Showing posts with label New England Conservatory. Show all posts
Showing posts with label New England Conservatory. Show all posts

Tuesday, January 25, 2022

NEC's Winter-Spring 2022 Master Classes and Residencies Feature Musical Trailblazers

Live from the NEC Campus in Boston – Select Events Streaming Worldwide 
 
New England Conservatory (NEC) announces the winter-spring 2022 series of master classes and residencies by world-class artists. Happening across classical music, jazz, contemporary improvisation, and composition, trailblazing visiting artists include composer Ellen Taaffe Zwilich, flutist/saxophonist/composer Anna Webber, bassist/composer Dave Holland, pianist Jason Moran, violinist Edward Dusinberre, singer/songwriter Gabriel Kahane, pianist Kirill Gerstein, cellist Paul Katz, violist Dimitri Murrath, collaborative pianist James Baillieu, Irish music violinist Liz Knowles, cellist Guy Johnston, pianist Jonathan Biss, conductor and coach Teresa Rodriguez, violinist Karla Donehew Perez, and guitarist Grisha Goryachev.

Select events in January will be publicly viewable via livestream only, due to Covid precautions. In person audiences will be welcomed back to the halls beginning in February (subject to change). All livestreams and other streamed performances are free and can be found on the NEC website. Some performances will be broadcast via NEC’s YouTube channel for on-demand viewing.
 
More information about master classes: https://necmusic.edu/Master-Classes-Residencies
 
For detailed information, including Covid precautions, please visit https://necmusic.edu/concerts.
 
Event dates and details subject to change.

WINTER-SPRING 2022 MASTER CLASSES AND RESIDENCIES

Tuesday, January 25 | Kirill Gerstein Piano Master Class
4:00 p.m., Williams Hall and streaming
 
The multifaceted pianist Kirill Gerstein has rapidly ascended into classical music’s highest ranks.  With a masterful technique, discerning intelligence, and a musical curiosity that has led him to explore repertoire spanning centuries and styles, he has proven to be one of today’s most intriguing and versatile musicians. His early training and experience in jazz has contributed an important element to his interpretive style, inspiring an energetic and expressive musical personality that distinguishes his playing.
 
This master class is made possible through the generous support of the Richard P. and Claire W. Morse Visiting Artist Fund.

Thursday, January 27 | James Baillieu Voice and Collaborative Piano Master Class
12:00 p.m., Williams Hall and streaming

Described by The Daily Telegraph as "in a class of his own," James Baillieu is one of the leading song and chamber music pianists of his generation. Baillieu is a Professor at the Royal Academy of Music, a coach for the Jette Parker Young Artist Program at the Royal Opera House, a course leader for the Samling Foundation, and is head of the Song Program at the Atelier Lyrique of the Verbier Festival Academy. He also is International Tutor in Piano Accompaniment at the Royal Northern College of Music. He has given solo and chamber recitals throughout the world and collaborates with a wide range of singers and instrumentalists including Benjamin Appl, Jamie Barton, Ian Bostridge, Allan Clayton, Annette Dasch, Lise Davidsen, the Elias and Heath Quartets, Dame Kiri te Kanawa, Adam Walker, and Pretty Yende. 

Anna Webber Residency
Monday, February 7 | Anna Webber Master Class
1:00 p.m., Eben Jordan and streaming
 
Anna Webber is a flutist, saxophonist, and composer whose interests and work live in the aesthetic overlap between avant-garde jazz and new classical music. She was recently named a 2021 Berlin Prize Fellow and was voted the top “Rising Star” flutist in the 2020 DownBeat Critic’s Poll.
 
Tuesday, February 8 | Anna Webber conducts NEC Jazz Composers’ Orchestra
7:30 p.m., Jordan Hall
 
As part of her NEC residency, trailblazing composer, flutist and saxophonist Anna Webber conducts The NEC Jazz Composers' Orchestra in her recent works for big band. She also performs with a quartet of jazz department students in a program of music from her recent release IDIOM as well as other small group pieces.  Webber’s interests and work live in the aesthetic overlap between avant-garde jazz and new classical music. 
Anna Webber © Evan Shay

Tuesday, February 8 | Paul Katz Cello Master Class
7:00 p.m., Brown Hall
 
NEC Faculty Paul Katz is known to concertgoers the world over as cellist of the Cleveland Quartet, which, during an international career of 26 years, made more than 2,500 appearances on four continents. As a member of this celebrated ensemble from 1969 to 1995, Katz performed at the White House and on many television shows, including "CBS Sunday Morning," NBC's "Today Show," "The Grammy Awards" (the first classical musicians to appear on that show), and in "In The Mainstream The Cleveland Quartet," a one-hour documentary televised across the U.S. and Canada.

Thursday, February 10 | Dimitri Murrath Viola Master Class
10:00 a.m., Williams Hall and streaming
 
Born in Brussels, Belgian-American viola player and NEC Artist Diploma alum Dimitri Murrath has made his mark on the international scene, performing regularly as a recitalist and soloist in venues including the Kennedy Center, Wigmore Hall, Purcell Room, Royal Festival Hall, and Théâtre de la Ville. A first-prize winner at the Primrose International Viola Competition, he has won numerous awards, including second prize at the First Tokyo International Viola Competition and the special prize for contemporary work at the ARD Munich Competition. He is a recipient of a 2014 Avery Fisher Career Grant through which he recorded and released his first solo album recording music by Vieuxtemps, Clarke, and Hindemith.
 
This master class is made possible through the generous support of the Richard P. and Claire W. Morse Visiting Artist Fund.

Thursday, February 10 | Grow Your Art Pitch Night
6:00 p.m. ET and streaming 
 
NEC students and recent alumni compete for up to $7,500 to help develop the business side of their musicianship. The competitive application process is modeled on real-world grants, and finalists present at this live pitch event, a collaboration between NEC’s Jazz Studies and Entrepreneurial Musicianship departments.
 
Grow Your Art is made possible through the generous support of an anonymous donor.

Date TBA | Grisha Goryachev Guitar Master Class
7:30 p.m., Pierce Hall and streaming

A native of St. Petersburg, Russia, Grisha Goryachev is renowned for his extraordinary musical sensitivity and technical virtuosity in both classical and flamenco styles. Grisha is one of very few guitarists in the world who is reviving the tradition of solo flamenco guitar in a concert setting that was practiced by legendary flamenco masters such as Ramón Montoya and Sabicas. Grisha received his Bachelor, Master and Doctor of Musical Arts (dissertation pending) degrees from NEC, where he studied under guitar virtuoso Eliot Fisk.

Tuesday, March 1 | Jason Moran Master Class
2:00 p.m., Plimpton Shattuck Black Box Theatre
 
Wednesday, March 2 | Solo concert featuring  Jason Moran and students
8:00 p.m., Burnes Hall
 
NEC Jazz faculty member Jason Moran, “the most provocative thinker in current jazz,” (Rolling Stone), will perform on this concert of solo works as will his students.  One of the most influential and innovative pianists in jazz, Moran is a boundary defying artist whose work is influenced by classical, blues, funk, hip-hop, rock and the art world. A MacArthur fellow, Moran also serves as the Kennedy Center’s Artistic Director for Jazz. 
Jason Moran © Andrew Hurlbut / NEC

Sunday, March 6 | Karla Donehew Perez Violin Master Class (NEC Prep)
11:00 a.m., Keller Room

A founding member of the Catalyst Quartet, Karla Donehew Perez maintains a busy performance schedule throughout the United States and around the world. Born in Puerto Rico, Donehew Perez began playing the violin at age three and made her solo debut with the Puerto Rico Symphony at 9 years old. As a chamber musician, she has performed with Orpheus Chamber Orchestra and collaborated with artists such as Joshua Bell, Zuill Bailey, Awadagin Pratt, Anthony McGill, Stewart Goodyear, Frederica von Stade, Garry Karr, and members of the Guarneri, Juilliard, and Takács quartets. Donehew Perez has been guest concertmaster at the Tucson Symphony and spent two years as a fellow at the New World Symphony, where she was often concertmaster or principal second violin.
 
This master class is made possible through the generous support of the Robert and Jane Morse Endowed Chamber Music Fund.

