Showing posts with label Stein Urheim. Show all posts
Showing posts with label Stein Urheim. Show all posts

Friday, February 25, 2022

Benedicte Maurseth - Hárr (February 25, 2022 Hubro)

An homage to the wildlife and mountain people of Benedicte Maurseth’s home area in Hardanger

“This is a beautiful shapeshifter of an album. Part a portrait of a landscape, part the opening of a veil on some family history, part nature walk in Norway. It’s satisfying and strangely elusive, all at the same time. The music follows winding paths of the imagination, mixing Maurseth’s Hardanger fiddle with subtly-placed electronics and other instruments to create a moving, inviting bed of sound. “Heilo,” for instance, the longest piece on the disc, presents an utterly different artist from her 2019 solo release. Or does it? The music certainly isn’t traditional by any means, but the nature, the history that goes back generations – what is that but tradition? No pyrotechnics here, no devil’s trills. It’s Maurseth, embracing the past and touching the ground that has formed who she is. The result is gently majestic.» - Chris Nicson (Rootsworld)

The acclaimed and innovative visionary musician Benedicte Maurseth is coming forth with the wonderful all-consuming album Hárr. The sound of her magic Hardanger fiddle is woven seamlessly together with that of birds and the other musicians’ musical impressions. Always moving forward with a steely calm disposition, the record draws you into a world where one feels to be one with nature, wandering over a mountain plateau. Benedicte was raised in Maurset in Eidfjord – near Hardangervidda National Park – and has hiked through the mountains her whole life, clearly laying the foundation for this musical expedition. 

As traditional folk musicians have always been, Maurseth is open to contemporary influences from interactive art and music styles. The work Hárr oscillates between Norwegian folk tunes, free improvised music, American minimalism, and extensive use of musique concrète. In the tracks you will also hear natural soundscapes via the shufflings of reindeer, reindeer herders, birds and insects all recorded in Hardangervidda. 

“Working creatively and hiking in the mountains are very much the same to me. Both evoke and require the same presence as well as a deep listening that makes the senses open and clear. They are both something that can be done alone or in company, in conversation or in silence. Both require time, patience and thoughtful repetition and give a necessary reminder of something else, something bigger than ourselves.” -Benedicte Maurseth 
Benedicte is among other things inspired by ecosophy, the school of environmental philosophy developed by Arne Næss which states that humankind is not the center of the natural world but rather an equal participant in it. The tune “Heilo” displays what it is to be one with nature in the best way; the musicians play with and variate upon the rhythm of the characteristic bird sound. The track “kollasj I” summarizes in many ways the vision behind the whole work. It consists of interviews with Benedicte’s great-great-grandfather Franz Gustav Andersson Törna from Northern Sweden and her great-grandfather Leif Maurseth, both of them being hunters and reindeer herders.

Hárr was commissioned by Hardanger Musikkfest in 2019, composed by Maurseth, and arranged and performed in collaboration with master musicians Mats Eilertsen and Håkon Stene among others. “Hárr” is the Norse name for Hårteigen, the most characteristic mountain in Hardangervidda. 

Benedicte Maurseth, Hardanger fiddle player, composer and author, is an established and recognized performer. She has been the pupil of master-fiddler Knut Hamre for several decades and has toured extensively as a soloist both in Norway and internationally. She has collaborated with many of the foremost artists in a variety of genres such as Nils Økland, Marilyn Crispell, Rolf Lislevand, Jon Fosse and Anne Marit Jacobsen. Maurseth has several commissioned works for theater, film and music under her belt. For the work Tidekverv which premiered in 2017 she was given the NOPA music award and her song “Very full” for Marvel Studio for the TV-series Loki was recently ranked highly on the billboard-charts. Maurseth has written books, articles and essays in addition to recording several albums with Grappa Musikkforlag and ECM Records. 

