Andy James | Rhythm in New York | Available April 15 via Le Coq Records

Vocalist Andy James Celebrates One Of The

Greatest Cities In The World, And The Mecca of Jazz,

On Her Wide-Ranging New Album

 

Rhythm in New York, Due Out April 15 On Le Coq Records, Features An All-Star Band Including John Patitucci, Jon Cowherd, Chris Potter, Marcus Strickland, Terell Stafford, Nate Smith, Marcus Gilmore, Adam Rogers, Chico Pinheiro and Others

While she grew up in Australia, traveled the world as a renowned Flamenco dancer, and now makes her home in Las Vegas, vocalist Andy James has always loved New York City – whether dreaming of the Big Apple from afar or exploring the always thriving jazz scene of the city as both listener and performer.

“New York City – what a town!” James exults. “It has always held a special place in my heart. Even as a child growing up in Australia, I would see the great singers performing on the television from this special place and think, ‘If only that could be me!’”

On her latest album for Le Coq Records, James captures the vibrant tempo and exhilarating thrills always unfolding in the thoroughfares of the city that never sleeps. Due out April 15, Rhythm in New York features a stunning mix of classic standards and original music inspired by life in Manhattan. As has become standard for Le Coq releases, the album boasts an unparalleled line-up of in-demand musicians, all of who have captivated audiences on the bandstands of New York and beyond.

James’ key collaborator on Rhythm in New York is John Patitucci, who not only graces every track with his virtuosic bass playing but co-wrote several tunes with James and his daughter, singer-songwriter Greisun. They’re joined by pianist Jon Cowherd, drummers Nate Smith and Marcus Gilmore, saxophonists Chris Potter and Marcus Strickland, trumpeter Terell Stafford, flutist David Mann, guitarists Adam Rogers and Chico Pinheiro, and percussionists Alex Acuña and Rogerio Boccato. Additionally, Cowherd and Patitucci collectively arranged all 15 songs on the album.

While Patitucci has been a key member of the Le Coq family since its launch, he and James furthered their collaboration last year with the collaborative outing An Evening with John Patitucci & Andy James, which inaugurated the singer’s venture into original compositions.

“Although I’ve always loved the songs of the past – who wouldn't? – I thought it was time to express myself more as a writer of music on this album,” James explains. “I feel it's necessary to convey my sentiments in music so I can grow further as a singer and musician. My collaboration with John Patitucci and his daughter Greisun has been an enormous pleasure for me. They are so talented and always know what I'm looking for; which I’m sure is helped by their family bond.”

Speaking of family bonds, James’ other co-writer on Rhythm in New York is her husband and dance partner, Le Coq founder Piero Pata, who contributed to two new pieces on the album, “Time To Think” and “Just In Time.” As James explains, “Working with Piero has really been easy. Wherever I am, he seems to catch and remember the melodies that I've been casually humming around the house and later brings them to me with lyrics already attached. It makes a great start for a song. Of course, then I sink my teeth into them and change just enough to make it me.”

In writing as well as selecting songs for the album, James thought back over the many memorable visits she’s enjoyed to New York City, stretching back to childhood trips with her parents, who would occasionally travel to the States on business and bring their artistic daughter along. As an adult she would return often to soak in the nightlife and take in the influences that helped forge her own singing style.

“My first walk in Central Park in the snow will always be a highlight,” James recalls. “I will never forget the colors of Times Square at night, the people swarming all over the place with excitement, the magnitude of the shows on offer on every street. I would wander for hours finding one exciting nook and cranny after another to enjoy musicians. Whether at Birdland Jazz Club or the Village Vanguard, there was always someone special to admire.”

Rhythm in New York spotlights a wide variety of moods and styles, while showcasing the jaw-dropping musicianship of the assembled artists. James so admires her collaborators that in at least one instance – her and Pata’s own “Just In Time” – she decided to remove her vocals altogether and let the band shine on their own. But throughout, from the enticing, Bossa-inflected opener “There Will Never Be Another You,” through the lush original ballad “Day Dream” and the Flamenco-inspired “El Ritmo,” to the wistful farewell of “I’ll Be Seeing You,” James finds endless inspiration in her adoration for the city.

“I tried to capture my feelings when I was younger, to convey my impressions traveling to this great city,” she explains. “New York is a city of love in many ways, and its people have proved this on countless occasions. The beauty of the seasons always leaves me breathless. It has so many musical tastes for anybody to enjoy: R&B, pop, opera, musical comedy, and of course my favorite, jazz. It is one of my favorite places on Earth.”

Andy James · Rhythm in New York

Le Coq Records · Release Date: April 15, 2022

For more information on Le Coq Records, please visit:

lecoqrecords.com | Facebook | Instagram

Dave Stryker with String Quartet - As We Are (January 7, 2022)

“I’ve always loved the way Dave plays guitar. He’s a soulful, blues-oriented player, with a beautiful touch and tone. His originals were fun to play, with plenty of harmonic sophistication, but lyrical, too. He’s the real deal.”

– John Patitucci

“It’s my dream project,”  Dave Stryker repeats several times in a conversation about his 34th release as a leader, As We Are, on which the guitar master addresses one of the few configurations he hasn’t tackled during 40-plus years in the jazz trenches.

 

Stryker, not predisposed to hyperbole, isn’t exaggerating. How else to describe an opportunity to record a suite of new originals with a band propelled by all-world bass-drum partners John Patitucci and Brian Blade, fleshed out by harmonically erudite pianist Julian Shore’s bespoke string quartet arrangements that include room for a couple of soaring violin solos by the luminous Sara Caswell? Stimulated by the chance to make music together after long isolation, all members interact with crackling, pent-up energy.