Tuesday, March 8 | Guy Johnston Cello Master Class
2:00 p.m., Pierce Hall and streaming
 
Guy Johnston is one of the most exciting British cellists of his generation. His early successes included winning the BBC Young Musician of the Year, the Shell London Symphony Orchestra Gerald MacDonald Award and a Classical Brit. He has performed with many leading international orchestras including the London Philharmonic, Philharmonia Orchestra, Ulster Orchestra, BBC Philharmonic, NHK Symphony Orchestra, BBC Symphony, Britten Sinfonia, Deutsches Symphonie-Orchester Berlin, Orquestra Sinfônica do Estado de São Paulo, Moscow Philharmonic and St Petersburg Symphony. Guy was privileged to perform as part of the Wigmore Hall and BBC Radio 3 special series of concerts, live streamed during the COVID-19 pandemic. He gave weekly outdoor impromptu recitals in his home village in Dorset, which was featured by BBC during the UK lockdown.
 
This master class is made possible through the generous support of the Richard P. and Claire W. Morse Visiting Artist Fund.

March 13-18 | Teresa Rodriguez Collaborative Piano and Opera Residency
This is available for NEC students only. There are no public master classes associated with this residency

Mexican pianist, conductor, and coach, Teresa Rodriguez, joins NEC's Collaborative Piano and Opera programs for a week-long residency with private coaching. Students will have the opportunity to work with Ms. Rodriguez on repertoire by Spanish and Central American composers.
 
This residency is made possible by the Ruth S. Morse Fund for Visiting Scholars in Voice.

Gabriel Kahane Residency
Tuesday, March 29 | Gabriel Kahane Songwriting Master Class
7:00 p.m., SLPC Room G01  

NEC's Contemporary Improvisation Department hosts a residency with singer-songwriter, pianist, and composer Gabriel Kahane.  Over the past decade, Kahane has established himself as a distinct and penetrating voice, responding in his music to many of the most compelling issues of our time.  He is also well known for his work bridging the worlds of folk and classical music, with commissions that include string quartets and symphonic compositions, tours with Andrew Bird and the Punch Brothers and recordings with Sufjan Stevens, Phoebe Bridgers and Blake Mills. 

Wednesday, March 30 | Gabriel Kahane leads a discussion of his music   
2:30 p.m., Pierce Hall

April 4-8 | Ellen Taaffe Zwilich – 2022 Malcolm Peyton Composer Artist-in-Residence
 
Composer Ellen Taaffe Zwilich is the recipient of numerous prizes and honors, including the 1983 Pulitzer Prize in Music (the first woman ever to receive this coveted award). A prolific composer in virtually all media, Zwilich’s works have been performed by most of the leading American orchestras and by major ensembles abroad. As NEC’s Malcolm Peyton Composer Artist-in-Residence, she will lead master classes and workshops with NEC’s composition department April 4-8, 2022.
 
This residency is made possible through the generous support of the Malcolm Peyton Composer Artist-in-Residence Fund.

Monday – Wednesday, April 4 - 6 | Irish Music Residency with Liz Knowles
Details TBA. 
 
Liz Knowles has brought her distinctive sound–the fire and finesse of Irish fiddle music combined with the tonal richness of the classical violin–to concert stages and festivals across the world. Liz was a fiddler for “Riverdance,” a member of the renowned Cherish the Ladies and today she performs with another all-star female super-group, the highly acclaimed String Sisters, as well as the trio Open the Door for Three. She recently co-produced an album for Liz Carroll for the Art Institute of Chicago for their exhibition "Ireland: Crossroads of Art and Design, 1690-1840.” She’s also collaborated with the Bang-on-a-Can Orchestra, Bobby McFerrin, and Paula Cole.

Dave Holland Residency
Tuesday, April  5 | Dave Holland Master Class
2:00 p.m., Pierce Hall and streaming https://necmusic.edu/events/dave-holland-master-class-0
 
This residency is made possible through the generous support of an anonymous donor.
 
Thursday,  April 7 | Dave Holland Residency Performance with Jazz Ensembles
7:30 p.m., Brown Hall and streaming
 
As part of his week-long residency, visiting artist-in-residence bassist, composer and bandleader Dave Holland presents a concert with student jazz ensembles.  Holland’s passion for musical expression of all styles, and dedication to creating consistently innovative music ensembles have propelled a professional career of more than 50 years, and earned him top honors in his field including multiple Grammy awards and the title of NEA Jazz Master in 2017. 
 
This residency is made possible through the generous support of an anonymous donor.
Dave Holland © Andrew Hurlbut / NEC

Thursday, April 21 | Jonathan Biss Piano Master Class
3:00 p.m., Williams Hall and streaming

Jonathan Biss, Mildred Levinson Piano Artist-in-Residence, presents a master class featuring students from the NEC Piano Studios. Biss is a world-renowned pianist who shares his deep curiosity with music lovers in the concert hall and beyond. In addition to performing with leading orchestras, he continues to expand his reputation as a teacher, musical thinker, and one of the great Beethoven interpreters of our time. He is Co-Artistic Director alongside Mitsuko Uchida at the Marlboro Music Festival, where he has spent fourteen summers. He also led a popular online course via Coursera, which has reached more than 150,000 people from nearly every country. He has written extensively about the music he plays and has authored four audio- and e-books, including “UNQUIET: My Life with Beethoven” (2020), the first Audible Original by a classical musician.
 
This master class is made possible by Edith Michelson Milender in honor of her mother Mildred Levinson ‘29.

Sunday, May 1 | Edward Dusinberre Violin Master Class
2:00 p.m., Brown Hall and streaming
 
As first violinist of the Takács Quartet, Edward Dusinberre has won a Grammy and awards from Gramophone Magazine, the Japanese Recording Academy, Chamber Music America and the Royal Philharmonic Society. Outside of the quartet, he has made a recording of Beethoven's violin sonatas nos. 9 ("Kreutzer") and 10 on the Decca label, and recently performed "Costa Concordia," a concerto composed for him by Jeffrey Nytch, inspired by the tragic story of violinist Sándor Fehér who drowned on the cruise ship of that name in 2012. Dusinberre is also an author. His book—”Beethoven for a Later Age: The Journey of a String Quartet”—takes the reader inside the life of a string quartet, melding music history and memoir as it explores the circumstances surrounding the composition of Beethoven's quartets and the Takács Quartet's experiences rehearsing and performing this music. 
 
This master class is made possible through the generous support of the Richard P. and Claire W. Morse Visiting Artist Fund.

About New England Conservatory (NEC)  
Founded by Eben Tourjée in Boston, Massachusetts in 1867, the New England Conservatory (NEC) represents a new model of music school that combines the best of European tradition with American innovation. The school stands at the center of Boston’s rich cultural history and musical life, presenting concerts at the renowned Jordan Hall. As an independent, not-for-profit institution that educates and trains musicians of  Propelled by profound artistry, bold creativity and deep compassion, NEC seeks to amplify musicians’ impact on advancing our shared humanity, and empowers students to meet today’s changing world head-on, equipped with the tools and confidence to forge multidimensional lives of artistic depth and relevance.

As an independent, not-for-profit institution that educates and trains musicians of all ages from around the world, NEC is recognized internationally as a leader among music schools. It cultivates a diverse, dynamic community, providing music students of more than 40 countries with performance opportunities and high-caliber training from 225 internationally esteemed artist-teachers and scholars. NEC pushes the boundaries of music-making and teaching through college-level training in classical, jazz and contemporary improvisation. Through unique interdisciplinary programs such as Entrepreneurial Musicianship and Community Performances & Partnerships, it empowers students to create their own musical opportunities. As part of NEC’s mission to make lifelong music education available to everyone, the Preparatory School and School of Continuing Education delivers training and performance opportunities for children, pre-college students and adults.

Wednesday, May 23, 2018

Herbie Hanock earns honorary doctorate from New England Conservatory

http://necmusic.edu/
Herbie Hancock (left) and NEC Jazz Studies Chair Ken Schaphorst. Photo © Eric Antoniou.

Legendary jazz composer/performer and 14-time Grammy award-winner Herbie Hancock was at New England Conservatory on Sunday, May 20, 2018 to receive an honorary doctorate as part of the 147th Commencement ceremony in NEC's Jordan Hall.

Approximately 265 students graduated from NEC's degree, diploma, and certificate programs with Bachelor of Music, Master of Music, and Doctor of Musical Arts degrees, as well as Graduate Diploma and Artist Diploma.  Esteemed faculty-member John Heiss, who is celebrating his 50th year of teaching, was the keynote speaker at the 2018 Commencement.

Honorary doctorates were presented to four distinguished musicians.

