Alex Conde Reimagines Bud Powell on 'DESCARGA FOR BUD' via SedaJazz

Pianist Alex Conde Reimagines Bud Powell Through a Flamenco Lens on Descarga for Bud

New Album via Sedajazz

Descarga for Bud is the exhilarating new album from Spanish pianist and bandleader Alex Conde. A bold reimagining of compositions by one of jazz’s most enigmatic figures, Bud Powell, this illuminating 9-track set uses these bebop landmarks as blueprints for an exciting fusion of Caribbean and Iberoamerican musical lore. Available everywhere on May 28, 2021 via Spanish label Sedajazz, Descarga for Bud is the second installment in Conde’s Descargas series, the first of which was his widely-acclaimed 2015 release Descarga for Monk (Zoho). 

For over a decade, pianist Alex Conde has maintained a fruitful and versatile career as a bandleader and composer. His dazzling technique and unique musical presentation has brought him to some of the most prestigious stages in jazz. Revered critic Raul da Gama says “[Conde] is a pianist whose music is sustained by the fecundity of his Spanish roots. Through it all, Mr. Conde is absolutely thrilling.” On record, Conde has cemented a reputation as an accomplished performer with an astute approach to unifying Latin jazz with music traditions from his native Spain. His adventurous tribute to iconoclast Thelonious Monk, Descarga for Monk, received unanimous praise, as did his 2018 release with Ropeadope, Origins, which explored the roots of Afro-Cuban music and jazz from a flamenco perspective. With Descarga for Bud, Conde reunites with multi-Grammy nominated percussionist John Santos and acclaimed bassist Jeff Chambers, and adds drummer Colin Douglas to the mix. These seasoned and versatile players beautifully adapt to Conde’s astute arrangements of Powell’s compositions.

On tracks such as “Oblivion”, “Parisian Thoroughfare” and the time-tested “Bouncing with Bud”, Conde’s arrangements revolve around traditional flamenco forms such as Bulerías or Soleá, on which he employs the talents of fellow countrymen Sergio Martínez on cajón and claps and flamenco guitarist Jose Luis de la Paz. Paz’s unique contributions bridge the aesthetics of both bebop and flamenco music in a particularly astounding and affecting way. The album also features Mike Olmos on trumpet who effortlessly lays bona-fide bebop lines over the bulerías arrangement of “The Fruit” and the complex and brisk “Tempus Fugit”. “Hallucinations” leans toward the classic Latin jazz idiom, while the rhapsodic melody of “Wail” is played as a joyous calypso with Jeff Narrell doubling the melody on steel pan. 

In his liner notes for Descarga for Bud, Grammy nominee Julio Martí declares, “[this album] is his best work to date. Alex makes the musical universe of this bebop genius his own, and adds to it a rhythmical richness, that is at the same time sophisticated and very refreshing.” 

Throughout this brilliant new release, Alex Conde demonstrates his incredible prowess as a pianist, taking inspired solos and skillfully supporting his bandmates. In his acknowledgement notes he dedicates this album to the fathers of jazz, the black American composers who created this music and who he has admired since an early age. Desacarga for Bud is a loving tribute to one of the architects of jazz, one which explores the massive stylistic potential of Powell’s oeuvre. 

MORE ABOUT ALEX CONDE

Alex Conde is a highly acclaimed pianist from Valencia, Spain. He graduated from the Conservatorio Jose Iturbi in Valencia before graduating from Berklee College of Music in the mid-2000’s; he subsequently received his Masters in Jazz Piano from Queens College in New York City. 

Conde has performed at esteemed venues throughout the United States and abroad, ranging from the Blue Note in New York City to the Panama Jazz Festival. He has collaborated with flamenco companies such as Aspen Santa Fe Ballet, Theatre Flamenco of San Francisco (with whom Conde was nominated for an Isadora Duncan Award in 2012) and the New York Flamenco Festival, among others. He is the director of the Piano Flamenco Institute in New York City. 