“I always wanted to do something where strings would really be integrated into the music, not a coloring or sweetening that comes in later,” Stryker says. Shore rises to the occasion, imparting a lush, fulsome sound to the two violins, viola and cello, creating sections that offer texture and contrast.

In keeping with the dream project Stryker reached out to two of the greatest musicians alive today - Patitucci and Blade who happily signed on. Six new Stryker originals, one Shore original and Nick Drake’s River Man are arranged with string quartet by Shore to create one of the most truly beautiful and exciting recordings in recent times.

1 Overture - Dave Stryker / Julian Shore - BMI) 1:10

2 Lanes - Dave Stryker (D. Strike Music - BMI) 6:14

3 River Man - Nick Drake (BMG Rights Management - ASCAP) 9:01

4 Hope - Dave Stryker (D. Strike Music - BMI) 6:24

5 Saudade - Dave Stryker (D. Strike Music - BMI) 5:52

6 One Thing At A Time - Julian Shore (Julian Shore Music - BMI) 7:17

7 As We Were - Dave Stryker (D. Strike Music - BMI) 5:46

8 Dreams Are Real - Dave Stryker (D. Strike Music - BMI) 7:18

9 Soul Friend - Dave Stryker (D. Strike Music - BMI) 6:52

 

Dave Stryker - guitar

Julian Shore - piano

John Patitucci - bass

Brian Blade - drums

String Quartet:

Sara Caswell - violin 1 (solo, tracks 3 and 9)

Monica K.Davis - violin 2

Benni von Gutzeit - viola

Marika Hughes - cello

Music Arranged by Julian Shore

 

Produced by Dave Stryker

Executive Producer - Rick Simpson

Engineered and mixed by Chris Sulit at Trading 8s Studio, Paramus NJ June 2, 10,11, 2021

Mastered by Michael Perez-Cisneros

Photos and Graphic Design by Chris Drukker

Cover photo by Charles F. Scott IV

Liner Notes - Ted Panken

Strikezone Records

John Patitucci and Andy James | An Evening With John Patitucci & Andy James (November 5, 2021 Le Coq Records)

AVAILABLE NOW via LE COQ RECORDS



VOCALIST ANDY JAMES AND

BASS MASTER JOHN PATITUCCI TEAM UP TO CRAFT

AN INTIMATE EVENING OF JAZZ STANDARDS AND

POP CLASSICS BACKED BY AN ALL-STAR ENSEMBLE

AN EVENING WITH JOHN PATITUCCI & ANDY JAMES,

DUE OUT NOVEMBER 5 ON LE COQ RECORDS,

FEATURES ARRANGEMENTS BY

BILL CUNLIFFE AND CONTRIBUTIONS BY

CHRIS POTTER, RICK MARGITZA, TERELL STAFFORD,

JOHN BEASLEY, VINNIE COLAIUTA AND MORE

On An Evening with John Patitucci & Andy James, two gifted performers join forces to conjure an intimate evening of captivating music. At a time when jazz aficionados around the world have been starved for musical experiences, the album recreates the sultry atmosphere of a candlelight nightclub as some of the most revered musicians in modern jazz perform classic standards.

Due out November 5 via Le Coq Records, An Evening with John Patitucci & Andy James features nearly 90 minutes of scintillating music featuring an incomparable ensemble. In addition to James’ mesmerizing vocals and Patitucci’s bass mastery, the album boasts arrangements by piano great Bill Cunliffe for an ensemble that includes saxophonists Chris Potter and Rick Margitza, trumpeter Terell Stafford, guitarists Chico Pinheiro and Jake Langley, keyboardists John Beasley and Jon Cowherd, percussionist Alex Acuña, drummers Vinnie Colaiuta, Marcus Gilmore and Marvin “Smitty” Smith, along with powerful horn and string sections.

“I wanted people to just sit back and enjoy a listening experience of serene pleasure,” declares James. “John and I tried to create something easy to listen to that would leave people feeling good afterwards. I recorded the album in anticipation that people wouldn’t something too complicated at this time we all find ourselves in.”

Jazz singing and Flamenco dance have been parallel passions throughout Andy James’ life. Flamenco took prominence during what she now refers to as “act one” of her artistic life. She became renowned as a world-class Flamenco dancer, enjoying a successful career dancing with husband and partner Piero Pata in Madrid.

For “act two,” James relocated to the U.S. and focused on her singing career, renewing collaborations with the great jazz musicians who had crossed her path while they traveled through Europe. She and Pata launched Le Coq Records, releasing a series of albums ranging in style from the elegance of the female jazz swing tradition to vintage R&B to the post-bop urgency of the classic Blue Note era. 

An estimable professional family has quickly found a home at the label, with Patitucci, Acuña and Cunliffe playing key roles on a number of releases and several musicians making recurring appearances from one recording to the next. On An Evening With…, Patitucci proves an ideal partner for James, bringing his revered tone and musical vision to the project and convening the ideal musicians for each piece.

“When choosing personnel for any project,” Patitucci explains, “I try to find the greatest musicians that I have longstanding relationships with, in order to have the opportunity to get more deeply into the music at hand.”

Over the course of a career lasting four decades, Patitucci has forged essential collaborations with some of the most acclaimed artists in jazz and beyond, most notably long-lasting partnerships with iconic saxophonist Wayne Shorter and the late Chick Corea. 

Speaking of James, Patitucci says, “Andy is a very generous and flexible collaborator. She has a great love for the Great American Songbook. When she sings, her phrasing is reminiscent of so many of the great singers that I grew up listening to. The style that she sings in provides the opportunity to write arrangements for larger orchestrations.”

James returns the compliment. “John is very important to my whole performance. Without John’s playing I would have been restricted in the way I could sing and approach every song in the album. John Patitucci brings a deep sound that allows me the freedom to sing with a lot of mood or feeling in my voice. He gives me a lot of space to create a meaningful performance.”