© Eric Antoniou

Herbie Hancock, a 14-time Grammy award-winner and legendary jazz composer and performer. Born in Chicago, Hancock was a piano prodigy, performing with the Chicago Symphony at age 11. His career began after being discovered by Donald Byrd and, shortly thereafter, he joined the Miles Davis Quintet; he later made appearances on Davis' groundbreaking In A Silent Way and Bitches Brew, which heralded the birth of jazz-fusion. After leaving Davis, Hancock put together a new band called The Headhunters and, in 1973, recorded Head Hunters, which became the first jazz album to go platinum. The winner of multiple Grammy Awards, he also won an Academy Award for his film score 'Round Midnight. His 2007 tribute album River: The Joni Letters won the 2008 Grammy Award for Album of the Year, only the second jazz album ever to win the award, after Getz/Gilberto in 1965. Recently named by the Los Angeles Philharmonic as Creative Chair For Jazz, he also serves as Institute Chairman of the Thelonious Monk Institute of Jazz.

Joseph L. Bower, NEC Lifetime Trustee and leader in general management at Harvard Business School (HBS). Bower joined the Board of Trustees in 1986, serving as Vice Chair from 1992 to 2003. He became a member of the Board of Overseers in 2004 and has been a devoted NEC Life Trustee for over 13 years. A leader in general management at HBS for 54 years, he is an expert on corporate strategy, organization, and leadership. Bower served as Senior Associate Dean at HBS, was on faculty of Harvard's Kennedy School of Government, and founded the General Manager Program in 1995.

Edgar Albert Meyer, Jr., MacArthur Award and Avery Fisher Prize winning bassist, multi-instrumentalist and composer. Hailed by The New Yorker as "Š the most remarkable virtuoso in the relatively un-chronicled history of his instrument," his uniqueness in the field has been recognized by numerous awards, including a 2002 MacArthur Award, and he is the first bassist to receive the Avery Fisher Career Grant (1994) and the Avery Fisher Prize (2000). Meyer performs and composes frequently for music festivals around the world, including Santa Fe, Aspen, Tanglewood, Caramoor, Chamber Music Northwest, and Marlboro. He is an artist member of the Chamber Music Society of Lincoln Center, a visiting professor of Double Bass at the Curtis Institute of Music.

Peter Lyman Row, a member of NEC's faculty since 1973, who is receiving this award posthumously. Row studied sitar and rudra vina in India, earning the Bachelor of Music, Master of Music, and Doctor of Music degrees from the Prayag Sangit Samiti. He performed as a solo recitalist throughout North America and India, making numerous concert, radio, and television appearances. A former president of the Northeast Chapter of the Society for Ethnomusicology, Row is widely published, and he lectured about Indian music across the U.S. and abroad. He was also a research associate at the Harvard Graduate School of Education and served as a consultant on Asian music for the Smithsonian Institute. Row served as Dean of New England Conservatory from 1983 to 1990 and Provost from 1990 to 1996 and from 2000 to 2004.

About New England Conservatory
Celebrating its 150th anniversary, New England Conservatory (NEC) is recognized internationally as a leader among music schools, educating and training musicians of all ages from around the world. With music students representing more than 40 countries, NEC cultivates a diverse, dynamic community for students, providing them with performance opportunities and high-caliber training by 225 internationally-esteemed artist-teachers and scholars. NEC pushes the boundaries of making and teaching music through college-level musical training in classical, jazz and Contemporary Improvisation. It offers unique interdisciplinary programs such as Entrepreneurial Musicianship and Community Performances & Partnerships that empower students to create their own musical opportunities. As part of NEC's mission to make lifelong music education available to everyone, the Preparatory School and School of Continuing Education delivers training and performance opportunities for children, pre-college students and adults.

Founded in Boston, Massachusetts in 1867 by Eben Tourjée, NEC created a new model of conservatory that combined the best of European tradition with American innovation. NEC is at the center of Boston's rich cultural history and musical life offering concerts performed in NEC's renowned venue Jordan Hall. Alumni go on to fill orchestra chairs, concert hall stages, jazz clubs, recording studios and arts management positions worldwide.

Tuesday, April 24, 2018

May 2: NEC presents world premiere of Anthony Coleman's 'Streams'

New England Conservatory presents the world premiere of
Streams by faculty member and CI alum Anthony Coleman
Wednesday, May 2 at NEC’s Jordan Hall



Coleman, who often skipped high school to ride on Duke Ellington’s tour bus, cites Ellington’s strong influence on his approach to creating music

Streams commissioned for NEC’s 150th anniversary


As part of the landmark celebration of its 150th anniversary, New England Conservatory (NEC) commissioned Contemporary Improvisation (CI) Department faculty member, Composition Department alumnus, and maverick composer Anthony Coleman to create a new work showcasing the school’s CI Department. Streams – a boundary-blurring musical celebration of diversity and the individuality that creates it – will receive its world premiere on Wednesday, May 2, 7:30 p.m. at NEC’s Jordan Hall, 290 Huntington Ave., Boston. Admission is free. For information call 617-585-1122 or visit https://necmusic.edu/event/7246.

Coleman, who graduated from NEC in 1977 and has taught there since 2006, cites Duke Ellington’s influence in creating this piece and indeed in creating all of his music.  While a high school student in Brooklyn, Coleman skipped classes to ride on Ellington’s tour bus, soaking up Ellington’s genius.  That seminal experience has influenced Coleman’s art ever since, and Streams incorporates these early lessons.  Like Ellington, Coleman has written music for the individual players – Ellington famously spoke of writing for trumpet player Rex Stewart’s “seven good notes” and, similarly, Coleman promises, “I’m going to take each student and find their seven good notes,” referencing Ellington – while creating overarching musical unity and blurring the lines between composer and performer, composition and improvisation.

In Streams, Coleman draws from the tools, events, and issues of the world around him in unique and effective ways. The use of predictive text on cell phones as an improvisational device is just one example. The movement Pinye (Yiddish for "froth") focuses on the Parkland massacre's anti-Semitic overtones. Other movements include one based on student improvisations; one composed in honor of  recently deceased NEC faculty member, former dean and provost, and Hindustani music scholar and performer Peter Row; one composed for the CI department's rock ensemble that explores automatism, or the digital reprogramming of sensibility; one inspired by Coleman's encounter with the 1980s "haunted" landscapes of Eastern Europe; a movement exploring "open forms" concepts introduced by composers Christian Wolff and Cornelius Cardew, a composed piano solo movement drawing on Coleman's own improvisational piano techniques, and a final movement in memory of NEC alum Cecil Taylor, who died on April 5.

“One of Anthony’s great gifts is his ability to bring people together, blur boundaries and create cohesive music from each musician’s individual strengths and with people who have very diverse ways of playing,” says Contemporary Improvisation department co-chair Hankus Netsky. “Streams features at least six different ensembles – from Coleman’s CI Ensemble, Survivors Breakfast, to NEC’s CI Chamber Ensemble, Jewish Music Ensemble, Contemporary Rock ensemble, The Ted Reichman Ensemble and carefully selected duos and trios. In today’s world, this creation of musical diversity through a democratic and collaborative process should be celebrated.”

Collaborations with the CI department’s faculty, students, and programming become the musical vehicles for a groundbreaking work that is at once unique and personal, going beyond genre to achieve an overarching unity of compositional approaches.

Anthony Coleman


Pianist/composer Anthony Coleman has been one of the key figures of New York music for nearly four decades. His work bridges the gap between composition and improvisation, Uptown and Downtown, and spans a wide range of genres and practices including free improvisation, jazz, Jewish music (of various types), and contemporary chamber music.

At the dawn of the 1980s, after earning a bachelor’s degree from New England Conservatory and a master’s degree in composition from the Yale University School of Music, Coleman immersed himself in New York City’s forward-thinking circle of genre-confounding composers and improvisers that would come to be known as the Downtown Scene. The first two records Coleman played on, Glenn Branca’s Lesson No. 1 and John Zorn’s Archery, are classics of a then-emerging avant garde.

Balancing a powerful sense of structural logic and expressionistic color, Coleman has had a prolific career as a composer. His works have been commissioned by the Concert Artist Guild, the Jerome Foundation, the Ruhrtriennale, the Festival Banlieues Blues, and the Bang on a Can All-Stars, among others. He has received grants from the New York Foundation for the Arts, New York State Council on the Arts, Meet the Composer and more.

He has presented his own work at the Sarajevo Jazz Festival (Bosnia), North Sea Jazz Festival (Holland), Saalfelden Festival (Austria), and the Krakow and Vienna Jewish Culture Festivals. Ensembles led by Coleman have recorded extensively for Tzadik and include the trio Sephardic Tinge and Selfhaters Orchestra. He has also toured and recorded with John Zorn, Elliott Sharp, Marc Ribot, Shelley Hirsch, Roy Nathanson, and many others.

Coleman has recorded 15 CDs under his own name, and has played on more than 150. His most recent recordings are You (New World) and The End of Summer (Tzadik). His Damaged by Sunlight (2010) was issued on DVD by the French label La Huit.

