Showing posts with label Bruno Angelini. Show all posts
Showing posts with label Bruno Angelini. Show all posts

Tuesday, April 6, 2021

Weird Box - Radio Paris (April 2021 Auand Records)

Weird Box, Radio Paris
A box full of surprises that highlights the need to listen to the edges

Out April 2nd on Auand, “Radio Paris” is the new album by Weird Box, a genre-defying trio that features sax player Francesco Bearzatti (longtime member of the Auand family), Bruno Angelini on piano, rhodes and keyboards, and Emiliano Turi on drums.

Fiercely original, Weird Box is a project that challenges imagination and creates music you can listen to with your ears and also with your feet. The three musicians share collaborations, mutual respect and a strong will to follow their ideas without any music prejudice.

«I’ve been playing acoustic music with Bruno for a long time – Francesco Bearzatti says – and to listen to him on keyboards is always inspiring. On the other hand, Emiliano is a precise and skilled master of drumming, and he also has lots of experience on electronic and underground music. I like to dive into different sounds with creative musicians. That’s why I’m here.»
«Emiliano – Bruno Angelini adds – developed his own sound through his many music experiments, and has a great sense of tempo. Francesco is a fresh and unpredictable improviser, always ready to sing, dance and play in every context».

That’s why the name Weird Box fits well on Radio Paris. Their will to surprise is always intentionally down-to-earth, and willing to explore the daily life around the suburbs of Paris, where they all live and work.

«We picked the name Weird Box – Bearzatti adds – because we decided not to play any ordinary jazz or improvised music. We want to try something different, listening to the banlieu radio stations. Here is where the real differences are in the air. We all live in Paris. The music we play is jazz influenced by Paris suburban radio stations. These are poor neighborhoods, where you get to listen to a lot of rap and mostly electronic sounds. This allows us to communicate more easily with the younger generations, especially those who don’t attend music schools, music halls or jazz clubs. That’s why the album is called Radio Paris.»

All of this becomes naked melodies, powerful grooves, unleashed improvisations, unordinary electronic soundscapes – an energy always ready to explode, along with more dense, lyrical moments. It is a rich musical path, that is also rhythmically sharp and passionate, as well as filled with both collective and expressive tension, and yet geometrically balanced.

1 Why
2 Prince Of Crime
3 Déontologie Blues
4 Axis
5 Jungle 79
6 Friday
7 Hope

Francesco Bearzatti - tenor sax, clarinet
Bruno Angelini - piano, keyboards
Emiliano Turi - drums

Recorded at Artesuono Studio on september 22-23, 2018 by Stefano Amerio
Mixed at Studio Taitbout Paris on november 2018 by Emiliano Turi
Mastered by Chab mastering on february 8, 2019

Produced by Weird Box
Executive producer: Marco Valente
Cover photo by Marzia Truand

Wednesday, May 16, 2018

Marjolaine Reymond - Demeter No Access (CRISTAL RECORDS May 25, 2018)


Demeter No Access est un polyptyque où se télescopent de façon non formelle diverses allusions littéraires. Un manuscrit du Moyen Age (Le Bestiaire), le célèbre poème latin épique latin d’Ovide (Les Métamorphoses ), l’épopée grecque antique d’Homère (L’Odyssée), et le second livre de la bible de l’Ancien Testament (L’Exode).

Marjolaine Reymond chanteuse polymorphe aux multiples registres y évoque le thème de la transformation de l’homme en animal et la possibilité pour l’individu de retrouver ses pulsions archaïques, sauvages et ludiques tout en s’intégrant au monde social et civilisé.

En filigrane se trame le thème de l’amour espéré ou perdu et du deuil humain impossible mais sublimé dans la mythologie à travers le mythe d’Orphée et de Perséphone.

L’album est la métaphore d’un voyage initiatique vers une terre promise, un équilibre parfait.

L’écriture vocale toujours enchanteresse se mêle savamment aux rythmiques d’un quintet très contemporain. Un vocabulaire complexe et raffiné s’y déploie à l’infini ainsi qu’un mixage électronique faisant partie intégrante de la matière organique de la musique.

