Showing posts with label FRESH SOUND NEW TALENT RECORDS. Show all posts
Showing posts with label FRESH SOUND NEW TALENT RECORDS. Show all posts

Friday, October 8, 2021

Lena Bloch & Feathery - Rose of Lifta (October 8, 2021 on Fresh Sound New Talent)

Out October 8, 2021 on Fresh Sound New Talent, recording features Bloch, pianist Russ Lossing, bassist Cameron Brown and drummer Billy Mintz in gorgeous original music 

“Most impressive quartet – or rather, four equals perfectly attuned to each other. ‘Collective’ is the key word here, for this is truly musical togetherness, creating a sound all its own.” – Dan Morgenstern

“The stunning thing about every performance here is the delicate blend of composed music and spontaneous invention." – Donald Elfman, New York City Jazz Record

“..unwaveringly cohesive...bone-deep gorgeousness...complex, compelling and beautiful, sounds of the highest quality and inspiration laid down by a premier jazz quartet." –  Dan McClenaghan, All About Jazz .”

“I am from there. I am from here. / I am not there and I am not here.” So wrote Palestinian poet Mahmoud Darwish, a guiding inspiration for Russian-born saxophonist Lena Bloch and her quartet Feathery as they release their stunning new album of original music, Rose of Lifta.

Due out October 8, 2021 via Fresh Sound New Talent, Rose of Lifta digs deep into the yearning, soulful, complex sounds and the themes of exile, loss, and home encapsulated by Darwish, and emerges with seven shimmering original tracks. Bloch’s personal story is also closely related to yearning for home, as it traverses Russia, Israel, Holland, Germany, graduate studies, a few years of work, and finally immigration to the United States. Her experience informs the music and gives it a deeply personal angle.

With a remarkably cohesive band featuring pianist Russ Lossing, bassist Cameron Brown, and drummer Billy Mintz, Bloch’s second Feathery recording, a follow up to the acclaimed 2017 Heart Knows, demonstrates once again her three-tier excellence as a saxophonist, composer, and a bandleader whose approach nurtures listening, trust, and musical freedom. “We prefer to not have any particular arrangements of our compositions,” she says. “Jazz doesn’t have to be risk free – on the contrary, I think risk is a great factor! Because we cultivate this feeling, given the professionalism and experience of my fellow ensemble members, risk and challenge only facilitate the result. The less safe we all feel, the better it is for the music.”

With a tone simultaneously delicate, nuanced, and emotionally powerful, Bloch leads her quartet in four Bloch originals and three Lossing originals. As Brian Morton writes in the liner notes, “[Bloch’s] beautiful record is conditioned by and dedicated to the experience of exile. I cheerfully admit that it made me cry – I am no longer young, and have no shame over this – but not because of any political stance or any anecdotal content, but quite simply because her music, and that of Lossing, is so damned beautiful.” 

“Promise of Return,” the opening track by Bloch, begins with Brown’s single bass line, joined by piano, drums, and saxophone melding into cascading, conversant, recurring motifs. A resonant, wistful saxophone solo starts the second track, “Mad Mirror,” another Bloch’s original. Lossing’s searching, emotional piano and compositional acumen are highlighted on “New Home” and “Old Home,” as well as the final track, “Wintry Mix.” Two more pieces by Bloch round out the recording, the  title track “Rose of Lifta,” and “Mahmoud Darwish,” Bloch’s sonic ode to the poet whose art and work inspired the album.

While the tunes on Rose of Lifta arise from dark themes, the music is transcendent. “This isn’t a plangent song of sorrow, but an affirmation of life,” writes Morton. “It is music about life. I hear it as a continuous suite of dances and narratives, the voice of someone telling her and their story, arrestingly and thoughtfully. You cannot ask for more in music.”

Founded in 2014, Feathery Quartet draws its inspiration from diverse musical traditions: jazz, Middle Eastern, Eastern European, 20th and 21st century classical music. It performs original compositions written by Lena Bloch and Russ Lossing. Based on collective improvising, Feathery's musical approach consists of blurring the lines between composition and spontaneous invention, and between written and improvised sections. 

The ensemble's name refers to lightness, flexibility, readiness to drift in the new directions - like a feather in the wind. DownBeat says of Feathery, “rippling energy and sublimely weightless interplay.”