He has been a member of the faculty of New England Conservatory since 2006 and has also taught at Bennington College, the Bard MFA program, and the Mannes College of Music.

About New England Conservatory’s Contemporary Improvisation Program

Founded in 1972 by musical visionaries Gunther Schuller and Ran Blake, New England Conservatory's Contemporary Improvisation  (CI) program is “one of the most versatile in all of music education” (JazzEd). CI trains composers, performers, and improvisers to broaden their musical palettes and develop unique voices. It is unparalleled in its structured approach to ear training and its emphasis on singing, memorization, harmonic sophistication, aesthetic integrity, and stylistic openness. Under Blake's inspired guidance for its first thirty-three years, the program grew considerably and has expanded its offerings under current co-chairs Hankus Netsky and Eden MacAdam-Somer. Alumni include Don Byron, John Medeski, Jacqueline Schwab, Aoife O'Donovan and Sarah Jarosz; faculty include Carla Kihlstedt, Blake, Dominique Eade, and Anthony Coleman. “A thriving hub of musical exploration,” (Jeremy Goodwin, Boston Globe), the program currently has more than 50 undergrad and graduate students from 14 countries.

About New England Conservatory

Celebrating its 150th anniversary, New England Conservatory (NEC) is recognized internationally as a leader among music schools, educating and training musicians of all ages from around the world. With music students representing more than 40 countries, NEC cultivates a diverse, dynamic community for students, providing them with performance opportunities and high-caliber training by 225 internationally-esteemed artist-teachers and scholars. NEC pushes the boundaries of making and teaching music through college-level musical training in classical, jazz and Contemporary Improvisation. It offers unique interdisciplinary programs such as Entrepreneurial Musicianship and Community Performances & Partnerships that empower students to create their own musical opportunities. As part of NEC's mission to make lifelong music education available to everyone, the Preparatory School and School of Continuing Education delivers training and performance opportunities for children, pre-college students and adults.

Founded in Boston, Massachusetts in 1867 by Eben Tourjée, NEC created a new model of conservatory that combined the best of European tradition with American innovation. NEC is at the center of Boston’s rich cultural history and musical life offering concerts performed in NEC’s renowned venue Jordan Hall. Alumni go on to fill orchestra chairs, concert hall stages, jazz clubs, recording studios and arts management positions worldwide.


Program for Streams by Anthony Coleman

Alap for Peter Row
            Hankus Netsky, oboe
            Eden MacAdam-Somer, viola
            Anthony Coleman, piano

Pinye
            Jewish Music Ensemble (directed by Hankus Netsky)
            Elise Leavy, voice
            Caroline Kuhn, voice
            Julia Cohen, voice/uke
            Matthew Shifrin, voice/accordion
            Sophie Wang, fiddle
            Daniel Cetlin, violin
            Daniel Hirsch, trumpet
            Daniel Ackermann, tenor sax
            Jon Dewitt, banjo/guitar
            Alexandra Greenwald, melodica
            Utsav Lal, piano
            Grace Ward, bass
            Bulut Gulen, trombone
            Chenchu Rong, marimba
            Peiying Li, drums

To Tell, Amputationally
Survivors Breakfast (directed by Anthony Coleman)
Isaiah Johnson, Barrett Ham - bass clarinets
Daniel Bitran, clarinet
Gabriel Garcia, alto sax
Luke Fieweger, bassoon
Rubin Hohlbein, trumpet
Alexander Whiting, mandolin
Magdalena Abrego, guitar
Cole Blouin, guitar
Steven Long, piano
Ross Wightman, bass
Taichiro Ei, drums

For C.C. and C.W.
            Ted Reichman Ensemble (directed by Ted Reichman)
            Will Kubas, voice
            Sara Pajunen, violin
            Gabriel Garcia, alto sax
            Jake Zaslav, trumpet
            Matthew Okun, guitar
            Sunniva Brynnel, accordion
            Thomas Davis, piano/keyboard
            Monic Chen, piano/keyboard
            Taichiro Ei, vibraphone

Guggul
            Steven Long, piano

Duo
            DoYeon Kim, gayageum
            Anthony Coleman, piano

Duo
            Rubin Hohlbein, trumpet
            Gabriel Garcia, alto sax

Pretty Pressure
            Sam Jone, voice
            Hope Wilk, harp
            Cole Blouin, guitar
 Ross Wightman, bass
            Robert Murphy,electronics
            Taichiro Ei, percussion
          
Trio
            Priya Carlberg, voice
            Melissa Weikart, voice
            Jeffrey Cox, trumpet

Trio
            Tanya Kalmanovitch, viola
            Ted Reichman, accordion
            Anthony Coleman, piano

Cross Currents 1982
            CI Chamber Music Ensemble (directed by Eden MacAdam-Somer)
Ana Lopez, voice
Stuart Ryerse, recorder
Emma Gies, violin/voice
Eden MacAdam-Somer, viola
Jon Dewitt, guitar
Muqi Li, guzheng
Adam Tuch, piano
Taichiro Ei, drums

Semiocapital
            Contemporary Rock Ensemble (directed by Lautaro Mantilla)
            Billy Yang, alto sax
            Thomas Abbott, guitar
            Chiwei Lo, keyboard
            Melissa Weikart, piano/ voice
            Magdalena Abrego, guitar
            Matthew Okun, bass
            Taichiro Ei, drums

April 5, 2018
            Unchu Pyon, Eden MacAdam-Somer, voice
            Alexandra Greenwald, melodica
            Daniel Bitran, Dan O'Brien, clarinet
            Isaiah Johnson, bass clarinet
            Hankus Netsky, oboe
            Rubin Hohlbein, trumpet
            Matthew Shifrin, Sunniva Brynnel, accordion
            DoYeon Kim, gayageum
            Gabriel Garcia, Billy Yang, alto sax
            Daniel Ackerman, tenor sax
            Alec Whiting, mandolin
            Magdalena Abrego, Cole Blouin, guitar
            Matthew Okun, electric bass
            Steven Long, harmonium
            Anthony Coleman, piano
            Taichiro Ei, drums

            Eden MacAdam-Somer – conductor


Wednesday, January 10, 2018

NEC's Jazz Studies, CI Departments feature world premieres and guest artists in exciting 2018 spring season

New England Conservatory’s Jazz Studies and Contemporary Improvisation Departments Present Performances and Events for 150th Season 

2018 Spring Season highlights include: 

• Ran Blake and Aaron Hartley’s annual Film Noir concert

The Legacy of Bob Brookmeyer with world premiere by Darcy James Argue

• World premiere of “Streams,” new work by Anthony Coleman  

• Music of Jerry Bergonzi and Ken Schaphorst

Photo of Brian Landrus by Vince Segalla

New England Conservatory’s (NEC) internationally renowned Jazz Studies and Contemporary Improvisation (CI) Departments continue to celebrate their 150th anniversary season with some 50 concerts and events in the Spring 2018 season. The lineup continues to build on NEC’s rich legacy featuring 150 years of innovation showcasing the work of the first fully accredited jazz studies program at a music conservatory as well as the pioneering CI department. It showcases diverse musical offerings from today’s most talented artists performed in NEC’s renowned concert halls, including three new state-of-the-art venues at the Student Life and Performance Center (SLPC).

Highlights include Ran Blake and Aaron Hartley’s annual film noir concert; the world premiere of a newly commissioned work by alumnus Darcy James Argue as part of a concert honoring the legacy of Bob Brookmeyer; the premiere of alumnus and faculty member Anthony Coleman’s new work, “Streams,” a composition commissioned for NEC’s sesquicentennial; the music of Jerry Bergonzi and Ken Schaphorst; and CI Salon Nights and Jazz Ensemble Concerts featuring hour-long concerts by rising star NEC students from the Jazz and Contemporary Improvisation departments. 

NEC is pleased to offer the following concerts, free and open to the public. For more information, visit necmusic.edu or call 617-585-1122.

SPRING 2018

January 2018

Monday, January 29 – Jazz and CI Faculty Spotlight
7:30 p.m. Jordan Hall 

February 2018

Thursday, February 15 – The Music of Dave Holland Residency Concert
7:30 p.m. Brown Hall

Wednesday, February 21 – Film Noir: Cría Cuervos
7:30 p.m. Jordan Hall
Co-producers Aaron Hartley and Ran Blake present their 13th Annual Film Noir project, featuring students and faculty of NEC's groundbreaking Contemporary Improvisation department. This year's performance explores Carlos Saura's film Cría Cuervos heightened by new music created by NEC musicians and special alumni guest artists percussionist Tupac Mantilla and vocalist Burcu Gulec.

