Showing posts with label Adrian Vedady. Show all posts
Showing posts with label Adrian Vedady. Show all posts

Saturday, January 29, 2022

Sean Fyfe Quartet - Late Night (January 2022 Cellar Live)

Sean Fyfe is a New York based Canadian pianist. He began playing piano at age 5, and was immersed in jazz at age 14 in high school. He has completed performance degrees in piano at McGill University, and Manhattan School of Music, and brings a style to the piano heavily influenced by Bill Evans, Wynton Kelly and McCoy Tyner. He has worked with some of Canada's finest musicians, including Andre White, Dave Laing, Kevin Dean, Tony Genge, Sean Drabitt, Al McLean and Sam Kirmayer.

Here's some album background from Dave Laing.

It never fails to amaze how a musician’s personality comes through so clearly in their music. This is especially true for improvisers. Composers may write the most wistful, or coltish, or uninhibited of melodic themes (and Sean certainly does all of that and more with this musical offering); but the performer in the act of improvisation really has nowhere to hide. Even if they wanted to only offer up well-worn clichés, or drench their solos in complex harmonic decoration, or devoutly channel past musical heroes, the very act of performance still inevitably reveals the soul behind the sound. And in fact what Sean and his bandmates all do instead is express their individuality with a deep knowledge of the tradition, a hard-earned understanding of music’s mechanics, and the absorption of lessons learned from past masters.

Sean Fyfe has become something of a vagabond as he roams about the globe and it is coming through in the cosmopolitan nature of his music. He originally hails from the expansive natural beauty of Vancouver Island before formative residencies in Montreal and New York, prior to his current home base of London, England. The group Sean has assembled here comprise his Montreal collaborators: veteran rhythm section masters Adrian Vedady on bass and drummer André White, along with guitarist Sam Kirmayer—a close contemporary of Sean’s who has performed and recorded with Sean on numerous occasions.

This collection of original compositions starts off with the aptly titled Happy, a bright and open melody that sets tone for the whole outing. The mood shifts on Late Night, a wistful and nostalgic composition set in ¾ time navigated by Sean and guitarist Sam Kirmayer together before Sean, Sam, and Adrian knit together assured solos. Another change of direction leads us to the bluesy Little Pants, and here Adrian and André set up a deep groove for Sean and Sam to tell their heartfelt stories.

Sean’s solo reading of Billy Strayhorn’s Lush Life is a capricious tour-de-force. The introduction is delivered with textbook pianistic melancholy before Sean takes us through the main melody in a more orchestral arrangement with momentary stops and starts along the way, all the while revealing his deft touch and abundant soulfulness.
We return to the ensemble with Needful, and Sean’s solo displays a ranging, impatient virtuosity that is a joy for us listeners back down here on the ground to follow.

Sam and his singing, vibrant tone lead the way on Stella, another of Sean’s clever compositions. Sam and Sean provide contrasting yet equally elegant, polished solos before Adrian offers the final word prior to the return of the melody.

Next up is To Wes, a tribute to American guitarist Wes Montgomery, a major influence for both Sean and Sam alike. The tempo-shifting razzle-dazzle provided by André and Adrian sets the stage for spacious explorations by Sam and Sean before André is released on his own to maneuver the maze.

The set ends with Sean’s bop-inspired composition Validation, a melody crafted on Charlie Parker’s Confirmation. I would suggest that this tune and this recording as a whole validates his presence as player and composer to admire and celebrate. Among the many moods that Sean calls forth with his music, perhaps joyfulness is the most dominant. And we come full circle from the opener Happy, as Sean makes a sly musical reference to Harold Arlen’s Get Happy, during his solo on Validation. No doubt he was feeling particularly pleased to share his abundant talents while leading such a stellar group of players through his music. Forget your troubles, indeed. 

1. Happy 05:34
2. Late Night 06:32
3. Little Pants 08:10
4. Lush Life 04:11
5. Needful 06:50
6. Stella 07:00
7. To Wes 06:05
8. Validation 04:36

Sean Fyfe - Piano
Sam Kirmayer - Guitar
Adrian Vedady - Bass
Andre White - Drums

Executive Producer: Cory Weeds
Produced by Sean Fyfe
Recorded at Planet Studios on May 3 - 4th, 2021
Engineered by Juan Gomez
Mixed and mastered by Eli Krantzberg
Design and layout by John Sellards
Cover Photo by Jeff Spielman

Friday, December 3, 2021

Greg Amirault - News Blues (December 3, 2021)

Originally from Yarmouth Nova Scotia, guitarist Greg Amirault has been living and performing in Montreal for over 30 years. A long time faculty member of the jazz programs at McGill and Concordia University, Amirault is a past winner of the Grand Prix de Jazz at the Montreal International Jazz Festival and the Prix d’Opus. For decades, he has been a mainstay of the Montreal jazz scene, and one of Canada’s most notable guitarists.

