Friday, August 25, 2017

New England Conservatory’s Jazz Studies and Contemporary Improvisation Departments Present 100+ Performances and Events for 150th Season



New England Conservatory's Jazz Studies and Contemporary Improvisation departments will present more than 100 performances and events for the 150th anniversary season.

The new season showcases diverse musical offerings from today's most talented artists performed in NEC's renowned concert halls, including three new state-of-the-art venues at the Student Life and Performance Center (SLPC).

2017-2018 Season highlights include: 

• World premieres of new works by Darcy James Argue and Anthony Coleman  

• Monk’s Dream: Thelonious Monk at 100 with T.S. Monk 

• Manteca: Dizzy Gillespie and the Birth of Latin Jazz celebrating Gillespie’s centennial  

• Residency featuring Matana Roberts • Music of Jerry Bergonzi and Ken Schaphorst 

New England Conservatory’s (NEC) internationally renowned Jazz Studies and Contemporary Improvisation (CI) Departments announce more than  100 concerts for the celebratory 150th anniversary season. The 2017-2018 continues to build on NEC’s rich legacy featuring 150 years of innovation showcasing the work of the first fully accredited jazz studies program at a music conservatory as well as the pioneering CI department. The new season showcases diverse musical offerings from today’s most talented artists performed in NEC’s renowned concert halls, including three new state-of-the-art venues at the Student Life and Performance Center (SLPC).

Highlights include the world premiere of a newly commissioned work by alumnus Darcy James Argue as part of a concert honoring the legacy of Bob Brookmeyer; the premiere of alumnus and faculty member Anthony Coleman’s new work, “Streams,” a composition commissioned for NEC’s sesquicentennial; “Thelonious Monk at 100” featuring T.S. Monk performing portions of Monk’s legendary Town Hall Concert with the NEC Jazz Orchestra; a residency featuring composer, performer, sound artist, improviser, and NEC alumna Matana Roberts; a celebration of the centennial of Dizzy Gillespie; CI Salon Nights and Jazz Ensemble Concerts featuring hour-long concerts by rising star NEC students from the Jazz and Contemporary Improvisation departments. 

NEC is pleased to offer  the following concerts, free and open to the public. For more information, visit necmusic.edu or call 617-585-1122.

FALL 2017

August/September 2017

Wednesday, August 30 – Jazz Jam Session
7:30 p.m. Brown Hall

Tuesday, September 5 – Opening Night
7:30 p.m.  Brown Hall

Join NEC's groundbreaking Contemporary Improvisation department in kicking off the academic year with a concert featuring CI faculty including Ran Blake, Eden MacAdam-Somer, Hankus Netsky, Anthony Coleman and others.

Thursday, September 7 – CI Jam Session
7:30 p.m. Pierce Hall

Saturday, September 23 – Open Studios
Street fair all day, barn dance 7 – 10 p.m. – Brown Hall

NEC’s Open Studioscelebrates the opening of  the new Student Life and Performance Center with live music, dancing, food, drink, and much more. CI events include live concerts by Night Tree and the Ladles, and a Barn Dance featuring the Ladles and special guests, calling by Angela DeCarlis. No partners or dance experience necessary – just come and dance the night away!

October 2017

Friday, October 6 – CI and Jazz Master Class with Burton Greene
10 a.m.

Originally from Chicago, Burton Greene rose to popularity during the 1960s on New York's free jazz scene, gigging with well-known musicians including Marion Brown, Bill Dixon, Rashied Ali, Albert Ayler, Gato Barbieri, Byard Lancaster, Sam Rivers, Patty Waters, Perry Robinson, Willem Breuker, and many others. He moved to Holland in 1969 and, in the late 1980s, began exploring the Klezmer tradition in his groups Klezmokum (along with Perry Robinson), Klez-thetics, and a more recent group called Klez-Edge with vocalist Marek Balata. Klez-Edge has a recent recording Ancestors, Mindreles, NaGila Monsters (2008) out on John Zorn's Tzadik label. A duet with Perry Robinson, also on the Tzadik label, Two Voices in the Desert was released in January 2009.