Thursday, February 28 – Bob Brookmeyer Panel Discussion
4 p.m. Brown Hall

March 2018

Thursday, March 1 – Celebration: The Legacy of Bob Brookmeyer 
7:30 p.m. Jordan Hall
The NEC Jazz Orchestra will perform music by Bob Brookmeyer and six of Brookmeyer’s former NEC students, including the world premiere of a new composition commissioned for NEC’s 150th Anniversary by alumnus Darcy James Argue. Argue was a Doris Duke Artist Award recipient in 2015. Music by NEC alumni Ayn Inserto, Mehmet Ali Sanlikol, Ryan Truesdell and Nicholas Urie will also be featured. Saxophonist, low reed expert and NEC alumnus Brian Landrus will be featured playing Brookmeyer’s “Celebration Suite.” Brookmeyer taught composition at NEC between 1997 and 2007.

Tuesday, March 13 – Eden MacAdam-Somer Faculty Recital
7:30 p.m. Jordan Hall
This concert will feature The Shooting Gallery, a new work for string quartet by CI Co-Chair Eden MacAdam-Somer commissioned by Cuatro Puntos, a non-profit dedicated to international dialogue and outreach through music. Based on a series of lithographs by Czech surrealist Toyen, the work deals with violence in our world as seen through the eyes of children. MacAdam-Somer will also be joined by Anthony Coleman on piano, with a series of new pieces based on songs by George Jones and Loretta Lynn. CI Co-Chair Eden MacAdam-Somer is one of the most exciting and versatile artists performing today. Hailed by The New York Times as reflecting “astonishing virtuosity and raw expression,” her music transcends genre through soaring violin, sweet vocals, and percussive dance, weaving in and out of the many cultures that have formed her experience.

Monday, March 26 – Jazz and Wild Card Honors Ensemble Concert
7:30 p.m. Jordan Hall
Each year, an audition committee selects a few exceptional students to represent NEC in the Honors Jazz and Wild Card ensembles. Tonight’s performance showcases Wildcard Ensemble “Escargot,” featuring Rubin Hohlbein, Taichiro Ei, Andres Abenante, and Robert Murphy, and the Jazz Honors Ensemble featuring Bobby Lane, Nathan Reising, Andrew Boudreau, James Dale, and Avery Logan.
                         
April 2018

Wednesday, April 4 – Jazz Ensemble Concerts: Lockwood Ensemble
7, 8 and 9 p.m. Eben Jordan Ensemble Room
Discover the musical innovators of tomorrow with these one-hour concerts featuring NEC’s student ensembles. Tonight’s ensemble is coached by bassist John Lockwood.

Thursday, April 5 – NEC Gospel and NEC Composers Ensemble
7:30 p.m. Brown Hall
This concert showcases two of NEC’s exceptional student ensembles. The NEC Gospel Ensemble, coached by Nedelka Prescod, explores contemporary gospel music as it is currently being created and performed. This ensemble works with repertoire composed within the last 20 years and highlights key composers and choir leaders. The NEC Jazz Composers Ensemble, coached by Jorrit Dijkstra, gives student composers the opportunity to develop their work for small jazz ensemble through rehearsal and performance.

Monday, April 9 – CI Salon Night: Reichman CI, Zaleski Monk/Mingus, and Prescod R&B Ensembles
7, 8 and 9 p.m. Pierce Hall 
Discover the musical innovators of tomorrow in these three one-hour performances by CI student small ensembles. Tonight’s lineup features: Ted Reichman’s Contemporary Music Ensemble; Mark Zaleski’s Thelonious Monk/Charles Mingus Ensemble; Nedelka Prescod’s Rhythm and Blues Ensemble.

Tuesday, April 10 – Jazz Ensemble Concerts: Moses and Nieske Ensembles
7, 8 and 9 p.m. Eben Jordan Ensemble Room
Discover the musical innovators of tomorrow with these one-hour concerts featuring NEC’s student ensembles. Tonight’s ensembles coached by Ra Kalam Bob Moses and Bob Nieske.

Wednesday, April 11 – Jazz Ensemble Concerts: Reichman and Levy Ensembles
7, 8 and 9 p.m. Eben Jordan Ensemble Room
Discover the musical innovators of tomorrow with these one-hour concerts featuring NEC’s student ensembles. Tonight’s ensembles coached by Ted Reichman and Brian Levy.

Thursday, April 12 – Jazz Ensemble Concerts: Eade Ensembles
7, 8 and 9 p.m. Eben Jordan Ensemble Room
Discover the musical innovators of tomorrow with these one-hour concerts featuring NEC’s student ensembles. Tonight’s ensembles coached by vocalist Dominique Eade.

Monday, April 16 – Jazz Ensemble Concerts: McNeil and Carlberg Ensembles
7, 8 and 9 p.m. Eben Jordan Ensemble Room
Discover the musical innovators of tomorrow with these one-hour concerts featuring NEC’s student ensembles, each coached by a member of NEC’s renowned faculty. Tonight’s ensembles coached by John McNeil and Frank Carlberg.

Tuesday, April 17 – CI Salon Night: Kalmanovitch Improv, MacAdam-Somer American Roots, and CI Chamber Ensembles
7, 8 and 9 p.m. Pierce Hall 
Discover the musical innovators of tomorrow in these three one-hour performances by CI student small ensembles. Tonight features Tanya Kalmanovitch’s Composition/Improvisation Ensemble and Eden MacAdam-Somer’s American Roots and CI Chamber Ensembles.

Wednesday, April 18 – CI Salon Night: Netsky Jewish Music and Mantilla Contemporary Rock
7 and 8 p.m. Eben Jordan Ensemble Room
Discover the musical innovators of tomorrow in these two one-hour performances by CI student small ensembles. Tonight features Hankus Netsky’s Jewish Music Ensemble and Lautaro Mantilla’s Contemporary Rock Ensemble.

Thursday, April 19 – The Seven Rays: Music of Jerry Bergonzi and Ken Schaphorst 
7:30 p.m. Jordan Hall
This concert features the NEC Jazz Orchestra with saxophonist/composer Jerry Bergonzi in the performance of his composition “The Seven Rays,” a seven movement suite inspired by mystical associations with the number seven. Ken Schaphorst arranged the suite for the HfMT Big Band in Hamburg in 2016. This will be the first time the arrangement has been played in the United States. Bergonzi has taught at NEC for over twenty years, developing an international reputation as saxophonist, author, composer and educator.

Monday, April 23 – CI Salon Night: Zaleski CI Non-Majors, Barsamian and Coleman Survivors
7, 8 and 9 p.m. Pierce Hall 
Discover the musical innovators of tomorrow in these three one-hour performances by CI student small ensembles. Tonight features Mark Zaleski’s Non Majors Ensemble, Mal Barsamian’s Middle Eastern Ensemble, and Survivors Breakfast led by Anthony Coleman.

Tuesday, April 24 – Jazz Composers Workshop Orchestra 
7:30 p.m. Jordan Hall

Wednesday, April 25 – Jazz Ensemble Concerts: Seager and Morris Ensembles
7, 8 and 9 p.m. Eben Jordan Ensemble Room
Discover the musical innovators of tomorrow with these one-hour concerts featuring NEC’s student ensembles, each coached by a member of NEC’s renowned faculty. Tonight’s ensembles coached by Bert Seager and Joe Morris.

Thursday, April 26 – Jazz Ensemble Concerts: McBee and Moran Ensembles
7, 8 and 9 p.m. Eben Jordan Ensemble Room
Discover the musical innovators of tomorrow with these one-hour concerts featuring NEC’s student ensembles, each coached by a member of NEC’s renowned faculty. Tonight’s ensembles coached by Cecil McBee and Jason Moran.

Monday, April 30 – International Jazz Day
7:30 p.m. Brown Hall
UNESCO has designated April 30 as International Jazz Day in order to highlight jazz and its diplomatic role of uniting people in all corners of the globe. NEC joins the celebration with a performance featuring NEC faculty and students playing music embodying the ongoing dialogue between jazz and musical cultures from throughout the world.

May 2018

Tuesday, May 1 – Jazz Ensemble Concerts: Bergonzi Ensembles
7, 8 and 9 p.m. Eben Jordan Ensemble Room
Discover the musical innovators of tomorrow with these one-hour concerts featuring NEC’s student ensembles, each coached by a member of NEC’s renowned faculty. Tonight’s ensembles coached by Jerry Bergonzi.

