T.K. Blue - Another Blue (December 2021 Arkadia Records)

In every context, T.K Blue asserts himself as one of the brightest talents in jazz today.” – Geoffrey Hines, The Washington Post

Arkadia Records recording artist, saxophonist and composer T.K. Blue (Talib Kibwe) leads this exhilarating ensemble of 14 Jazz notables, such as Randy Weston & Eddie Henderson, in a special album, entitled T.K. Blue: Another Blue. Full of superb originals and classic standards, the album showcases both Blue’s extraordinary musical chops and the sounds of his impressive band, that includes pianists James Weidman & Michael Cochrane, bassists Santi Debriano & Calvin Hill, drummers Cecil Brooks III & Greg Bufford, percussion master Guilherme Franco, trumpeter Tony Branker, Bob Ferrel on trombone, Lenny Argese on guitar, and special guests pianists Randy Weston and Onaje Allan Gumbs, as well as Eddie Henderson on trumpet

“Blue’s voice on alto is highly distinctive. Whether on his main horn, soprano or flute, he inflects everything he plays with ebullience.” – James Hale, Downbeat Magazine

In this all-acoustic session by the accomplished saxophonist, flutist, composer, and arranger, T.K. Blue presents an exciting program of five of his original compositions, five re-interpretative arrangements of iconic standards, plus a tune by Tony Branker from the Spirit of Life Orchestra. T.K. plays with fire and imagination on his full arsenal of instruments, joined by an impressive collection of Jazz stars with whom he has intersected during his twenty-plus years as an active, vital performer and Musical Director for pianist Randy Weston.

“Saxophone virtuoso T.K. Blue, imbues his playing with so much elation that even classics come to life with new vitality… He has developed an emotional immediacy in his playing that utterly transports an audience…T.K. Blue’s tone is both muscular and malleable. When he improvises, his contoured passages obtain the logic of a Slinky stretched to full length…The saxophonist also has a delightful rhythmic agility that enables his solos to dance.” – John Murph, The Washington Post

Whether playing compositions from Miles Davis, Bud Powell, or Dizzy Gillespie, or TK Blue’s originals that reflect on his West Indian heritage and the longstanding influences of his travels around the world, “T.K. Blue: Another Blue” showcases the impressive young reed player reflecting on the history and future of Jazz music.

“Saxophonist/Flutist/Composer T.K. Blue’s musical exploits, on the bandstand and in the recording studio, shout and scream ‘artist deserving wider recognition’.” – Willard Jenkins, Jazz Times 

1. Chant for Peace Eternal 06:11

2. This is for Albert 05:16

3. Evening Prayer 07:11

4. Hallucinations 03:41

5. Another Blue 05:18

6. You Go to My Head 07:08

7. It’s Really All About Love4:27 04:26

8. Night In Tunisia 05:21

9. Crossings 05:34

10. Pileau 03:53

11. Solar 04:34

T.K. Blue: Saxophones, flutes, and kalimbas

James Weidman: Piano

Santi DeBriano: Bass

Cecil Brooks III: Drums

Guillermo Franco: Percussion

Onaje Allen Gumbs: Piano

Michael Cochrane: Piano

Calvin Hill: Bass

Greg Bufford: Drums

Tony Branker: Trumpet

Bob Ferrel: Trombone

Lenny Argese : Guitar

With special guests:

Eddie Henderson: Trumpet

Randy Weston: Piano

Produced by: T.K. Blue and Bob Karcy

PRE ORDER

Tamuz Nissim - Echo of a Heartbeat (February 1st, 2018)

For her third album, Tamuz has concentrated on songs from the jazz repertoire (adding some lyrics of her own to “Groovin’ High” and “Fried Bananas,” as well as a vocalese on“Smile.”) Produced by Nissim and bassist Harvie S, the record is a journey through the heart as it experiences that crazylovely little thing called love: its rhythms, upswings, downbeats... echoes.Three of the tracks, as in her first two fine efforts (The Music Stays In A Dream,Liquid Melodies), are originals: “My World”, a luscious, lilting ballad; “In The Melody Shade,” hitting right in Nissim’s melodic wheelhouse, with lyrics inspired by the Israeli modernist poet, Yehuda Amichai; and the title track, “Echo of a Heartbeat,” which invites you to dive headlong into its groove, swim around awhile, and get lifted up on the bridge supplied by George Nazos’ haunting guitar. Dexter Gordon’s “Fried Bananas” is held down by the rhythm section while the other cats make the time to fly and swing.

As Dexter would say: “Bananas are bananas except when they’re fried!” “Just Squeeze Me,” set off by Harvie S’ compelling basslines, turns Lee Gaines’ tune on its head: is this a plea, lament, command, request, mocking rebuff? Meanwhile, one is unprepared for Tamuz’s take on Jim Croce’s “Time in a Bottle.” We’ve had loads of popular songs reworked into a jazz idiom, but Nissim’s phrasing, not to mention James Weidman’s jaunty piano work, renders this into something else entirely.