Wednesday, October 18 – Concert with NEC Alumna Matana Roberts and CI students 
7:30 p.m. Brown Hall

NYC-based sound experimentalist, jazz saxophonist and clarinetist, composer, improviser, Doris Duke Artist Award recipient and NEC alumna Matana Roberts is the composer of Coin Coin, a multichapter musical work-in-progress exploring themes of history, memory and ancestry. She has been a guest curator at the Stone and Artist in Residence at the Whitney Museum, among others. While at NEC, she will conduct a week-long residency, Monday through Friday, October 16-20. In addition to the Wednesday concert, public events are planned on Tuesday, October 17 at 10 a.m. when Matana will discuss her music and on Friday, October 20 when she will host an improvisation workshop.

Thursday, October 19 – Monk’s Dream: Thelonious Monk at 100 
7:30 p.m. Jordan Hall

NEC will celebrate the 100th Birthday of jazz giant Thelonious Monk with a concert featuring NEC faculty and alums including Ran Blake, Frank Carlberg, Fred Hersch, Nedelka Prescod and Dominique Eade. T. S. Monk will play portions of Monk’s legendary Town Hall Concert with the NEC Jazz Orchestra. Robin Kelley, author of Thelonious Monk: The Life of an American Original, will speak about Monk’s life and music. 

Friday, October 27 – Masterclass with Daniel Levin, Tony Malaby, Randy Peterson 
10 – 11:50 a.m.

Three of today’s most innovative improvisers will work with NEC students.
  
Sunday, October 29 – Linda Chase: The City is Burning
4 p.m. Brown Hall

CI faculty member and NEC alumna Linda Chase presents her extraordinary and timely mixed media piece The City Is Burning, featuring CI faculty and students and special guests Stan Strickland and Professor Harvey Cox.

Monday, October 30 – Ken Schaphorst Faculty Concert
7:30 p.m. Jordan Hall

November 2017

Wednesday, November 8 – Jazz Ensemble Concerts
7, 8 and 9 p.m. Student Life and Performance Center (SLPC), Eben Jordan Ensemble Room

Discover the musical innovators of tomorrow with these one-hour concerts featuring NEC’s student ensembles, each coached by a member of NEC’s renowned faculty.

Thursday, November 9 – Jazz Ensemble Concerts
7, 8 and 9 p.m. SLPC, Eben Jordan Ensemble Room

Discover the musical innovators of tomorrow with these one-hour concerts featuring NEC’s student ensembles, each coached by a member of NEC’s renowned faculty.

Monday, November 13 – What Keeps Mankind Alive: Kurt Weill, Bertolt Brecht, and the Epic Theater
7:30 p.m. Jordan Hall

CI students and faculty explore the world of Bertolt Brecht and Kurt Weill through performances of works from The Threepenny Opera and The Seven Deadly Sins, along with original pieces and traditional songs. Performers include the Anthony Coleman and CI Chamber Music Ensembles.

Tuesday, November 14 – NEC Gospel Ensemble and NEC Composers Ensemble
8 p.m. Brown Hall

This concert showcases two of NEC’s exceptional student ensembles. The NEC Gospel Ensemble, coached by Nedelka Prescod, explores contemporary gospel music as it is currently being created and performed. This ensemble works with repertoire composed within the last 20 years and highlights key composers and choir leaders. The NEC Jazz Composers Ensemble, coached by Jorrit Dijkstra, gives student composers the opportunity to develop their work for small jazz ensemble through rehearsal and performance.
   
Thursday, November 16 –Jazz Ensemble Concerts
7, 8 and 9 p.m. SLPC Eben Jordan Ensemble Room

Discover the musical innovators of tomorrow with these one-hour concerts featuring NEC’s student ensembles, each coached by a member of NEC’s renowned faculty.


Monday, November 20 – Jazz Ensemble Concerts
7, 8 and 9 p.m. SLPC Eben Jordan Ensemble Room

Discover the musical innovators of tomorrow with these one-hour concerts featuring NEC’s student ensembles, each coached by a member of NEC’s renowned faculty.


Tuesday, November 21 – CI Salon Night
7, 8 and 9 p.m. Pierce Hall

Discover the musical innovators of tomorrow in these three one-hour performances by CI student small ensembles. Tonight’s lineup features the Irish Music, Joe Morris, and Cobra ensembles.