Wednesday, May 2 – World premiere of Streams by Anthony Coleman
7:30 p.m. Jordan Hall
For its first 150 years one of NEC’s most important contributions to music education has been the school’s efforts to confront the convergence of various musical idioms and genres. These efforts only intensified in the late 1960s, when NEC president Gunther Schuller brought his “Third Stream” idea to the conservatory, creating a department (now called “Contemporary Improvisation”) with the specific mission of crafting a new approach to teaching music that could adapt as a new global approach to composition, performance, and improvisation took shape. This concert features the world premiere of “Streams,” a new composition commissioned for NEC’s 150th Anniversary. In this work CI alum, faculty member, and maverick composer Anthony Coleman bring the forces of today’s Contemporary Improvisation department (both students and faculty) together to explore and confront the problems and possibilities inherent in creating a global music for the 21st century.

Thursday, May 3 – Jazz Ensemble Concerts: Zaleski Jazz Non-Majors, Eisenmann and Leake Ensembles
7, 8 and 9 p.m. Eben Jordan Ensemble Room
Discover the musical innovators of tomorrow with these one-hour concerts featuring NEC’s student ensembles, each coached by a member of NEC’s renowned faculty. Tonight’s ensembles coached by Mark Zaleski, Henrique Eisenmann, and Jerry Leake.

NEC's Jazz Studies Department was the first fully accredited jazz studies program at a music conservatory. The brainchild of Gunther Schuller, who moved quickly to incorporate jazz into the curriculum when he became president of the Conservatory in 1967, the Jazz Studies faculty has included six MacArthur "genius" grant recipients (three currently teaching) and four NEA Jazz Masters. The program has spawned numerous Grammy winning composers and performers and has an alumni list that reads like a who's who of jazz. As Mike West writes in JazzTimes: “NEC's jazz studies department is among the most acclaimed and successful in the world; so says the roster of visionary artists that have comprised both its faculty and alumni.” The program currently has 101 students; 52 undergraduate and 49 graduate students from 18 countries.

Founded in 1972 by musical visionaries Gunther Schuller and Ran Blake, New England Conservatory's Contemporary Improvisation (CI) program is “one of the most versatile in all of music education” (JazzEd). CI trains composers, performers, and improvisers to broaden their musical palettes and develop unique voices. It is unparalleled in its structured approach to ear training and its emphasis on singing, memorization, harmonic sophistication, aesthetic integrity, and stylistic openness. Under Blake's inspired guidance for its first thirty-three years, the program grew considerably and has expanded its offerings under current co-chairs Hankus Netsky and Eden MacAdam-Somer. Alumni include Don Byron, John Medeski, Jacqueline Schwab, Aoife O'Donovan and Sarah Jarosz; faculty include Carla Kihlstedt, Blake, Dominique Eade, and Anthony Coleman. “A thriving hub of musical exploration,” (Jeremy Goodwin, Boston Globe), the program currently has more than 50 undergrad and graduate students from 14 countries.


Friday, August 25, 2017

New England Conservatory’s Jazz Studies and Contemporary Improvisation Departments Present 100+ Performances and Events for 150th Season



New England Conservatory's Jazz Studies and Contemporary Improvisation departments will present more than 100 performances and events for the 150th anniversary season.

The new season showcases diverse musical offerings from today's most talented artists performed in NEC's renowned concert halls, including three new state-of-the-art venues at the Student Life and Performance Center (SLPC).

2017-2018 Season highlights include: 

• World premieres of new works by Darcy James Argue and Anthony Coleman  

• Monk’s Dream: Thelonious Monk at 100 with T.S. Monk 

• Manteca: Dizzy Gillespie and the Birth of Latin Jazz celebrating Gillespie’s centennial  

• Residency featuring Matana Roberts • Music of Jerry Bergonzi and Ken Schaphorst 

New England Conservatory’s (NEC) internationally renowned Jazz Studies and Contemporary Improvisation (CI) Departments announce more than  100 concerts for the celebratory 150th anniversary season. The 2017-2018 continues to build on NEC’s rich legacy featuring 150 years of innovation showcasing the work of the first fully accredited jazz studies program at a music conservatory as well as the pioneering CI department. The new season showcases diverse musical offerings from today’s most talented artists performed in NEC’s renowned concert halls, including three new state-of-the-art venues at the Student Life and Performance Center (SLPC).

Highlights include the world premiere of a newly commissioned work by alumnus Darcy James Argue as part of a concert honoring the legacy of Bob Brookmeyer; the premiere of alumnus and faculty member Anthony Coleman’s new work, “Streams,” a composition commissioned for NEC’s sesquicentennial; “Thelonious Monk at 100” featuring T.S. Monk performing portions of Monk’s legendary Town Hall Concert with the NEC Jazz Orchestra; a residency featuring composer, performer, sound artist, improviser, and NEC alumna Matana Roberts; a celebration of the centennial of Dizzy Gillespie; CI Salon Nights and Jazz Ensemble Concerts featuring hour-long concerts by rising star NEC students from the Jazz and Contemporary Improvisation departments. 

NEC is pleased to offer  the following concerts, free and open to the public. For more information, visit necmusic.edu or call 617-585-1122.

FALL 2017

August/September 2017

Wednesday, August 30 – Jazz Jam Session
7:30 p.m. Brown Hall

Tuesday, September 5 – Opening Night
7:30 p.m.  Brown Hall

Join NEC's groundbreaking Contemporary Improvisation department in kicking off the academic year with a concert featuring CI faculty including Ran Blake, Eden MacAdam-Somer, Hankus Netsky, Anthony Coleman and others.

Thursday, September 7 – CI Jam Session
7:30 p.m. Pierce Hall

Saturday, September 23 – Open Studios
Street fair all day, barn dance 7 – 10 p.m. – Brown Hall

NEC’s Open Studioscelebrates the opening of  the new Student Life and Performance Center with live music, dancing, food, drink, and much more. CI events include live concerts by Night Tree and the Ladles, and a Barn Dance featuring the Ladles and special guests, calling by Angela DeCarlis. No partners or dance experience necessary – just come and dance the night away!

October 2017

Friday, October 6 – CI and Jazz Master Class with Burton Greene
10 a.m.

Originally from Chicago, Burton Greene rose to popularity during the 1960s on New York's free jazz scene, gigging with well-known musicians including Marion Brown, Bill Dixon, Rashied Ali, Albert Ayler, Gato Barbieri, Byard Lancaster, Sam Rivers, Patty Waters, Perry Robinson, Willem Breuker, and many others. He moved to Holland in 1969 and, in the late 1980s, began exploring the Klezmer tradition in his groups Klezmokum (along with Perry Robinson), Klez-thetics, and a more recent group called Klez-Edge with vocalist Marek Balata. Klez-Edge has a recent recording Ancestors, Mindreles, NaGila Monsters (2008) out on John Zorn's Tzadik label. A duet with Perry Robinson, also on the Tzadik label, Two Voices in the Desert was released in January 2009.

Wednesday, October 18 – Concert with NEC Alumna Matana Roberts and CI students 
7:30 p.m. Brown Hall

NYC-based sound experimentalist, jazz saxophonist and clarinetist, composer, improviser, Doris Duke Artist Award recipient and NEC alumna Matana Roberts is the composer of Coin Coin, a multichapter musical work-in-progress exploring themes of history, memory and ancestry. She has been a guest curator at the Stone and Artist in Residence at the Whitney Museum, among others. While at NEC, she will conduct a week-long residency, Monday through Friday, October 16-20. In addition to the Wednesday concert, public events are planned on Tuesday, October 17 at 10 a.m. when Matana will discuss her music and on Friday, October 20 when she will host an improvisation workshop.

Thursday, October 19 – Monk’s Dream: Thelonious Monk at 100 
7:30 p.m. Jordan Hall

NEC will celebrate the 100th Birthday of jazz giant Thelonious Monk with a concert featuring NEC faculty and alums including Ran Blake, Frank Carlberg, Fred Hersch, Nedelka Prescod and Dominique Eade. T. S. Monk will play portions of Monk’s legendary Town Hall Concert with the NEC Jazz Orchestra. Robin Kelley, author of Thelonious Monk: The Life of an American Original, will speak about Monk’s life and music. 

Friday, October 27 – Masterclass with Daniel Levin, Tony Malaby, Randy Peterson 
10 – 11:50 a.m.

Three of today’s most innovative improvisers will work with NEC students.
  
Sunday, October 29 – Linda Chase: The City is Burning
4 p.m. Brown Hall

CI faculty member and NEC alumna Linda Chase presents her extraordinary and timely mixed media piece The City Is Burning, featuring CI faculty and students and special guests Stan Strickland and Professor Harvey Cox.

