Julian & Roman Wasserfuhr - Relaxin' in Ireland (ACT MUSIC 2018)

Music never happens in a vacuum. The places where it is played inspire it, shape it and help it to develop; they are like an extra musician. And therein lies the creative stimulus which Siggi Loch provides as producer to Julian and Roman Wasserfuhr. He continually seeks out new contexts for their playing, and that opens up hitherto unimagined musical perspectives. After the Wasserfuhrs’ musical journey to meet the elite in Gothenburg in Sweden in 2009, and a thrilling session in hip and happening Brooklyn in 2017, the brothers, who come from the peaceful little village of Hückeswagen near Cologne, have now travelled to the South Coast of Ireland, and to John Fitzgerald’s Lettercollum Studio in Country Cork, a secret bolt-hole where several Irish and English rock stars have recorded albums.

They were joined there for the first time by cellist Jörg Brinkmann. Julian explains the concept of the new trio thus: “Dispensing with bass and drums gives us more scope to develop ideas, far greater harmonic freedom, and also allows us to think in long arcs. It gives the music much more buoyancy.”

But why Ireland? Let Roman explain: “The studio in the middle of nowhere and directly by the sea offered us the ideal conditions to be creative. The weather was unusually fine for the season, almost Mediterranean, and that had a way of getting us into the right mood. Ireland has always been a place that Julian and I wanted to visit. We were struck by the culture, the joy, the “craic” of the Irish. Going to the pubs there, seeing how lively, relaxed and above all how unaffected they are when they play music together left a strong impression.” To which Julian adds: “and over and above that, Irish songwriter and singer Gilbert O’Sullivan is an artist whose music we really admire.”

It goes without saying that the Wasserfuhr brothers and Jörg Brinkmann aren’t playing Irish folk music; what the title of the album does is to set a tone. Here is the typical Wasserfuhr sound with a relaxed way of playing – the Irish attitude to life shines through again and again. There are also subtle melodic and harmonic twists from Irish music, or, to be specific, direct connections such as an interpretation of the O’Sullivan hit “Clair”, plus “Moondance” by Van Morrison, arguably Ireland’s best-known musician. Finally, the piece “Lettercollum” came into existence directly under the influence of the brothers’ Irish trip.

“Relaxin‘ in Ireland” is the very personal glimpse of the Emerald Isle through the language of music. But it is also an album which tells the story of how the surroundings of West Cork cast their spell over the trio at the very moment of musical creation.

Julian Wasserfuhr / trumpet & flugelhorn

Roman Wasserfuhr / piano

Jörg Brinkmann / cello

1 Cello Bello ( Julian & Roman Wasserfuhr) 04:08

2 Drunken Sailor ( Traditional (PD Public Domain)) 04:34

3 Lettercollum ( Julian & Roman Wasserfuhr) 02:49

4 Moondance ( Van Morrison) 04:32

5 Knot In The Belly ( Julian & Roman Wasserfuhr) 04:59

6 Moon Over Ireland ( Jörg Brinkmann) 04:35

7 Später Bess ( Julian & Roman Wasserfuhr) 04:44

8 Clair ( Gilbert O'Sullivan) 03:41

9 Schnaff ( Julian & Roman Wasserfuhr) 03:09

10 Tears ( Julian & Roman Wasserfuhr) 04:45

11 Lost In Time ( Julian & Roman Wasserfuhr) 04:46

12 You Are A Friend Of Mine ( Julian & Roman Wasserfuhr) 03:06

Produced by Siggi Loch with the artists

Recorded by John Fitzgerald 

at Lettercollum Recording Studios West Cork, Ireland, June 25 - 27, 2018

Additional recordings by Roman E. Wasserfuhr

at Schnaff Recording Studios, July 03 - 06, 2018

Mixed and mastered by Klaus Scheuermann, July 2018

Photos by Colm Walsh

Julian & Roman Wasserfuhr - Landed in Brooklyn (ACT MUSIC 2017)

For their 5th album, German trumpeter Julian and pianist Roman Wasserfuhr are in Brooklyn. If Brooklyn were not one of the five boroughs of New York City, its 2.6 million inhabitants would make it the 4th largest city in the United States. And the secret is out: Manhattan may have the establishment institutions like Lincoln Center or the Village Vanguard, but the real action is in Brooklyn, with an abundance of creativity being generated by musicians from the Wasserfuhr brothers’ generation, working in apartments, lofts, bars, clubs and studios. 

