Showing posts with label Daniel Levin. Show all posts
Showing posts with label Daniel Levin. Show all posts

Wednesday, October 10, 2018

Brandon Seabrook Trio - Convulsionaries (ASTRAL SPIRITS 2018)


From the idiosyncratic musical mind of guitarist/composer Brandon Seabrook comes his latest album Convulsionaries (Astral Spirits, Fall 2018). In his close to two decades in NYC, Seabrook has garnered international acclaim for his sui generis approach to the electric guitar, one which astounds with tremolo pyrotechnics and an entropic, miasmic sensibility. While those elements are in full effect on Convulsionaries, they’re met with a mature and thorough sense of dynamics, pace, groove, and feeling. Joining Seabrook on this release are the young upright bassist Henry Fraser (Anthony Coleman, The Full Salon) and Daniel Levin (Tony Malaby, Mat Maneri), two revolutionary string players who have been working in various creative ensembles in Brooklyn for years.

Together, the string trio tackle Seabrook’s thorny compositions, which perpetually surprise and unseat the listener throughout the album’s proceedings. Seabrook's imaginative compositions are a study turning a sense of impeding doom into cathartic releases, allowing equal space for improvisation and rigid execution of the complex scores. The ensemble ransacks the history of their respective instruments, bringing light to new timbres and exposing their untapped percussive capabilities.

What we have with Convulsionaries is the sound of three restless virtuosos, making a bold statement, guiding listeners through a gauntlet of emotional spaces with the aid of these structural assemblages, turning impending doom into a deep cathartic release.

Brandon Seabrook, Guitar
Henry Fraser, Bass
Daniel Levin, Cello

All Songs Brandon Seabrook, BMI 

Recorded, Mixed & Mastered by COLIN MARSTON at Menegroth, The Thousand Caves, October 2017

1. Bovicidal 05:28
2. Groping at a Breakthrough 06:34
3. Crux Accumulator 05:06
4. Vulgar Mortals 08:46
5. Qorikancha 06:47
6. Mega Faunatic 09:40


Wednesday, January 31, 2018

Daniel Levin / Chris Pitsiokos / Brandon Seabrook - Stomiidae (DARK TREE RECORDS 2018)



1. Photonectes Gracilis 05:00
2. Eustomias Trewavasae 07:55
3. Chauliodus Danae 02:21
4. Neonesthes Capensis 04:57
5. Opostomias Micripnus 08:20
6. Photostomias Atrox 02:02
7. Echiostoma Barbatum 07:34

Chris Pitsiokos: alto saxophone
Brandon Seabrook: electric guitar


Friday, October 6, 2017

Daniel Levin - Living (SMERALDINA-RIMA 2017)


“The man to watch.” (Penguin Guide to Jazz) 

On his second solo album, Living (Smeraldina-Rima, release date: September 15th), cellist-composer Daniel Levin explores a unique creative and psychological environment. In creating it, Levin explains, “I imagined that I had hiked deep into a forest, where nobody was around for a hundred miles, pitched a tent, and went to sleep. Emerging from the tent the next morning, in complete solitude, I decided to make little ritual sculptures out of leaves, twigs, and rocks. Make them and destroy them, and then make some more, little sculptures to please only myself.” 

It’s a radical departure from his previous unaccompanied music, documented on his 2011 Clean Feed CD, Inner Landscape. “Not long after I started to improvise,” Levin explains, “I became very interested in producing an entire set of original improvised music, using just the cello. This was incredibly daunting to me for a long time, and it took me until about 2009 to be able to somewhat consistently produce completely improvised solo material that I thought could stand on its own. At the time, I seemed to be unable to produce anything even approaching convincing solo music, unless I was in front of an audience. In order to make the music strong, I needed the excitement and fear and adrenaline that I felt when I was creating music in real time in a performance setting. This is how my solo music was produced and functioned for a while. 

“Then, about 3 years ago, a new concept for the solo music began to emerge,” Levin continues. “This way of creating actually required that the live audience be taken out of the equation altogether. The trick for me in documenting this was to be able to establish and then really sustain that kind of creative and psychological space in the recording studio.” 