Monday, October 30 – Ken Schaphorst Faculty Concert
7:30 p.m. Jordan Hall

November 2017

Wednesday, November 8 – Jazz Ensemble Concerts
7, 8 and 9 p.m. Student Life and Performance Center (SLPC), Eben Jordan Ensemble Room

Discover the musical innovators of tomorrow with these one-hour concerts featuring NEC’s student ensembles, each coached by a member of NEC’s renowned faculty.

Thursday, November 9 – Jazz Ensemble Concerts
7, 8 and 9 p.m. SLPC, Eben Jordan Ensemble Room

Discover the musical innovators of tomorrow with these one-hour concerts featuring NEC’s student ensembles, each coached by a member of NEC’s renowned faculty.

Monday, November 13 – What Keeps Mankind Alive: Kurt Weill, Bertolt Brecht, and the Epic Theater
7:30 p.m. Jordan Hall

CI students and faculty explore the world of Bertolt Brecht and Kurt Weill through performances of works from The Threepenny Opera and The Seven Deadly Sins, along with original pieces and traditional songs. Performers include the Anthony Coleman and CI Chamber Music Ensembles.

Tuesday, November 14 – NEC Gospel Ensemble and NEC Composers Ensemble
8 p.m. Brown Hall

This concert showcases two of NEC’s exceptional student ensembles. The NEC Gospel Ensemble, coached by Nedelka Prescod, explores contemporary gospel music as it is currently being created and performed. This ensemble works with repertoire composed within the last 20 years and highlights key composers and choir leaders. The NEC Jazz Composers Ensemble, coached by Jorrit Dijkstra, gives student composers the opportunity to develop their work for small jazz ensemble through rehearsal and performance.
   
Thursday, November 16 –Jazz Ensemble Concerts
7, 8 and 9 p.m. SLPC Eben Jordan Ensemble Room

Discover the musical innovators of tomorrow with these one-hour concerts featuring NEC’s student ensembles, each coached by a member of NEC’s renowned faculty.


Monday, November 20 – Jazz Ensemble Concerts
7, 8 and 9 p.m. SLPC Eben Jordan Ensemble Room

Discover the musical innovators of tomorrow with these one-hour concerts featuring NEC’s student ensembles, each coached by a member of NEC’s renowned faculty.


Tuesday, November 21 – CI Salon Night
7, 8 and 9 p.m. Pierce Hall

Discover the musical innovators of tomorrow in these three one-hour performances by CI student small ensembles. Tonight’s lineup features the Irish Music, Joe Morris, and Cobra ensembles.

Monday, November 27 – Jazz Ensemble Concerts
7, 8 and 9 p.m. SLPC Eben Jordan Ensemble Room

Discover the musical innovators of tomorrow with these one-hour concerts featuring NEC’s student ensembles, each coached by a member of NEC’s renowned faculty.

Tuesday, November 28 – Jazz Ensemble Concerts
7, 8 and 9 p.m. SLPC Eben Jordan Ensemble Room

Discover the musical innovators of tomorrow with these one-hour concerts featuring NEC’s student ensembles, each coached by a member of NEC’s renowned faculty.

Wednesday, November 29 – Jazz Ensemble Concerts
7, 8 and 9 p.m. SLPC Eben Jordan Ensemble Room

Discover the musical innovators of tomorrow with these one-hour concerts featuring NEC’s student ensembles, each coached by a member of NEC’s renowned faculty.

Thursday, November 30 – Jazz Ensemble Concerts
7, 8 and 9 p.m. SLPC Eben Jordan Ensemble Room

Discover the musical innovators of tomorrow with these one-hour concerts featuring NEC’s student ensembles, each coached by a member of NEC’s renowned faculty.

December 2017

Sunday, December 3 – Linda Chase’s “Hope Is the Hardest Love We Carry”
3 p.m. Museum of Fine Arts, Boston 

Hope Is the Hardest Love We Carry, a chamber composition by faculty member Linda J. Chase, features poet Jane Hirshfield reading her own poetry and her translations (with Mariko Aratani) of thousand-year-old Japanese poems by Izumi Shikibu and Ono no Komachi. The music was composed following Chase’s Japan Foundation residency that happened to coincide with the 3/11/11 Great East Japan earthquake, tsunami, and nuclear disaster. Performers will include NEC faculty members flutist Linda J. Chase, pianist Hankus Netsky and students from New England Conservatory's Contemporary Improvisation Department.

Monday, December 4 – CI Salon Night
7, 8 and 9 p.m. Pierce Hall

Line-up features the Zaleski Non-Majors, African American Roots, and Anthony Coleman Ensembles.
    
Tuesday, December 5 – Jazz Ensemble Concerts
7, 8 and 9 p.m. SLPC Eben Jordan Ensemble Room

Discover the musical innovators of tomorrow with these one-hour concerts featuring NEC’s student ensembles, each coached by a member of NEC’s renowned faculty.

Wednesday, December 6 – Jazz Ensemble Concerts
7, 8 and 9 p.m. SLPC Eben Jordan Ensemble Room

Discover the musical innovators of tomorrow with these one-hour concerts featuring NEC’s student ensembles, each coached by a member of NEC’s renowned faculty.

Thursday, December 7 – Manteca: Dizzy Gillespie and the Birth of Latin Jazz
7:30 p.m. Jordan Hall

Celebrating Dizzy Gillespie’s centennial, with a particular emphasis on his contribution to the development of Latin Jazz, the NEC Jazz Orchestra will perform “Manteca,” “Tin Tin Deo” and “Cubano Be, Cubano Bop,” written by Gillespie and longtime NEC faculty member George Russell. 

Monday, December 11 – Jazz Ensemble Concerts
7, 8 and 9 p.m. SLPC Eben Jordan Ensemble Room

Discover the musical innovators of tomorrow with these one-hour concerts featuring NEC’s student ensembles, each coached by a member of NEC’s renowned faculty.

Tuesday, December 12 – Jazz Composers’ Workshop Orchestra
7:30 p.m. Brown Hall

The Jazz Composers’ Workshop Orchestra is devoted to rehearsing and performing works by NEC Jazz Composition students. Coached by pianist/composer and NEC jazz faculty member Frank Carlberg, the ensemble gives its composers the opportunity to learn how to rehearse and conduct a band, as well as have their works heard. 

Wednesday, December 13 – CI Salon Night
7 and 8 p.m. Pierce Hall 

Tonight’s lineup features the Persian Music and Interdisciplinary Ensembles.

Wednesday, December 13 – Jazz Ensemble Concerts
7, 8 and 9 p.m. SLPC Eben Jordan Ensemble Room

Discover the musical innovators of tomorrow with these one-hour concerts featuring NEC’s student ensembles, each coached by a member of NEC’s renowned faculty.

Thursday, December 14 – CI Salon Night
7, 8 and 9 p.m. Pierce Hall 

Tonight’s lineup features the Turkish Music, CI Chamber, and Songwriters Workshop Ensembles.

SPRING 2018

January 2018

Monday, January 29 – Jazz and CI Faculty Spotlight
7:30 p.m. Jordan Hall 

February 2018

Wednesday, February 21 – Film Noir: Cria Cuervos
7:30 p.m. Jordan Hall

Co-producers Aaron Hartley and Ran Blake present their 13th Annual Film Noir project, featuring students and faculty of NEC's groundbreaking Contemporary Improvisation department. This year's performance explores Carlos Saura's film Cria Cuervos heightened by new music created by NEC musicians and special alumni guest artists percussionist Tupac Mantilla and vocalist Burcu Gulec.

March 2018

Thursday, March 1 – Celebration: The Legacy of Bob Brookmeyer 
7:30 p.m. Jordan Hall

The NEC Jazz Orchestra he will perform music by Bob Brookmeyer and six of Brookmeyer’s former NEC students, including the world premiere of a new composition commissioned for NEC’s 150th Anniversary by alumnus Darcy James Argue. Argue was a Doris Duke Artist Award recipient in 2015. Music by NEC alumni Ayn Inserto, Mehmet Ali Sanlikol, Ryan Truesdell and Nicholas Urie will also be featured. Saxophonist, low reed expert and NEC alumnus Brian Landrus will be featured playing Brookmeyer’s “Celebration Suite.” Brookmeyer taught composition at NEC between 1997 and 2007.

Tuesday, March 13 – Eden MacAdam-Somer Faculty Recital
7:30 p.m. Jordan Hall

Monday, March 26 – Jazz and Wild Card Honors Ensemble Concert
7:30 p.m. Jordan Hall

Each year, an audition committee selects a few exceptional students to represent NEC in the Honors Jazz and Wild Card ensembles.
                         