The melancholy behind the vocals, the doleful downbeat infused with the uplift in the keys, unearths the song’s inherent conflict, that unreachable-reachable if only. Dizzy Gillespie’s “Groovin’ High,” is also taken to another place, a rare, minimalist track on the album, exclusively bass and vocals. One doesn’t know who accompanies whom here, the scatting and the plucking are so perfectly integrated. And it doesn’t matter: It’s mornin’, baby, get to work.

The meaning of life indeed. After a swingin’ version of Harry M. Wood’s classic “What A Little Moonlight Can Do” (to paraphrase Mr. Rawls: “It ain’t easy to swing, but those who can, make it look that way”); Charlie Chaplin’s “Smile,” which Nazos takes into flamenco territory, closes out the album. One can envision the Little Tramp himself doing a slow spinning solo to this, his coattails dragging behind as the credits roll.

The temptation here is to say that the musicians on this release are a “bonus” that augment Tamuz’s sublime vocals. But that would be an inaccurate representation of this thoroughly seamless ensemble. (And believe me, as a show host on a New Orleans radio station, I’ve come to know a little bit about seamless ensembles.) All the players are accomplished performers who have worked with a host of remarkable vocalists: Bassist Harvie S, with Sheila Jordan, pianist James Weidman with Abbey Lincoln;s band and Tony Jefferson, who has a resume as long as his two arms, not only kills with the sticks but is a great singer himself. Then there is George Nazos, whose guitar work has lent an essential element to Nissim’s music for the last ten years. 

"Originals that are so smart they can bend light. . "  C Michael Bailey, All About Jazz

"Scatting, swinging, singing and working her way into your heart as well as your ears, the vocal/guitar duo at the core of this show knows what are they are doing and where they want to go. A deceptively simple date, the skill and chops that go into making this all work are quite impressive indeed. "  Chris Spector Midwest record

“If words could make wishes come true,” goes the lyric in Croce’s. Well, as I was saying before, you don’t need words. The songs here should do the trick. But maybe just one word, from Tamuz’ home city of Tel Aviv, might suffice: Sababa! " Dean Ellis - host of Tudo Bem, and The Dean’s List on WWOZ-FM, 90.7 New Orleans

Tamuz Nissim - vocals

James Weidman - piano

Harvie S - bass

Tony Jefferson - drums

Special guest : George Nazos - guitar

Produced by Harvie S and Tamuz Nissim

Published by streetofstars : tamuznissim.wixsite.com

Recorded at Trading 8s By Chris Sulit

Mixed by David Kowalski and Harvie S  

mastered by David Kowalski.

Photography and video - Nick Carter

Graphic design - Christopher Drukker

BIO

NYC based- Israeli Jazz singer, composer and pianist Tamuz Nissim is described by Athens Digital as “a proof that jazz is a living art and that stars are still being born” . She is performing often in New York City Jazz clubs and in March 2017 she published her latest CD “Liquid Melodies” , a common project with guitarist George Nazos. The CD received great reviews from the press and was broadcasted in more than a hundred radio stations in the States and more around the world.

Her debut CD “The Music Stays in a Dream” (2013) featuring her original compositions was presented in radio stations world wide and in several festivals such as the Athens Technopolis Jazz Festival, the Preveza Jazz Festival, the Montofoli Festival and the Tinos Jazz Festival. Her performances won warm reactions from the audience and the press, describing Tamuz as a “very charismatic artist” (BHMagazino), “a voice that caresses your soul” and “a proof that jazz is a living art and that stars are still being born” (Athens Digital). “An extremely gifted jazz singer that is bringing in her debut album a lot of freshness.” (Third Ear, Israel) Also her composition “Broken Promises” has been featured in the Greek Jazz & jazz magazine CD collection “Summer jazz Flirt ”.

​Born in Tel Aviv ,Tamuz grew up in an artistic family; her mother is a dancer and a choreographer and her father is a writer. Both of them play an instrument and have a great love for classical and jazz music. She started playing classical piano at the age of 6; Started to sing when she was 14 and was accepted to the Jazz music department of the Ironi Alef High School of the Arts. Her high school band appeared twice at an open stage at the Tel Aviv Jazz Festival. At this time she won twice a scholarship from the American Israeli Art Foundation. By the age of 16, Israeli jazz giants such as Ofer Ganor, Amos Hofman and Shay Zelman had recognized her potential and performed with her. In 2005 she sang in the soundtrack of Ilan Heitner’s movie ‘Bruno in Love’

She moved to the Netherlands in 2007 to study at the prestigious Royal Conservatoire of Den Haag; from there she received a Bachelor’s degree in Performing Arts, voice and side  subject piano. In the Netherlands she met musicians from around the world and started collaborating with the guitarist Giorgos Nazos, the bassist Vassilis Stefanopoulos and the pianist Francesca Tandoi, with whom she later recorded her debut CD. In Holland besides many performances at the local Jazz clubs she also performed at the Amsterdam Israeli flm Festival “Filmisreal” 2011 and her composition 'Shir' was featured in the Record “Love, Live ,Listen 2 - The Hague playlist” . In 2013 she performed at Holon Women's Festival in Israel, a common project with singer Martha Mavroidi. In 2015 was chosen as a fnalist at "Riga Jazz Stage international vocal competition" and performed at "Riga Ritmis" International Jazz Festival in 2016.