Monday, November 27 – Jazz Ensemble Concerts
7, 8 and 9 p.m. SLPC Eben Jordan Ensemble Room

Discover the musical innovators of tomorrow with these one-hour concerts featuring NEC’s student ensembles, each coached by a member of NEC’s renowned faculty.

Tuesday, November 28 – Jazz Ensemble Concerts
7, 8 and 9 p.m. SLPC Eben Jordan Ensemble Room

Discover the musical innovators of tomorrow with these one-hour concerts featuring NEC’s student ensembles, each coached by a member of NEC’s renowned faculty.

Wednesday, November 29 – Jazz Ensemble Concerts
7, 8 and 9 p.m. SLPC Eben Jordan Ensemble Room

Discover the musical innovators of tomorrow with these one-hour concerts featuring NEC’s student ensembles, each coached by a member of NEC’s renowned faculty.

Thursday, November 30 – Jazz Ensemble Concerts
7, 8 and 9 p.m. SLPC Eben Jordan Ensemble Room

Discover the musical innovators of tomorrow with these one-hour concerts featuring NEC’s student ensembles, each coached by a member of NEC’s renowned faculty.

December 2017

Sunday, December 3 – Linda Chase’s “Hope Is the Hardest Love We Carry”
3 p.m. Museum of Fine Arts, Boston 

Hope Is the Hardest Love We Carry, a chamber composition by faculty member Linda J. Chase, features poet Jane Hirshfield reading her own poetry and her translations (with Mariko Aratani) of thousand-year-old Japanese poems by Izumi Shikibu and Ono no Komachi. The music was composed following Chase’s Japan Foundation residency that happened to coincide with the 3/11/11 Great East Japan earthquake, tsunami, and nuclear disaster. Performers will include NEC faculty members flutist Linda J. Chase, pianist Hankus Netsky and students from New England Conservatory's Contemporary Improvisation Department.

Monday, December 4 – CI Salon Night
7, 8 and 9 p.m. Pierce Hall

Line-up features the Zaleski Non-Majors, African American Roots, and Anthony Coleman Ensembles.
    
Tuesday, December 5 – Jazz Ensemble Concerts
7, 8 and 9 p.m. SLPC Eben Jordan Ensemble Room

Discover the musical innovators of tomorrow with these one-hour concerts featuring NEC’s student ensembles, each coached by a member of NEC’s renowned faculty.

Wednesday, December 6 – Jazz Ensemble Concerts
7, 8 and 9 p.m. SLPC Eben Jordan Ensemble Room

Discover the musical innovators of tomorrow with these one-hour concerts featuring NEC’s student ensembles, each coached by a member of NEC’s renowned faculty.

Thursday, December 7 – Manteca: Dizzy Gillespie and the Birth of Latin Jazz
7:30 p.m. Jordan Hall

Celebrating Dizzy Gillespie’s centennial, with a particular emphasis on his contribution to the development of Latin Jazz, the NEC Jazz Orchestra will perform “Manteca,” “Tin Tin Deo” and “Cubano Be, Cubano Bop,” written by Gillespie and longtime NEC faculty member George Russell. 

Monday, December 11 – Jazz Ensemble Concerts
7, 8 and 9 p.m. SLPC Eben Jordan Ensemble Room

Discover the musical innovators of tomorrow with these one-hour concerts featuring NEC’s student ensembles, each coached by a member of NEC’s renowned faculty.

Tuesday, December 12 – Jazz Composers’ Workshop Orchestra
7:30 p.m. Brown Hall

The Jazz Composers’ Workshop Orchestra is devoted to rehearsing and performing works by NEC Jazz Composition students. Coached by pianist/composer and NEC jazz faculty member Frank Carlberg, the ensemble gives its composers the opportunity to learn how to rehearse and conduct a band, as well as have their works heard. 

Wednesday, December 13 – CI Salon Night
7 and 8 p.m. Pierce Hall 

Tonight’s lineup features the Persian Music and Interdisciplinary Ensembles.

