Showing posts with label Akira Tana. Show all posts
Showing posts with label Akira Tana. Show all posts

Thursday, March 8, 2018

David K. Mathews - The Fantasy Vocal Sessions, Vol. 1 Standards (2018)


The Fantasy Vocal Sessions, Vol. 1 is Mathews' collection of standards from the great American songbook performed in a typical small group jazz setting - a concept that sprouted from his long tenure as pianist/organist for the legendary Queen of Rhythm & Blues, Etta James. The original idea was to capture James in the studio with a stripped-down rhythm section. But due to her decline in health, they were never able to record the sessions. Fast forward nearly a decade and seed of that concept has come to fruition featuring multiple vocalists that Mathews has collaborated with over the years, including rock legend Steve Miller, Maria Muldaur of “Midnight At The Oasis” fame, long-time Santana vocalist Tony Lindsay, Amikaeyla, jazz vocal phenom Kenny Washington, and a host of others.

Saxophonist Wayne de Silva is featured on many tracks, and the rhythm section is anchored by veteran east coast drummer Akira Tana, bassist Peter Barshay, and beloved S.F. Bay Area guitarists Jim Nichols and Carl Lockett.

1 I Want to Talk About You (by David K. Mathews featuring Nicolas Bearde) 5:15
2 Alfie (by David K. Mathews featuring Amikaeyla) 5:33
3 Blue Skies (by David K. Mathews featuring Steve Miller) 5:23
4 Oh Papa (by David K. Mathews featuring Maria Muldaur) 5:39
5 Ruby (by David K. Mathews featuring Glenn Walters) 6:20
6 Smile (by David K. Mathews featuring Nicolas Bearde) 4:30
7 When Sunny Gets Blue (by David K. Mathews featuring Tony Lindsay) 8:08
8 Lover Man (by David K. Mathews featuring Maria Muldaur) 7:46
9 Lush Life (by David K. Mathews featuring Kenny Washington) 5:29
10 The More I See You (by David K. Mathews featuring Frank Jackson) 3:38
11 We'll Be Together Again (by David K. Mathews featuring Reni Simon) 6:59
12 Skylark (by David K. Mathews featuring Glenn Walters) 5:57
13 In the Wee Small Hours of the Morning (by David K. Mathews featuring John Laslo) 3:41

Monday, March 5, 2018

DRUM MAESTRO AKIRA TANA PUTS A GORGEOUS SPIN ON THE BRAZILIAN SONGBOOK WITH JAZZANOVA


WITH SPECIAL GUESTS BRANFORD MARSALIS AND ARTURO SANDOVAL AND A DAZZLING CAST OF SINGERS, INCLUDING RIO-BORN CLAUDIA VILLELA, VIVA BRAZIL’S CLAUDIO AMARAL, ARGENTINE TANGO MASTER MARIA VOLONTÉ, MEXICAN-AMERICAN JAZZ DIVA JACKIE RYAN, THRICE-GRAMMY NOMINATED CARLA HELMBRECHT, AND BRAZILIAN JAZZ SPECIALIST SANDY CRESSMAN

AKIRA TANA didn’t have to go looking for Brazilian music as a young musician.An elite jazz drummer since the mid 1970s, he’s been immersed in the verdant hot house of Brazil’s surgin grhythms and sensuous melodies his entire career. His new album JAZZANOVA, which is slated for release by Vega on March1, 2018, reflects an abiding passion kindled by his formative experiences with some of Brazilian jazz’s foundational figures. It’s a treasure trove of Brazilian riches, with beautifully crafted arrangements designed to shine a lustrous new light on classic material.

Featuring a cast of top-shelf Bay Area players,JAZZANOVA was designed to showcase a superlative cast of singers and instrumentalist interpreting some of the Brazilian Songbook’s definitive standards and lesser known gems, with a couple of songs en Español included for good measure. While Tana is best known for the talent-proving band he coled with bassist RufusReid, Tana Reid, and as first call accompanist who toured and recorded with jazz legends such as James Moody, Zoot Sims, the HeathBrothers, ArtFarmer and J.J.Johnson, he’s collaborated with Brazilian masters from the start of his career.