His discography includes five albums as a leader: Jazz and Claps [Matt Music 2006], Barrio del Carmen [2013 AC records], Descarga for Monk (2015, Zoho), Origins (2018, Ropeadope) and now, Descarga for Bud [2021, SR]. All of Conde’s works twist jazz and flamenco piano in the form of original music and/or new arrangements.

Conde has composed music for orchestras such as the Miami Chamber Orchestra with violinist Federico Britos and guitarist Jose Luis de la Paz; the Oakland Symphony Orchestra in California, directed by Omid Zoufonoun; and his arrangements of Franz Schubert have been performed at the Symphony Space and at the San Francisco Botanical Gardens.

Alex has shared stage with artists such as Vicente Amigo, John Patitucci, Eddie Palmieri, Tomatito and Diego el Cigala, among others at national and international festivals.

1) The Fruit (Bulería) (7:35)

2) Oblivion (Tangos) (6:53)

3) Bouncing with Bud (Alegría) (7:11)

4) Dusk in Saudi (Soleá) (5:30)

5) Wail (Calypso) (4:17)

6) Parisian Thoroughfare (Bulería al golpe) (5:59)

7) Hallucinations (Latin/Jazz) (5:38)

8) Tempus Fugit (Rumba) (3:40)

9) Celia (Bulería) (5:57)

All music composed by Bud Powell 

Alex Conde, Piano/arrangements

John Santos, Congas, Bongos on tracks (2, 5, 7, 8)

Jeff Chambers (Double bass)

Sergio Martínez (Cajon & djembe on tracks 1, 2, 3, 4, 6 & 9)

Mike Olmos (Trumpet on tracks 1 & 8)

Jeff Narell (Steel pan on track 5)

Jose Luis de la Paz (Guitar on track 2 & 6)

Produced by Ricky Fataar

Co-Produced by Denny Abrams 

Label: Sedajazz SJ107

Pre-order

Alex Conde - Descarga for Monk (2015)

The singular music of jazz legend Thelonious Monk has been interpreted by countless players over the years. Great jazz pianists like Bud Powell, McCoy Tyner, Bill Evans, Randy Weston, Barry Harris, Keith Jarrett and Chick Corea have dealt with his unorthodox dissonances, angular melodic twists, percussive attack and dramatic use of silences and hesitations. Saxophonists from Sonny Rollins and John Coltrane to Steve Lacy and Anthony Braxton and trumpeters from Miles Davis and Chet Baker to Woody Shaw and Wallace Roney have covered Monk’s music. Others like salsa king Tito Puente and trumpeter-conguero Jerry Gonzalez and his Fort Apache Band have interpreted Monk’s idiosyncratic rhythms through their own Afro-Cuban prism while the great Andalusian pianist Chano Dominguez has offered a passionate flamenco spin on Monk.

What is it about Monk's music that makes it so 'ripe' for interpretation? “It’s because he’s so hip in so many ways!,” says the Valencia-born pianist-composer and current Bay Area resident Alex Conde. “I can’t imagine a more hip jazz pianist than Monk. And has there ever been a hipper composer in the history of jazz? While his colleagues were playing at such a speed in the era of bebop, thousands of notes, he came along with such a unique tone, a cluster approach. Bang! Keeping a hot, alive swing feel was his goal. How can anybody resist or not feel attracted to such energy? I couldn’t keep myself away from his infectious style and compositions.”

On Descarga for Monk, his ZOHO Music debut (and third recording as a leader overall), the gifted 33-year-old pianist-composer and Chano Dominguez protege has his way with the high priest of bop in an adventurous all-Monk program that is teaming with the spirit of Spanish duende. Accompanied by the Bay Area rhythm tandem of bassist Jeff Chambers and drummer Jon Arkin, and featuring special guest percussion master John Santos, Conde draws on his own personal experiences in the rich flamenco tradition to craft a stirring set of music that pays tribute to Monk while taking great liberties with the familiar themes and rhythms of such staples as Bemsha Swing, Evidence, Monk’s Dream and others. From his fiery buleria interpretation of Played Twice to his clave-fueled Catalan rumba rendition of Thelonious, as well as dramatic solo piano extrapolations on Monk’s hauntingly beautiful ballads Pannonica and ‘Round Midnight, this flamenco flavored take on Monk is as inventive as it is invigorating.

