Showing posts with label Jetse de Jong. Show all posts
Showing posts with label Jetse de Jong. Show all posts

Monday, September 6, 2021

Lucas Santana 5tet - Reflections (September 2021)

Versatility, energy and musicality define Lucas Figueiredo Santana, 1993. Saxophone and flute player, the young Brazilian musician based in Amsterdam has shown a unique way to express himself through music, crossing over the Brazilian samba-jazz, Bossa Nova and Choro with Jazz.

International award winning musician such as Downbeat student award 2021, Keep an Eye Records - 2020 and and Latin Grammy Cultural Foundation - 2016, Lucas had the chance to share stage with big names of the jazz and Brazilian scene, for example Miguel Zenón, Dick Oatts, Seamus Blake, Jasper Blom, Hermeto Pascoal, Metropole Orkest and Four Tops and Temptations.

For the coming year Lucas is dedicating his time to the release his debut album named "Reflections" and will be out on April 23rd. “Reflections” is an album composed and recorded during the lockdown period of 2020 due to the Covid-19 world crises and aims to deliver some of Lucas’ personal reflections of himself and of the world through his music.

1. Intro 03:11
2. Heritage 06:16
3. Dear George 06:26
4. Trouble Maker 06:45
5. As if we were just friends 06:52
6. Alma 07:12
7. Around the world 07:48

Lucas Santana: Alto saxophone and compositions
Tijs Klaassen: Double Bass
Tim Hennekes: Drums
Davor Stehlik: Guitar
Jetse de Jong: Piano

Monday, July 19, 2021

KAMA Kollektiv - Toivo (2021 Berthold Records)

The KAMA Kollektiv’s second album TOIVO is released by BERTHOLD records.

The line-up: Kirsi Harju (Finland) on trumpet and vocals, Jonathan Nagel (Germany) on bass, Jetse de Jong (Netherlands) on piano and Yoad Korach (Israel) on drums. Harju who – alongside Nagel – composed the songs, leads the quartet.

Harju is an original and accomplished trumpeter and singer. She excels at both. “I didn’t choose the trumpet, the trumpet chose me,” she recalls. “I wanted to play everything else, particularly violin, but as a kid I made mistakes in the music school exam, I was so nervous.” She was put into the wind department, given a pocket trumpet and soon found she could play beautiful melodies. She also sang. “My friends said I was too loud but I loved it. I was in choirs and vocal groups at school. Later I heard Chet Baker and realised I could combine the two.”

Toivo (also the title of one of the tracks) is the Finnish word for hope. According to the band “the music brings together the confusion of the current international situation with desire for unity and hope, in a musical tapestry. It expresses influences from melancholic Nordic atmospheres and landscapes, minimalism, folk and indie pop, as well as jazz artists like Mathias Eick.”

The melodic idea for the track Distance Song was already in Harju’s mind in Finland before she moved to Amsterdam to study in the conservatory, where she met her fellow musicians. “Then it became a song about homesickness and distance,” she explains. “This is reflected in the changing tonality of the music.”

I wish you could see my true nature begins with the drone of a bowed double bass, duetting with Harju’s almost breathless, sensitive voice. “The inspiration was the book – The Things You Can See Only When You Slow Down, by Haemin Sunim,” says Harju. “I was reading it during the pandemic. It’s very philosophical and leaves a lot open. There are no answers. Even I don’t know my own true nature.” Muiden Käsissä “is a Finnish title,” explains Harju “which means – in the hands of others – it's about not being in control or dependency.” Paradoxically the lyrical music on this track displays Harju’s masterly control as both singer and trumpeter, in perfect, complex balance with piano, bass and drums.
Of the songs written by Nagel, Once to scar me for life got its title from a poem given him after a meeting a stranger. “The brief encounter,” he explains “was casual, but it triggered thoughts about this person and our lives in general. This song is about taking risks. Just go for it. Just once, to scar for life.”

Nagel’s song Maybe tackles self-image, and “the way we manipulate our bodies – dream fantasies. The body as designed or sexualized object. The song starts out in a funky rock groove, sounding cheerful and innocent, then becomes satire, when it suddenly changes to a swing rhythm mocking a showband.”

Phlegmatic Escapism “draws you into a flow state,”explains Nagel. “The feeling of time is stretched by continuous repetitions of a dull and mellow melody. The song hovers unimpressed over the busy beat, in a dream state. Like looking out of a train window, seeing the countryside flying by endlessly. Then suddenly a big shift, an intermezzo reminding of folk and country music from a different, bizarre dream world, with distorted echoes and a futuristic retro charm, which eventually merges back to the initial flow. It’s about trying to escape our hectic everyday routines and information overflows.”

Inventing Memories also a Nagel song “is about idealising the past. I have mostly good memories of Berlin and other placed I’ve lived, my childhood, ex-girlfriends. I know that there have been many problems and good reasons why I moved on. But the memories give the illusion that it mostly was all good – inventing and reshaping the past.”

Harju sees her band as a collective.“Discussing and deciding things together as much as possible is important,” she says “but there also has to be a leader.” She loves the poetry of Jonathan Nagel’s ideas, but also respects his musicality and versatility as a bass player. She is very grateful to have the pianist Jetse de Jong on the album as he is in much demand on other projects. “I love his diversity and it’s effortless to work with him,” she explains. The drummer Yoad Korach “has worked on a range of projects. With each new one he incorporates all the different ideas, to create a fresh and unique style.”

1. Distance Song 05:15
2. Maybe 04:14
3. Once To Scar Me For Life 06:10
4. Toivo 06:08
5. Phlegmatic Escapism 05:24
6. Inventing Memories 04:30
7. Muiden Käsissä 06:12
8. I Wish You Could See My True Nature 05:45
9. Silence Your Own Voice 05:43