After years of live performances at venues including Cornelia Street Cafe Jazz At Kitano, Puffin Cultural Forum, Baha’i Center NYC, University of Massachusetts Amherst, Maureen’s Jazz Cellar, Live At The Falcon, the quartet released “Heart Knows” on Fresh Sound Records in 2017, receiving high praise in American and international publications including All About Jazz, New York City Jazz Record, DownBeat Magazine, France Musique and Chamber Music Magazine, to name a few. The album was also recognized by international outlets as a top jazz release, and in the NPR Jazz Critics Poll’s Top 100. 

Lena Bloch is a Russian-born saxophonist, composer and bandleader, based in New York since 2008. She has been leading her own chamber groups, performing original music since 1990, in Israel, Europe and the United States, including Red Sea Jazz Festival (Israel), Leverkusener Jazz Tage and Ingolstaedter Jazz Tage (Germany), Jazz Lent Maribor (Slovenia), Voronezh Jazz Festival (Russia), Washington Women in Jazz Festival, Vermont Jazz Center Festival, and Temple of the Arts Festival (United States). As a saxophonist she worked with Embryo, Steve Reid, Mala Waldron, Roberta Piket, Sumi Tonooka, Vishnu Wood, Harvey Diamond, Sebastien Ammann and many other American and European bandleaders.

Promise Of Return
Mad Mirror
New Home
Climbing Rose Of Lifta
Old Home
Mahmoud Darwish
Wintry Mix

Lena Bloch (saxophone, composition)
Russ Lossing (piano, composition)
Cameron Brown (bass)
Billy Mintz (drums, percussion)

Recorded July 12, 2019 at Skyline Studios 
Recording engineer mixing and mastering - Paul Wickliffe 

Saturday, October 20, 2018

Greg Ruggiero, Murray Wall & Steve Little - It's About Time (FRESH SOUND NEW TALENT RECORDS 2018)


"This recording is dedicated to my parents, Camille and Lenny Ruggiero, from whom I inherited my love of Standards and Swing. For the past twenty years they have asked me to record a Standards album. It's About Time!"
-Greg Ruggiero

Greg Ruggiero (guitar)
Murray Wall (bass)
Steve Little (drums)

01. Gone With The Wind (Wrubel-Magidson) 5:08
02. April In Paris (Duke-Harburg) 4:46
03. I'll See You In My Dreams (Jones-Kahn) 3:58
04. Polka Dots and Moonbeams (Burke-Van Heusen) 6:22
05. Where or When (Rodgers-Hart) 5:56
06. If Dreams Come True (Sampson-Goodman) 5:00
07. Things Ain't What They Used To Be (Ellington-persons) 6:02
08. Liza (Gershwin-Gershwin-Kahn) 3:15
09. Don't Blame Me (Mchugh-Fields) 5:41
10. Tangerine (Schertzinger-Mercer) 5:19

Mixed & mastered by Walter Fischbacher
Photos & design by Gabriele Donati & Bjoern-ante Roe

Produced by Greg Ruggiero
Executive producer: Jordi Pujol

Monday, July 9, 2018

Vinnie Sperrazza · Jacob Sacks · Masa Kamaguchi - Play Benny Golson (FRESH SOUND NEW TALENT RECORDS 2018)


01. Along Came Betty 7:18
02. Are You Real? 3:16
03. Blues March 6:37
04. Reggie of Chester 2:42 
05. Killer Joe 5:27
06. Just by Myself 3:50
07. Domingo 8:25
08. I Remember Clifford 7:40
09. Stablemates 6:00
10. Fair Weather 6:40

Vinnie Sperrazza (drums)
Jacob Sacks (piano)
Masa Kamaguchi (bass)

Thomas Delor - The Swaggerer (FRESH SOUND NEW TALENT RECORDS 2018)


01. Prélude en Si Majeur (Thomas Delor) 1:36
02. Hidden Meaning (Thomas Delor) 5:17
03. Moonlight (Ludwig Van Beethoven) 4:25
04. The Swaggerer (Thomas Delor) 7:46
05. L.N.A. (Thomas Delor) 5:43
06. From the New World (Antonin Dvorak) 5:33
07. Rhythm-a-ning (Thelonious Monk) 3:57
08. Blue in Green (Miles Davis) 5:02
09. Tu l’as vu, Monk? (Thomas Delor) 2:58


Thomas Delor (drums)
Simon Martineau (guitar)
Georges Correia (bass)


Thursday, May 24, 2018

Matyas Gayer Trio - Never Ending Story (FRESH SOUND NEW TALENT RECORDS 2018)


