Tuesday, November 2, 2021
Fredrik Nordström - Dolores: Two (November 5, 2021)
Thursday, April 8, 2021
Fredrik Nordström - Dolores: One (April 23, 2021)
Monday, March 1, 2021
Fredrik Nordström Quintet - Live in Coimbra (2021 Clean Feed Records)
"Inspired in the American jazz of the Sixties, but with a North European perspective of inquestionable modernity, Fredrik Nordström imposed himself already as one of the most powerful and intriguing saxophonists in the tenor variant coming from the Old Continent. His prestige as a performer is extensive to the compositional work he’s developing, such is the richness of ideas in terms of harmony and rhythm presented by his quintet.
Fredrik Nordström - Needs (2021 Clean Feed Records)
"In his new album, saxophonist and composer Fredrik Nordström deals with a format that reminds of a double quartet of the same type as Ornette Coleman recorded in the early 1960’s. For someone always interested in exploring different possibilities of group interaction, the decision isn’t really a surprise in itself: what surprises us are the results. Instead of acting as a double quartet, Nordström and his fellow Swedish musicians sometimes acts as an octet or as a trio, a quintet, or, you name it! The (double) rhythm section shows off some groovy and hard swinging parts as one unit, but the freedom to contribute individually in this collective of great improvisers is fundamental.
Nordström’s writing and conduction of the improvisational developments are, as always, subtle and meticulous, like hidden geometrical forms in an (apparently) abstract canvas. And if the double quartet matrix is generally connoted with the free jazz subgenre, in “Needs” something else is in equation, coming from the bop and hard bop traditions (Nordström’s tenor style owes something to Dexter Gordon) adding adventurous compositions with dazzling improvisations and giving expression to what the leader of this one day session calls «progressive jazz with unquestionable influence of contemporary classical and rock music». A must."
1. Needs 07:37
2. Fake Face 04:34
3. House of Tales 07:09
4. Hometown Prophet 05:51
5. Hope 07:29
6. Brand New Dollars 06:13
7. Morning Bliss 09:02
LEFT channel:
Fredrik Nordström - tenor & baritone saxophones
Mats Äleklint - trombone
Filip Augustson - double bass
Christopher Cantillo - drums
RIGHT channel:
Fredrik Ljungkvist - clarinet & tenor saxophone
Niklas Barnö - trumpet
Torbjörn Zetterberg - double bass
Fredrik Rundqvist - drums
All compositions by Fredrik Nordström
Recorded March 23, 2018 at BAS, Bandhagen Sweden by Mats Äleklint
Mixing and mastering at Bluenord Studio, Högdalen Sweden by Fredrik Nordström
Produced by Fredrik Nordström
Executive production by Pedro Costa for Trem Azul
Tuesday, December 18, 2018
Johan Berke Upstairs Five - Live at Fasching - June 1, 2017 (2018)
The tunes are written by myself, with the exception of Short, But Sweet no 28, which was a collaboration with Yasuhito Mori who provided the "lyrics" and the voice in japanese for the electronic soundscape used in live performances of the tune. The studio version contains a longer spoken voice feature by Mori-san.
The tunes we play are mainly taken from our 2017 album: SIMPATICO, but "The Big Krumbukto", a staple of our live set, was first recorded on EASTERN SCENE IN GREY MINOR (2008) and on the live: OPEN DOOR (2012), which was recorded at another Stockholm jazz venue: Glenn Miller Café. The tune "Pushover" was premiered on that album too.
Thursday, October 11, 2018
Johan Berke Upstairs Five - Meteorological Interlude: Johan Berke Upstairs Five plays Weather Report (2018)
This album is a major departure from my usual output of mostly original music with this group, documented on ten releases since 2004 on the GasonJAZZ label (www.gasonjazz.nu), and in one case, on the Phono Suecia label (SCOPE - Music by Fredrik Nordström and Johan Berke - for tentet, 2009) . Here we are tackling the immortal music of Joe Zawinul, Wayne Shorter and Jaco Pastorius, in arrangements for sextet by myself (tracks 1, 3, 4, 7, 10&11)and Fredrik Nordström (tracks 2, 6 & 8).
It does feel quite natural to play this music, since we all have a long relation to these compositions, and stylistically it doesn't deviate to far from what we normaly play with the group, since we have written the arrangments specifically for the group members in the line-up, who are used to play my, not allways so easy, compositions. Suffice to say, we all have had a grand time playing these classics by three giants in the field of small group jazz composition.
I've also included two short compositions for solo acoustic guitar, as I usually do on all my recordings. These are the "Meteorological Interludes" that is refered to in the title. I dedicate these two pieces to Ralph Towner, who made a guest appearence on the intro of "The Moors" from Weather Reports album "I Sing The Body Electric" (1972)
The drawing, by artist Nina Grönroos, on the cover, is a tip of the hat to the cover of "Sweetnighter", a 1973 release by Weather Report.
Tuesday, October 9, 2018
Fredrik Nordström - Needs (CLEAN FEED RECORDS 2018)
In his new album, saxophonist and composer Fredrik Nordström deals with a format that reminds of a double quartet of the same type as Ornette Coleman recorded in the early 1960’s. For someone always interested in exploring different possibilities of group interaction, the decision isn’t really a surprise in itself: what surprises us are the results. Instead of acting as a double quartet, Nordström and his fellow Swedish musicians sometimes acts as an octet or as a trio, a quintet, or, you name it! The (double) rhythm section shows off some groovy and hard swinging parts as one unit, but the freedom to contribute individually in this collective of great improvisers is fundamental.
Nordström’s writing and conduction of the improvisational developments are, as always, subtle and meticulous, like hidden geometrical forms in an (apparently) abstract canvas. And if the double quartet matrix is generally connoted with the free jazz subgenre, in “Needs” something else is in equation, coming from the bop and hard bop traditions (Nordström’s tenor style owes something to Dexter Gordon) adding adventurous compositions with dazzling improvisations and giving expression to what the leader of this one day session calls «progressive jazz with unquestionable influence of contemporary classical and rock music». A must.










