Showing posts with label Avishai Cohen. Show all posts
Showing posts with label Avishai Cohen. Show all posts

Friday, February 25, 2022

Avishai Cohen - Naked Truth (February 25, 2022 ECM)

There is a searching, yearning quality to Naked Truth, and a raw beauty and vulnerability in Avishai Cohen’s trumpet sound on his most improvisational ECM recording to date.  Very much music-of-the moment, found and shaped in the course of a remarkable recording session in the South of France, Naked Truth takes the form of an extemporaneous suite. For most of its length the Israeli trumpeter painstakingly leads the way, closely shadowed by his long-time comrades – pianist Yonathan Avishai, bassist Barak Mori and drummer Ziv Ravitz - who share an intuitive understanding, hyper alert to the music’s subtly-changing emphases.  At the album’s conclusion, Cohen recites “Departure”, a poem by Zelda Schneurson Mishkovsky, whose themes of renunciation, acceptance and letting go seem optimally-attuned to the mood of the music. Naked Truth was recorded at Studios La Buissonne in Pernes-les-Fontaines, in September 2021, and produced by Manfred Eicher.   

1. Naked Truth Part 1
2. Naked Truth Part 2
3. Naked Truth Part 3
4. Naked Truth Part 4
5. Naked Truth Part 5
6. Naked Truth Part 6
7. Naked Truth Part 7
8. Naked Truth Part 8
9. Naked Truth: Departure

Avishai Cohen: trumpet
Yonathan Avishai: piano
Barak Mori: double bass
Ziv Ravitz: drums

Will be released on February 25, 2022 on CD and digitally
Vinyl edition to be available in June

Friday, May 7, 2021

Maya Dunietz - Free The Dolphin (May 7, 2021 Raw Tapes)

This is a unique kind of jazz. Glimpses of folk lullabies, African scales and rhythms, moments that border with free jazz, and homage to the old school traditions of stride & blues - as fluffy as an Erroll Garner composition and as intense as Ahmad Jamal only to be delightfully interrupted with out-of-scale psychotic outbursts. Maya blends her infinite influences into a holistic, post-modernistic, never-dull experience.

Maya: "I am incredibly grateful for the magical and pure sound that Rejoicer and Doctor achieved in this recording, Its one of the best trio sounds I ever heard and really stands out in its quality. Every instrument sounds beautifully clear as if it was playing alone and in the same time fuses perfectly with the other two, blending into a strong yet gentle colour. "

Maya Dunietz is a prodigy pianist, an avant-garde sound artist, an award winning composer, a dubious character and mom of four. Maya’s career has been abundant abundant - from playing with ‘Habiluim', 'Midnight Peacocks’, 'Boom Pam’ and countless projects worldwide through presenting her sound installations at Pompidou; France, to her work with Emahoy Tsegue Mariam Guebrou. We can definitely say she’s been busy.
1. Opus 1
2. Shtyner
3. Lover Man
4. Artichoke
5. Oddeta feat. Avishai Cohen
6. Wine of Love feat. David Lemoine

Maya Dunietz - Piano
Amir Bresler - Drums
Barak Mori - Double Bass

featuring:
Avishai Cohen - Trumpet
David Lemoine - Vocals

Produced by Rejoicer
Recorded by Adir 'The Doctor' Dadia at Arpad Studios
Mixed by Rejoicer
Master by Asaf Shay

Tuesday, February 16, 2021

Avishai Cohen - Two Roses (Friday April 16, 2021 NAÏVE / BELIEVE)

Many musicians dream of making a record with a symphony orchestra, but few can afford to make it a reality. Thanks to an extraordinary ability to compose melodies that take root in his listeners’ minds and because he has patiently performed these compositions on stage to the point where they are practically a part of him, Avishai Cohen was well-positioned to execute such an ambition. Two Roses (Friday April 16th, 2021, NAÏVE / BELIEVE) is the result of a long process, which began in 2013 when Cohen recorded his album Almah, with his trio and a small chamber ensemble of four string instruments and an oboe.