News Blues is Amirault’s third recording as a leader. It features three of Canada’s finest jazz musicians: pianist (and Greg’s brother) Steve Amirault, bassist Adrian Vedady, and drummer Jim Doxas. This recording consists of nine tunes: seven of Greg Amirault’s original compositions, and two classic jazz standards.

This album offers a variety of moods and textures: there are straight ahead swingers like News Blues and Uninvited, more modern sounding pieces like Tribute Tune and Meeting the Master, and the folk influenced Song for Nova Scotia, an homage to Amirault’s birthplace. The recording also features two solo guitar arrangements of a couple of Amirault’s favourite jazz standards, the ballads If You Could See Me Now and Embraceable You.

These four musicians have been playing together in a variety of formations for over twenty years. This albums is a testament to the strong connection they’ve nurtured together.

“Ami raul t proves t o be a pat ient , lyr ical, straightforward improviser”
Peter Hum, Ottawa Citizen
1. News Blues 03:55
2. Tribute Tune 08:30
3. Sweet Way 06:19
4. Song for Nova Scotia 03:52
5. Uninvited 05:22
6. Meeting the Master 05:27
7. If You Could See Me Now 02:30
8. Reissued 05:49
9. Embraceable You 02:08

Greg Amirault - guitar
Steve Amirault - piano
Adrian Vedady - bass
Jim Doxas - drums

Tuesday, October 26, 2021

Greg Amirault - News Blues (October 2021)

A jazz quartet recording with some trio tunes and two solo guitar pieces.

1. News Blues 03:55
2. Tribute Tune 08:30
3. Sweet Way 06:19
4. Song for Nova Scotia 03:52
5. Uninvited 05:22
6. Meeting the Master 05:27
7. If You Could See Me Now 02:30
8. Reissued 05:49
9. Embraceable You 02:08

Greg Amirault - guitar
Steve Amirault - piano
Adrian Vedady - bass
Jim Doxas - drums

Friday, October 15, 2021

Montréal Jazz Trio - Montréal Jazz Trio (October 15, 2021 ODD SOUND)

Montreal Jazz Trio’s self-titled recording is modern jazz piano trio playing at its finest. This exciting new album was recorded in November of 2020 at the storied recording studio Boutique de Son in Pointe Claire, Quebec, and is being released by the Montréal label ODD SOUND. The group features three of Montreal’s finest musicians: Steve Amirault on piano, Adrian Vedady on acoustic bass, and Jim Doxas on drums. This recording was self-produced by the trio and mixed by Doxas.

This nine track record is a mix of memorable originals and deft arrangements of well known jazz standards. Amirault is the main contributor with four originals, including the contrafacts All Those Lovely Things (based on Jerome Kern’s All The Things You Are) and Nowhere (based on the famous standard Out Of Nowhere), both of which showcase his singular approach to harmony. Highlights include arrangements of the classics Takin’ a Chance on Love and Take the “A” Train, as well as Wray, Vedady’s swinging tribute to the late great Canadian jazz pianist Wray Downes. Amirault’s stirring composition Empathy serves as a call for peace during turbulent times. This music is fresh, swinging, creative, and innovative. 

Montréal Jazz Trio will be released worldwide on  Friday, October 15th 2021 on ODD SOUND
The trio will be celebrating the release with a concert in Montréal at Dièse Onze on October 2nd

1. All Those Lovely Things (S. Amirault) 5:33
2. My One and Only Love (R. Mellin, G. Wood) 8:10
3. Empathy (S. Amirault) 5:32
4. Take The “A” Train (D. Ellington, B. Strayhorn) 6:39
5. Takin’ a Chance On Love (V. Duke, L. Latouche) 8:12
6. Nowhere (S. Amirault) 6:07
7. Wray (A. Vedady) 7:32
8. Soho Dreams (S. Amirault) 8:42
9. Answer Me My Love (F. Rauch, G. Winkler, C. Sigman) 5:13

Steve Amirault - Piano
Adrian Vedady - Bass
Jim Doxas - Drums

Thursday, March 25, 2021

CODE Quartet - Genealogy (Friday, April 23rd on Justin Time Records)

CODE Quartet is a collective based out of Montreal. Formed four years ago by Christine Jensen on saxophones, Lex French on trumpet, Adrian Vedady on acoustic bass, and Jim Doxas on drums, the group came together with the equal goals of composing and improvising in a chordless-quartet setting.   