From the intoxicatingly lush opener “Autumn in New York,” with Patitucci’s robust bass matched by a fervent tenor solo by Potter, to the last-call balladry of “Angel Eyes” that closes the set, An Evening with John Patitucci & Andy James features countless classic songs along with a few surprises, including the smoldering James and Pata-penned love song “Burn for Love.”

As she did on her previous release, Tu Amor, James reaches into her Latin influences on “Besame Mucho.” In addition to a number of well-known jazz standards James stretches the American Songbook to encompass great pop and rock classics like The Beatles’ “Blackbird” and James Taylor’s “Fire and Rain.”

The choices certainly inspire passionate playing from James and Patitucci’s guests, with standouts including Rick Margitza’s soaring solo on “Fire and Rain,” Terell Stafford’s heart-wrenching take on “Moonlight in Vermont,” and the soulful playing of Potter and John Beasley on the Gerry Goffin/Carole King favorite “Will You Still Love Me Tomorrow.”

“The songs came naturally,” James explains. “I just wanted to sing some beautiful songs. The mood I had in mind when choosing these songs was one of love – I just wanted people to find love with each other again after the era of Covid!”

1. John Patitucci, Chris Potter, Vinnie Colaiuta - “Autumn In New York” feat. John Patitucci & Chris Potter 04:23

2. Marvin “Smitty” Smith, John Patitucci, Bill Cunliffe, John Beasley, Chris Potter - “Besame Mucho” feat. Chris Potter 07:07

3. Chris Potter, Vinnie Colaiuta, John Patitucci, Dan Higgins, Michael Dease, Alex Acuña - “I Love You And Don't You Forget It” feat. Chris Potter 03:08

4. Jon Cowherd, Chris Potter, Marcus Gilmore, Alex Acuña, John Patitucci, Chicho Pinero, Jon Cowherd, - “To Dream As One” - feat. Jon Cowherd & Chris Potter 05:07

5. Terell Stafford, Vinnie Coliauta, John Patitucci, Bill Cunliffe - “Moonlight In Vermont” feat. Terell Stafford 04:40

6. Vinnie Colaiuta, John Patitucci, Alex Acuña, Bill Cunliffe - “Day Dream” feat John Patitucci 05:09

7. John Patitucci, Marvin Smitty Smith, Alex Acuña, Bill Cunliffe, John Beasley, Charlie Bisharat - “Blackbird“ feat John Patitucci 05:46

8. Vinnie Coliauta,Terell Stafford, John Patitucci, John Beasley, Alex Acuña, Terell Stafford, - “When I'm With You” feat. Terell Stafford 03:19

9. Chris Potter, John Beasley, John Patitucci, Marvin “Smitty” Smith, Alex Acuña, - “Will You Still Love Me Tomorrow” feat. Chris Potter & John Beasley 06:05

10. Terell Stafford, Marvin “Smitty” Smith, John Patitucci, Terell Stafford, Alex Acuña, Bill Cunliffe - “Unchain My Heart” feat. Terell Stafford 04:12

11. Rick Margitza, Vinnie Coliauta, John Patitucci, John Beasley, Alex Acuña, Jon Cowherd - “Fire & Rain” feat. Rick Margitza 06:22

12. Chris Porter, Vinnie Coliauta, John Patitucci - "Burn For Love” feat. Chris Porter 04:19

13. John Patitucci, John Beasley, Rick Margitza, Charles McNeal, Alex Acuña, Vinnie Colaiuta - “Some Other Time” feat. Rick Margitza & Charles McNeal 05:30

14. Vinnie Colaiuta, Bill Cunliffe, John Patitucci, - “Laura” feat. John Patitucci 04:26

15. “More Than You Know” feat. Chris Potter 04:00

16. John Beasley, John Patitucci, Bill Cunliffe, Jake Langley - “My Heart Belongs To Daddy” feat. John Patitucci & John Beasley 05:02

17. Vinnie Colaiuta, Alex Acuña, John Patitucci, Bill Cunliffe, Charlie Bisharat - “Angel Eyes” 04:03

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Nery Kim - Purple Reflection (September 10, 2021)

1. Love Poem (戀歌) 05:45

2. Luna 06:47

3. Purple Reflection 07:28

4. BD 07:39

5. Merveille 06:47

6. Mikyren 06:02

7. Falling Blossoms (落花) 02:26

8. Aster 06:20

Trumpet Alex Sipiagin

Tenor Saxophone Dayna Stephens

Trombone Alan Ferber

Piano/Keys Nery Kim

Bass John Patitucci

Drums Jonathan Pinson

Violin Chia-Yung Daniel Chin

Violin Seoyeon Im

Viola Li-Jung Chien

Cello Hyelim Kwon

All Compositions written by Nery Kim

Recorded by Jason Rostkowski at GSI Studio, New York, NY

Mixed & Mastered by Dave Darlington at Bass Hit Recording Studio, New York, NY

Produced by Nery Ki

Photo by Hannah Jeon

Artworks by Sewon Kim

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Tommy Ward | From This Moment On | Available July 16th via Le Coq Records

Le Coq Records Presents the New EP

by Acclaimed 25 year-old Vocalist and

Next-Generation Crooner Tommy Ward

From This Moment On, Features Classic Standards

Given New Life by Ward’s Enticing Vocals

and an All-Star ensemble including John Patitucci,

Bill Cunliffe and Marvin “Smitty” Smith

At just 25 years old, singer Tommy Ward is already a veteran entertainer. Born in Houston and raised in Las Vegas, he found himself working alongside seasoned performers by the time he was 16, while at 17 he and his band became one of the youngest opening acts in Vegas history. He’s also garnered more than 10 million views on social media, finding a modern audience for his vintage sound. No less a music industry icon than Quincy Jones took the young singer under his wing, hailing Ward as “the epitome of great music.”

