Showing posts with label Catherine Russell. Show all posts
Showing posts with label Catherine Russell. Show all posts

Friday, April 1, 2022

NEW RELEASE: GRAMMY® Nominated Vocalist Catherine Russell's 'Send For Me' is out April 1, 2022 via Dot Time Records

GRAMMY® Nominated Vocalist Catherine Russell to Release New Album,
Send For Me, Out April 1, 2022 via Dot Time Records

Release Tour Kicks off February 4 through May 13

“One of jazz’s most celebrated vocalists…a dogged song sleuth with a vast and varied book of salty blues, swooning ballads, pre World War II pop tunes, and vintage R&B.”
– San Francisco Chronicle

“At a moment when the world can seem out of balance, it’s still possible for a musician to project a groundedness and a joy…a strength, good humour and intelligence…”
– New York Times 

GRAMMY®-nominated vocalist Catherine Russell, when asked to characterize her new album, Send For Me, replied, “I love romance that swings.” Due out on April 1, 2022 via Dot Time Records, Send For Me features a baker’s dozen of newly recorded tunes on her eighth album as a leader, meeting a simple exacting standard. “Songs that inspire or touch me in some way. When I find a song I like, it haunts me until I learn it.” Her mission is finding songs that you might not have heard but deserve attention. 

Russell’s deep connection to her chosen material is part of a calling. As the daughter of pioneering and legendary musicians, pianist/orchestra leader/composer/arranger Luis Russell, and bassist/guitarist/vocalist Carline Ray, Catherine Russell was born into jazz royalty. In culling material for her new album from the likes of Billie Holiday, Nat King Cole, Luis Russell, Betty Carter, Kay Starr, Joe Liggins, Earl King, Jack Teagarden, Helen Humes, Frank Sinatra, Dakota Staton, Henry Red Allen, and Louis Armstrong, the vocalist swims in familiar waters. She sings a language that comes naturally, furthering a profound legacy.

Send For Me is a follow up to Russell’s 2019 release Alone Together, which received a GRAMMY® nomination for Best Jazz Vocal Album, and landed on the JazzWeek year-end radio chart as the #1 most played album. “I like to invite the people in,” she says of her new album, which is also her philosophy of performing live. The album is an invitation, welcoming the audience to come along on a journey.

Send For Me”, the title track, was first recorded by Nat King Cole, and became a crossover hit in 1957, reaching #1 on the U.S. R&B charts, and #6 on the U.S. Pop Chart. “Nobody thinks of Nat King Cole as a blues singer, but he sang some really great blues,” observes Russell.

At The Swing Cats Ball”  has a strong family connection.  Russell recalls, “My mother had given me sheet music a long time ago, saying, ‘your father co-wrote this tune, and Louis Jordan covered it.’” The song was among the first recordings by Louis Jordan. Luis Russell never recorded his tune, although he performed it on gigs. “We found a live version performed by my dad’s orchestra on a radio broadcast, and we adapted his arrangement. I love the image of people going to a swing dance.”

Another highlight is “Make It Last,” a gorgeous standard written by Dick Haymes and Bill Paxton, made famous by Betty Carter in 1958. “A good friend of mine sent me “Make it Last” and when I heard it I said, ‘wow, this is another great tune with an interesting chord progression, and a Melba Liston horn arrangement.’ Another connection: Russell’s mother worked with trombonist/arranger Liston and a young Russell had seen Betty Carter perform, leaving a great impression. “Make It Last” is about holding onto what’s really important, and hoping it will continue.  “It’s not wanting to lose a beautiful moment, because tomorrow the moment may be gone,” the singer reflects. 
Catherine Russell by Sandrine Lee

Going Back To New Orleans” was written and originally recorded by Joe Liggins, who shared bills in the late 1940s with both Luis Russell and His Orchestra and The International Sweethearts of Rhythm, including Catherine’s mother, Carline Ray, on guitar and vocals. Interestingly, these intersections happened years before Luis Russell and Carline Ray first met in 1955; Luis was 23 years her senior and they married before Catherine was born in 1956.  