01. Lullaby of the Leaves (Petkere-Young) 7:23
02. We'll Be Together Again (Fisher-Laine) 5:55
03. Stranger in Paradise (Wright-Forrest) 6:00
04. Never Ending Story (Matyas Gayer) 6:58
05. Confirmation (Matyas Gayer) 6:28
06. Nocturne in Eb Major (Frederic Chopin) 6:51
07. Song for Mulgrew (Matyas Gayer) 6:05
08. I've Grown Accustomed to Her Face (Lerner-Loewe) 6:15
09. Blues for Bud (Matyas Gayer) 6:24
10. One for Kenny (Matyas Gayer) 6:09
11. All God's Chillum got Rhythm (Jurman-Kahn-Kaper) 4:34

Arrangements by Matyas Gayer (#1,2,3,5,6 & 11)


Matyas Gayer (piano)
Matyas Hofecker (bass)
Pete Van Nostrand (drums)

Recorded at Urban Recording Studio, Trieste, Italy, July 31 and August 1, 2017

Sound engineer: Fulvio Zafret
Mixing & mastering: Roman Schwaller

Photography: Lucija Novak
Design: Daniel Ludvig

Produced by Matyas Gayer
Executive producer: Jordi Pujol

David Ambrosio - Four on the Road (FRESH SOUND NEW TALENT RECORDS 2018)


David Ambrosio, originally from the New York area, currently resides in NYC where he works as a freelance musician and educator. He leads the David Ambrosio Trio and David Ambrosio  /Russ Meissner Sextet and is the co-leader of two collaborative bands, Grupo Los Santos and 40Twenty, as well as being a part of many groups including George Schuller’s Circle Wide, the Matt Renzi Trio, Eri Yamamoto Trio and the BMI/New York Jazz Orchestra led by Jim McNeely. He has also performed with such jazz greats as pianist Kenny Werner, Buddy DeFranco, George Garzone, Joseph Jarmon and Ralph Alessi.

With degrees in Classical composition and Jazz performance, David has a broad musical palate which only became intensified by some unique travel experiences in past years. In 2001 he had the opportunity to perform in Cuba with Grupo Los Santos and Max Pollack's Rumbatap as well as to work with Afro/Cuban folkloric music and dance ensembles. Soon after that experience his interest in Afro/Cuban Bata drumming began and, consequently, for the past six years has been studying Bata with master hand drummer Carlos Gomez. On numerous occasions he has toured in Central and South East Asia on behalf of the US State Department as a performer and clinician. He has performed and recorded with members of Uzbekistan's Folk Instruments Chamber Orchestra Sogdiana and Kyrgyzstan's most acknowledged folk musicians.


01. Way Too Long So Far (David Ambrosio) 8:12
02. Fabulous Freep (Loren Stillman) 7:50
03. Melody (David Ambrosio) 9:11
04. Four on the Road (Russ Meissner) 7:22
05. Legroom (Loren Stillman) 9:56
06. Sunset Bird (Russ Meissner) 8:39

Loren Stillman (alto sax)
Russ Meissner (drums)

Recorded at Savage Lamb Studios, Salt Spring Island, Canada, March 12, 2016

Recorded & mixed by Rich Lamb
Art inspired by Invader

Produced by David Ambrosio & Russ Meissner
Executive producer: Jordi Pujol

Wednesday, May 23, 2018

Yuval Amihai - I Ain't Got Nothin' But the Blues (FRESH SOUND NEW TALENT RECORDS 2018)


Troisième livraison de ce virtuose qui n’a de cesse de nous surprendre! Il y avait eu “Yuval Amihai Ensemble”, en 2012, suivi de “Longing” trois ans plus tard, en 2015, et voilà aujourd’hui, trois ans plus tard également, son “I Ain’t Got Nothin’ But The Blues” (“Je n’ai rien d’autre que le Blues”) qui vient faire vibrer notre corde sensible teintée de bleu. Surtout qu’avec “I Ain’t Got Nothin’ But The Blues”, c’est une véritable autobiographie musicale que nous propose le guitariste virtuose, car chaque morceau évoque un pan de sa propre histoire. Comme si Yuval AMIHAI avait eu un intense besoin bluesy intérieur de se dévoiler, se mettre à nu, musicalement…

Un certain nombre de reprises sont interprétées par Yuval AMIHAI et ses deux acolytes: Michel Legrand & Jacques Demy, Duke Ellington, Cole Porter, William Henry, Keith Jarrett… et j’en passe. Trois compositions signées Yuval AMIHAI viennent s’ajouter à l’ensemble ainsi créé: “Old New Song”, “Eviatar” et “Yula”, entremêlant habilement émois d’hier et émotions d’aujourd’hui. Le tout constitue un album à l’atmosphère jazzy et bluesy particulièrement riche et variée. Le genre d’album dont on devient accro, plus on l’écoute. 