The primary motivation for the formation of the group has been to build on the freedom of expression pioneered by Ornette Coleman’s seminal group of the 1950s, with two horns interacting with acoustic bass and drums.

They prioritize the idea that each voice within the collective is given equal weight, blurring the boundaries between lead and supporting voices, between frontline instruments and the rhythm section.

The group have spent the past three years sculpting their original compositions as a team, leading them to some exciting performance opportunities. Over the past four years, they have performed residencies at jazz clubs in Montreal as well as The Wellington Jazz festival in New Zealand in June 2019. 

The group’s principal focus is to present original compositions, orchestrated exclusively for this particular ensemble, weighing heavily on their improvisatory reactions to the written material. The  result is their album Genealogy.


1. Tipsy (French) 7:41
2. Watching it All Slip Away (Vedady) 5:55
3. Genealogy (French) 4:57
4. O Sacred Head, Now Wounded (Traditional) 5:45
5. Wind Up (Jensen) 5:56
6. Requiem (Vedady) 7:16
7. Day Moon (Jensen) 8:03
8. Beach Community (French) 5:33

Christine Jensen on saxophones
Lex French on trumpet
Adrian Vedady on acoustic bass
Jim Doxas on drums

Friday, April 13, 2018

Deanne Matley - Because I Loved (May 11, 2018)


Canadian jazz vocalist Deanne Matley’s fifth album, Because I Loved, is a tour-de-force, taking the listener on an emotional journey from despair to quiet contentment, with stops at red-hot passion and the excitement of new love along the way. Deanne recruited some of Montréal’s premier jazz talent for the project, including drummer Jim Doxas (who also produced the album), pianist Paul Shrofel, bassist Adrian Vedady, and guest vocalist Ranee Lee. Because I Loved features four original compositions of Deanne’s to round out a song list that includes saxophone legend Stanley Turpentine’s “Sugar”, the haunting “Forget Me” (written for the great Shirley Horn), and remarkable covers of songs by Journey (“Open Arms”) and Drew Holcomb & The Neighbors (“The Wine We Drink”).

Deanne Matley’s voice and passion for jazz have taken her from her Alberta home to New York, France, Mongolia, and back. She sings standards, originals, and an impressive variety of covers with combos large and small, including Calgary’s Prime Time Big Band. Her previous four albums have garnered her Top 10 radio play across Canada and fans around the world. She divides her time between Calgary and Montréal, and is excited to celebrate Because I Loved with performances in both cities.


1. The Moon Is Made Of Gold (Richard Jones) 4:25
2. Sugar (Stanley Turrentine/Ted Daryll) 3:46
3. The After Thought (Vince Jones) 3:59
4. Catching Up To Do (Andréa Petrity/Deanne Matley) 4:35
5. Not My Only One (Deanne Matley) 3:06
6. Open Arms (Steve Perry/Jonathan Cain) 3:23
7. My Favourite Distraction (Deanne Matley) 3:23
8. So Long You Fool (Paul Shrofel/Sharada Banman) 2:48
9. Pieces (Deanne Matley) 3:24
10. Forget Me (Valerie Parks Brown) 3:41
11. Necessary Evil  (feat. Ranee Lee) (Redd Evans) 3:08
12. The Wine We Drink (Drew Holcomb) 3:32

Deanne Matley – Vocals
Renee Lee – Guest Vocals
Paul Shrivel – Piano & Keyboards
Adrian Vedady – Bass
Jim Doxas – Drums
Steve Raegele – Guitar
Kiko – Percussion
Al McLean – Saxophone
Andy King – Trumpet
Jean-Nicolas Trottier – Trombone
Kate Bevan-Baker – Violin
Kate Maloney – Violin
Jennifer Thiessen – Viola
Thomas Beard – Cello


BECAUSE I LOVED – ALBUM RELEASE

SATURDAY MAY 5TH @ KNOX UNITED CHURCH – CALGARY, AB.

Join dynamic Calgary jazz vocalist Deanne Matley at Knox United Church as she celebrates the launch of her fifth and most personal album, Because I Loved, May 5. Deanne will be joined by renowned Montréal players Paul Shrofel (piano), Adrian Vedady (bass), and Jim Doxas (drums), along with some of her favourite local musicians and surprise special guests.

7:30PM to 9:30PM – Tickets are $21.50 – Reserved Seating


ALBUM CELEBRATION

FRIDAY APRIL 20TH, 2018 – DIESE ONZE 4115 ST DENIS ST A, MONTREAL, QC

6:00PM – Tickets are $8