Russell’s professional life began at age 7, when she first took the stage as a dancer with Katherine Dunham’s company for four seasons at The Metropolitan Opera’s production of Aida. After graduating with honors from the American Academy of Dramatic Arts, she was fortunate to work with David Bowie, Steely Dan, Cyndi Lauper, Paul Simon, Jackson Browne, Michael Feinstein, Levon Helm, Wynton Marsalis, Dr. John, Rosanne Cash, Toshi Reagon, and Carrie Smith, among others. Russell performed extensively as a backup singer, multi-instrumentalist, and lead singer, before launching her solo recording career in 2006. She amassed decades of experience touring and recording with cutting edge songwriters and iconic artists, appearing on over 200 albums.

Co-producers Katherine Miller, Paul Kahn and Catherine Russell, the team behind Russell’s albums, Alone Together (2019) and Harlem On My Mind (2016), both GRAMMY® nominees for Best Jazz Vocal Album, are reunited on Send For Me, their 6th album together. The winning streak began with Inside This Heart of Mine (2010), which reached #1 on iTunes  and Amazon jazz charts. Strictly Romancin’ (2012) was awarded the Prix du Jazz Vocal (Vocal Album of The Year) by the French Jazz Academy and Grand Prix du Hot Club de France. Her fifth solo album, Bring It Back (2014), received a 5 Star Review in Downbeat Magazine

Significant film and TV credits include Russell contributing the song, “Crazy Blues,” as a featured artist on the 2012 GRAMMY® winning soundtrack album of the HBO series, Boardwalk Empire.  In 2017, she performed the song on PBS-TV’s Great Performances special, ‘Grammy Salute To Music Legends’. In 2019, she had a cameo in the feature film Bolden, a biopic about jazz pioneer Buddy Bolden, while also contributing lead vocals on two songs to Wynton Marsalis’s soundtrack album.

Russell’s versatility shines through on an array of new recordings released over the past 18 months. She added harmony vocals on albums by Sarah Jarosz (a GRAMMY® Award winner for Best Americana Album in 2021), Brett Eldredge, and Little Feat, while also contributing a song on renowned banjo player Tony Trischka’s new album Shall We Hope. In addition, she appeared as a guest lead vocalist on albums by Andy Farber and His Orchestra (Early Blue Evening), reedman Evan Arntzen (Countermelody), and on Steven Bernstein’s MTO featuring Catherine Russell, Good Time Music, the second album in the four-part Community Music series by trumpet player and arranger, Steven Bernstein. Russell continues to tour with Steely Dan, as recently as in the fall of 2021, and she sings on two new releases including Northeast Corridor Live! and a live version of the acclaimed album by Donald Fagen, The Nightfly Live. 

Sixteen years into her solo career, Catherine Russell is on the move. Her band, including guitarist/musical director Matt Munisteri, pianist Mark Shane, bassist Tal Ronen, and drummer Mark McLean, has performed at major festivals on four continents, while also selling out concert halls from SFJazz Miner Auditorium in San Francisco, to Zankel Carnegie Hall in New York City, to Tchaikovsky Hall in Moscow. In addition, Catherine has appeared as a featured vocalist with today’s leading big bands and symphony orchestras including the Jazz at Lincoln Center Orchestra with Wynton Marsalis, Vince Giordano’s Nighthawks, Count Basie Orchestra, Andy Farber and His After Midnight Orchestra, Knoxville Jazz Orchestra, Jazz Philharmonic Orchestra of St. Petersburg, Russia; Miami’s New World Symphony, The Philly Pops, and The Pasadena Pops Orchestra. Most recently, Russell joined forces with John Pizzarelli to perform a salute to Billie Holiday and Frank Sinatra. 

As Catherine sings on the title track of her new album, “Anywhere, Oh Yeah, Send For Me, and I’ll be there.”

