Showing posts with label Branford Marsalis. Show all posts
Showing posts with label Branford Marsalis. Show all posts

Saturday, March 3, 2018

Kurt Elling - The Questions (March 23, OKEH RECORDS 2018)


The Questions, Kurt Elling’s newest studio recording, is his musical response to this moment in history and the widespread anxiety of our times. It touches artfully on challenges – personal, political, global, spiritual, and existential – and on hopes and aspirations for the future. Elling offers a vibrant and surprising choice of songs, from Bob Dylan and Paul Simon classics to jazz, Broadway, and the Great American Songbook, plus two new originals. The Questions, Elling’s second recording for OKeh Records/Sony Music Masterworks, will be released on March 23, 2018.

The Questions unfolds into a rich and irresistible musical conversation, encouraging listeners to join Elling in living with big questions and finding courage to face our fears in difficult and uncertain times.

Of the ten songs on The Questions, Elling says, “At first I didn’t understand how they were going to relate to each other.” The title finally came to him as the album was being mixed. NEA Jazz Master and celebrated saxophonist Branford Marsalis co-produced The Questions with Elling and performs on three tracks. As Elling and Marsalis worked together on the mix and sequence of songs, Elling realized that they all lined up on various sides of some big, deep questions:

What is this life?

Does meaning have being?

Why is there such suffering and pain?

Where is the wellspring of wisdom?

The Questions opens with the powerful, insistent questions and stark, disturbing answers of Bob Dylan’s “A Hard Rain’s A-Gonna Fall.” What follows is the surprising assurance of “A Happy Thought,” a poem by the American poet Franz Wright, set to music by Elling’s collaborator, pianist and arranger Stu Mindeman. This establishes a kind of back-and-forth on The Questions – searching inquiries and thoughtful responses that both challenge and inspire us to find our own answers.

The world-weary resignation of Paul Simon’s “An American Tune” is followed by falling, loss, and redemption in Peter Gabriel’s “Washing of the Water.” The Jaco Pastorius instrumental, “Three Views of a Secret,” becomes the celebratory “A Secret in Three Views” with Elling’s lyric inspired by a poem by the 13th century mystic Rumi. Elling’s lyric concedes that quests to find meaning and purpose may all be for naught, but it also encourages us to take heart and awaken to the transforming power of love. In contrast, “Lonely Town,” from the Broadway musical On the Town, by Leonard Bernstein, Betty Comden and Adolph Green, reflects the empty inner landscape when there is no love to come home to.

Carla Bley’s “Lawns” becomes “Endless Lawns,” with Elling’s new lyric interposed with a poem by Sara Teasdale, bearing the weight of emotional suffering and then finding an uplifting freedom. Rodgers and Hammerstein’s “I Have Dreamed,” from the musical The King and I, is followed by “The Enchantress,” a new song by pianist Joey Calderazzo with Elling’s lyric adapting parts of a Wallace Stevens poem. This pair touches on the fluid, shifting boundaries between dreams, imagination, and reality. The Questions closes with the gentle, wistful wonder of Hoagy Carmichael/Johnny Mercer’s “Skylark.”

Elling notes, “I began experimenting with ‘A Hard Rain’s A-Gonna Fall’ in November of 2016, just after the U.S. election. Today I wonder what I can possibly say that’s relevant now.” He adds, “Branford brought in ‘Washing of the Water’ and ‘Lonely Town.’ I was doing some Sinatra shows during his 100th birthday year, and I love his rendition of ‘I Have Dreamed.’ Guitarist John McLean came up with the gorgeous arrangement, and Branford has his big solo moment there. I like to surround myself with people who are smarter than I am who can fill in the blanks. John also arranged ‘Skylark.’”

“‘The Enchantress’ began as a song called ‘The Lonely Swan,’” he recalls, “but what brought the new title to mind was a poem by Wallace Stevens (‘The Idea of Order at Key West’) that I draw on. It’s dedicated to Branford’s mother, who died last year, and to my aging mother. The lyric becomes clear once you have that in mind.”

Elling collaborated with Branford Marsalis on their 2016 Grammy-nominated recording, Upward Spiral (OKeh Records), and now Marsalis has collaborated on The Questions. Says Elling of their musical partnership, “We’re two musicians who have dedicated ourselves to a similar task – to be jazz musicians to the greatest extent of our abilities. We pay attention to the real heroes of the music, we play in the style and spirit of the greatest jazz musicians who ever lived, and we don’t cut corners. We’re here to play great melodies and express authentic emotion – to be the real deal as much as we can.”

