phase 2
12. Grass Roots: Phase 3
13. Grass Roots: Phase 4
14. Grass Roots: Phase 5
15. Grass Roots: Phase 6

Tracks 1-9 recorded live at The 100 Club, London, on 22nd May 1972
Tracks 10-16 recorded at the Grass Roots club, London, on 12th September 1972

Phil Seamen - drums (left channel)
John Stevens - drums (right channel)
Tubby Hayes - tenor sax, flute
Trevor Watts - alto sax
Kenny Wheeler - trumpet, flugelhorn
Stan Tracey - piano (tracks 1-5, 10-16)
Jeff Clyne - bass

Recorded by Trevor Watts
Photography by Jak Kilby
Tape transfer by Matt Parker
Liner notes by Simon Spillett
Executive Producer John Thurlow

Produced and mastered by Matt Parker for Jazz In Britain Ltd.
© Jazz In Britain Ltd. 2021

Thursday, November 8, 2018

Trevor Watts & RGG - RAFA: Live in Klub Zak Jazz Jantar 2018 (FUNDACJA SLUCHAJ November 2018)


First ever meeting of legendary British saxophone player Trevor Watts and probably greatest Polish piano trio RGG recorded live on Jazz Jantar Festival 2018.


1. RAFA 1 12.08
2. RAFA 2 13.16
3. RAFA 3 17.40
4. RAFA 4 18.19
5. RAFA 5 8.17

Trevor Watts - alto & soprano saxophones
Łukasz Ojdana - piano
Maciej Garbowski - bass
Krzysztof Gradziuk - drums

All music improvised by Trevor Watts / Łukasz Ojdana / Maciej Garbowski / Krzysztof Gradziuk

Recorded live on 15th of March 2018 at Jazz Jantar Festival, Gdańsk

Mixed & Mastered at TOKARNIA Studio by Jan Smoczyński

Special thanks to: Trevor Watts / Łukasz Ojdana / Maciej Garbowski / Krzysztof Gradziuk / Magdalena Renk / Jan Smoczyński

Photo by Krzysztof Gradziuk
Produced by: RGG & Maciej Karłowski
Executive Producer: Maciej Karłowski
Cover Design: Małgorzata Lipińska



Monday, November 27, 2017

Trevor Watts and Stephen Grew Duo - All There Is (DISCUS MUSIC 2017)

It’s been said on quite a few occasions after concerts of  this duo, that it  sounds as though there’s a real affinity within the  playing. This comes through very much so in their new recording “All There Is”. Within it they use the full spectrum of dynamics and techniques that  have been developed individually over their differing careers. Watts’ roots go back to the very beginnings of improvised music as a founder member of the SME in the 1960’s and Stephen Grew has been part of the Improvised Music scene since 1994 and has played consistently on the national and international circuit, both as a soloist and in numerous collaborations.

The combination of their playing styles leads for a very potent and visceral experience, but also has interludes of great tenderness.  The music has both a relaxed, and “on the edge” feel at the same time, as all truly improvised music has. Relaxed because that’s the way the play it, and on the edge because nobody, let alone the musicians, knows where it’s going. But the previously mentioned affinity is the glue that makes it all work ever so well together!


1 Shepherd's Return
2 Contours
3 All There Is
4 Tunnels
5 Bird's Eating
6 They're All Home
7 Sea Evidence