“It goes back to when I was in school in Boston, ”Tana says. “Trumpeter Claudio Roditi was living there after studying at Berklee, and we’d play Brazilian jazz around Boston that sometimes included altosaxist and composer VictorAssis Brazil and trombonist Raul de Souza. I met Ricardo Peixoto when I was doing gigs in Nantucket during the summers. I followed his career and am fortunate that he ended up living in the San Francisco Bay Area and was able to be involved in this project.”

Rio-born Peixoto, a Bay Area mainstay who provides the essential pulse throughout the album, is a direct link between Tana’s early immersion in Brazilian music and JAZZANOVA. Tana’s band also features PETER HORVATH on piano and Fende rRhodes, Airto and Flora Purim collaborator GARY BROWN on bass, and percussion master MICHAEL SPIRO. Saxophonist BRANFORD MARSALIS or Cuban-born trumpeter ARTURO SANDOVAL contribute vivid solos on almost every track, providing incisive commentary for the six extraordinary vocalists. As Andrew Gilbert writes in the liner notes, “the album’s concept is based upon matching singers and songs… an eclectic cast united by the fact that each possesses an utterly personal sound and approach.”

The album opens with Peixoto’s playful arrangement pairing CLAUDIO AMARAL and CLAUDIA VILLELA on “Águas de Março” (WatersofMarch), a loving hat tip to Jobim and Elis Regina duet on the classic 1974 album Elis & Tom. It’s a welcome spotlight for Amaral, who’s better known as a prolific composer and guitarist via collaborations with vocalist Mark Murphy and Brazilian stars Martinho da Vila, Joao Gilberto, and Airto Moreira. Villela, one of the world’s finest Brazilian jazz singers, also contributes two original pieces,the soaring, Joni Mitchell-esque “Jangaga” and “Diride,” which pairs her with her longtime creative partner Peixoto on acoustic guitar.


Vocalist SANDY CRESSMAN steps forward on a gorgeous version of “CaminhosCruzados” (Crossroads), one of five classic Jobim songs on the album. Known for her expansive repertoire of MPB (musica popular brasileira), she’s an ideal choice to interpret Ivan Lins and Vitor Martins’s popular ballad “Bilhete, ”which features a startlingly beautiful Branford soprano sax solo. CARLA HELMBRECHT also puts her stamp on Jobim and Lins,delivering supple and emotionally resonant versions of “Corcovado” and “Love Dance” (Lins’s best known jazz standard).

While Helmbrecht isn’t usually associated with Brazilian music, JACKIE RYAN has honed a polyglot repertoire encompassing numerous Brazilian standards, and her aching rendition of Jobim’s “Por Causa De Você” (Don’t Eve rGo Away) taps into the same bottomless well of desperation that made FrankSinatra’s collaboration with the composer so powerful. Ryan and the great Argentine vocalist MARIAVOLONTÉ effectively team up on Peixoto’s sleek and buoyant multi-lingual arrangement of Jobim’s “Chega De Saudade” (NoMoreBlues).

One of Argentina’s most celebrated tango singers, Volonté fits neatly into the JAZZANOVA fold. In addition to “Chega De Saudade,” she performs another duet, joining Sandoval on the album’s closer, the romantic ballad “La Gloria Eres Tu,” indelibly linked to Mexican superstar Luis Miguel. Volonté’s impassioned performance is no surprise, but Sandoval’s potent vocals offer another glimpse at his prodigious musical gifts.

Throughout the session, Tana renders the various grooves with taste and an unerring ear for textural support. As authoritative as he is behind the drum kit, he’s emerged in recent decades as a savvy producer who can turn a concept into a singular musical communion, such as 2011’s Kiss Kiss Bang Bang (Sons of Sound),a session exploring title themes from James Bondfilms, and 2013’s Otonawa, a strikingly beautiful project marrying traditional Japanese melodies with trenchant jazz improvisation.

