Showing posts with label Pete Malinverni. Show all posts
Showing posts with label Pete Malinverni. Show all posts

Friday, January 14, 2022

Pete Malinverni 'On the Town – Pete Malinverni plays Leonard Bernstein' – Jan 14 via Planet Arts Recordings

 

Pianist Pete Malinverni pays tribute to iconic composer Leonard Bernstein with his all-star trio featuring bassist Ugonna Okegwo and drummer Jeff Hamilton

On the Town – Pete Malinverni Plays Leonard Bernstein, due out January 14, 2022 via Planet Arts Recordings, harkens back to an inspiring “only in New York” meeting between
the two passionate musicians
 
" Pete Malinverni is a pianist with a forthright and elegant style."
– Nate Chinen, New York Times
 
" Pianist Pete Malinverni is a wild cat. [His] playing can be dark, gritty and oddly rapturous…he digs into the piano and emerges with exotic treasure."
– Karl Stark, Philadelphia Inquirer

Having spent four decades on the New York City jazz scene, pianist Pete Malinverni has crossed paths with countless revered artists and come away with a host of tales to tell. But few moments measure up to the time that Malinverni met the iconic composer/conductor Leonard Bernstein.
 
The seeds planted in that meeting decades ago come to fruition on Malinverni’s stunning new album, On the Town – Pete Malinverni Plays Leonard Bernstein. Due out January 14, 2022 via Planet Arts Recordings, the album reimagines nine Bernstein favorites, along with a new Malinverni original penned in tribute to the composer, for an all-star trio featuring bassist Ugonna Okegwo and drummer Jeff Hamilton.
At the time of that fateful meeting, Malinverni had a steady gig at an upscale restaurant in the city. One night the swanky nightspot was chosen as the site of the opening night cast party for Franco Zeffirelli’s production of “Tosca” at the Metropolitan Opera. As Malinverni played through a selection of arias at the piano, Bernstein walked in, and the young pianist immediately launched into the composer’s “Lucky To Be Me.” Bernstein recognized the homage and, following a trip detour to the men’s room (where a friend of Malinverni’s broke the protocols of polite society and touted the pianist’s virtues), proceeded to spend a considerable portion of the evening hanging around the piano.
 
“Real musicians want to hang out with the band,” Malinverni says, recalling those magical hours. “Bernstein was this gray eminence I’d see on TV, and I’d listened to his ‘Young People’s Concerts’ in high school. So he was a definite presence in my life even though I’d never met him.”
 
Malinverni still recalls that encounter – which included introductions to other notables at the party, including legendary songwriters Betty Comden and Adolph Green – as “one of the great moments of my musical life.” To this day he remains touched by Bernstein’s magnetic attraction to musicians of any stature.
 
“His public image was of a guy who knew his stuff and was super passionate about it. But I found out that night that as passionate as he seemed, he was even more so. When I saw him in the flesh, it was electric. His head poked through the clouds, and the piano somehow seemed a more exalted place then and thereafter.”
 
If that weren’t inspiration enough, the story takes another slight twist: some time later, Malinverni befriended a bartender at one of the nightclubs where he performed regularly, whose wife happened to be Bernstein’s personal chef. The composer had given her a sheaf of blank staff paper, which the bartender then gifted to Malinverni. The pianist hung onto it for nearly thirty years, finally using it to write the arrangements for the present recording. “The last arrangement I had to write turned out to use the last piece of staff paper I had left,” Malinverni recalls. “I'm always looking for signs, and that made everything feel right.”
Exploring these brilliant songs with such a gifted and intuitive trio felt incredibly right as well. Malinverni’s first opportunity to pay tribute to Bernstein arrived on the occasion of the composer’s 2018 centennial, when the pianist was commissioned to arrange many of these pieces for a four-horn ensemble featuring Joe Lovano at Purchase College, where Malinverni is Chair of the Jazz Studies Program. But when it came time to record the music, he determined to pare the music down to a trio setting.
 
“I love playing trio, and the music really took on a life of its own in this format,” Malinverni says. “Ugonna Okegwo and Jeff Hamilton are real artists. You know, if you go scuba diving you discover that there are just as many colors underwater, but the spectrum is the reverse of what you see up here on the surface. I found that in playing Bernstein’s music with these amazing musicians: there were all these textures and colors underneath the music that they could really bring to light.”
 
Another bond that Malinverni shares with Bernstein is a deep love for New York. Through his selection of tunes from the composer’s oeuvre, Malinverni also made the album a love letter to the metropolis that he’s called home since trekking down from his hometown of Niagara Falls in 1980. Titles like “New York New York,” which opens the album, and “Lonely Town” make the reference explicit; other pieces are culled from Big Apple-centric shows like “Wonderful Town,” “West Side Story” and “On the Town.”
 
The sole exception is the trio’s heartfelt take on “Simple Song,” from Bernstein’s “Mass.” The piece is in keeping with Malinverni’s tradition of including a spiritual piece on every one of his albums, a nod to his 18-year tenure as Minister of Music for Brooklyn’s Devoe Street Baptist Church. The album closes with Malinverni’s “A Night On the Town,” a playful refraction of Bernstein themes and ideas that spotlights the composer’s enduring influence.
 
“I always tell my students, ‘They don't say silence is golden for nothing,’” Malinverni says. “So if you're going to disturb the silence, you better be playing something. Starting with Bernstein’s compositions, every note you add better serve that song. But this is also my record, and I think he would have appreciated that. Bernstein was cool with seeing how things go today as opposed to sticking with how they went yesterday. He was a real jazzer in a lot of ways.”