Car plus on l’écoute et plus on l’apprécie. Et plus on l’apprécie et plus on l’écoute… Le genre d’album qui finit par devenir un incontournable de votre CD-thèque et que vous aurez plaisir à faire découvrir à vos amis. Les deux compères et énormes complices musicaux de Yuval AMIHAI sont ici Damien Varaillon à la basse et Gautier Garrigue à la batterie, tandis que deux ‘special guests’, deux invités de marque, Hermon Mehari à la tompette et Amit Friedman au saxophone ténor, viennent enrichir trois des titres qui constituent une partie de ce bien bel opus, “Love For Sale” de Porter, “Eviatar” et “So Tender” de Keith Jarrett. Et encore une fois, les instruments à vent sont présents de manière subtile et discrète, pour mieux faire fusionner encore le passé et le présent.

Dominique Boulay
Paris-Move & Blues Magazine (Fr)


01. De Delphine a Lancien (Legrand-Demy) 4:45
From ther movie "Les Demoiselles de Rochefort"
02. I Ain't Got Nothin' But the Blues (Ellington-George) 4:36
03. Love for Sale (Cole Porter) 4:02
04. Old New Song (Yuval Amihai) 6:37
05. Pizmon La Yakinton (Gvili-Goldberg) 3:59
06. Eviatar (Yuval Amihai) 5:07 *
07. Abide with Me (William Henry Monk) 5:42
08. Stolen Moments (Oliver Nelson) 5:44
09. Polka Dots and Moonbeams (Burke-Van Heusen) 6:05
10. So Tender (Keith Jarrett) 4:46
11. Yuli (Yuval Amihai) 6:29
12. You Are Too Beautiful (Rodgers-Hart) 2:19

Yuval Amihai (guitar)
Damien Varaillon (bass)
Gautier Garrigue (drums)

Special Guests on #3, 6 & 11: Hermon Mehari (trumpet), Amit Friedman (tenor sax)

Recorded at Recall Studios. Pompignan, France, May 1,2 & 3, 2017

Engineered, mixed & mastered by Philippe Gaillot
Photos: Paul Robion

Produced by Bruno Calvo
Executive producer: Jordi Pujol


Ari Hoenig - NY Standard (FRESH SOUND NEW TALENT RECORDS 2018)


For his latest album NY Standard, Ari Hoenig pays tribute to the movement and tradition of
playing jazz standards in New York City. Once you learn a song there are so many different
directions and conversations you can have using that song as a starting point. It’s kind of like a
private conversation you can have with other people who know the song. If you don’t know the
song however there will be a lot you will miss.

New York city has brought together people from all over the world. People that would normally
never have the chance to even meet but can speak to each other on a deep level using jazz
standards as the basis for the conversation.

In addition to his work a bandleader, Hoenig is one of the most sought-after sidemen of his
generation. He has appeared on over a hundred recordings and worked with a diverse
spectrum of artists, including guitarists Mike Stern, Pat Martino, Wayne Krantz and Kurt
Rosenwinkel, saxophonists Joshua Redman and Chris Potter, harpist Edmar Castaneda,
bassist / vocalist Richard Bona and many more. He’s developed deep musical relationships
with pianists representing three generations of boundless jazz creativity: Billy Childs, Kenny
Werner, Jean-Michel Pilc and Monk competition winner, Tigran Hamasyan.


01. Boplicity (Davis-Evans) 4:29
02. Bessie's Blues (John Coltrane) 8:31
03. Stablemates (Benny Golson) 6:19
04. Someday My Prince Will Come (Churchill-Morey) 6:21
05. Pent Up House(Sonny Rollins) 5:52
06. In Walked Bud (Thelonious Monk) 7:30
07. Fee Fi Fo Fum (Wayne Shorter) 4:30

Ari Hoenig (drums)
Tivon Pennicott (tenor sax on #5-7)
Gilad Hekselman (guitar on #1-3,5,6)
Tigran Hamasyan (piano on #2)
Shai Maestro (piano on #4,6)
Eden Ladin (piano on #3,5)
Orlando Le Fleming (bass)

Recorded at Peter Karl Studios in Brooklyn, New York, September 2015, except track #2 recorded on January 21, 2010

Recorded, mixed & mastered by Michael Perez-Cisneros
Cover photo by Ilkka Rantamaki

Produced by Ari Hoenig
Executive Producer: Jordi Pujol


Aaron Irwin Trio - Wobegon (FRESH SOUND NEW TALENT RECORDS 2018)


You can enjoy jazz full of lyrical beauty by a unusual organization of sax, guitar and drum. Leader Aaron Erwin is one of the regular musicians of Fresh Sound New Talent, which is the fourth label of the same label. Born and raised in Chicago, Illinois, he earned a music degree in Chicago and Miami. It is attracting remarkable attention as performers and educators. Somewhere forked melody line, blowing which suppressed vibrato character of him. There is also a taste like the modern version of Paul Mochien Trio which gained popularity in the 80s and 90s.


