Fraser / McCowen / Weinberg - Thip (April 23, 2021 Tripticks Tapes)

Thip is the first record of the trio of Henry Fraser, John McCowen, and Sam Weinberg. By the time McCowen moved to Brooklyn in 2017, Fraser and Weinberg had already played together in a number of contexts – duo, a trio with Weasel Walter, Maestro Day, et al. When they met McCowen, both were instantly struck not only by his virtuosity on both contrabass and B flat clarinets, but also his depth and seriousness. 

All three became close personal friends and the trio emerged from that friendship and the shared understanding that had already been forged. Thip was recorded in April of 2019 at Issue Project Room and that space’s eminent and notorious natural reverb is heavily reflected in the document – and dictated some of the aesthetic decisions that were made throughout the album. While there’s a density to the music on Thip, there’s also a kind of elasticity and patient suspension; a confident sense of form and a deliberate unfolding.

1. Ayeda 10:00

2. Arunae 12:38

3. Nur 07:44

4. Thaanps 12:35

5. Sklyse (digi Bonus w/ Joe Moffett) 11:30

Henry Fraser - double bass

John McCowen - Bb and contrabass clarinets

Sam Weinberg - tenor and soprano saxophones

Joe Moffett - trumpet (track 5)

Tracks 1-4 recorded April 2019 at Issue Project Room, Brooklyn, NY

Engineered by Jeremiah Cymerman

Track 5 self-recorded October 2020 in Prospect Park, Brooklyn, NY

Mastered by Ryan Power at Perfect Pets, Brooklyn, NY

PRE-ORDER

John McCowen - 4 Chairs in Three Dimensions (ASTRAL SPIRITS June 7, 2018)

Following hot on the heels of clarinetist John McCowen's absolutely stellar album "Solo Contra" (International Anthem) we are proud to present another release of solo work "4 Chairs in 3 Dimensions." McCowen has spent a lot of time in various scenes, from playing in bands such as Tweak Bird and Wei Zhongle to studying and playing clarinet with Roscoe Mitchell, Fred Frith & Ned Rothenberg among others. The 4 pieces on this album deal with various extended drone-like aspects of playing the clarinet, here entirely acoustic, in shorter song-like versions. Or as McCowen himself states, "embracing long-form drones, difference tones, and beating harmonics as a means to extrude the dimensionality within - treating the clarinet as an acoustic synthesizer".

1. White Trash

2. Fu-e

3. Birds of Jamaica

4. 4 Chairs in 3 Dimensions

John McCowen - Clarinet, Contrabass Clarinet

Recorded/Mixed January 2017 by Adam Hirsch @ Tiny Telephone Studios, SF

Mastered by David Allen

Music Composed by John McCowen

All Tracks Performed Live

John McCowen - Solo Contra (INTERNATIONAL ANTHEM 2017)

Grime punk haven Carbondale, lllinois native John McCowen got his musical start in the middle aughts doing vocals for hardcore bands in local basements. Tired of the toll that took on his throat, he eventually picked up a saxophone, and applying it where he could landed him a gig with his high school friends Ashton and Caleb Bird in their stoner rock band Tweak Bird. After several years doing saxes and flutes for Tweak Bird (which culminated in a 2 month tour opening for TOOL in 2009) McCowen returned home to pursue Bb soprano, bass and contrabass clarinet studies with Eric P. Mandat at Southern Illinois University in Carbondale. In that time he produced three releases – Humana/Mundana (DAAANG, 2014), Clarinet Quartets ½ (Cairn Desk, 2015) and OBF_14 (DAAANG, 2015) – before moving on to Mills College in Oakland, California to study under a major influence of his, Roscoe Mitchell. Between 2014 and 2017 in Oakland, McCowen learned from and played with Mitchell regularly, while simultaneously touring the American DIY gamut with New Music hybridizing, Rob Jacobs-led art punk project Wei Zhongle, and, among other works for woodwind based ensembles, developed the sonic concepts and contrabass clarinet compositions materialized in Solo Contra. 

An apex of his work to-date on the bottom clef clarinet, and a punctuation of his graduate studies under Roscoe Mitchell, Solo Contra hears McCowen inhaling the musics of Eliane Radique, Maryanne Amacher & Pauline Oliveros, and exhaling, with incredible force, depth & clarity, an utterly new slate of tones & sonic textures he calls “post electronic acoustic music.” The album’s 26 minutes contain three densely-hued polyphonic movements produced entirely acoustically, recorded by engineers Úlfur Hansson & Michael Coleman using 13 microphones set to fully capture the broad vibrational spectrum of the instrument and its activation by McCowen’s seemingly infinite breath. After that session, in July of 2017, he brought the recordings to IARC cofounder David Allen’s home studio, where together the two mixed and mastered an array of almost superhuman, entirely supernatural frequencies into a singularly vivid timbric persona. Solo Contra is John McCowen’s larger than life rendering of contrabass clarinet in its most definitive, but most undefinable projection.

1. Fur Korv 05:01

2. Chopper HD 05:29

3. Berths 1-3 16:35

John McCowen is also heard on IARC0004 Rob Jacobs - s/t

John McCowen - contrabass clarinet

Recorded by Michael Coleman & Úlfur Hansson

October 2016 @ Figure Eight Recording, Brooklyn, NY

Mixed & Mastered by David Allen

All music composed by John McCowen