Wednesday, December 13 – Jazz Ensemble Concerts
7, 8 and 9 p.m. SLPC Eben Jordan Ensemble Room

Discover the musical innovators of tomorrow with these one-hour concerts featuring NEC’s student ensembles, each coached by a member of NEC’s renowned faculty.

Thursday, December 14 – CI Salon Night
7, 8 and 9 p.m. Pierce Hall 

Tonight’s lineup features the Turkish Music, CI Chamber, and Songwriters Workshop Ensembles.

SPRING 2018

January 2018

Monday, January 29 – Jazz and CI Faculty Spotlight
7:30 p.m. Jordan Hall 

February 2018

Wednesday, February 21 – Film Noir: Cria Cuervos
7:30 p.m. Jordan Hall

Co-producers Aaron Hartley and Ran Blake present their 13th Annual Film Noir project, featuring students and faculty of NEC's groundbreaking Contemporary Improvisation department. This year's performance explores Carlos Saura's film Cria Cuervos heightened by new music created by NEC musicians and special alumni guest artists percussionist Tupac Mantilla and vocalist Burcu Gulec.

March 2018

Thursday, March 1 – Celebration: The Legacy of Bob Brookmeyer 
7:30 p.m. Jordan Hall

The NEC Jazz Orchestra he will perform music by Bob Brookmeyer and six of Brookmeyer’s former NEC students, including the world premiere of a new composition commissioned for NEC’s 150th Anniversary by alumnus Darcy James Argue. Argue was a Doris Duke Artist Award recipient in 2015. Music by NEC alumni Ayn Inserto, Mehmet Ali Sanlikol, Ryan Truesdell and Nicholas Urie will also be featured. Saxophonist, low reed expert and NEC alumnus Brian Landrus will be featured playing Brookmeyer’s “Celebration Suite.” Brookmeyer taught composition at NEC between 1997 and 2007.

Tuesday, March 13 – Eden MacAdam-Somer Faculty Recital
7:30 p.m. Jordan Hall

Monday, March 26 – Jazz and Wild Card Honors Ensemble Concert
7:30 p.m. Jordan Hall

Each year, an audition committee selects a few exceptional students to represent NEC in the Honors Jazz and Wild Card ensembles.
                         
April 2018

Monday, April 2 – Jazz Ensemble Concerts
7, 8 and 9 p.m. SLPC Eben Jordan Ensemble Room

Discover the musical innovators of tomorrow with these one-hour concerts featuring NEC’s student ensembles, each coached by a member of NEC’s renowned faculty.

Tuesday, April 3 – Jazz Ensemble Concerts
7, 8 and 9 p.m. SLPC Eben Jordan Ensemble Room

Discover the musical innovators of tomorrow with these one-hour concerts featuring NEC’s student ensembles, each coached by a member of NEC’s renowned faculty.

Wednesday, April 4 – Jazz Ensemble Concerts
7, 8 and 9 p.m. SLPC Eben Jordan Ensemble Room

Discover the musical innovators of tomorrow with these one-hour concerts featuring NEC’s student ensembles, each coached by a member of NEC’s renowned faculty.

Thursday, April 5 – NEC Gospel and NEC Composers Ensemble
7:30 p.m. Brown Hall

This concert showcases two of NEC’s exceptional student ensembles. The NEC Gospel Ensemble, coached by Nedelka Prescod, explores contemporary gospel music as it is currently being created and performed. This ensemble works with repertoire composed within the last 20 years and highlights key composers and choir leaders. The NEC Jazz Composers Ensemble, coached by Jorrit Dijkstra, gives student composers the opportunity to develop their work for small jazz ensemble through rehearsal and performance.

Monday, April 9 – CI Salon Night
7, 8 and 9 p.m. Pierce Hall 

Discover the musical innovators of tomorrow in these three one-hour performances by CI student small ensembles. Tonight’s lineup features the Middle Eastern, Ted Reichman, and R&B Ensembles.

Tuesday, April 10 – Jazz Ensemble Concerts
7, 8 and 9 p.m. SLPC Eben Jordan Ensemble Room

Discover the musical innovators of tomorrow with these one-hour concerts featuring NEC’s student ensembles, each coached by a member of NEC’s renowned faculty.

