The pivot and connector for this top-flight group of musical allies and equal partners has been Peirani. He had previously played with all three of the others, and has brought them together. The quartet member he has had the closest connection with is Parisien: they have been kindred spirits since working together in Daniel Humair’s quartet. They work as a regular duo, and in the group “Living Being”. Michael Wollny had been enlisted by Peirani at the end of 2012 for the latter’s ACT debut CD “Thrill Box”, and the two have continued to bring their combined “resourcefulness, erudition and shared relish for risk” (John Fordham in The Guardian) to their 2016 ACT album “Tandem”. Schaerer had first met Peirani two years previously, when he had invited the Frenchman to join his band “Hildegard Lernt Fliegen” as a guest for their concert in Paris. After that, both wanted to do more together, but the overladen state of their diaries conspired against it. It was only when Schaerer received invitations from Budapest and Berne which gave him carte blanche to put together any project he wanted, that he was able to enrol Peirani for a project - for which the accordionist also wanted to involve both Parisien and Wollny…
The four searched long and hard for the right name to put on their new band’s birth certificate. Schaerer sent Peirani a whole raft of suggestions, including the indeterminate “Out of...”. To which Peirani responded promptly with “Out of Land”. “That was it, we'd nailed it,” remembers Schaerer. The phrase “Out of Land” is intended to bring to mind that specific sense of leaving solid ground, and of venturing into terrain where it is far from obvious how things are going to develop. That was certainly a part of the concept: staying open to the ideas of the others, keeping the excitement intact, seeing what will happen musically in the moment. They did three days of rehearsals without prior preparation, and then went off to appear on stage together. Schaerer found it all very fulfilling: “It is simply a dream, almost a spiritual form of making music. It’s about being able to address one’s own visions in conditions of complete spontaneity, and also about transparency of communication with the others. These musicians can really do that!”
“Out of Land” does put on record one first meeting: Wollny and Schaerer had never in fact previously played together. The listener can sense the unleashing of huge performance energy, impetus and joy right from the outset. Schaerer comments: “A whole lot of the things we had discussed in rehearsal were over-ruled once we got on stage. It was done quite consciously, the music in the moment simply demanded something different. That works with this band. It just gets airborne.” The listener gets that sense of flying with the band right from the start of Peirani’s tune “Air Song”. This highly melodic miniature brings its own powerful emotional updraft. The rhythmic and dynamic exuberance in Peirani’s tune “B&H” are overwhelming, while Wollny’s “Kabinett V” overflows with the desire for sonic experiment and discovery. Schaerer’s “Rezeusler” inspires the group to a combined burst of creative inspiration. This tune has evolved through various guises. Schaerer first imagined it as an uptempo roaster for sextet, it then morphed into a through-composed ballad for full orchestra, and is here in completely new clothes as a suite for quartet. The sounds of Peirani’s accordion, Schaerer’s voice and Wollny’s piano swirl and eddy impressionistically, before they all dig in together for a heart-on-sleeve finale. “Ukuhamba” is a fourteenminute all-encompassing jam session-like epic, which brings the album to a close. This album brings the listener tinglingly close to a moment of creation by four brilliant musical alchemists. The result is pure gold.
01. Air Song (Vincent Peirani)
03. B & H (Vincent Peirani)
03. Kabinett V (Michael Wollny)
04. Rezeusler (Andreas Schaerer)
05. Ukuhamba (Andreas Schaerer)
Emile Parisien / soprano saxophone
Vincent Peirani / accordion
Andreas Schaerer / voice & mouth percussion
Michael Wollny / piano
Produced by the artists
Executive Producer: Siggi Loch
Recorded live in concert at bee-flat Bern, April 10, 2016
Mixed and mastered by Martin Ruch at Control Room Berlin, November 2016