1. Did I Remember (Harold Adamson, Walter Donaldson)
2. Send For Me  (Ollie Jones)
3. At The Swing Cats Ball (Luis Russell, William Campbell)
4. Make It Last (Dick Haymes, Bill Saxton)
5. Going Back To New Orleans (Joe Liggins)
6. If I Could Be With You  (James P. Johnson, Henry Creamer)
7. You Can Fly High  (Earl King, John Vincent)
8. East of The Sun (and West of the Moon) (Brooks Bowman)
9. In The Night  (Norman Mapp)
10. You Stepped Out of A Dream (Nacio Herb Brown, Gus Kahn)
11. Blue And Sentimental  (Count Basie, Mack David, Jerry Livingston)
12. Sticks and Stones (Cavanaugh/Razaf/Palmer)
13. Million Dollar Smile  (Porter Roberts, Lionel Hampton)

Upcoming Catherine Russell Tour Dates 2022

Feb 4-5 / The Lift at Cascade Village/ Durango, CO
Feb 14-19/ Birdland / New York, NY
Mar 9-10 / Jazz St. Louis / St. Louis, MO
Mar 15  / Theatre at Renovation Square / Rochester, NY
Mar 16 / Sarasota Jazz Festival / Sarasota, FL
Mar 18-19 / Jazz Forum / Tarrytown, NY
Mar 24 / Carnegie Hall / New York, NY
Mar 26 / Rose Theater, Jazz at Lincoln Center / New York, NY
Mar 31 / Jimmy’s / Portsmouth, NY
Apr 1 / Scullers / Boston, MA
Apr 8 / Modlin Center for The Arts / Richmond, VA
Apr 14-17 / Jazz Alley/ Seattle, WA
Apr 19 / Yoshi’s / Oakland, CA
Apr 20  / Kuumbwa Jazz / Santa Cruz, CA
Apr 21 / Irvine Barclay Theatre / Irvine, CA
Apr 29 / Festival Hall / Greensboro, GA
May 6 / Kupferberg Center for The Arts / Queens, NY
May 7 / Kingsborough Community College / Brooklyn, NY
May 13 / Kleinhans Music Hall / Buffalo, NY

Catherine Russell · Send For Me
Dot Time Records · Release Date: April 1, 2022 

For more information on Catherine Russell, please visit: CatherineRussell.net

Friday, April 16, 2021

Evan Arntzen - Countermelody (April 16, 2021 Dot Time Records)

Acclaimed Multireedist and Bandleader Evan Arntzen Announces His Jubilant Third Release as a Bandleader, Countermelody, Out April 16 on Dot Time Records

Featuring Special Guest Vocalist Catherine Russell

Dot Time Records is delighted to announce the latest release from multireedist, vocalist and bandleader Evan Arntzen.  Arntzen’s third album as a bandleader, Countermelody is a celebration of the interplay, collective improvisation and soulful counterpoint that played such a big role in Black American Music emanating from New Orleans in the first half of the 20th century.  During a time when convening is all but impossible, Countermelody brings the gaiety of live music to the recorded realm.  Recorded on October 2nd and 3rd, 2020, the group of stellar musicians featured on Countermelody gathered together to create music that will inspire listeners everywhere to get up, share joy and dance.  Arntzen’s superb reed and vocal musings are joined by trombonist Charlie Halloran, trumpeters Jon-Erik Kellso and Mike Davis, guitarist and banjoist Arnt Arntzen, pianist Dalton Ridenhour, bassist Tal Ronen, drummer Mark McLean and very special guest vocalist Catherine Russell.