April 2018

Monday, April 2 – Jazz Ensemble Concerts
7, 8 and 9 p.m. SLPC Eben Jordan Ensemble Room

Discover the musical innovators of tomorrow with these one-hour concerts featuring NEC’s student ensembles, each coached by a member of NEC’s renowned faculty.

Tuesday, April 3 – Jazz Ensemble Concerts
7, 8 and 9 p.m. SLPC Eben Jordan Ensemble Room

Discover the musical innovators of tomorrow with these one-hour concerts featuring NEC’s student ensembles, each coached by a member of NEC’s renowned faculty.

Wednesday, April 4 – Jazz Ensemble Concerts
7, 8 and 9 p.m. SLPC Eben Jordan Ensemble Room

Discover the musical innovators of tomorrow with these one-hour concerts featuring NEC’s student ensembles, each coached by a member of NEC’s renowned faculty.

Thursday, April 5 – NEC Gospel and NEC Composers Ensemble
7:30 p.m. Brown Hall

This concert showcases two of NEC’s exceptional student ensembles. The NEC Gospel Ensemble, coached by Nedelka Prescod, explores contemporary gospel music as it is currently being created and performed. This ensemble works with repertoire composed within the last 20 years and highlights key composers and choir leaders. The NEC Jazz Composers Ensemble, coached by Jorrit Dijkstra, gives student composers the opportunity to develop their work for small jazz ensemble through rehearsal and performance.

Monday, April 9 – CI Salon Night
7, 8 and 9 p.m. Pierce Hall 

Discover the musical innovators of tomorrow in these three one-hour performances by CI student small ensembles. Tonight’s lineup features the Middle Eastern, Ted Reichman, and R&B Ensembles.

Tuesday, April 10 – Jazz Ensemble Concerts
7, 8 and 9 p.m. SLPC Eben Jordan Ensemble Room

Discover the musical innovators of tomorrow with these one-hour concerts featuring NEC’s student ensembles, each coached by a member of NEC’s renowned faculty.

Wednesday, April 11 – Jazz Ensemble Concerts
7, 8 and 9 p.m. SLPC Eben Jordan Ensemble Room

Discover the musical innovators of tomorrow with these one-hour concerts featuring NEC’s student ensembles, each coached by a member of NEC’s renowned faculty.

Thursday, April 12 – Jazz Ensemble Concerts
7, 8 and 9 p.m. SLPC Eben Jordan Ensemble Room

Discover the musical innovators of tomorrow with these one-hour concerts featuring NEC’s student ensembles, each coached by a member of NEC’s renowned faculty.

Monday, April 16 – Jazz Ensemble Concerts
7, 8 and 9 p.m. SLPC Eben Jordan Ensemble Room

Discover the musical innovators of tomorrow with these one-hour concerts featuring NEC’s student ensembles, each coached by a member of NEC’s renowned faculty.

Tuesday, April 17 – CI Salon Night
7, 8 and 9 p.m. Pierce Hall 

Discover the musical innovators of tomorrow in these three one-hour performances by CI student small ensembles. Tonight’s lineup features the Tanya Kalmanovitch, American Roots, and CI Chamber Ensembles.

Wednesday, April 18 – CI Salon Night
7 and 8 p.m. SLPC Eben Jordan Ensemble Room

Discover the musical innovators of tomorrow in these two one-hour performances by CI student small ensembles. Tonight’s lineup features the Jewish Music and Contemporary Rock Ensembles.

Thursday, April 19 – The Seven Rays: Music of Jerry Bergonzi and Ken Schaphorst 
7:30 p.m. Jordan Hall

This concert features the NEC Jazz Orchestra with saxophonist/composer Jerry Bergonzi in the performance of his composition “The Seven Rays,” a seven movement suite inspired by mystical associations with the number seven. Ken Schaphorst arranged the suite for the HfMT Big Band in Hamburg in 2016. This will be the first time the arrangement has been played in the United States. Bergonzi has taught at NEC for over twenty years, developing an international reputation as saxophonist, author, composer and educator.

Monday, April 23 – CI Salon Night
7, 8 and 9 p.m. Pierce Hall 

Discover the musical innovators of tomorrow in these three one-hour performances by CI student small ensembles. Tonight’s lineup features the Zaleski Non-Majors, Anthony Coleman, and Monk/Mingus Ensembles.

Tuesday, April 24 – Jazz Composers Workshop Orchestra 
7:30 p.m. Jordan Hall

Wednesday, April 25 – Jazz Ensemble Concerts
7, 8 and 9 p.m. SLPC Eben Jordan Ensemble Room

Discover the musical innovators of tomorrow with these one-hour concerts featuring NEC’s student ensembles, each coached by a member of NEC’s renowned faculty.


Thursday, April 26 – Jazz Ensemble Concerts
7, 8 and 9 p.m. SLPC Eben Jordan Ensemble Room

Discover the musical innovators of tomorrow with these one-hour concerts featuring NEC’s student ensembles, each coached by a member of NEC’s renowned faculty.

Monday, April 30 – International Jazz Day
7:30 p.m. Brown Hall

UNESCO has designated April 30 as International Jazz Day in order to highlight jazz and its diplomatic role of uniting people in all corners of the globe. NEC joins the celebration with a performance featuring NEC faculty and students playing music embodying the ongoing dialogue between jazz and musical cultures from throughout the world.

Monday, April 30 – Jazz Ensemble Concerts
7, 8 and 9 p.m. SLPC Eben Jordan Ensemble Room

Discover the musical innovators of tomorrow with these one-hour concerts featuring NEC’s student ensembles, each coached by a member of NEC’s renowned faculty.

May 2018

Tuesday, May 1 – Jazz Ensemble Concerts
7, 8 and 9 p.m. SLPC Eben Jordan Ensemble Room

Discover the musical innovators of tomorrow with these one-hour concerts featuring NEC’s student ensembles, each coached by a member of NEC’s renowned faculty.

Wednesday, May 2 – World premiere of Streams by Anthony Coleman
7:30 p.m. Jordan Hall

For its first 150 years one of NEC’s most important contributions to music education has been the school’s efforts to confront the convergence of various musical idioms and genres. These efforts only intensified in the late 1960s, when NEC president Gunther Schuller brought his “Third Stream” idea to the conservatory, creating a department (now called “Contemporary Improvisation”) with the specific mission of crafting a new approach to teaching music that could adapt as a new global approach to composition, performance, and improvisation took shape. This concert features the world premiere of “Streams,” a new composition commissioned for NEC’s 150th Anniversary. In this work CI alum, faculty member, and maverick composer Anthony Coleman bring the forces of today’s Contemporary Improvisation department (both students and faculty) together to explore and confront the problems and possibilities inherent in creating a global music for the 21st century.

Thursday, May 3 – Jazz Ensemble Concerts
7, 8 and 9 p.m. SLPC Eben Jordan Ensemble Room

Discover the musical innovators of tomorrow with these one-hour concerts featuring NEC’s student ensembles, each coached by a member of NEC’s renowned faculty.

NEC's Jazz Studies Department was the first fully accredited jazz studies program at a music conservatory. The brainchild of Gunther Schuller, who moved quickly to incorporate jazz into the curriculum when he became president of the Conservatory in 1967, the Jazz Studies faculty has included six MacArthur "genius" grant recipients (three currently teaching) and four NEA Jazz Masters. The program has spawned numerous Grammy winning composers and performers and has an alumni list that reads like a who's who of jazz. As Mike West writes in JazzTimes: “NEC's jazz studies department is among the most acclaimed and successful in the world; so says the roster of visionary artists that have comprised both its faculty and alumni.” The program currently has 101 students; 52 undergraduate and 49 graduate students from 18 countries. www.necmusic.edu/jazz

Founded in 1972 by musical visionaries Gunther Schuller and Ran Blake, New England Conservatory's Contemporary Improvisation (CI) program is “one of the most versatile in all of music education” (JazzEd). CI trains composers, performers, and improvisers to broaden their musical palettes and develop unique voices. It is unparalleled in its structured approach to ear training and its emphasis on singing, memorization, harmonic sophistication, aesthetic integrity, and stylistic openness. Under Blake's inspired guidance for its first thirty-three years, the program grew considerably and has expanded its offerings under current co-chairs Hankus Netsky and Eden MacAdam-Somer. Alumni include Don Byron, John Medeski, Jacqueline Schwab, Aoife O'Donovan and Sarah Jarosz; faculty include Carla Kihlstedt, Blake, Dominique Eade, and Anthony Coleman. “A thriving hub of musical exploration,” (Jeremy Goodwin, Boston Globe), the program currently has more than 50 undergrad and graduate students from 14 countries. http://necmusic.edu/contemporary-improvisation