1. Augnast
2. Benedicte Maurseth feat. Rolf-Erik Nystrøm - Heilo
3. Reinsdyrbjøller
4. Kollasj I
5. Eidfyrder
6. Hárr
7. Hreinn
8. Kollasj II
9. Snø over Sysendalen

Benedicte Maurseth: Hardanger fiddle
Håkon Mørch Stene: vibraphone, marimba, percussion, electric guitar, electronics
Mats Eilertsen: double bass, electronics

Guest appearances:
Jørgen Træen: electronics
Rolf-Erik Nystrøm: saxophone
Stein Urheim: langeleik, harmonica, electronics, samples, percussion

All music by Benedicte Maurseth (TONO) except “Augnast” by Benedicte Maurseth & Mats Eilertsen, “Reinsyrbjøller” by Mats Eilertsen & Håkon Mørch Stene, and “Kollasj I” & “Kollasj II” by Stein Urheim. All arrangements by the musicians.
Recorded by Christian Engfeldt at Paradiso Studio, Oslo, September 2020. Additional overdubs, editing and mixing by Jørgen Træen, Duper Luftgrotten Studio, Bergen, January 2021. Produced by Stein Urheim. Co produced by Benedicte Maurseth & Jørgen Træen

Monday, August 8, 2016

Stein Urheim - Strandebarm (2016) HUBRO MUSIC



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Norwegian release date: 18.03.2016
International release: 01.07.2016

On his third solo album for HUBRO, string magician Stein Urheim, based in Berlin, Bergen and Strandebarm, really gets serious about honing his complex expressive skills. His previous album garnered excellent reviews internationally, and has become a force to reckon with among listeners.

Urheim plays an impressive number of string instruments on the album, but we can also hear several tracks featuring vocals, harmonica, pocket cornet and tape experiments, while producer Jørgen Træen makes a contribution on modular synth. Urheim has had an interest in Norwegian folk music for a long time. Together with Benedicte Maurseth he won first prize in the “open class” category in the National Contest for Traditional Music in 2013, and on “Strandebarm” he interprets a Norwegian fiddle tune for the first time on an album.

In the course of his life as a musician Stein Urheim has gathered impressions and input from a musical world that knows no boundaries, and on this album he presents some of the most exceptional and exciting treasures he has discovered along the way – all filtered, naturally, through his distinctive musical temperament. This is strikingly personal music, which could most likely not have been made at any other time in history.

The tonal point of departure for the compositions on this record is reminiscent of French music of the early 1900s and American ragtime and standards of the 1920s and 30s. The soundscape combines acoustic and electronic elements to generate a compelling result. Urheim is thoughtful and meditative without being withdrawn or sombre.

“Strandebarm” was recorded in Strandebarm Church, not far from the house where Urheim has stayed for long periods of time in recent years. This space was chosen primarily because of its inspiring acoustics, and the music was recorded, as on the previous album, by sound technician Audun Strype. The recording was finalised and mixed at Duper Studio in Bergen by technician and producer Jørgen Træen, who also collaborated very successfully with Urheim on the previous album.

“Strandebarm” is Stein Urheim’s third release as a solo artist, and also his third release on the HUBRO label. He has also released three critically acclaimed duo albums on Bugge Wesseltoft’s Jazzland label, together with vocalist and instrumentalist Mari Kvien Brunvoll. Urheim has also been a member of Gabriel Fliflet’s band Åresong and HP Gundersen’s critically lauded drone band The Last Hurrah.


1. Water - Part 1 4:50
2. Strandebarm 9:38
3. Water - Part 2 4:13
4. Fjellbekken 9:18
5. Oh So Nice 3:28
6. Dragene Over Tempelhof 3:33
7. Berlin Blues 8:06

Design – Aslak Gurholt*, Thomas Nordby, Yokoland
Edited By [Editing], Mixed By [Mixing], Mastered By [Mastering] – Jørgen Træen
Edited By, Mastered By – Jørgen Træen (tracks: 6)
Engineer [Recording Engineer] – Audun Strype
Executive-Producer – Andreas Meland
Guitar [Guitars], Vocals, Flute [Flutes], Harmonica, Tambura [Slide Tamboura], Bouzouki [Fretless Bouzouki], Tambura [Turkish Tanbur], Mandolin, Zither [Langeleik], Banjo, Loops, Effects [Delay] – Stein Urheim
Liner Notes [English] – Stein Urheim
Mixed By – Stein Urheim (tracks: 6)
Photography By [Cover Photo] – Ragnar Urheim
Photography By [Photo Of Stein Urheim] – Morten Spaberg
Producer [Produced By] – Jørgen Træen, Stein Urheim
Recorded By – Audun Strype
Synth [Modular Synth], Effects – Jørgen Træen

Acoustic instruments and electric guitars recorded January 2015 in Strandebarm kyrkje.
Editing, mixing and mastering at Grotten/Duper Studio, Bergen, Norway, September/October 2015
Dragene over Tempelhof mixed in S(c)höneberg, Berlin October 2014, edited and mastered October 2015