Countermelody brings early-jazz-exuberance to an eager present in a release which author and Louis Armstrong historian, Ricky Riccardi, calls “the very definition of timeless” in the album’s liner notes.  Arntzen’s Dot Time Records debut features many of his own astounding arrangements of early New Orleans and Chicago jazz compositions written by such luminaries as Kid Ory, King Oliver, Sidney Bechet and Bennie Moten.  The release also features wonderfully innovative compositions by Arntzen, Halloran and Kellso.  Aside from thirteen hi-fidelity tracks, listeners will also be treated to tracks that were recorded to wax cylinder, a medium that actually predates when much of this music was composed.  Producer Scout Opatut notes “the wax cylinder recordings were made possible by the genius Colin Hancock, who engineered them with his Edison phonograph.  Everything you hear in those songs was done acoustically, without any electricity whatsoever.”
The album begins with Arntzen’s arrangement of the Kid Ory classic “Muskrat Ramble”.  The jubilant energy is palpable from the very first notes of the track, and uplifted even further by the powerful and soulful refrains of celebrated vocalist Catherine Russell.  Ricky Riccardi notes “Just seconds into the opening track, the four-horn ensemble tears through a chorus of ‘Muskrat Ramble’, each voice independently masterful on its own, the final product nothing short of miraculous.  Let it wash over you and then listen again and concentrate on a single instrument; in fact, do this for every instrument and you’ll marvel at the individual and collective brilliance of each musician present.”  

Arntzen’s vocals soar on the Sidney Bechet popularized “Georgia Cabin” before the bandleader is featured in a wonderful display of his improvisational facility.  Interestingly, this seems to be the first-ever recording of this composition with its lyrics intact.  Arntzen notes that he learned the lyrics from his 93-year-old grandfather Lloyd Arntzen (a celebrated clarinet player in his own right, who is still performing to this day).  While the song is well-known as an instrumental, Evan’s grandfather credits Mary Karoley for writing the lyrics (she is indeed listed as a co-composer of the song). 

One cannot bypass the musical cohesion of the ensemble on tracks like “Smiles”.  This bright-tempoed classic prominently features Arntzen’s melodic refrains but is supported brilliantly by Halloran’s counterpoint and an elastic rhythm section.  The ensemble welcomes back the esteemed Ms. Russell for the exquisitely nuanced “If You Were Mine”.  Russell’s warmth and zeal breathe life into this timeless composition, first made famous by Billie Holiday, and are complemented perfectly by the strength of the ensemble.

The group brings an exceptional intensity to Benny Green’s “Bu’s March” in which Ridenhour is featured with a powerful solo.  Interestingly, composer Benny Green helped Arntzen to arrange this piece for a larger ensemble.  Of course, Green wrote this song in honor of his former mentor and bandleader Art Blakey, and the vigour of the Jazz Messengers is conjured in Arntzen’s new, 3-horn arrangement.  The sole original composition by Arntzen, “Solitarity”, is a moving comment on the shared solitude of our modern existence. The piece begins with Arntzen’s solo clarinet refrains eventually building into a contrapuntal duet, ending with a raucous second-line ensemble. 
1. Muskrat Ramble
2. 18th Street Strut
3. Camp Meeting Blues
4. Georgia Cabin
5. Put 'Em Down Blues
6. When Erastus Plays His Old Kazoo
7. Smiles
8. If You Were Mine
9. Down by The Riverside
10. Alvita
11. Counter Intuitive
12. Bu's March
13. Solitarity
14. After You've Gone (Wax Cylinder Sessions)
15. Muskrat Ramble (Wax Cylinder Sessions)

Evan Arntzen - clarinet, soprano sax, tenor sax, vocals (track 4)
Charlie Halloran - trombone
Jon-Erik Kellso - trumpet
Mike Davis - trumpet
Arnt Arntzen - guitar, banjo
Dalton Ridenhour - piano
Tal Ronen - bass
Mark McLean - drums
Catherine Russell – vocals (tracks 1, 8, 14, 15)

Produced by Scout Opatut, 4/4 Creative
Released by Dot Time Records
Project Manager/Spiritual Advisor: Jerry Roche
Recorded Oct. 2nd & 3rd, 2020, Big Orange Sheep Studios, Brooklyn, NY
Engineered, Mixed & Mastered by Michael Perez-Cisneros
Assistant Engineered by Kevin Thomas
Wax Cylinders Engineered by Colin Hancock, Semper Phonograph Co.
Cylinder Recordings restored & transferred by John Levin using CPS1 Cylinder Playback System with V-Trace Cartridge 
Cover Photo by: B.A. Van Sise
Design by: Jaime Ford