01. Wobegon 6:14
02. Birthday Song 8:35
03. Say Hello 4:49
04. Strange Pastoral 7:07
05. Norman 7:48
06. Sunday and All (After Willian Carlos Williams) 6:56
07. High Hat 5:44
08. The Forgiveness of Donald Rusk Curey 3:41
09. And Love’s the Burning Boy (After Elizabeth Bishop) 5:10
10. Brown Dog 5:19


Aaron Irwin (alto sax)
Mike Baggetta (guitar)
Jeff Hirshfield (drums)

Recorded at Sear Sound Recording, New York City, January 14 & 15, 2017

Engineered, mixed & mastered by Chris Allen
Photography & design: Bryan Murray

Produced by Bruno Calvo
Executive producer: Jordi Pujol


Bruno Calvo Quartet - Outlines (FRESH SOUND NEW TALENT RECORDS 2018)


Bruno Calvo Quartet es un proyecto creado recientemente en la ciudad de Ámsterdam, Holanda. Consta de cuatro de los músicos jóvenes con mas talento de la escena de la música improvisada europea; procedentes de países como Italia, España y Holanda. En los últimos meses esta formación ha actuado en importantes escenarios y festivales de entre los cuales destacan el Bimhuis (Amsterdam) o el Festival InJazz en Lantaren Venster (Rotterdam).

Esta original formación no tiene instrumento própiamente armónico y combina los elementos fundamentales del jazz como son el blues, la improvisación y el fuerte sentido del
ritmo.


La inusual combinación de estos instrumentos fuerza a los músicos a cambiar el enfoque
interpretativo que tendrían en una banda que incluyese un piano o guitarra. Resulta interesante la forma en la cual los vientos están conectados formando contrapuntos en el que líneas melódicas se entrelazan, creando así un sonido homogéneo del que emergen modernas armonías. Todo ello acompañado de una enérgica sección rítmica que a la vez cuenta con infnidad de sutiles colores.

El repertorio contiene en su mayoría, composiciones originales escritas específcamente para esta formación. Es frecuente tambien la interpretación de arreglos de estándars de jazz así como tambien canciones infuenciadas por la música pop u otros estilos musicales.


El trompetista andaluz Bruno Calvo se ha convertido en unas de las principales voces emergentes de la música improvisada internacional. Sus raíces musicales se basan principalmente en la música afroamericana. No obstante, su sonido personal tiene claros tintes de otros estilos como son la música clásica y el famenco. En los últimos años ha tocado en muchas formaciones distintas y proyecto personales que lo han llevado a conocer grandes escenarios y a estar en contacto con músicos de renombre. Colabora frecuentemente con la Jazz Orchestra of the Concertgebouw. Recientemente ha obtenido el segundo puesto en la competición de trompeta de jazz más importante; la Carmine Caruso Jazz Trumpet Solo Competition, que tuvo lugar el pasado septiembre en Moscow (Idaho, EEUU). Un concurso de jazz en el que por primera vez en su historia, ha tenido la presencia de un músico europeo en la final.

01. Introduction (Erytheia) 2:09
02. Dolores 5:59
03. Contrast 4:17
04. Luna Bass Intro 1:06
05. Luna 6:46
06. Con Alma 7:12
07. Interlude #2 (Kotinoussa) 2:12
08. The Elephant's Revenge 6:37
09. Candle 4:10

All compositions by Bruno Calvo, except #6 'Con Alma' written by Dizzy Gillespie

Ben van Gelder (alto sax)
Giuseppe Romagnoli (bass)
Iago Fernández (drums)

Recorded at CVA Studio, Amsterdam, The Netherlands, February 20 & 21, 2017

Sound engineers: Attie Bauw & Ido Zilberman
Mixed by Joeri Saal at Studio 150
Mastered by Quim 'Kato' Puigtió

Design & artwork: Travassos
Picture by Tamara Conde

Produced by Bruno Calvo
Executive producer: Jordi Pujol