With his new EP, From This Moment On, Ward sets forth on a new chapter. Due out July 16 via Le Coq Records, the vocalist that many have compared to Frank Sinatra and Michael Bublé asserts himself as a torchbearer for the legendary crooners and musicians who have inspired him, while carrying their timeless sound forward for a new generation of listeners.

“This EP feels like the first real statement piece that I’ll be able to share with people without any limitations whatsoever,” Ward says. “It's a great first step that opens a new doorway. This is who I am and where I am in my life at this moment, and everything that follows after this is going to be different. I think it's optimistic, it's hopeful, and it's a wonderful marker in my evolution.”

From This Moment On features five classic songs given new life by Ward’s heartfelt interpretations. He’s aided by the stellar contributions of an ensemble of master musicians – many of whom have become key members of the Le Coq Records family since the label’s recent launch – including bassists John Patitucci and Chris Colangelo, drummers Marvin “Smitty” Smith and Ray Brinker, guitarists Larry Koonse and Jake Langley, and pianist Bill Cunliffe, who also penned a tender arrangement of “Bewitched, Bothered and Bewildered” featuring Ward himself at the keyboard.

“Le Coq is one of the few labels out there who are truly passionate about the music,” says Ward, now based in Atlanta, GA. “It's been an incredible collaborative effort to work with them. They're making the next generation of jazz records, so to be on that cutting edge with them is more than alluring, it's an honor. I think they’re going to be a huge game changer in the business and I couldn’t be happier to be a part of it.”

Though only one of the album’s songs was released in Ward’s lifetime (Bob Dylan’s “Make You Feel My Love” came out in 1997, when Ward was two years old), his strong connection to these vintage standards shines through in his performances. The music of classic crooners like Sinatra, Tony Bennett and Dean Martin provided the soundtrack to his childhood, both at home and via their vital role in establishing Las Vegas as one of the country’s entertainment capitals. His love for the music was ultimately cemented through the influence of Michael Bublé.

The Cole Porter tune that gives the EP its name, “ From This Moment On,” opens the proceedings with that powerhouse big band sound, transporting listeners to the Vegas Strip with its exhilarating blend of virtuoso musicianship and neon-lit glamour. Another Porter classic, “Just One of Those Things” opens at a pulse-quickening simmer before exploding into a lively big band swing propelled by Smith’s muscular drumming. The finale, “The Way You Look Tonight,” strips away the orchestral glitz to reveal Ward alone at the piano, captivating with just his sultry vocal.

Growing up in Vegas, show business never seemed like an unattainable goal for Ward as it does for so many nascent artists; it’s simply his home city’s local industry. “It’s pretty surreal,” he laughs. “Vegas is definitely all that you think it is, but it’s so much more.” 

As much as Ward looks back with respect and admiration at the forebears who have set him on this path, From This Moment On is essentially a forward-looking collection of music. Which is perfect for a point in time when we all hope to move on into a brighter future. “Everything about this music feels right and positive, and I'm excited to share that with people. The artist's job is to convey emotion and make an audience feel something, hopefully this EP helps turn the page past this crazy year on to something a lot more positive and productive and hopeful.” Tommy Ward concludes.

For more information on Le Coq Records, please visit:

lecoqrecords.com | Facebook | Instagram

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Le Coq Records | LIVE in Las Vegas (June 27th, 2021)

Italian American Club

2333 E Sahara Ave., Las Vegas, NV 89104 

Date.  June 27th, 2021 

Time. Dinner 6:30 PM, Show 8 pm

Price of the show. $65.00 (For Dinner and Show)

The Las Vegas based Le Coq Records will present a coterie of celebrated artists who participated in the label’s initial four releases for the first time in a live public setting to be held Sunday, June 27 at the Italian American club. Billed as An Evening with Andy James and John Patitucci, and her All-Star Band, the label showcase will also feature: Chris Potter, Terell Stafford, Alex Acuña, Marcus Gilmore, Michael Dees, Jon Cowherd, Bill Cunliffe, and Jake Langley.

“After a year of lockdown and the vaccine finally circulating, we felt it was time to get moving from a live performance standpoint,” states label Co-President and Founder, Piero Pata. “We will gather in a safe environment under CDC guidelines where we can control and re-enforce public health and safety protocol. We have many recording ideas to envisage on upcoming sessions surrounding the Las Vegas event and are excited to release music from this inspiring group of musicians in the near future” concludes Pata.

If you can’t attend in-person, this event will be recorded live and broadcasted at a later date. Most everything will be produced in house by Le Coq’s management team. Co-President Andy James and John Patitucci will handle the structure and order of the show. CEO Josh Connolly (Studio A Las Vegas) oversees sound and recording with the aid of his Studio A Las Vegas staff, and Digital Marketing Manager Santiago Interiano of Epic Nights Media will handle video, lighting, editing and future broadcast distribution. Backline, such as piano, B3 Organ, Fender Rhodes, keyboards, drums, and percussion will be supplied from Studio A Las Vegas where much of the recorded music from the first four albums was produced.

For more information on Le Coq Records, please visit:

lecoqrecords.com | Facebook | Instagram

NEW Live Concerts | Exclusive Release from Irma Thomas

New Album and Concert Series

Irma Thomas – Love Is The Foundation

While supplies last, get an individual copy of this timeless release from the beloved Soul Queen of New Orleans – her first studio recording in over a decade.

"Thomas sounds like a precious jewel placed in an exquisite setting." – John Swenson, OffBeat

BUY YOUR COPY NOW

(limited availability)

Support Live Music This April

Coming this Friday April 9th at 8pm ET: John Patitucci, Yotam Silberstein, and Rogério Boccato!