Born in San Jose in March 14, 1952 and raised in Palo Alto,Tana played in a rock band as a teenager, and become a devoted jazz convert after acquiring a used copy of Miles Davis’s classic 1966 album Miles Smiles. His father led various Buddhist congregations around the Bay Area and his mother played koto and piano.While majoring in East Asian Studies at Harvard, he continued to play jazz whenever he could. His friendship with budding jazz drum star Billy Hart led to an early epiphany when he had a chance to sit in with Herbie Hancock’s Mwandishi band in the early 70s. A protégé of the great drum teacher Alan Dawson (whose past students included Tony Williams and Clifford Jarvis),Tana decided to pursue music full time and enrolled at New England Conservatory, graduating with a degree in percussion, still finding time to do tours with Sonny Rollins, Hubert Laws, and the Paul Winter Consort.

Other extra curricular gigs with heavyweight jazz artists like Milt Jackson,Sonny Stitt and Helen Humes during his eight years in Boston helped pave the way for his move to New York in 1979. He made a name for himself as a leader with Tana Reid, a band he co-founded and led with bassist Rufus Reid.During the course of the 90s the group toured internationally, released six CDs and helped boost the careers of brilliant young improvisers like pianist Rob Schneiderman, and tenor saxophonists Mark Turner and Ralph Moore. With JAZZANOVA, he’s staked a rightful claim to the Brazilian jazz canon, joined by a cast of redoubtable cast of collaborators.

Sunday, February 18, 2018

Akira Tana - JAZZaNOVA (March 1, 2018)


Born and raised in California, Akira Tana earned degrees from Harvard University and the New England Conservatory of Music. Tana has worked with among others,SONNY ROLLINS, ZOOT SIMS, HUBERT LAWS, , JIM HALL, ART FARMER, THE PAUL WINTER CONSORT, PAQUITO D'RIVERA, JAMES MOODY, J.J. JOHNSON, LENA HORNE, THE MANHATTAN TRANSFER, RUTH BROWN. More info: www.akiratana.com


1. Aguas de Marco
2. Love Dance
3. Chega de Saudade
4. Bilhete
5. Corcovado
6. Condename a Callar
7. Waiting for Angela
8. Jangada
9. Carminhos Cruzados
10. Aquele Frevo Axe
11. Por Causa De Voce
12. Diride
13. La Gloria Eres Tu


Tuesday, November 21, 2017

Michael Zilber - Originals For The Originals (ORIGIN RECORDS 2017)



The Bay Area saxophonist / composer's 11th recording as leader or co-leader is a labor of love that reflects both his keen sense of the history of the music and his infinite capacity to SWING. Citing the profound influence of seven sax masters - Michael Brecker, Sonny Rollins, Dave Liebman, Wayne Shorter, Joe Henderson, John Coltrane and Paul Desmond - Zilber, along with New York greats Dave Kikoski on piano, bassist James Genus, and drummer Clarence Penn, has fashioned a potent homage that is infused with all-knowing nods to his heroes. "...art music of the highest order performed with passion, wit and verve." JAZZTIMES.


Breckerfast Club
Leaves (for Michael Brecker)
Partly Sonny
Autumn Lieb
Weather Wayne
Pastel Blues (for Wayne Shorter)
Hen House
Late Night Trane (in the distance)
Lieb Dich
Coltraning Daze
St. Paul (Desmond)

David Kikowski: piano
James Genus: bass
Clarence Penn: drums
Matt Clark: piano (7)
Peter Barshay: bass (7
Akira Tana: drums (7)

Saturday, June 17, 2017

Pete Malinverni Trio - Heaven, with Ben Allison & Akira Tana (feat. Karrin Allyson, Steve Wilson & Jon Faddis) June 16, 2017 SARANAC RECORDS


Pianist / Composer Pete Malinverni asks, "Heaven - is this it, right here?"

Heaven, an inspired trio set, due out June 16 on Saranac Records,
features bassist Ben Allison and drummer Akira Tana
with special guests Jon Faddis, Karrin Allyson and Steve Wilson

"Pete Malinverni is one wild catŠhis playing can be dark, gritty and oddly rapturousŠhe digs into the piano and emerges with exotic treasureŠ" - Karl Stark, Philadelphia Inquirer

 "One listen and you'll know why Pete Malinverni is one of New York's great pianists"
- Michael Ryan, The Boston Herald

"Malinverni - audacious and exquisite." - Jim Macnie, Village Voice

****Four stars. "Dashing but without ego, Malinverni tells tales short on embellishment and long on resonance." - Fred Bouchard, DownBeat Magazine