The rise of the Wasserfuhrs has been meteoric, and “Landed in Brooklyn“ documents another important stage of it. The brothers first came to the attention of producer Siggi Loch when they were 17 and 20 years old, joining the roster of ACT’s “Young German Jazz” series. Their “stunning debut album” (Süddeutsche Zeitung) “Remember Chet” was released in 2006, already showing a distinctive and original sound. “Upgraded in Gothenburg” was released in 2009, with Scandinavian greats Nils Landgren, Lars Danielsson und Magnus Lindgren. “Gravity” from 2011 had a quartet involving Wolfgang Haffner and Lars Danielsson, and told a story of how gravity is defied and overcome. By the time they made “Running” in 2013, the brothers were setting their own pace and direction, composing, recording and producing it themselves.

Julian Wasserfuhr explains the origins of “Landed in Brooklyn: “Siggi Loch called us up last year, and asked if we were interested in making another album for the ACT label. Naturally we agreed – but we admitted that we hadn‘t really given it much thought.” So the idea emerged that the magic of the city of New York, as a force to propel and lift them, should became the concept behind the album. The established musicians they would then meet at the legendary System Two Recording Studios would act as their fountainheads of inspiration.

First and foremost among those inspirers is saxophonist Donny McCaslin, the lynchpin of David Bowie’s last revelatory masterpiece “Blackstar”. Tim Lefebvre, known in Europe for his work with the Michael Wollny Trio, and also a member of Bowie’s last band is equally at home in jazz and in rock contexts. Nate Wood is an in-demand first call drummer and close associate of Donny McCaslin.

Is that enough jazz chops and credibility? Well, there’s more, in the form of a GRAMMY winner, producer Al Pryor whose craft, knowledge and deep experience have brought listeners closer to the musicality and emotion of artists such as Cécile McLorin Salvant, Raul Midón and Christian McBride.

Very little had been agreed or set down in advance when Julian und Roman Wasserfuhr arrived at the studio to meet the top-drawer American players. They had brought the sheet music of some pieces with them, but the guiding principle was to see what would transpire and to let things happen:

“Bernie’s Tune” is a wonderfully optimistic up tempo opener. We’re straight into the ensemble sound that these players achieved without rehearsals, but with big ears and inspired playing. The band is here in its quintet form with guest artist Donnie McCaslin’s saxophone weaving and blending his counter melody with Julian’s trumpet. Julian and Roman’s obvious appreciation of funk and back beats is on display in “Tutto”. Julian’s wicked solo is balanced by Roman’s thoughtful, soulful take on the changes of the song. Nate Wood finds a deep and danceable groove. A power ballad, Tokio Hotel’s “Durch den Monsun”, in a clever arrangement by Julian and Roman, showcases their trademark interweaving of melodic lines. There’s a blistering tenor solo by McCaslin, followed by Julian’s intensely rhythmic triple tongued riffs. Nate Wood closes out the tune with a power drum salvo. On “Tinderly” and “S.N.C.F.” Julian and Donny make their bid for a place among the great front line horn players of jazz calling to mind such combinations as the fire of Freddie Hubbard and the cool of Stanley Turrentine. With Sting’s “Seven Days” Julian and Roman Wasserfuhr own the 5/4 time signature – as jazz musicians do. “Carlo” fuses the energy of this ensemble into the discipline, empathy and majesty that can only be found in a great ballad. 

Roman begins the final performance on the record, “First Rays Of Dawn”, just as he began the first: with a motif expressed in his pianism that allows Julian and the band to slip into a rapid and revelatory up tempo waltz; closing out the recording as they began, and in a manner characteristic of what has become a tradition in Brooklyn and beyond: new ideas and the artists who bring them.

1. Bernie`s Tune ( Julian & Roman Wasserfuhr) 05:50

2. Tutto ( Julian & Roman Wasserfuhr) 05:10

3. Tinderly ( Julian & Roman Wasserfuhr) 07:25

4. Durch den Monsun ( P. Benzner, P. Hoffmann, D. Jost, D. Roth & B. Kaulitz) 08:19

5. Carlo ( Julian & Roman Wasserfuhr) 06:06

6. S.N.C.F. ( Julian & Roman Wasserfuhr) 06:05

7. Ella ( Julian & Roman Wasserfuhr) 04:44

8. Seven Days ( Sting) 05:44

9. First Rays Of Dawn ( Julian & Roman Wasserfuhr) 07:31

Julian Wasserfuhr / trumpet & flugelhorn

Roman Wasserfuhr / piano, marimba, seaboard

Donny McCaslin / tenor saxophone

Tim Lefebvre / electric & double bass

Nate Wood / drums

Music composed by Julian & Roman Wasserfuhr, unless otherwise noted

Produced by Al Pryor

Curated by Siggi Loch

Recorded by Max Ross 

at Systems Two Recording Studios, Brooklyn (NY), August, 13 & 14, 2016

Mixed and mastered by Klaus Scheuermann, September 2016