With live performances all but eliminated due to the pandemic, we created Newvelle Live for fans who want to support artists and institutions who are continuing the legacy of improvised music for a new generation. Anyone can join. All we ask is that you consider making a contribution to support the musicians performing every Friday in April. Contributions will be divided equally among the 12 artists performing throughout the series.

This series is designed as a radical experiment: one that explores the relationship between musician and fan, and an attempt to strengthen our communities and support musicians at this critical time.

LISTEN NOW

Alessandro Galati / Bob Sheppard / John Patitucci / Peter Erskine - Jason Salad! (2021 JazZMUD Recs)

1. Bop 'Till You Drop 03:49

2. Love 05:15

3. Last Night 04:48

4. Circus 07:01

5. You don't know what love is 07:36

6. Bulgaria 05:32

7. Hi dance with you (to Luca Flores) 07:19

8. Woody's Grouse 03:01

9. This Up Year 06:06

10. Tobaccoless 04:57

11. Ascending 04:49

ALESSANDRO GALATI - piano

BOB SHEPPARD - sax

JOHN PATITUCCI - bass

PETER ERSKINE - drums

Recorded at Mad Hatter, L.A. (USA) by Bernie Kirsch, march 1996.

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John Patitucci / Vinnie Colaiuta / Bill Cunliffe - TRIO (2021 Le Coq Records)

Pianist Bill Cunliffe, Bassist John Patitucci

and Drummer Vinnie Colaiuta

Convene as a Trio for the First Time Ever on the

Spirited, Swinging New Album Trio

Three veteran jazz virtuosos join forces for the first time as pianist Bill Cunliffe, bassist John Patitucci and drummer Vinnie Colaiuta for a high-spirited, vigorously swinging standards session titled, simply, Trio – after all, with three names like those on the marquee, no further embellishment is needed.

Trio, due out February 19, 2021 via Le Coq Records, came together spontaneously, making the exhilarating chemistry and dynamic interplay all the more remarkable. Cunliffe has become something of a house arranger and musical director for many of the newly-launched imprint’s projects, and Patitucci and Colaiuta have quickly become part of the Le Coq family. It was at label founder/producer Piero Pata’s urging that the trio let loose in Hollywood’s storied Capitol Studios without a script.

“Piero surprised us as we were working on some other projects with him,” Patitucci recalls. “He had the idea for us to do this trio record. It was very impromptu, like in the Blue Note record era, where you basically do a record in a day. We had a lot of fun and it was really relaxed.”

“I was like a kid in a candy store,” gushes Cunliffe. “It was pretty challenging because it just three guys in a room. But it was a lot of fun, because these are two master musicians whose work I’ve loved for years.”

A GRAMMY® Award-winning arranger, Cunliffe typically embarks on a project with far more preparation. Since beginning his career as pianist and arranger with the Buddy Rich Big Band, Cunliffe has worked with such luminaries as Frank Sinatra, Joe Henderson, Freddie Hubbard, Benny Golson and James Moody, while establishing himself as a renowned solo artist and bandleader with more than a dozen albums under his name. All of which made this recording a daunting but ultimately thrilling experience – in the making as much as in the listening.

“I like jazz music that has shape,” Cunliffe explains, “that has a beginning, middle and end, and drama. Usually I craft those elements in my arrangements. John and Vinnie are able to create those qualities on the spot.”

Patitucci may be best known for his long and meaningful associations with Chick Corea and Wayne Shorter, but he’s worked with a who’s who of artists in and outside of jazz. With Corea he came to prominence as a member of the pianist’s Akoustic and Elektric Bands; for the last two decades he’s been a member of the Wayne Shorter Quartet alongside pianist Danilo Pérez and drummer Brian Blade, perhaps the most revered small band in jazz today. But he’s also played throughout the world with Herbie Hancock, Stan Getz, Pat Metheny, Wynton Marsalis, Joshua Redman, Michael Brecker, McCoy Tyner, Nancy Wilson, Sting, Aaron Neville, Natalie Cole, Joni Mitchell, Carole King, Astrud and Joao Gilberto, and many more.

Colaiuta has also bridged the worlds of jazz and pop throughout his career. He rose to fame playing with Frank Zappa, Joni Mitchell and Sting, while touring with jazz greats from Herbie Hancock to Chick Corea. He’s also a prolific first-call studio drummer whose work graces recordings by Leonard Cohen, Barbra Streisand, James Taylor, Billy Joel and countless others.

Patitucci and Colaiuta are no strangers to one another, of course. Colaiuta is one of three drummers on the bassist’s self-titled debut album on GRP from 1987; they’ve crossed paths scores of times over the intervening decades, including as a version of Chick Corea’s Akoustic Band that recorded Live From the Blue Note Tokyo in 1996. Cunliffe has worked with both of them at various times as well, but Trio marks the first time they’ve been able to interact as a trio.

“Both John and Vinnie have spent a lot time in different aspects of the pop world,” Cunliffe says. “But they both grew up in jazz like I did. They’re both stone cold jazz guys.”

“Working with Bill Cunliffe,” Colaiuta says, “you can always expect – at the very least –amazing skill and professionalism, some deep swinging, and a big bucket of fun!”

The tone for the session is set with the trio’s sprightly take on George Shearing’s “Conception.” Introduced by a brisk solo shot by Colaiuta, the tune sparks, nimble, graceful solos from all three members, all clearly in upbeat spirits. It’s followed by a swooning version of David Raksin’s classic theme from “Laura,” a more winsomely romantic interpretation than the noir-tinged usual.