His new approach to solo playing produces an album of quiet intensity as he molds his vast vocabulary of sound into fascinating shapes that reveal surprises at every turn. Living employs nearly every conceivable sound available using a cello. It exists along the full continuum of possible timbres, from scratches and scrapes with no identifiable pitch to lyrical bowed melodies. Ideas appear as kinetic sculptures related to one another in intimate and varied ways, sometimes contrapuntally, sometimes through juxtaposition or opposition, either repeated or as isolated events. Living is the soundtrack of a sonic sculptor at work alone in his workshop. 

Daniel Levin “invokes all manner of musics with prodigious skill: jazz, classical, improv, noise, vocal chorus. His technique is unquestioned and he revels in the physicality of the instrument,” according to the New York City Jazz Record. Born in Burlington, Vermont, Levin began playing the cello at the age of six. In 2001, he graduated with a degree in Jazz Studies from the New England Conservatory of Music and arrived on New York City jazz scene shortly thereafter. Ed Hazell noted upon release of Levin’s first record as a leader, “Cellist Daniel Levin is a major new voice on his instrument and in improvised music.” Since then, Daniel has continued to develop his own unique voice as a cellist, improviser, and composer. He has performed and/or recorded with Billy Bang, Borah Bergman, Tim Berne, Anthony Braxton, Gerald Cleaver, Andrew Cyrille, Mark Dresser, Ingebrigt Håker Flaten, Tony Malaby, Mat Maneri, Joe Morris, Joe McPhee, William Parker, Ivo Perelman, Warren Smith, Ken Vandermark, and many others. A recipient of a Jerome Foundation award, he has released more than 20 albums as a leader or co-leader on labels such as Clean Feed, HatOLOGY, Not Two, Trost, Riti, and others. 

“Living is a major milestone for me in my development as an improviser and artist,” Levin says. It is also a new landmark in the landscape of improvised cello.


1. Assemblage 4:57
2. Generator 5:12
3. Baksy-buku 8:54
4. The Dragon 11:01
5. Symbiotic 4:18
6. Mountain of Butterflies 5:47

Daniel Levin  cello

Upcoming:

October 6 - Brandon Seabrook / Daniel Levin / Henry Fraser @ Cornelia Street Café, New York, NY

October 8 - Daniel Levin / Brandon Seabrook / Juan Pablo Carletti @ Legion, Brooklyn, NY

October 10 - Daniel Levin / Ståle Liavik Solberg @ Café Mir, Oslo, Norway

October 11 - Solo @ Sentralen, Oslo, Norway

October 12 - Solo @ Pygméteatern, Stockholm, Sweden

October 13 - Joe Morris / Daniel Levin @ Skaņu Mežs Festival, Riga, Latvia

October 23 - Daniel Levin / Chris Pitsiokos @ Bushwick Public House, Brooklyn, NY

October 24 - Tony Malaby / Daniel Levin / Randy Peterson @ Barbès, Brooklyn, NY

October 25 - Tony Malaby / Daniel Levin / Randy Peterson @ Outpost 186, Cambridge, MA

October 26 - Tony Malaby / Daniel Levin / Randy Peterson @ Studio4, Northampton, MA

October 27 - Tony Malaby / Daniel Levin / Randy Peterson Workshop @ New England Conservatory of Music, Boston, MA (morning)

October 27 - Tony Malaby / Daniel Levin / Randy Peterson @ Firehouse 12, New Haven, CT

October 28 - Daniel Levin Solo + Larkin Grimm + Brandon Seabrook's Die Trommel Fatale @ H0L0, Brooklyn, NY

October 29 - Tony Malaby / Daniel Levin / Randy Peterson @ The Windup Space, Baltimore, MD

October 30 - Tony Malaby / Daniel Levin / Randy Peterson Workshop @ Towson University, Towson, MD (morning)

Saturday, March 11, 2017

Tony Malaby / Matt Maneri / Daniel Levin - New Artifacts (CLEAN FEED RECORDS 2017)


