Showing posts with label Steve Lehman. Show all posts
Showing posts with label Steve Lehman. Show all posts

Tuesday, March 20, 2018

Trio HLK - Standard Time (May 11, 2018)


Trio HLK's debut album reworks well-known standards, drawing on techniques from Contemporary Classical composition, weaving familiar fragments into complex, intricate new pieces.


Trio HLK is the union of three distinct, forward thinking musical personalities.

A belief in the high art of improvisation and intrigue with the infinite art and science of rhythm is what brings H, L and K together. Together they address ambitious improvisational frameworks which often resemble contemporary classical music more than jazz.


1. Smalls (feat. Steve Lehman)
2. Extra Sensory Perception part i (feat. Evelyn Glennie)
3. Extra Sensory Perception part ii (feat. Evelyn Glennie)
4. painS part i (feat. Steve Lehman)
5. painS part ii (feat. Steve Lehman)
6. Twilt
7. Dux
8. Chewy
9. Stabvest
10. The Jig (feat. Evelyn Glennie)

Steve Lehman- Alto Sax
Evelyn Glennie- Vibraphone and Marimba
Rich Harrold- Piano
Ant Law- 8-string Guitar and effects
Richard Kass- Drums and percussion

Compositions by Rich Harrold. Drum parts by Richard Kass


CD album / Double Vinyl album / Digital Album

Friday, September 1, 2017

Vijay Iyer Sextet - Far from Over (ECM RECORDS 2017)

Keyboardist-composer Vijay Iyer’s energized sequence of ECM releases has garnered copious international praise. Yet his fifth for the label since 2014 – Far From Over, featuring his dynamically commanding sextet – finds Iyer reaching a new peak, furthering an artistry that led The Guardian to call him “one of the world’s most inventive new-generation jazz pianists” and The New Yorker to describe him as “extravagantly gifted… brilliantly eclectic.”

Far From Over features this sextet of virtuoso improvisers – with horn players Graham Haynes, Steve Lehman and Mark Shim alongside rhythm partners Stephan Crump and Tyshawn Sorey – leveraging a wealth of jazz history even as it pushes boldly forward. The music ranges from the thrillingly explosive (“Down to the Wire,” “Good on the Ground”) to the cathartically elegiac (“For Amiri Baraka,” “Threnody”), with melodic hooks, entrancing atmosphere, rhythmic muscle and an elemental spirit all part of the allure. “This group has a lot of fire in it, but also a lot of earth, because the tones are so deep, the timbres and textures,” Iyer says. “There’s also air and water – the music moves.”




Wednesday, March 8, 2017

March 28: Jazz at Princeton presents saxophonist Steve Lehman and Sélébéyone


Saxophonist Steve Lehman brings his global hip hop project Sélébéyone to Jazz at Princeton on Tuesday, March 28

“One of the transforming figures of early 21st-century jazz.”—The Guardian

“A quietly dazzling saxophonist.”—New York Times

“Music of genuinely visionary importance, a way forward for the art.”—Penguin Guide to Jazz

Jazz at Princeton University, helmed by acclaimed saxophonist/composer Rudresh Mahanthappa, presents a diverse and compelling spring 2017 season (March 5-May 13), including a performance by saxophonist Steve Lehman’s global hip hop project Sélébéyone on Tuesday, March 28, 7:30 p.m. at Fine Hall’s Taplin Auditorium. Joining Jazz at Princeton in bringing Lehman to campus is Princeton’s African Studies Department. Admission is free. For information visit www.princeton.edu/music.


Formed in 2015 by award-winning saxophonist Steve Lehman, HPrizm, Maciek Lasserre, and Bamar Ndoye, Sélébéyone is a collaborative project that draws from Senegalese rap, French spectral music, modern jazz, underground hip hop,, interactive electronics, and beyond.  The band’s first full-length album was called one of the “Top 10 CDs of 2016” by NPR Music, The NY Times Popcast, The Denver Post, The LA Times and The Chicago Reader, among many others.

Lehman is a composer, performer, educator, and scholar who works across a broad spectrum of experimental musical idioms. His pieces for large orchestra and chamber ensembles have been performed by the International Contemporary Ensemble, So Percussion, Kammerensemble Neue Musik Berlin, the JACK Quartet, the PRISM Saxophone Quartet, and the Talea Ensemble. His 2014 recording was named #1 Jazz Album of the Year by NPR Music and the Los Angeles Times. His 2009 album was chosen as #1 Album of the Year by The New York Times. Recipient of a 2015 Guggenheim Fellowship and a 2014 Doris Duke Artist Award, Lehman has performed and recorded with artists including Anthony Braxton, Vijay Iyer, Jason Moran, and Georgia-Anne Muldrow. Lehman has degrees from Wesleyan University and Columbia University.


Other concerts in the Princeton series include Walter Smith III with small group ensembles (March 5), Small Group 1 and Small Group A (April 12), Small Group A (April 23), Jazz Vocal Collective I and II with Darmon Meader (April 27), Creative Large Ensemble with Billy Childs (May 13).

Jazz at Princeton University serves to promote this uniquely American music as a contemporary and relevant art form.  Our goals are to convey the vast musical and social history of jazz, establish a strong theoretical and stylistic foundation with regard to improvisation and composition, and emphasize the development of individual expression and creativity. Offerings of this program include academic course work, performing ensembles, master classes, private study, and independent projects.


Thursday, July 28, 2016

Steve Lehman Camouflage Trio - Interface (2016) CLEAN FEED RECORDS


When the re-edition of past works of an artist has no immediate commercial justification, the motivations of a particular label and the musician himself can only be one of two: to show from where he came from, in order for the listener to compare recent achievements with old developments, or to give a broad perspective of his path as a flux of equally considered ideas and performative realizations, if that same artist dedicated his life to an unified musical vision. This last context explains the re-release of “Interface”, the sold out album recorded live in Coimbra, Portugal, back in 2003, by the now inactive Steve Lehman’s Camouflage Trio. At that time, Lehman was far from the spectral jazz researches of “Travail, Transformation and Flow”, but he was already focused on the principles which brought him to record that masterpiece: to discover in history the premises for the construction of the future, but doing that very much in the “present”. “Interface” follows a still valid concept – it continues, taking it to other consequences, the formulas for the alto sax-double bass-drums trio debuted by the Ornette Coleman Trio and by a band of his special liking, Air (Henry Threadgill, Fred Hopkins and Steve McCall). The enterprise was brilliantly accomplished , and in such a way that the New York saxophonist and composer wouldn’t be able to create something like “Dialectic Fluorescent”, his trio CD from 2012, without that first earthmoving action with Mark Dresser and Pheeroan akLaff. Haven’t you heard it yet? Well, don’t waste more time and get the entire picture…


1. Structural Fire 15:27
2. Hamlet 5:13
3. Complex C 7:07
4. Huis Clos 4:02
5. Rison 8:02
6. Motion 19:27
7. Interface 13:00

Steve Lehman  alto and sopranino saxophones
Mark Dresser  double bass
Pheeroan Aklaff  drums

All Compositions by Steve Lehman (Density Music, BMI)

Recorded by Pedro Santos on May 7th, 2003 Live at Teatro Académico Gil Vicente, Coimbra, Portugal | Original mixing by Pedro Rego at Xangrilá Studios, Lisbon | Re-mixed by Liberty Ellman, New York | Original mastering by Fernando Rascão | Re-mastered by Luís Delgado
Produced by Steve Lehman | Executive production by Pedro Costa for Trem Azul | Original design by Rui Garrido | Re-designed by Travassos |

BUY THIS ALBUM