They then delve into the repertoire of Patitucci’s longtime bosses for a steely plunge into Wayne Shorter’s “Anna Maria” and a graceful rendition of Chick Corea’s “The One Step,” on which the bassist speaks with eloquent lyricism. Colaiuta’s rifle-crack rhythm sets the pace for a blistering run through the Miles Davis favorite “7 Steps To Heaven,” while the drummer’s lush, whispering brushwork conjures a cloud-soft foundation for Cunliffe to ruminate nostalgically on the classic ballad “Good Morning Heartache.”

The camaraderie that the three locked into so quickly and (seemingly) easily is playfully evident on their loose, celebratory spin on the well-worn standard “My Shining Hour,” while their taut link-up braces a slyly grooving rethink of Thelonious Monk’s “We See.” The album concludes on a wistful note, with a tender but lively “Just In Time.”

The mix of standards and songs familiar to the trio’s members was not only a practical consideration given the impromptu nature of the session, Cunliffe explains; it was key to capturing such brilliantly conversational playing. “Except for ‘The One Step,’ we did all of the tunes from memory, without using any music at all. That means we were able to look at each other, hear each other, challenge each other and react to each other in the moment. It felt very organic and was so much fun. Vinnie and John really lifted me and made me play better than I ever could.

1. Conception 05:25

2. Laura 03:30

3. Ana Maria 05:18

4. The One Step 05:53

5. 7 Steps to Heaven 04:45

6. Good Morning Heartache 05:28

7. My Shining Hour 05:27

8. We See 04:16

9. Just In Time 08:19

John Patitucci on Bass

Vinnie Colaiuta on Drums

Bill Cunliffe on Piano

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Oz Noy - Booga Looga Loo (ABSTRACT LOGIX February 15, 2019)

New York guitar phenom Oz Noy is that rare artist -- one who has cultivated his own distinct voice within the context of classic structures. His latest album, Booga Looga Loo reawakens timeless Boogaloo meets Jazz meets R&B grooves with Noy’s extended, unpredictable harmonic sensibility, stinging phrasing, and deft musical economy. Helping to realize Noy’s concept of the boogaloo record is a cast of musicians equally versed in the backbeat and the beyond, including drummers Vinnie Colaiuta, Dave Weckl and Steve Ferrone; bassists Will Lee, John Patitucci, and James Genus; and keyboardists Jerry Z and Brian Charette. Other contributors include Kevin Hays, Seamus Blake, and Anne Drummond. 

On Booga Looga Loo, five taut, incisive Noy originals are joined by striking reinventions of material by the Beatles (“Eight Days a Week,” with Lee on vocals), the Beach Boys (an achingly delivered “God Only Knows”), Ray Charles (“I Got a Woman”), and Thelonious Monk (“Bemsha Swing”). The album follows Twisted Blues, Oz Noy’s acclaimed two-volume exploration of the limits of the blues, a searing live set recorded in Shanghai with Weckl and bassist Étienne M'Bappé (Asian Twistz), a Soul Funk R&B record “Who Give A Funk" and the debut of Ozone Squeeze, Noy’s versatile, accessible trio with drummer Darren Stanley and vocalist and keyboardist Rai Thistlethwayte.

Oz Noy (Guitar)

Vinnie Colaiuta, Dave Weckl, Steve Ferrone (Drums)

Will Lee, John Patitucci, James Genus (Bass)

Jerry Z, Brian Charette, Kevin Hays (Keys)

Seamus Blake (Sax)

Anne Drummond (Piano)

1. BoogaLoo Fever

2. Chocolate Souffle

3. A Soul Thang

4. Bemsha Swing

5. Booga Looga Loo

6. I Got a Woman

7. God Only Knows

8. Eight Days a Week

Shows

Feb 19

Rockwood Music Hall Stage 1

New York, NY

Feb 28

Yoshi's Jazz Club, Oakland

Oakland, CA

Mar 05

Jammin' Java

Vienna, VA

Mar 06

Songbirds (Lower Level)

Chattanooga, TN

Mar 12

FTC StageOne

Fairfield, CT

Mar 14

Iridium

New York, NY

Mar 15

Iridium

New York, NY

Mar 16

Iridium

New York, NY

Mar 17

Iridium

New York, NY

Mar 19

Milkboy Philly

Philadelphia, PA

Mar 22

The Jazz Kitchen

Indianapolis, IN

Mar 23

The Jazz Kitchen

Indianapolis, IN

Mar 27

The Bitter End

New York, NY

Jay Lawrence - Sonic Paragon (JAZZ HANG RECORDS 2018)

Sonic Paragon is a fantastic collaboration of the amazing drummer, Jay Lawrence, with many of the greatest jazz players on the scene today–John Patitucci, bass; Renee Rosnes, piano; Harry Allen, tenor saxophone; Terell Stafford, trumpet; Anthony Wilson, Yotam Silberstein, and Romero Lubambo, guitars! Do not miss this one!!  Sonic: Sound waves traveling at about 761 miles per hour.  Paragon: A shining example of excellence.  Sonic Paragon is a quintessential paradigm of jazz music drawing from New York to New Orleans, Bop to Brazil, and Hip hop to Swing.