 "Pete Malinverni is a pianist with a forthright and elegant style." - Nate Chinen, NY Times

Pete celebrates the new release with CD release concerts:

May 19 - Firehouse 12 - New Haven, CT
June 17 - Pound Ridge NY Public Library
June 21 - Rosemary and Vine - Rye, NY
June 28 - Mezzrow - NYC
July 1 - Maureen's Jazz Cellar - Nyack, NY
July 20 - Monhonk Mountain House - New Palz, NY


With Heaven Pete Malinverni adds to the long list of varied and moving projects he's given us over time, including in the trio, quartet, quintet, solo piano, big band and choir formats. Always searching in spirit but engaging in nature, Pete's music asks the larger questions in a way that is both challenging and approachable.

Heaven is no different, except that it was born of a remarkable set of circumstances. First, Pete's wife, singer Jody Sandhaus, died in 2012, causing him to look to many places, including deep inside, to find a way forward in life. He had to - he loves life and he has a son. Through that search, Pete found a new appreciation for the quotidian things one encounters on a daily basis and that speak of something larger - something, call it what you will, that is worth notice and appreciation.

Then, just over a year ago, Pete himself had a health scare - unfounded, but yielding that existential fear some of us know all too well. During a fraught week, Pete resolved that, should he have time for just one more recording, it would deal with spiritual things. With the eventual 100% clean bill of health came relief - but also a new determination that the difficult week had served the purpose of giving his art a new focus.

Heaven is the result of that clarity. Featuring Pete in trio with Ben Allison and Akira Tana, the album features songs that speak in varied ways of spirituality, from Curtis Mayfield's People, Get Ready to Hungarian Jewish martyr Hannah Senesh's Eili, Eili, to the American Spiritual, A City Called Heaven to the title track, Duke Ellington's Heaven.

Also featured on the date for one selection each are Karrin Allyson (Jody Sandhaus' favorite singer, by the way), saxophonist Steve Wilson and trumpeter Jon Faddis, each guest offering a unique and stirring meditation in his/her own unique voice.

The question of Heaven is an old one. Does it exist - and, if so, how can it be better than this? Well, Pete Malinverni has learned for sure what he always suspected: if the beauty of every moment - every personal encounter, every lick from a dog, every breeze - is tasted as it should be, then isn't Heaven right here, right now?

Indeed, in his liner notes, Malinverni says, "We all want to look up - we hope, maybe we even trust, that somewhere there is unalloyed truth and beauty. Much art memorializes tristesse, encouraging us to abide, to await Relief, Rest or Joy. Other art suggests that Joy can be experienced right now, if only we choose it. For lack of a better term, let's call that thing for which we wait, or which we savor presently, Heaven.

"This recording is meant to reconcile those two perspectives, presenting music of various traditions with one thing in common - the notion that even this vale of tears is tinged with the essence of the transcendent, of the beautiful and the true".


The album opens with a jaunty reading of the title track, Malinverni taking a hint from the first two chords of the harmony, modulating up every chorus. Following immediately behind is Psalm 23, Pete's dynamic new commissioned choral composition, offered here in the trio format. The American folk song, Down in the River to Pray is next, played in a "5" meter, calling to mind the scene at the shore early one Sunday.

Next, the ever-soulful Karrin Allyson joins Pete at the water with Shenandoah, followed by the trio's rendering of Eili, Eili, by the young Jewish martyr Hannah Senesh, who parachuted with the RAF into her native Hungary to help lead Jews out of their then-dangerous home. Instead, she was caught, tortured and killed by the Nazis and this poem, an appreciation of the simple and profound beauty of nature, is her legacy.

Then, the swinging version of the soul hit, People, Get Ready precedes a beautifully intimate Come Sunday by Jon Faddis and the trio, followed by a Ben Allison feature on A City Called Heaven. Steve Wilson burns down the house on Wade in the Water and the recital closes with Ashokan Farewell, a new song of loss and what's left behind, featured prominently in Ken Burns' Civil War series.

All in all, Heaven is a worthy addition to Pete Malinverni's oeuvre, and not to be missed.