“New Artifacts” documents a thrilling concert in Brooklyn by Tony Malaby, Mat Maneri, and Daniel Levin. The performance captured here transformed the listeners in attendance that evening, bringing them into a creative world open with possibilities. Now, with this recording, Malaby, Maneri, and Levin invite you into their narrative of sound. This is music rich in gesture, and a music that is lyrical at its core. Its lyricism does not set itself in song form, yet is deeply reminiscent of the emotional ethos of vocal forms. This lyricism becomes the ground of the compositional field these three artists enter into: It is a field that is open to asides, proclamations, intimate words, and cries across a great space. The human voice is translated to their instruments with great compulsion. We hear Tony Malaby’s voice on his saxophones as a big circle, or perhaps a vibrant sphere in open space, with wind and light inside it – and this shared space is mirrored by the strings. At times, it’s as if Daniel Levin’s cello and Mat Maneri’s viola become saxophones, too, and vice versa. We are lucky to have a document of this special concert, to provide an opportunity for those of us who were not there that night to experience the magic of this music for themselves.

1. New Artifacts 13:09
2. Creation Story 11:51
3. Freedom from the Known 11:01
4. Joe 7:12

Tony Malaby  saxophone
Mat Maneri  viola
Daniel Levin  cello

All compositions by Tony Malaby, Mat Maneri, and Daniel Levin

Recorded by Randy Thaler at Three’s Brewing, Brooklyn, NY on August 9, 2015 | Mixed and mastered by Nick Lloyd at Firehouse 12, New Haven, CT
Produced by Malaby, Maneri & Levin | Executive prodution by Pedro Costa for Trem Azul | Design by Travassos


Tuesday, January 31, 2017

Daniel Levin Quartet - Live at Firehouse 12 (CLEAN FEED RECORDS 2017)



Live At Firehouse 12 documents the Daniel Levin Quartet in live performance with its current working line-up, now featuring Mat Maneri on viola. The new palette of timbres and textures afforded by the change in instrumentation from trumpet to viola provides ample opportunities for the band to explore previously uncharted territory, and the musicians take full advantage here, producing music that sounds fresh and exciting. At the same time, there is a sense of familiarity, as the music often travels along several of the distinctly original sonic paths that Daniel Levin and his quartet have forged over many years. In fact, with this recording, Levin chose to focus on four of the key compositional forms, or “archetypal images”, that have been in consistent use by the quartet since its inception in 2001. To round out the program, there are fully improvised duos from Zetterberg and Moran, and also from Levin and Maneri, who can frequently be found working as a stand-alone duo, apart from the quartet.

The music that results from this unique combination of precedents and antecedents can be extremely subtle or epic; it can delight itself in the abstract marvels of timbre and texture; it can embrace the beauty of a melody while exploring rhythm in unexpected ways, but at its core, it’s always lyrical. The mysteries and intricacies within the music invite us to keep coming back to it, in order to uncover yet another layer, another detail, to have another experience of enchantment.


1. Aquamarine (Live) 8:28
2. Lost & Found (Live) 7:53
3. Jumpman (Live) 7:35
4. Glacier (Live) 5:51
5. Mat / Daniel (Live) 4:25
6. Matt / Torbjörn (Live) 5:26
7. Myths & Legends (Live) 9:08

Mat Maneri  viola
Matt Moran  vibraphone
Torbjörn Zetterberg  double bass

All compositions by Daniel Levin, Black Bear Music Industries Inc. (ASCAP) except #5 by Mat Maneri & Daniel Levin, and #6 by Matt Moran and Torbjörn Zetterberg.

Recorded on May 27, 2016 by Greg DiCrosta at Firehouse 12, New Haven | Mixed and mastered by Nick Lloyd at Firehouse 12, New Haven
Produced by Daniel Levin | Executive producer Pedro Costa | Design by Travassos | Photo credits: Daniel Levin by Joachim Ceulemans; Mat Maneri by Remi Angeli; Torbjörn Zetterberg & Matt Moran by Peter Gannushkin