Wednesday, April 11 – Jazz Ensemble Concerts
7, 8 and 9 p.m. SLPC Eben Jordan Ensemble Room

Discover the musical innovators of tomorrow with these one-hour concerts featuring NEC’s student ensembles, each coached by a member of NEC’s renowned faculty.

Thursday, April 12 – Jazz Ensemble Concerts
7, 8 and 9 p.m. SLPC Eben Jordan Ensemble Room

Discover the musical innovators of tomorrow with these one-hour concerts featuring NEC’s student ensembles, each coached by a member of NEC’s renowned faculty.

Monday, April 16 – Jazz Ensemble Concerts
7, 8 and 9 p.m. SLPC Eben Jordan Ensemble Room

Discover the musical innovators of tomorrow with these one-hour concerts featuring NEC’s student ensembles, each coached by a member of NEC’s renowned faculty.

Tuesday, April 17 – CI Salon Night
7, 8 and 9 p.m. Pierce Hall 

Discover the musical innovators of tomorrow in these three one-hour performances by CI student small ensembles. Tonight’s lineup features the Tanya Kalmanovitch, American Roots, and CI Chamber Ensembles.

Wednesday, April 18 – CI Salon Night
7 and 8 p.m. SLPC Eben Jordan Ensemble Room

Discover the musical innovators of tomorrow in these two one-hour performances by CI student small ensembles. Tonight’s lineup features the Jewish Music and Contemporary Rock Ensembles.

Thursday, April 19 – The Seven Rays: Music of Jerry Bergonzi and Ken Schaphorst 
7:30 p.m. Jordan Hall

This concert features the NEC Jazz Orchestra with saxophonist/composer Jerry Bergonzi in the performance of his composition “The Seven Rays,” a seven movement suite inspired by mystical associations with the number seven. Ken Schaphorst arranged the suite for the HfMT Big Band in Hamburg in 2016. This will be the first time the arrangement has been played in the United States. Bergonzi has taught at NEC for over twenty years, developing an international reputation as saxophonist, author, composer and educator.

Monday, April 23 – CI Salon Night
7, 8 and 9 p.m. Pierce Hall 

Discover the musical innovators of tomorrow in these three one-hour performances by CI student small ensembles. Tonight’s lineup features the Zaleski Non-Majors, Anthony Coleman, and Monk/Mingus Ensembles.

Tuesday, April 24 – Jazz Composers Workshop Orchestra 
7:30 p.m. Jordan Hall

Wednesday, April 25 – Jazz Ensemble Concerts
7, 8 and 9 p.m. SLPC Eben Jordan Ensemble Room

Discover the musical innovators of tomorrow with these one-hour concerts featuring NEC’s student ensembles, each coached by a member of NEC’s renowned faculty.


Thursday, April 26 – Jazz Ensemble Concerts
7, 8 and 9 p.m. SLPC Eben Jordan Ensemble Room

Discover the musical innovators of tomorrow with these one-hour concerts featuring NEC’s student ensembles, each coached by a member of NEC’s renowned faculty.

Monday, April 30 – International Jazz Day
7:30 p.m. Brown Hall

UNESCO has designated April 30 as International Jazz Day in order to highlight jazz and its diplomatic role of uniting people in all corners of the globe. NEC joins the celebration with a performance featuring NEC faculty and students playing music embodying the ongoing dialogue between jazz and musical cultures from throughout the world.

Monday, April 30 – Jazz Ensemble Concerts
7, 8 and 9 p.m. SLPC Eben Jordan Ensemble Room

Discover the musical innovators of tomorrow with these one-hour concerts featuring NEC’s student ensembles, each coached by a member of NEC’s renowned faculty.

May 2018

Tuesday, May 1 – Jazz Ensemble Concerts
7, 8 and 9 p.m. SLPC Eben Jordan Ensemble Room

Discover the musical innovators of tomorrow with these one-hour concerts featuring NEC’s student ensembles, each coached by a member of NEC’s renowned faculty.