Saturday, February 20, 2021

Evan Arntzen - Countermelody (April 16, 2021 Dot Time Records)

Evan Arntzen, renowned multi-reedist, vocalist and bandleader, presents his third album as a bandleader, Countermelody. This uplifting new release is a celebration of the interplay, collective improvisation and soulful counterpoint that played such a big role in Black American Music emanating from New Orleans in the first half of the 20th century.  During a time when convening is all but impossible, Countermelody brings the gaiety of live music to the recorded realm.

Countermelody brings early-jazz-exuberance to an eager present in a release which author and Louis Armstrong historian, Ricky Riccardi, calls “the very definition of timeless” in the album’s liner notes.  Arntzen’s Dot Time Records debut features many of his own astounding arrangements of early New Orleans and Chicago jazz compositions written by such luminaries as Kid Ory, King Oliver, Sidney Bechet and Bennie Moten. The release also features wonderfully innovative compositions by Arntzen, Halloran and Kellso.  Aside from thirteen hi-fidelity tracks, listeners will also be treated to tracks that were recorded to wax cylinder, a medium that actually predates when much of this music was composed.

1. Muskrat Ramble
2. 18th Street Strut
3. Camp Meeting Blues
4. Georgia Cabin
5. Put 'Em Down Blues
6. When Erastus Plays His Old Kazoo
7. Smiles
8. If You Were Mine
9. Down by The Riverside
10. Alvita
11. Counter Intuitive
12. Bu's March
13. Solitarity
14. After You've Gone (Wax Cylinder Sessions)
15. Muskrat Ramble (Wax Cylinder Sessions)

Evan Arntzen - clarinet, soprano sax, tenor sax, vocals (track 4)
Charlie Halloran - trombone
Jon-Erik Kellso - trumpet
Mike Davis - trumpet
Arnt Arntzen - guitar, banjo
Dalton Ridenhour - piano
Tal Ronen - bass
Mark McLean - drums
Catherine Russell – vocals (tracks 1, 8, 14, 15)

Produced by Scout Opatut, 4/4 Creative
Released by Dot Time Records
Project Manager/Spiritual Advisor: Jerry Roche
Recorded Oct. 2nd & 3rd, 2020, Big Orange Sheep Studios, Brooklyn, NY
Engineered, Mixed & Mastered by Michael Perez-Cisneros
Assistant Engineered by Kevin Thomas
Wax Cylinders Engineered by Colin Hancock, Semper Phonograph Co.
Cylinder Recordings restored & transferred by John Levin using CPS1 Cylinder Playback System with V-Trace Cartridge 
Cover Photo by: B.A. Van Sise
Design by: Jaime Ford

Tuesday, October 9, 2018

BILLIE AND BLUE EYES | October 12th 12, 2018

Grammy Award Winner Catherine Russell & John Pizzarelli

A Salute to Billie Holiday and Frank Sinatra

Relive the glory days of jazz with the iconic voices of Grammy Award winner Catherine Russell and John Pizzarelli as they salute Billie Holiday and Frank Sinatra. This unforgettable concert features soulful interpretations of chart-topping classics like “All of Me,” “Ring A Ding Ding,” “Them There Eyes,” and “One More For My Baby.”

Catherine Russell has been hailed by The Huffington Post as “a legend hiding in plain sight,” while The Boston Globe saluted John Pizzarelli for “reinvigorating the Great American Songbook.” The Grammy-winning Russell has six decorated albums to her credit. Pizzarelli, the "genial genius of the guitar” (Toronto Star), recently performed with the Boston Pops and regularly performs at Birdland.

Meet the Artists After the Show!

“A rare entertainer of the old school!” - The Seattle Times  (on John Pizzarelli)

“Catherine Russell hits a groove from note one!” - The Wall Street Journal