Cohen’s music is an intricate tapestry of global and historical influence. A master of Afro-Caribbean music, Cohen has absorbed its complexity. Equally affected by the melodies of Israeli folklore, and the complexity of their Sephardi, Ashkenazi or Yemeni heritages, he reintroduced the traditional Ladino “Morenika,” as well as popular tunes from his native country, such as “Two Roses”, which lends its title to this album. The title itself works as a metaphor for the album’s adept fusion of jazz, and the symphonic world. Cohen, a fan of jazz standards, which he likes to make his own through very personal arrangements — in this recording, with a version of “Nature Boy” — nevertheless remains a composer of themes in his own right. Many of his own “classics” take their cues from North Africa, the Middle East, Slavic countries and Russia.

“Recording with an orchestra is an adventure in itself. It’s nothing like making a jazz record,” An orchestra has its own rhythm, you have to understand how they breathe, says Cohen. 

And now he has finally found an ensemble capable of providing this experience: the 92 talented women and men of the Gothenburg Symphony Orchestra conducted by Alexander Hanson. Cohen did not embark on this adventure alone: his trio includes two musicians for whom he is full of praise. Azerbaijani pianist Elchin Shirinov, who appeared on Cohen’s previous record, and New Jersey native drummer Mark Guiliana, with whom Cohen revolutionized the trio’s approach. 

“I’ve basically devoted myself to the same songs my whole life,” admits Cohen, “which hasn’t prevented me from writing and learning new ones…” He explains that his arrangement in E major of “A Child Is Born,” by Thad Jones, now transposed to the symphonic scale, dates back to the time of his own International Vamp Band, in which he played primarily the piano. Two Roses, however, includes originals such as “When I’m Falling,” which testifies to the autobiographical dimension that his work has taken. “Hearing songs like ‘Morenika’ or ‘Puncha Puncha’ is like switching eras, finding yourself in a time when nothing is the same,” notes Cohen. The unfolding of Two Roses, in several respects, resembles the soundtrack of an epic film, at times tinged with nostalgia, carried elsewhere by a hectic and vibrant energy. On Two Roses, the only things that count are performance, emotion and the personal expression of a citizen of the world who sees music as his only true homeland.

Tracklisting
Almah Sleeping – Avishai Cohen (composer, arranger), Jonathan Keren (arranger)
When I’m Falling – Avishai Cohen (composer, arranger), Jonathan Keren (arranger)
Nature Talking – Avishai Cohen (composer, arranger), Jonathan Keren (arranger)
Song For My Brother – Avishai Cohen (composer), Robert Sadin (arranger)
Emotional Storm – Avishai Cohen (composer, arranger), Per Ekdahl (arranger)
Two Roses (Shnei Shoshanim) – Mordechai Ze’ira (composer), Ya’Akov Orland (author), Avishai Cohen (arranger), Robert Sadin (arranger)
Nature Boy – Eden Ahbez (author, composer), Avishai Cohen (arranger), Jonathan Keren (arranger) 
A Child Is Born – Thad Jones (composer), Avishai Cohen (arranger), Robert Sadin (arranger)
Puncha Puncha – Avishai Cohen (arranger), Robert Sadin (arranger)
Morenika – Avishai Cohen (arranger), Robert Sadin (arranger)
Seven Seas* – Avishai Cohen (composer, arranger), Robert Sadin (arranger)
Arab Medley – Avishai Cohen (arranger), Tscho Theissing (arranger)
Overture ‘Noam’, Op. 1* – Avishai Cohen (author), Robert Sadin (arranger)
Alon Basela – Avishai Cohen (author, composer), Robert Sadin (arranger)*vinyl exclusive

Personnel
Avishai Cohen: vocals, acoustic bass, electric bass, minimoog synthesizer
Mark Guiliana: drums
Elchin Shirinov: piano
Alexander Hanson: orchestra conductor
Gothenburg Symphony Orchestra

Produced by: Avishai Cohen, Lars Nilsson, Lenny Ben Basat

Saturday, October 7, 2017

Avishai Cohen – 1970 (2017)





Tuesday, April 25, 2017

Avishai Cohen - Cross My Palm With Silver (ECM 2017)



A year after his impressionistic, critically-lauded ECM debut Into The Silence, trumpeter Avishai Cohen’s Cross My Palm With Silver introduces a programme of new pieces which put the focus on the ensemble, on teamwork, with a quartet of the highest calibre. The adroit, almost telepathic interplay among the musicians allows Avishai Cohen to soar, making it clear why he is one of the most talked-about jazz musicians on the contemporary scene. “All of these people together are my dream team”, says the charismatic trumpeter of fellow players Yonathan Avishai, Barak Mori and Nasheet Waits, who share his sense for daring improvisation and his feeling for structure. “I feel we’re in a perfect place with the balance. It’s open and there’s so much room for the improvisation to take the music any place we can. At the same time the composition is very specific and the vibe is very direct and thought about.” As with Into The Silence, Cross My Palm With Silver was produced by Manfred Eicher at Studios La Buissonne in the south of France. It is issued on the eve of a major European tour, with concerts in France, Italy, Spain, Luxembourg, United Kingdom, Switzerland, Germany and the Netherlands.