​In 2015 Tamuz moved to New York City where she performs regularly at clubs such as Cornelia Street Cafe, Club Bonafde, The ShapeShifter Lab, Silvana, Cafe Vivaldi, Whynot Jazz Room, The Flatiron Room and many more. She was invited to participate in an International Jazz day concert as part of the Atlanta Jazz Festival 2017; She was also invited by artistic director and award wining pianist Ted Rosenthal to perform at the Riverdale Y theater in an event including Jazz giants bassist Harvie S, vibraphonist Mark Sherman and legendary drummer Louis Hayes. From this event he started a fruitful collaboration of performances with bassist Harvie S and a tour with him and with trombonist Willie Applewhite in Israel and Greece the Summer of 2017.

Whether she is leading her own group or invited by fellow musicians she manages to captivate the audience and add her personal touch to the music.

www.tamuzmusic.com

James Weidman - Spiritual Impressions (INNER CIRCLE MUSIC February 2018)

JAZZ NEWS
A valued pianist, James Weidman has been a sideman and accompanist in many settings over the past 30 years, from Abbey Lincoln, Cassandra Wilson, Steve Coleman to Kevin Mahogany and the Grammy nominated Joe Lovano Us Five. His latest recordings as a leader include Truth and Actuality and October.

Feeling on Inner Circle Music. Weidman's music fits into the modern mainstream of jazz without being predictable. With original chord changes and voicings, his mastery is demonstrated with various changes in rhythm and time. Weidman is on the faculty of William Paterson University.

The Spirituals is a genre of music created in the 19th century by the Black people trapped into a forced labor system during the turbulent period that ultimately led to war and liberation. This poignant music was both an expression of devotion to their God and an expressed longing for freedom from the state of bondage.

These two concepts were not mutually exclusive. Just as in the scriptures, where God delivered the Israelites from Egypt-land and Daniel from the lion's den, surely this same God would deliver every man, woman and child from the inhuman, involuntary servitude that had existed in the south. The Spirituals is music whose tones and rhythms range from the jubilant, to the mournful from song to song. In the 20th century in Black churches, these songs were often included as part of devotional services that preceded the actual Sunday Service. They were often sung during communion and baptisms. They were sung by choirs in arrangements by Black composers who while trained in the European classical music tradition, understood the importance of the legacy of these works. Today, more than ever, it is important to note that the musical testaments that are evoked from these collections of songs serve not just as windows of some exclusive history of African-Americans but indeed, it is an important part of the shared history of all Americans.

The music as conceived by James Weidman is re-interpretations and sonic re-imaginings of these historic songs. Besides piano, James plays melodica on "No Hiding Place" and organ on "Wade in the Water." All the tunes on Spiritual Impressions, are arrangements of the spirituals except for "African Spirals" that is a homage to the ancestral continent and the ancestors of the people brought here in the middle passage. The spiritual, "Walk Together, Children" the last track on the album is a solo piano piece performed by Weidman.

Ruth Naomi Floyd is the vocalist. Weidman has had a long association with Floyd as producer and arranger on three of her critically acclaimed recordings. Multi-reed instrumentalist, Anthony Nelson plays tenor, soprano saxophones, bass clarinet and flute, Harvie S plays acoustic bass and electric bass, and Vince Ector plays drums, djembe, sangba for an indelible experience and journey of the collective spirit.

James Weidman, piano, organ, melodica

Ruth Naomi Floyd, voice

Anthony Nelson, tenor, soprano saxophones, bass clarinet and flute

Harvie S, acoustic and electric bass

Vince Ector, drums, djembe, sangba

1. Didn't My Lord Deliver Daniel 6:06 arranged by James Weidman

2. Deep River 7:19 arranged by James Weidman

3. No Hiding Place 4:34 arranged by James Weidman; Ruth Naomi Floyd Sesac Naru Music

4. Prelude To Freedom Troubled Waters 1:23 composed by James Weidman

5. Wade In The Water 5:41 arranged by James Weidman

6. 6 Nobody Knows The Trouble I See 5:12 arranged by Aaron Graves Imani's Faith Publishing BMI

7. Joshua Fit The Battle Of Jericho 6:21 arranged by James Weidman

8. You Hear The Lamb A Cryin 7:19 arranged by James Weidman

9. African Spirals 6:36 composed by James Weidman

10. Let My People Go 5:36 arranged by James Weidman

11. Walk Together Children 4:35 arranged by James Weidman