Friday, February 18, 2022
Michael Weiss - Persistence (February 18, 2022 Cellar Live)
Monday, December 6, 2021
Harold Mabern - Mabern Plays Coltrane (December 2021 Smoke Sessions Records)
Tuesday, June 22, 2021
Mike LeDonne's The Groover Quartet + Big Band - It's All Your Fault (2021 HighNote Records)
Saturday, March 6, 2021
Cory Weeds - O Sole Mio! Music From The Motherland (2021 Cellar Live)
Cory Weeds delivers a blistering set of Italian themed tunes backed up by one of the pre-eminent organs bands in jazz today!
The results speak for themselves: swinging bop lines executed by all, crackling rhythm section accompaniment and interaction, and an ensemble sound that underscores the values of swing, groove and participatory interaction over a carefully selected set of compositions--thanks to the support of Giulio Recchioni and the Italian Cultural Centre--that celebrate through reinvention and interpretation some great Italian music ("O Sole Mio," "Toma A Surriento"), as well as compositions taken from the rich history of contribution that Italian-Americans have brought to jazz and the American popular song (Marmarosa, Corea, Martino, Mancini).
Although to some, perhaps, the ideas presented here may appear on the surface to be disparate and tangentially connected: a jazz version of "O Sole Mio," a fifth instrumentalist added to a longstanding quartet or even the Hammond B3 organ in jazz (a relatively late addition to the music's instrumentarium with an unusual historical pedigree of roller rinks and makeshift churches), jazz has long been about thwarting normative conventions and looking for points of intersection that connect and unite players and sounds that span nationalities, race, language, gender and musical history.
Thursday, September 6, 2018
New York All-Stars (feat. Eric Alexander & Harold Mabern) - Burnin' in London (UBUNTU MUSIC September 7, 2018)
The New York All-Stars feature Eric Alexander on saxophone, Harold Mabern on piano, bassist Darryl Hall and drummer Bernd Reiter. They play energetic and swinging music on the highest level, presented with the utmost professionalism and uninhibited enthusiasm.
“The music on this album speaks for itself. The interplay between Eric and Harold is magical, supported by the rock solid bass lines from Darryl and the exacting rhythmic underpinning of Bernd’s precision-like drumming,” says Martin Hummel, Ubuntu Music Director. “…the album captures a moment in time when Eric was anchored in his musical sweet spot while the band – and the audience – hung on and coasted with every note along the blissful, energetic journey.”
Saturday, August 11, 2018
Marius Beets - This Is Your Captain Speaking (MAXANTER RECORDS 2018)
Hypes come and go and boundaries are being crossed every time a Chinese tourist says cheese. It is easy to overlook that around the world real jazz albums also keep appearing with the regularity of the clock. Also in The Netherlands, which has a solid mainstream jazz scene, a great history of welcoming American musicians and, in the guise of Marius Beets, one of its most prominent bass players. Beets released This Is Your Captain Speaking on his Maxanter label. The album includes tenor saxophonist Eric Alexander, pianist (and brother of Marius) Peter Beets, guitarist Joe Cohn and drummer Willie Jones III. They perform ten original compositions by bandleader Marius Beets.
So there’s the cream of the crop delivering high-level improvisation, swing and a healthy dose of blues, inspired by the catchy and challenging tunes of Marius Beets. Eric Alexander is a master of execution who loves to explore the sonic extremes of his instrument. His seemingly effortless integration of these idiosyncracies in his stories, in themselves an ongoing evaluation of the work of Alexander’s heroes like George Coleman and John Coltrane, is striking. He enlivens the boppish The End Of The Affair and the Latin-type line of Dextro Energy with hip twists and lurid fragments of scales. The ending of his remarkably crafty solo during This Is Your Captain Speaking, a clever, blues-based Horace Silver-ish tune, is a bossy bark that must’ve cracked up people in the studio.
62-year old Joe Cohn, the son of saxophonist Al Cohn, who uses a prickly yet full sound, is never short on ideas, which he strings together with staccato notes and supple single lines. He sets fire to Tafkamp Is Still On The Scene, a funky vamp that segues into a driving 4/4 section. The interaction of Marius and his brother Peter, internationally acclaimed pianist, is special, perhaps not surprising considering their life-long association. Emandem especially reveals their subtle interplay of bass lines.