Wednesday, May 2 – World premiere of Streams by Anthony Coleman
7:30 p.m. Jordan Hall

For its first 150 years one of NEC’s most important contributions to music education has been the school’s efforts to confront the convergence of various musical idioms and genres. These efforts only intensified in the late 1960s, when NEC president Gunther Schuller brought his “Third Stream” idea to the conservatory, creating a department (now called “Contemporary Improvisation”) with the specific mission of crafting a new approach to teaching music that could adapt as a new global approach to composition, performance, and improvisation took shape. This concert features the world premiere of “Streams,” a new composition commissioned for NEC’s 150th Anniversary. In this work CI alum, faculty member, and maverick composer Anthony Coleman bring the forces of today’s Contemporary Improvisation department (both students and faculty) together to explore and confront the problems and possibilities inherent in creating a global music for the 21st century.

Thursday, May 3 – Jazz Ensemble Concerts
7, 8 and 9 p.m. SLPC Eben Jordan Ensemble Room

Discover the musical innovators of tomorrow with these one-hour concerts featuring NEC’s student ensembles, each coached by a member of NEC’s renowned faculty.

NEC's Jazz Studies Department was the first fully accredited jazz studies program at a music conservatory. The brainchild of Gunther Schuller, who moved quickly to incorporate jazz into the curriculum when he became president of the Conservatory in 1967, the Jazz Studies faculty has included six MacArthur "genius" grant recipients (three currently teaching) and four NEA Jazz Masters. The program has spawned numerous Grammy winning composers and performers and has an alumni list that reads like a who's who of jazz. As Mike West writes in JazzTimes: “NEC's jazz studies department is among the most acclaimed and successful in the world; so says the roster of visionary artists that have comprised both its faculty and alumni.” The program currently has 101 students; 52 undergraduate and 49 graduate students from 18 countries. www.necmusic.edu/jazz

Founded in 1972 by musical visionaries Gunther Schuller and Ran Blake, New England Conservatory's Contemporary Improvisation (CI) program is “one of the most versatile in all of music education” (JazzEd). CI trains composers, performers, and improvisers to broaden their musical palettes and develop unique voices. It is unparalleled in its structured approach to ear training and its emphasis on singing, memorization, harmonic sophistication, aesthetic integrity, and stylistic openness. Under Blake's inspired guidance for its first thirty-three years, the program grew considerably and has expanded its offerings under current co-chairs Hankus Netsky and Eden MacAdam-Somer. Alumni include Don Byron, John Medeski, Jacqueline Schwab, Aoife O'Donovan and Sarah Jarosz; faculty include Carla Kihlstedt, Blake, Dominique Eade, and Anthony Coleman. “A thriving hub of musical exploration,” (Jeremy Goodwin, Boston Globe), the program currently has more than 50 undergrad and graduate students from 14 countries. http://necmusic.edu/contemporary-improvisation

Katie Thiroux - Off Beat (CAPRI RECORDS 2017)


Ace of bass Katie Thiroux triumphs with the masterful Off Beat

The brilliant musician and vocalist confirms critical praise with exceptional sophomore recording


“A first rate bassist and beguiling vocalist.” - The New Yorker

“This bassist-vocalist-composer is flat out phenomenal." - Dan Bilawsky, All About Jazz

“In addition to her playing, her singing was natural, unforced and harmonically delightful.  The promise that Thiroux portended that night is being played out steadily.” LA Times


Performances

• Sept. 2 – Artist in Residence at Quincy Jones’ Palazzo Versace, Dubai
• Sept. 7 – Chestertown Jazz Festival at the Mainstay, Rock Hall, MD
• Sept. 9 – Deerhead Inn, Delaware Water Gap, PA
• Sept. 10 – Birdland, New York, NY
• Sept. 12 – Regattabar, Cambridge, MA
• Sept. 20 – The Velvet Note, Atlanta, GA
• Sept. 22-23 – The Jazz Corner, Hilton Head, SC
• Sept. 24 – The Ritz Theatre, Jacksonville, FL
• Sept. 29-30 – The Green Mill, Chicago, IL
• Oct. 3 – Nocturne, Denver, CO
• Oct. 5 – Clinic, Solon High School, Solon, IA
• Oct. 7 – Noce, Des Moines, IA
• Oct. 8 – Dunsmore Room, Minneapolis, MN
• Oct. 9 – Clinic, St. Paul Conservatory High School, St. Paul, MN 
• Oct. 13 – BLUJazz, Akron, OH
• Oct. 14 –  The Bop Stop, Cleveland, OH
• Oct. 26Nov. 5Tour of Denmark