1. Full Moon in Havana (feat. Renee Rosnes, John Patitucci, Harry Allen & Romero Lubambo) 6:38

2. What'll I Do (feat. Renee Rosnes, John Patitucci, Harry Allen & Anthony Wilson) 5:08

3. Vamonos (feat. Renee Rosnes, John Patitucci, Terell Stafford, Harry Allen & Yotam Silberstein) 7:32

4. Slide (feat. Renee Rosnes, John Patitucci, Anthony Wilson, Terell Stafford & Harry Allen) 7:06

5. Maria (feat. Renee Rosnes, John Patitucci, Harry Allen & Romero Lubambo) 5:38

6. Dayspring (feat. Renee Rosnes, John Patitucci, Harry Allen & Romero Lubambo) 6:51

7. From Nadir to Zenith (feat. Renee Rosnes, John Patitucci, Harry Allen, Terell Stafford & Anthony Wilson) 4:18

8. Sonic Paragon (feat. Renee Rosnes, John Patitucci, Harry Allen & Anthony Wilson) 6:26

9. Tchoupitoulas (feat. Renee Rosnes, John Patitucci, Terell Stafford, Harry Allen & Yotam Silberstein) 5:16

10. Golden Ratio (feat. Renee Rosnes, John Patitucci, Harry Allen & Yotam Silberstein) 5:59

11. Crosstown Traffic (feat. Renee Rosnes, John Patitucci, Harry Allen & Yotam Silberstein) 4:41

12. My Winsome Consort (feat. Renee Rosnes, John Patitucci & Harry Allen) 5:39

www.jaylawrencedrums.com

www.jazzhangrecords.com

Nacho González - Illegal Grooves (2017)

“Illegal Grooves” is the debut album of Nacho González Nappa (1985). This music is full of landscapes and energy and features some of the deepest influences for Nacho, including John Patitucci, Ruben Rada, Terence Blanchard, Hugo Fattoruso and George Garzone among others.

Nacho is an Uruguayan musician, composer and social entrepreneur. After almost a decade dedicated to poverty reduction in Latin America, working at techo.org and socialab.com, he decided to pursuit his live long passion of music, and got a scholarship at Berklee College Music to study Jazz Composition. 

“Illegal Grooves” is the reflection of a long journey devoted to music, the appreciation of diverse Latin American treasures like candombe, tango, samba, and the mix from all these styles with the jazz language. It´s also a gift that symbolizes what immigrants bring when they leave their country. This illegality is actually what makes a system richer, brighter, and stronger. This illegality is what makes us different, and at the same time is what makes us recognize each other. 

All songs were written, arranged and produced by Nacho González, except from “Como dos extraños”. 

Nacho won the prestigious Wayne Shorter Award for Jazz Composition at Berklee College of Music, and the Jazz Education Award for Young Composers, and has been recognized as one of the emerging stars of modern Jazz composition.

Artists featured: 

Illegal Grooves (feat. Josh Shpak / Aníbal Cruz / Joaquina Mertz)
Speeding Turtle (feat. Ruben Rada / George Garzone / Nando Michelin)
Beating Oranges (feat. John Patitucci / Hugo Fattoruso / George Garzone)
BO, Mr. Bob (studio) (feat. George Garzone / Nando Michelin)
Nueva Música (feat. George Garzone/ Nando Michelin/ Takafumi Nikaido)
Candombe Juno (feat. Yesseh Furaha-Ali / Nando Michelin / Takafumi Nikaido)
Como dos extraños (feat. Jorge Trasante)
BO, Mr. Bob (live) (feat. Terence Blanchard / George Garzone)

Artists who participated in the album:

Illegal Grooves: Flute, Anggie Obin; Soprano, Alto, Bb Clarinet, Juan Ruiz; Trumpet, Josh Shpak and Yuta Yamaguchi; Bone, Suzuko Hori; Bari, Bass Cl, Luis García; Vox: Joaquina Mertz; Guitar, Nacho González; Piano, Aníbal Cruz; DJ, Joaco Pérez; Bass, Lucy Clifford; Percussion, Takafumi Nikaido; Drums, Juan Chiavassa; Recording Enegineer, Mark Wessel; Mix, Aurelio Estebanez; Master, Alex Psaroudakis

Speeding Turtle: Voice: Ruben Rada; Flute: Anggie Obin; Soprano: George Garzone
Alto: Juan Ruiz; Tenor: Alex Madeline; Baritone: Grace-Mary Burega; Trumpets: Neal Rosenthal, Mao Sone; Trombones: Yoshie Nakayama, Rob Krahn; Guitar: Nacho González; Piano: Nando Michelin; Maschine: Isaac Matus-Rodríguez; Bass: Flavio Lira; Percussion: Takafumi Nikaido; Drums: Orlando Retana; Recording Engineer: Mark Wessel
Assistant Engineers: Alex Csak, Shuwen Guo, Paula Park, Erick Jaimes, Nadav Shapira, Tim Schwerdt, Dragi Ivanov; Guitar Overdubs Engineer: Ken Jin; Voice Recording: Gustavo Montemurro (Estudio Las Manzanas); Editing: Garry Purohit; Mix: Aurelio Estebanez, Casa Limón Madrid, Spain; Master: Alex Psaroudakis, Sterlin Sound Studios NY, USA.

Beating Oranges: Flute: Margot Mayette; Soprano: George Garzone; Alto/Clarinet: Juan Ruiz; Bari/Bs.Clarinet: Luis García; Trumpet: Josh Shpak, Neal Rosenthal; Bone: Yoshie Nakayama; Violin: Tania Mesa; Cello: Naseem Alatrash; Guitar & Composition: Nacho González; Cavaco: Flavio Lira; Piano: Nando Michelin; Synth: Hugo Fattoruso; Vibes: Julián Velasco; Bass: John Patitucci; Perc: Negah Santos, Taka Nikaido; Drums: Juan Chiavassa; Engineer: Ross Hogarth; Overdubs: David Cardona, Juan Álvarez, Ken Jin; Mix: Alberto Menezes; Master: Alex Psaroudakis (Sterling Sound New York)