1. A Hard Rain's A-Gonna Fall (feat. Branford Marsalis & Jeff "Tain" Watts) 
2. A Happy Thought (feat. Stu Mindeman)
3. American Tune
4. Washing of the Water
5. A Secret in Three Views (feat. John McLean & Stu Mindeman)
6. Lonely Town (feat. Joey Calderazzo & Marquis Hill)
7. Endless Lawns (feat. Marquis Hill)
8. I Have Dreamed (feat. Branford Marsalis)
9. The Enchantress (feat. Joey Calderazzo)
10. Skylark (feat. Stu Mindeman)

Kurt Elling voice
John McLean guitar
Stu Mindeman piano and organ
Clark Sommers double bass
Branford Marsalis tenor and soprano sax
Joey Calderazzo piano
Marquis Hill flugelhorn
Jeff “Tain” Watts drums

Sunday, February 18, 2018

Akira Tana - JAZZaNOVA (March 1, 2018)


Born and raised in California, Akira Tana earned degrees from Harvard University and the New England Conservatory of Music. Tana has worked with among others,SONNY ROLLINS, ZOOT SIMS, HUBERT LAWS, , JIM HALL, ART FARMER, THE PAUL WINTER CONSORT, PAQUITO D'RIVERA, JAMES MOODY, J.J. JOHNSON, LENA HORNE, THE MANHATTAN TRANSFER, RUTH BROWN. More info: www.akiratana.com


1. Aguas de Marco
2. Love Dance
3. Chega de Saudade
4. Bilhete
5. Corcovado
6. Condename a Callar
7. Waiting for Angela
8. Jangada
9. Carminhos Cruzados
10. Aquele Frevo Axe
11. Por Causa De Voce
12. Diride
13. La Gloria Eres Tu


Wednesday, February 14, 2018

Benjamin Boone and Philip Levine - The Poetry of Jazz (with performances by Tom Harrell, Branford Marsalis, Chris Potter and Greg Osby) ORIGIN RECORDS March 19, 2018)


“You hold in your hands jazz history. This is a CD that must be heard!" 
~ Pianist and Producer, Donald Brown 

“[Boone] is one of the very few that can lure Phil's poetry-magic and call it out and show it to the world… Beyond words… up there with the muses.” 
~ Juan Felipe Herrera, Poet Laureate of the United States 

“Benjamin Boone’s music is a tour de force, a mellow whirlwind of jazz and poetry.”
~ Guy Livingston, “American Highways,” ConcertZender (Netherlands Radio) 

A new precedent for pairing jazz with poetry, with performances by Tom Harrell, Branford Marsalis, Greg Osby, & Chris Potter joining Boone’s core ensemble as Levine recites 14 of his iconic poems set to original music they inspired.


1. Gin
2. Making Light of It
3. The Unknowable (homage to Sonny Rollins)
4. Yakov
5. They Feed They Lion
6. I Remember Clifford (homage to Clifford Brown)
7. The Music of Time
8. Soloing (homage to John Coltrane)
9. Arrival
10. A Dozen Dawn Songs, Plus One
11. Our Valley
12. Call it Music (homage to Charlie Parker)
13. By The Waters of the Llobregat
14. What Work Is

Philip Levine – poetry and narration
Tom Harrell – trumpet (6)
Branford Marsalis – tenor saxophone (8)
Greg Osby – alto saxophone (12)
Chris Potter –tenor saxophone (3)
Stefan Poetzsch – violin (10, 11)
Karen Marguth – vocals (1,7)
Max Hembd - trumpet (4, 5, 10)
David Aus – piano (2-6, 10-14)
Craig von Berg – piano (1, 7, 8, 10)
Spee Kosloff – bass (1, 2, 3, 7, 9, 10, 12)
Nye Morton – bass (4, 5, 11, 14)
John Lauffenburger - bass (6,8)
Brian Hamada – drums (1-3, 6-8, 10, 12)
Gary Newmark – drums (4, 5, 11, 14)
Atticus Boone - French horn (6)
Asher Boone - trumpet (6)
Branford Marsalis appears courtesy of Marsalis Music

Produced by Donald Brown
Primary recording and engineering by Eric Sherbon, Maximus Media, Fresno, CA
Additional recording by Systems Two, Brooklyn, NY; Sutton Sound, San Luis Obispo, CA; and Squeeze Studio, Blue Anchor, NJ
Edited by Vincent Keenan and Benjamin Boone
Mixed and Mastered by Mike Marciano, Systems Two, Brooklyn, NY

Music by Benjamin Boone except Making Light of It and What Work Is by David Aus, and Arrival by Spee Kosloff