miércoles, 1 de abril de 2015

Charlie Haden & Keith Jarrett - Last Dance (2014)



In 2010, ECM released Jasmine, an informal archival recording of standards between old friends who hadn't worked together in over three decades. The recordings were made at Keith Jarrett's Cavelight home studio in 2007. The nine tunes on Last Dance are taken from those same sessions. There are two alternate takes of tracks from the earlier album. "Where Can I Go Without You" is played at a similar tempo, yet offers more lyricism from Charlie Haden. Gordon Jenkins' "Goodbye," a well-known Benny Goodman theme, closes the set, but it's slower here, more emotionally resonant; almost poignant in the way it reveals something deeper than its articulation on the earlier volume. Thelonious Monk's "'Round Midnight" has been done by Jarrett before, but here it is offered with a curious, almost strange intro. As it unfolds, it reveals an affection for its melody that he's not previously displayed. Haden's confident ability to assert the correct note for each phrase has long been a trademark in his playing, but the warmth he offers to it here is remarkable. He remains open and inquisitive about its lyric rather than engaging in a nostalgic presentation. He knows there are still possibilities inside its framework. "Everything Happens to Me" is more uptempo, but far from quick. Haden's woody tone and impeccable swing add dimension to Jarrett's songlike pianism in the melody and solo.

Bud Powell's "Dance of the Infidels" is not played with breakneck athleticism, but is sprightly and fluid. Jarrett digs with delight into the intricate melody, offering a punchy sense of reflexiveness in his solo, while Haden strides along. In his own solo, the bassist once more peels back the skin in the harmony and finds hints of several other melodies all placed within different sections of the tune's body. The elegance in the presentation of Cole Porter's "Everytime We Say Goodbye" reveals the pair's confidence in their interplay. They don't overstate anything; the music provides meaning all on its own. They relax into its beauty playing toward one another as hints, suggestions, and references to popular music history bridge the space between. Last Dance is a necessary addendum to Jasmine; it fleshes out the confident, mature, amiable, and eloquent speech in the canonical language these two jazz masters share.


Keith Jarrett: piano
Charlie Haden: double bass


JAVI

Donny McCaslin - Fast Future (2015)



Saxophonist Donny McCaslin brought a fresh perspective to the acoustic-electronic jazz soundscape with 2012's Casting for Gravity (Greenleaf Music) which earned a Grammy nomination for "Best Instrumental Jazz Solo" for the track "Stadium Jazz." Thankfully it was not a one-off as McCaslin reassembles the tightly knit band and savvy production from saxophonist David Binney in Fast Future, a release that continues the groove factor.

Like its predecessor, the music pulsates with energy as McCaslin's tenor powers over funky riffs, spaced-out backgrounds, and crisp beats provided by drummer Mark Guiliana, and bassist Tim Lefebvre while Jason Lindner colors things with copious keyboards embellishments. But there are also a few surprises. For one, there's the inclusion of wordless voice harmonies in the hard driving title track and the affecting spoken word performed by artist Jana Dagdagan on "Love What is Mortal."

Next comes the appeal of Electronic Dance Music in "54 Cymru Beats" and the reggae shaded "Squeeze Thru" as McCaslin cites EDM musicians/composers Aphex Twin and Skrillex as influences alongside jazz/electronic giants Herbie Hancock and Weather Report as the band stretches out and kills "This Side of Sunrise" and "Blur" with spot on performances and improvisation. In summary, McCaslin's Fast Future further suggests that the lines between acoustic jazz and electronica are at times blurred and that music regardless of its instrumentation can find common ground.

01. Fast Future 05:53
02. No Eyes 05:55
03. Love and Living 09:30
04. Midnight Light 06:38
05. 54 Cymru Beats 02:16
06. Love What is Mortal 05:56
07. Underground City 06:58
08. This Side of Sunrise 04:32
09. Blur 01:28
10. Squeeze Thru 06:22

Released 31 March 2015

Donny McCaslin - tenor saxophone
Jason Lindner - keyboards
Tim Lefebvre - bass
Mark Guiliana - drums


JAVI