Les musiciens tels des alchimistes tissent des ornements d’orfèvres, fabriquent des sons hétéroclites dans une Olympe philharmonique.



Créatures aux corps sonores ils vibrent, sonnent et pulvérisent littéralement la pulsation de cet opus.

Un quatuor à cordes s’entremêle lui aussi de sons étranges et singuliers.

Les neuf musiciens se retrouvent pour une sublime conclusion symphonique.

“Telle une Odyssée, s’en suivra un Exode puis La Lettre. C’est un Graal Amoureux qui jamais ne renonce. Voici ma métamorphose Mythologique, mon Carnaval Allégorique entrecroisé d’un voile d’Orphée Évanescent et Organique. Il est musicale chimère de l’esprit.

Saga de mon bestiaire Thérianthropique!”


LIVRE I – LE BESTIAIRE
01. Cheval nommé 7’07
02. Les Cupidons glacés 6’09
03. Le Tigre d’Annabelle 5’31

LIVRE II – LES MÉTAMORPHOSES
04. Eurydice intereptum morsus serpentis 1’45
05. Spirito e cielo 0’47
06. Demeter No Access 3’04
07. Écrire la lettre 7’38

LIVRE III – L’ODYSSÉE
08. L’Odyssée de Ted Parker 3’54
09. Orféo e Proserpina ’59
10. Le Cri du Centaure 2’28
11. Persephone Unlimited 3’31

LIVRE IV – L’EXODE
12. Isaac et le Minotaure 2’50
13. Senso di colpa e la perdita 2’16
14. L’Exode de Ted Parker 5’21

Bruno Angelini – Piano, fender rhodes
Denis Guivarc’h – Saxophone alto
Olivier Lété – Basse électrique
Christophe Lavergne – Batterie
Régis Huby – Violon
Clément Janinet – Second violon
Guillaume Roy – Alto
Marion Martineau – Violoncelle


Friday, May 4, 2018

Bruno Angelini - Open Land (LA BUISSONNE 2018)

Bruno Angelini © Jeff Humbert

Bruno Angelini is an atypical pianist, endowed with a very personal world as composer and pianist. He is searching his notes as "others sieve the water, looking for gold."

With the Open Land Quartet, he released a first album "Instant Sharings",  a serene and gentle music of great intensity, which takes the time to blossom and grow in tension.

The depth of Claude Tchamitchian's double bass, Regis Huby's lyricism (at both acoustic and electric violins) and the freedom and creativity of percussionist Edward Perraud all participate in a quest of intense beauty that was both plebiscited by the public and well greeted by the press.

« It's a music that only jazz musicians can manage to create. Enchanting.» Franck Bergerot for Jazzmag

« A very nice concert that makes up hope for many others» Xavier Prévost for Jazzmag Live

Bruno Angelini's latest compositions were tailor-made for this chamber group in order to explore new ways of communicating through Music. This new album will surely constitute an intense continuation for "Instant Sharings".

Open Land © Clément Puig

1. Tree song (for John Taylor) 05:39
2. Perfumes of quietness 09:18
3. Indian imaginary song 06:21
4. Jardin perdu 09:04
5. Inner blue 06:17
6. Both sides of a dream You left and you stay (for Max Suffrin) 06:34
7. Part 1 06:31
8. Part 2 02:16
9. Part 3 04:46

Régis Huby : violin, Tenor violin, electronic
Claude Tchamitchian : double bass
Edward Perraud : drums, percussions

Recording, mixing and mastering, Studios La Buissonne, Pernes-les-fontaines, France. 
Recorded June 19, 20, 21 and mixed october 5 & 6, 2017 by Gérard de Haro, assisted by Annaëlle Marsollier. 
Mastered by Nicolas Baillard. 
Steinway Grand Piano tuned and prepared by Alain Massonneau. 
Produced by Gérard de Haro and RJAL for La Buissonne Label, and by Solange association. 
Cover Photos by Jeff Humbert, Band photo by Clément Puig. 
Graphics by Philippe Ghielmetti.