Honest John w/ Ab Baars - Treem (CLEAN FEED RECORDS 2018)

Klaus Ellerhusen Holm’s writing for the band Honest John may have the kind of ondulations and turnings you recognize from Anthony Braxton’s compositions, but the use of chamber music historical references and of folk instruments (like the banjo played by Kim Johannesen) give it a very different dimension. The way “Treem” associates abstract, experimental moments with passages of the most explicit, bop-ish, groovy jazz is another distinctive aspect in presence, benefiting from the contribution of the guest musician in this album, a star of the Dutch jazz scene, Ab Baars, whose tenor saxophone and clarinet reproduce all the patrimony of jazz in new ways, while his shakuhachi, a traditional bamboo Japanese flute, reinforces the idea that this project is inventing an imaginary folklore for the global village we all live in. This is the last release with the participation of violinist Ole-Henrik Moe, replaced by accordeonist Kalle Moberg after the recording of the present collection of pieces due to his ongoing commitments to his compositional work, being one of Norway most prominent contemporary composers.

You couldn’t have a more touching and vibrant farewell from his part, giving to Moberg a supplementar responsability in what concerns the realization of the Honest John beatiful utopia: to open up very specific music to a broader audience.

1. Sailors of Liechtenstein 9:28

2. Aristocrats 7:20

3. Out of Doors 5:29

4. Treem 6:34

5. Fisheye 3:22

6. One Thing After the Other 14:46

7. Von 4:41

8. Prince of Venosa 5:29

Ole-Henrik Moe  violin

Kim Johannesen  guitar, guitar-banjo

Ola Høyer  double bass

Erik Nylander  drums, roland tr-77 drum machine

Klaus Ellerhusen Holm  alto sax, Bb-clarinet

Special guest:

Ab Baars  Tenor sax, Bb clarinet and shakuhachi

Sailors of Lichtenstein, Aristocrats and Treem composed by Klaus Ellerhusen Holm (Tono) and arranged by Honest John Von and Prince of Venosa composed by Ab Baars | Out of Doors, Fisheye and One thing after the other by Moe, Johannesen, Høyer, Nylander, Holm and Baars

Recorded by Christian Obermayer at Nasjonal Jazzscene Victoria, Oslo October 29th, 2016 | Mixed and mastered by Christian Obermayer May 2017

Produced by Honest John | Executive production by Pedro Costa for Trem Azul | Design by Travassos

www.honestjohn.no

The Heat Death - The Glenn Miller Sessions (3 CD) CLEAN FEED RECORDS 2018

We didn’t see (or, more exactly, heard) this coming. How could we expect a band like The Heat Death to turn their attention to the music of Glenn Miller? But here it is, once again confirming the notion that everything is possible when coming from the Scandinavian scene. Truth is that this quintet always had an orchestral approach, in the organization of the collective inputs and due to the doubling of instruments, Kjetil Møster playing clarinet besides his tenor saxophone and Martin Küchen turning to the flute when not playing the alto sax, summing up with the presence of a pasting trombone (Mats Aleklint) to unite every part, but what they use to do was miles way from the swing big band Miller’s sound: a free improvised music metamorphing to free jazz, sometimes with African rhythms, reminding us of Chris McGregor’s Brotherhood of Breath, and sometimes with the repetitive, “motorik” balance of krautrock, not so strange when we think that Can’s drummer, Jaki Liebezeit, was an original member of Alexander von Schllipenbach’s Globe Unity Orchestra. But here it is, introducing a new form to understand the problem with thermodynamic energy known by science as “the heat death”. If there was a compositional factor in the way this group used to improvise, finding structures when there wasn’t one, now they deal with it in a more committed way. Of course, the resulting music has few resemblances to what the Glenn Miller Orchestra continue to do until this day, but the spirit is there, exploring aspects which were implicit, but never fulfilled, with all the respect to the historic figure who conceived it. Prepare yourself to be surprised.

CD 1

Myriads of Space 1 29:05

2 Myriads of Space 2 23:45

3 See Don't Tell 15:13

CD 2

1 Myriads of Space 3 20:54

2 Hear Don't Say 11:15

3 Unservable Jazz Soup 30:51

CD 3

1 Towards the Uncool 31:30

2 A Clandestine Jazz Operation 18:47

3 Myriads of Space 4 15:09

Kjetil Møster  tenor saxophone and clarinet

Martin Küchen  alto saxophone and flute

Mats Aleklint  trombone

Ola Høyer  double bass

Dag Erik Knedal Andersen  drums

All compositions and arrangements by The Heat Death

Recorded by Mats Äleklint | Mixed and mastered by Christian Obermayer

Produced by The Heat Death | Executive production by Pedro Costa for Trem Azul | Design by Travassos