BO, Mr. Bob (session): Flute: Anggie Obin; Trumpet: Paul Sánchez; Alto Sax: Alex Ramírez; Tenor Sax: George Garzone & Andrew Denicola; Trombone: Michael Wang & Max Acree; Bari Sax: Luis García; Piano: Nando Michelin; Guitar: Nacho González; Bass: Flavio Lira; Percussion: Takafumi Nikaido, Julio Santos, & Gilbert Mansour; Candombe Drums: Darío Terán, Jhonny Neves, Diego Paredes; Drums: Juan Chiavassa; Recorded by Mark Wessel; Mixing Engineer: Aurelio Estebanez; Mastered at Sterling Sound: Alex Psaroudakis

Nueva Música: Gustavo D´Amico (soprano); Neal Rosenthal (tpt); Gaia Petrelli (alto); George Garzone (tenor); Michael Wang (bone); Luis García (bari); Nando Michelin (piano)
Nacho González (gt, composition, arr); Óscar Stagnaro (bass); Takafumi Nikaido (perc); Juan Chiavassa (dr); Mark Wessel (Recording Engineer); Pablo San Martín (Mix); Alex Psaroudakis (Master); Special thanks to SangRok Park, Alberto Menezes and Nico Farias

Candombe Juno: Trumpet: Neal Rosenthal; Tenor Sax: Yesseh Furaha-ali; Trombone: Max Acree Piano: Nando Michelín; Bass: Tomás Latorre; Percussion: Takafumi Nikaido
Drums: Juan Chiavassa; Recording Engineer: Marco Echeverría; Mixing Engineer: Pablo San Martín; Mastering Engineer: Alex Psaroudakis

Como dos extraños: Perc: Jorge Trasante; Guitar Nacho González; Engineer: Eddie Corbo

BO, Mr. Bob (live): Flute: Anggie Obin; Trumpet: Terence Blanchard & Paul Sánchez; Alto Sax: Alex Ramírez; Tenor Sax: George Garzone & Yesseh Furaha-Ali; Trombone: Bob Pilkington & Max Acree; Bari Sax: Luis García; Piano: Nando Michelin; Bass: Flavio Lira
Percussion: Takafumi Nikaido, Julio Santos, & Gilbert Mansour; Drums: Juan Chiavassa; Mixing Engineer: Pablo San Martín; Mastered by: Alex Psaroudakis Sterling Sound

Jimmy Greene: Flowers – Beautiful Life, Vol. 2 (MACK AVENUE RECORDS 2017)

Every musician, I assume, has a prime source for inspiration. For saxophonist and composer Jimmy Greene, that’s been his daughter Ana, who had given him that inspiration during her life and in the aftermath of her shocking, tragic death that made international news. More than four years after the Sandy Hook massacre that cut short Ana Greene’s life, Ana continues to be a muse for her father. Flowers – Beautiful Life, Volume 2 (April 28, 2017, Mack Avenue Records) finds Jimmy Greene in a better spot in his life, because he chose to turn misery and grief into music that’s a celebration of the spirit of Ana and the forces of good.

Thusly, Flowers isn’t a low key affair that A Beautiful Life was at times, but jazz through the cheerful, carefree lens of a six year old. Greene, rest assured, is still making the same polished, attenuated music that endeared himself to us back in ’09. The difference now is that he makes the music a little more playful and lighter on its feet, music that someone at both six and sixty could dance or at least bob their head to.

You can hear him having a good time recording the 6/8 Brazilian samba festival tune “Stanky Leg” or the Nola-inspired second line “Stink Thumb” (apparently putting forth a notion that if it smells bad, it must sound good). On the former, pianist Renee Rosnes spins a tastefully flowing piano solo and the latter is livened up by Ben Williams’ pocket aware bass and Otis Brown III’s jumpin’ snare drum. On both, Greene delivers a happy, prancing soprano sax.

Other songs are inspired by Ana’s own words: “Big Guy” is what she called her 6’6″ father and the song of that name swings in a unique, dynamic way. “Fun Circuits” (“Don’t let them suck your fun circuits dry, Mom!”) has complex rhythms and Mike Moreno’s guitar with Rosnes’ Fender Rhodes give it a rock-jazz flair but also characterizes childlike exhilaration and unpredictability.

“December” is a song with a multidimensional complexion to portray the range of emotions that occur at the Greene household during this month every year (holiday season without Ana, anniversary of the Newtown massacre). But even here Greene is pushing forward; the song works through the mixed emotions with vigor and Brown’s drums make sure of that.

Sometimes words are needed to fully explain the feeling, and accordingly, a couple of vocal turns are included. Sheena Rattai takes on the task on the titular “Flowers” with words inspired by Ana’s book of flower drawings intended as an expression of love to her father. Greene offers what he calls “some humble advice to parents” as conveyed by Jean Baylor on the sweet ballad “Someday” while Greene’s cool, assuring tenor sax flutters around.

The only song Greene didn’t compose came instead from Level 42. Greene had revealed to us before that there was “something about Ana” so you might say he turned this 1986 hit “Something About You” into a message about her. Greene gets really creative with the middle of it, practically making up a whole new section where he again drops down chops from his soprano sax.

There’s talent galore on this album: besides Rosnes, Moreno, Williams and Brown, there are also appearances by Jeff ‘Tain’ Watts, John Patitucci, Rogerio Boccato and Kevin Hays. They all do their part to help make Flowers – Beautiful Life, Volume 2 a worthy successor to Greene’s gorgeous tribute Beautiful Life. But Jimmy Greene’s biggest help comes from within. Inside his heart, where Ana Grace Greene lives and thrives.

1. Big Guy

2. Stanky Leg

3. Flowers

4. Second Breakfast

5. Fun Circuits

6. Stink Thumb

7. Someday

8. December

9. Amantes

10.Something About You

11.Thirty-Two

Jimmy Greene

Renee Rosnes

Mike Moreno

Ben Williams

Otis Brown III

Jeff ‘Tain’ Watts

John Patitucci

Rogerio Boccato

Kevin Hays