There’s a special pleasure to be had when a promising artist not only fulfills all expectations but then dashes ahead to produce a rare work of outstanding beauty. With her new recording, Off Beat, Katie Thiroux, a world class bassist and charismatic singer, proves that all the initial critical attention she garnered from both her debut album and subsequent live appearances was merely a spur for her to quickly surpass her laudable achievements. Utilizing the contributions of pianist Justin Kauflin and drummer Matt Witek, as well as saxophonist Roger Neumann and saxophonist and clarinetist Ken Peplowski (and once again employing the skillful production of Jeff Hamilton), Thiroux has conjured up a dream project that certifies the wellbeing of exceptionally crafted mainstream jazz.

What first strikes an attuned listener on hearing Off Beat is that while Thiroux’s gifts as a bassist are at the top level, her singing has evidently matured, taking on a mellow, yet eminently swinging, expressivity. Her sly interpretations of “Off Beat,” an overlooked gem from the catalogue of the great June Christy; “Some Cats Know,” a Leiber and Stoller favorite of Peggy Lee; and Benny Carter’s classic “When Lights Are Low,” as well as her scat line on Ray Brown and Walter Fuller’s bebop prize, “Ray’s Idea,” are telling examples of her rhythmically shapely vocals. But three additional performances truly exhibit how thoroughly Thiroux has evolved as an assured vocalist. “When the Wind Was Green,” a seldom visited Frank Sinatra track from 1965, finds Thiroux’s vocals supported only by her formidable bass and Peplowski’s lyrical clarinet; on the chestnut, “Willow Weep For Me,” Thiroux forgoes additional assistance, her own bass and vocals relaying the whole vivid story.  And in the album’s biggest (and happiest) surprise, Thiroux lays down her instrument altogether for the emotional standard, “Why Did I Choose You?,” Kauflin’s supportive piano cradling her gently nuanced vocal. These sublime tracks send a clear message: Thiroux is taking her singing as seriously as she is her remarkable bass playing.


Of which, let there be no doubt, there are plenty of marvelous examples. On swinging performances including “Brotherhood of Man (from the Frank Loesser musical, “How to Succeed In Business Without Really Trying”), or the easy grooving Thiroux original “Slow Dance With Me,” and the sensually intoned Duke Ellington masterpiece “Happy Reunion” (once a feature for star tenorist Paul Gonsalves, here a showpiece for the gorgeous weave of Peplowski and Neumann’s horns), Thiroux exhibits her rock solid technique, embracing tone and intuitive support. Swinging like crazy, Thiroux drives the music, no matter the tempo, displaying a balance of superior technical skills and exquisite taste. Her well-chosen features–like only the best of leaders, Thiroux knows when not to solo– are stunning instances of melodic inventiveness wedded to badass chops.

With the release of Off Beat, Thiroux has found herself in a pleasing conundrum. The only thing that can divert attention from her auspicious bass playing may be her praiseworthy vocalizing. It’s a tough position to be sure, but it’s obvious this multi-talented savant can handle it.

Studying both bass and voice since her pre-teenage years, Thiroux continued her musical education at the Berklee College of Music where she performed with Branford Marsalis, Greg Osby, Dr. Billy Taylor, Terri Lyne Carrington and others. In 2013, a year after receiving her master’s degree in jazz studies from California State University, Long Beach, Thiroux organized, and has since maintained, her own touring ensembles. Her 2015 debut album, Introducing Katie Thiroux, earned broad acclaim including a place on the best debut lists of the NPR Music Critics Poll, Huffington Post and All About Jazz. Performing throughout the United States and various international venues, Thiroux has worked with, among others, Eric Reed, Terell Stafford, Brian Lynch, Tierney Sutton and Patti Austin. This summer, she will be Artist-In Residence at Quincy Jones’s new jazz club, Palazzo Versace in Dubai.