1. "Will I Die, Miss? Will I Die?" (10:20)
2. Theme For Jimmy Greene (05:24)
3. 340 Down (03:51)
4. Shoot Me In the Leg (12:09)
5. 50 Years and Counting (07:03)

Avishai Cohen: trumpet
Yonathan Avishai: piano
Barak Mori: double bass
Nasheet Waits: drums


Tuesday, September 13, 2016

Shachar Elnatan - One World (2016) SUNNYSIDE RECORDS



Shachar Elnatan’s debut album titled One World. This release features compositions assembled over the past six years and emphasises his musical journey as a jazz musician growing up in Israel and living in New York. Shachar’s ability to combine sounds from different cultural backgrounds, brings something fresh, new and exciting to the table; the opening track ‘At Distance’ showcases his take on an 11/8 Moroccan groove, highlighting electronic and modern sounds; the title track ‘One World’ strongly resonates with Middle Eastern and Yemenite music, yet features a triplet oriented melody and rhythm, highly influenced by Irish music.


01. At Distance - 4:29
02. One World - 3:58
03. Josa - 6:02
04. Sheva - 4:17
05. Singing Through The Night - 5:27
06. Doira - 5:53
07. A Wish - 6:05
08. Pachuki - 3:58

Gadi Lehavi - piano
Avri Borochov - bass percussion electronics
Ofri Nehemya - drums
Avishai Cohen - bass
Daniel Dor - drums
Dana Herz - vocals
Itay Morchi - drums
Shachar Elnatan - guitars vocals percussion electronics
Gadi Lehavi - piano
Avri Borochov - bass percussion electronics
Ofri Nehemya - drums
Avishai Cohen - bass
Daniel Dor - drums
Dana Herz - vocals
Itay Morchi - drums

BUY THIS ALBUM



Monday, August 22, 2016

Avishai Cohen - Into the Silence (2016) ECM RECORDS



Avishai Cohen impressed a lot of listeners with his soulful contributions to Mark Turner’s Lathe of Heaven album in 2014. Now the charismatic Tel Aviv-born trumpeter has his ECM leader debut in a programme of expansive and impressionistic compositions for jazz quartet (trumpet, piano, bass, drums), augmented by tenor saxophone on a few pieces. Into The Silence is dedicated to the memory of Avishai’s father David, reflecting upon the last days of his life with grace and restraint. Avishai’s tender muted trumpet sets the emotional tone of the music in the album’s opening moments and his gifted cast of musicians explore its implications. Israeli pianist Yonathan Avishai has played with Cohen in many settings and solos creatively inside the trumpeter’s haunting compositions, sometimes illuminating them with the phraseology of the blues. Cohen and drummer Nasheet Waits have a hypersensitive understanding and their interaction can, from moment to moment, recall the heyday of Miles Davis and Tony Williams or Don Cherry and Billy Higgins. Yet this music, while acknowledging inspirational sources, is very much of our time. Bassist Eric Revis, a cornerstone of the Branford Marsalis quartet for two decades, provides elegant support throughout. And saxophonist Bill McHenry, a subtle modernist who has worked with Paul Motian and Andrew Cyrille, shadows Cohen’s lines with feeling. Into The Silence was recorded at Studios La Buissonne in the South of France in July 2015 and produced by Manfred Eicher.


1. Life and Death 9:18 
2. Dream Like a Child 15:30 
3. Into the Silence 12:12 
4. Quiescence 5:10 
5. Behind the Broken Glass 8:12 
6. Life and Death (Epilogue) 2:43

Avishai Cohen, trumpet
Bill McHenry, tenor sax
Yonathan Avishai, piano 
Eric Revis, double bass
Nasheet Waits, drums

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