1. New York New York 5:05
2. Lucky to Be Me 5:37
3. Somewhere 5:18
4. Cool 5:33
5. Simple Song 6:05
6. I Feel Pretty 6:00
7. Lonely Town 5:56
8. Some Other Time 5:04
9. It`s Love 8:04
10. A Night on the Town 6:09

(by Pete Malinverni, Malinverni Music)

Pete Malinverni, piano
Ugonna Okegwo, bass
Jeff Hamilton, drums


Saturday, June 17, 2017

Pete Malinverni Trio - Heaven, with Ben Allison & Akira Tana (feat. Karrin Allyson, Steve Wilson & Jon Faddis) June 16, 2017 SARANAC RECORDS


Pianist / Composer Pete Malinverni asks, "Heaven - is this it, right here?"

Heaven, an inspired trio set, due out June 16 on Saranac Records,
features bassist Ben Allison and drummer Akira Tana
with special guests Jon Faddis, Karrin Allyson and Steve Wilson

"Pete Malinverni is one wild catŠhis playing can be dark, gritty and oddly rapturousŠhe digs into the piano and emerges with exotic treasureŠ" - Karl Stark, Philadelphia Inquirer

 "One listen and you'll know why Pete Malinverni is one of New York's great pianists"
- Michael Ryan, The Boston Herald

"Malinverni - audacious and exquisite." - Jim Macnie, Village Voice

****Four stars. "Dashing but without ego, Malinverni tells tales short on embellishment and long on resonance." - Fred Bouchard, DownBeat Magazine

 "Pete Malinverni is a pianist with a forthright and elegant style." - Nate Chinen, NY Times

Pete celebrates the new release with CD release concerts:

May 19 - Firehouse 12 - New Haven, CT
June 17 - Pound Ridge NY Public Library
June 21 - Rosemary and Vine - Rye, NY
June 28 - Mezzrow - NYC
July 1 - Maureen's Jazz Cellar - Nyack, NY
July 20 - Monhonk Mountain House - New Palz, NY


With Heaven Pete Malinverni adds to the long list of varied and moving projects he's given us over time, including in the trio, quartet, quintet, solo piano, big band and choir formats. Always searching in spirit but engaging in nature, Pete's music asks the larger questions in a way that is both challenging and approachable.

Heaven is no different, except that it was born of a remarkable set of circumstances. First, Pete's wife, singer Jody Sandhaus, died in 2012, causing him to look to many places, including deep inside, to find a way forward in life. He had to - he loves life and he has a son. Through that search, Pete found a new appreciation for the quotidian things one encounters on a daily basis and that speak of something larger - something, call it what you will, that is worth notice and appreciation.

Then, just over a year ago, Pete himself had a health scare - unfounded, but yielding that existential fear some of us know all too well. During a fraught week, Pete resolved that, should he have time for just one more recording, it would deal with spiritual things. With the eventual 100% clean bill of health came relief - but also a new determination that the difficult week had served the purpose of giving his art a new focus.

Heaven is the result of that clarity. Featuring Pete in trio with Ben Allison and Akira Tana, the album features songs that speak in varied ways of spirituality, from Curtis Mayfield's People, Get Ready to Hungarian Jewish martyr Hannah Senesh's Eili, Eili, to the American Spiritual, A City Called Heaven to the title track, Duke Ellington's Heaven.

Also featured on the date for one selection each are Karrin Allyson (Jody Sandhaus' favorite singer, by the way), saxophonist Steve Wilson and trumpeter Jon Faddis, each guest offering a unique and stirring meditation in his/her own unique voice.

The question of Heaven is an old one. Does it exist - and, if so, how can it be better than this? Well, Pete Malinverni has learned for sure what he always suspected: if the beauty of every moment - every personal encounter, every lick from a dog, every breeze - is tasted as it should be, then isn't Heaven right here, right now?

Indeed, in his liner notes, Malinverni says, "We all want to look up - we hope, maybe we even trust, that somewhere there is unalloyed truth and beauty. Much art memorializes tristesse, encouraging us to abide, to await Relief, Rest or Joy. Other art suggests that Joy can be experienced right now, if only we choose it. For lack of a better term, let's call that thing for which we wait, or which we savor presently, Heaven.

"This recording is meant to reconcile those two perspectives, presenting music of various traditions with one thing in common - the notion that even this vale of tears is tinged with the essence of the transcendent, of the beautiful and the true".


The album opens with a jaunty reading of the title track, Malinverni taking a hint from the first two chords of the harmony, modulating up every chorus. Following immediately behind is Psalm 23, Pete's dynamic new commissioned choral composition, offered here in the trio format. The American folk song, Down in the River to Pray is next, played in a "5" meter, calling to mind the scene at the shore early one Sunday.

Next, the ever-soulful Karrin Allyson joins Pete at the water with Shenandoah, followed by the trio's rendering of Eili, Eili, by the young Jewish martyr Hannah Senesh, who parachuted with the RAF into her native Hungary to help lead Jews out of their then-dangerous home. Instead, she was caught, tortured and killed by the Nazis and this poem, an appreciation of the simple and profound beauty of nature, is her legacy.

Then, the swinging version of the soul hit, People, Get Ready precedes a beautifully intimate Come Sunday by Jon Faddis and the trio, followed by a Ben Allison feature on A City Called Heaven. Steve Wilson burns down the house on Wade in the Water and the recital closes with Ashokan Farewell, a new song of loss and what's left behind, featured prominently in Ken Burns' Civil War series.

All in all, Heaven is a worthy addition to Pete Malinverni's oeuvre, and not to be missed.