You can count on Marius Beets, the bass player. He’s a tasteful, highly skilled accompanist with a tremendous bottom groove. Beets also delivers a number of melodic solos with sustained momentum. Not only did he write an album of superb tunes, he also picked a world-class crew. Not a trace of hesitation by these gentlemen. Dig those solo entrances, time and again! Those are a joy to listen to, as much as the excellent development of their stories.
Thursday, May 31, 2018
Mike LeDonne and the Groover Quartet - From the Heart (SAVANT RECORDS 2018)
Joining Mike LeDonne and his Groover Quartet on 'From the Heart' is the great drummer Mike Clark. After collaborations with Herbie Hancock, Christian McBride, Nicholas Payton and others, Clark has influenced a generation of percussionists and brings his own unmistakable style to two of the tracks.
For three decades Mike LeDonne has been an exceptional avatar of the Hammond B3 organ. Forged by his impressive jazz apprenticeship, with the likes of Milt Jackson, George Coleman and Benny Golson, LeDonne comes from a long and distinguished line of masters of that instrument. And for eighteen years, he's lead the Groover Quartet his formidable foursome consisting of tenor saxophonist Eric Alexander, guitarist Peter Bernstein and drummer Joe Farnsworth.
Friday, March 31, 2017
Fukumi - Moon in Paris (2017)

Moon in Paris, recorded in New York – as Japanese singer Fukumi works with some of that city's top jazz talents – including Eric Alexander on tenor sax, Behn Gillece on vibes, David Hazeltine on piano, John Webber on bass, and Joe Farnsworth on drums!
The instrumental core of the album is wonderful – very much in the Alexander/Hazletine camp – and Fukumi's a hell of a singer, too – one who can put forth the lyrics at one point, then scat wordlessly with a very melodic approach – a style that sounds especially nice next to the piano and vibes! Production is wonderful – lean, clean, and just the right mode to capture the interplay between the singer and the band – and all arrangements are by Hazeltine, who also plays a bit of Fender Rhodes. Titles include Fukumi's original "Moon In Paris" – plus nice takes on "The Windmills Of Your Mind", "What Are You Doing For The Rest Of Your Life", "Devil May Care", "Once Upon A Summertime", "Sunny", "I Will Wait For You", "Yesterday When I Was Young", and "This Girl's In Love With You". (HQ – Hi Quality CD pressing!) ~ Dusty Groove

Thursday, January 26, 2017
Eric Alexander Trio - Just One of Those Things (VENUS RECORDS 2016)
Sunday, January 15, 2017
Fernando Marco - Tarrega en Jazz (feat. Eric Alexander) BLAU RECORDS (2017)
“TARREGA EN JAZZ” es un cosmopolita acontecimiento para un ajustadísimo cuarteto : Fernando Marco a la guitarra, Ricardo Belda al piano, LLuis LLario al bajo y Diego Clanchet a la batería, con un invitado de excepción en la grabación de este disco: el saxofonista Eric Alexander, que se incorpora con generosidad en tres de los temas ( “Recuerdos de la Alhambra”, “Lágrima” y la propia composición de Marco).
Con gran versatilidad de recursos por parte del arreglista, respetuoso pero juguetón, y la complicidad de sus músicos, Tárrega se nos aparece contemporáneo y actual en sus melodías, tocado de aires latinos en ocasiones, nostálgico y evocador siempre.
Poner en pie a Tárrega en el País del Jazz y mostrarlo como un audaz compositor de melodías sutilísimas, bellamente rearmonizadas por Marco, es una empresa que exigía gusto y temple, de los que va sobrado, y en la que ha sabido hacerse entender por sus músicos que comparten el levantinismo mediterráneo del viejo prócer, virtuoso que recorrió las salas de concierto del mundo con su guitarra de maderas nobles; ahora la electricidad suave y la pulsación rítmica, el beat que mantiene el tono de “Tarrega en Jazz”, dan un giro inesperado a la apreciación más conservadora del clásico. Crítica de BOB BEBOP.
Sunday, December 4, 2016
Bernd Reiter Quintet (feat. Eric Alexander) - Workout (SteepleChase Productions ApS 2016)
Reiter formed the quintet presented here in 2015 to perform a tribute program of Hank Mobley’s music featuring American tenorsax Eric Alexander whom he started to work with in 2012.
The band’s extensive European tour produced this live album from the last two concerts from the Bird’s Eye in Basil, Switzerland.
One of the reviews of the live performances simply put it “Jazz at its best!”.












































