Friday, May 18, 2018

NPR stream KAMAAL WILLIAMS’ debut album ahead of release on 25th May


Black Focus Records is proud to present the stunning new Kamaal Williams music video for ‘Salaam’. Filmed in Marrakech by Greg Barnes, the same director who has been working closely with Kamaal on all of the bands visuals and also made the music video for ‘Catch The Loop’, which is actually the sequel to this video. In the director's’ own words:

After working together on ‘Catch The Loop’, Kamaal and I knew we wanted it to be a part of a larger whole, and that the tracks on the album would become chapters, or scenes, from a bigger picture - that the upcoming album, ’The Return’, was in essence, the soundtrack to an unmade, and epic film.

It was almost without conversation that we decided Morocco should set the scene for ‘Salaam’, a place of real connection and meaning to Kamaal and his music. The rest, with the help of the people of Marrakech, fell into place very naturally.

Kamaal aka Henry Wu also adds:

"Marrakech is a special place for me, both spiritually and creatively. Every time I go, I feel alive again and it's a huge inspiration for my work. There is no art scene in Morocco without Hassan Hajjaj, so I couldn’t make this film without his blessing. He introduced me to Amine Bendriouich who introduced me to Yazid and we made the film in two days. Working with local people in the medina and sharing our story with the community made this experience real. Greg Barnes captured the essence of my relationship with the city as well as the colours and the energy of everything in it. The series will continue. A special thanks goes out to Yazid, Hassan Hajjaj, Amine Bendriouich, Ahlam Triki, Mouhcine Zoutina, Abdul Razzaq and the umma of Marrakech"


Whether re-defining experimental fusion sounds with the hugley acclaimed Yussef Kamaal, or his catalogue of 12”s for imprints such as MCDE, Eglo, and Rhythm Section as Henry Wu, South London’s Kamaal Williams has been a key figure in his thriving international scene for the past few years. The Return is a natural evolution from the Yussef Kamaal project, mining the influence of visionary jazz but blended with all kinds of texture, sounds and signals from the over-saturated London streets. 

At times the keyboard work evokes the classic 70s fusion work of Lonnie Liston Smith or Roy Ayers, but underpinned by rhythms more reminiscent of blunted hip-hop and arrangements subliminally laced with the cut-ups of pirate radio. Progressive, funky, cosmic, exploratory and effortlessly musical, this is the sound of a musician honing their craft into thrilling new shapes.

In the US the like of Kamasi Washington and Thundercat have made great strides in opening a whole new dialogue between jazz and hip-hop, drawing in a young, highly engaged new audience in the process. Kamaal Williams mine a similar seam on the other side of the Atlantic alongside other exciting London talents such as Ezra Collective, Ruby Rushton and Shabaka Hutchings.

The Return is exactly that: a return and refinement to the sound Yussef Kamaal were progenitors of, and first set the scene for one of the most exciting musical movements London has had in years.

Notable tracks for old and new listeners are ‘Salaam', 'Situations', 'Medina', 'LDN Shuffle' which features Mansur Brown (of Mansur's Message) and for those die hard Yussef Kamaal fans - they should hear the interpolated roots of 'Strings of Light' in the title track 'The Return’.
Kamaal Williams - Keys
Pete Martin - Bass
MckNasty - Drums
Richard Samuels - Engineer

1. Salaam
2. Broken Theme
3. The Return
4. High Roller
5. Situations (Live In Milan)
6. Catch The Loop
7. Rhythm Commission
8. Medina
9. LDN Shuffle
10. Aisha

Live dates:

Jul 15
London, UK

May 26
Oostzaan, Netherlands

Oct 28
Frankfurt, Germany