The son of famed flamenco singer Alejandro Conde Sr., a superstar in the Cancion Española style, Alex reinvents Monk’s music with his remarkably flexible, highly interactive rhythm tandem of Chambers and Arkin while also showcasing his impeccable technique, remarkable chops and fertile imagination along the way. “As a flamenco pianist -- I’ve been working for the last four years at a renowned US flamenco company, the Juan Siddi Flamenco Theatre Company, now fused with the prestigious Aspen Ballet Santa Fe -- I understand something about keeping a solid groove, playing a precise cluster and making good use of rests and silence,” says the graduate of the Conservatorio Superior de Musica, Joaquin Rodrigo de Valencia who later attended the Berklee College of Music in Boston. “And because of that I feel deeply connected, as many other composers did too, to Monk from a compositional perspective and undoubtedly from a performance perspective as well.”

He adds, “The truth is that after thinking for many years about Monk’s music, besides some arrangements that I specifically wrote down, like ‘Think of One,’ ‘Bemsha Swing’ and ‘Ugly Beauty,’ I wanted to preserve the fresh and breathable improvisation of the group playing live in the studio.”

And you can hear that loose, in-the-moment interaction from track to track on this extraordinary project. Performing on the same 9-foot Yamaha piano in the Fantasy studios that McCoy Tyner, Bill Evans and Chick Corea have played on their recordings, Conde displays breath-taking facility and a remarkable sense of two-handed independence on burning numbers like “Evidence,” “Monk’s Dream” and a dazzling, rhythmically-charged “Played Twice.” Chambers, the world class veteran bassist who has played with a Who’s Who in Jazz, including Jazz Dizzy Gillespie, McCoy Tyner, Joe Henderson, Tony Williams, Ahmad Jamal and Pharoah Sanders, delivers a virtuosic upright solo on “Bemsha Swing” while providing the appropriate deep-toned tumbao feel on “Evidence” and “Thelonious.” The exceptionally musical drummer Arkin deftly switches from brushes to sticks on an elegant reading of “Monk’s Dream” then explodes on the kit over a son montuno groove on a scintillating rendition of “Think of One.” And Santos fuels and colors the groove throughout on cajon and congas. “I feel honored to have John Santos and all his knowledge of rhythm and history on this recording,” says Conde. “He plays cajon with his own unique approach coming from the vast Afro-Cuban tradition, which made it sound so unique. And he has such a beautiful soul that it is always a nice experience to make music with him.”

Conde explains that the genesis of this brilliant flamenco Monk project came from a single notion. “My first idea for this album, when I sat down at my desk and started messing around with the melodies and different rhythms, was wanting to hear a tune like ‘Played Twice’ adapted into a buleria de Jerez style. I thought, ‘I would love to see a flamenco dancer put footwork to that melody. That would be pretty sweet to see those 16th notes on the B section with a flamenco tap dancer!’” 

For the session he ended up recruiting his sister and mother to supply palmas and compas [handclaps and foot stomps] on “Played Twice” and “Ugly Beauty,” just two of his triumphant flamenco make-overs on Descarga for Monk. “My sister Amparo and mother Carmen came from Spain to help in creating this special environment at the studio with a solid and groovy compas. That’s exactly what we were looking for, an intimate atmosphere of claps and acoustic instrumentation where you can hear an ‘ole, en compas!’ It’s the essence of flamenco.”

The rising star Bay Area pianist-composer adds, “I invite anybody to go to a tablao flamenco, anywhere! Because there is good flamenco anywhere on the globe nowadays. Spend $20 and see with an open heart and mind a traditional flamenco show. I guarantee there is no difference between those environments and the ones of the jazz/blues sessions, because both are directly connected by awakening the senses and celebrating life itself.”

From the startling, energized opener “Played Twice” to the Conde’s delicate solo reading of “Pannonica,” this flamenco re-imagining of Monk’s music awakens the senses in a very profound way. It will makes you want to sit up and shout “Ole!” - Bill Milkowski

Alex: Conde Piano

John Santos: Percussion

Jeff Chambers: Bass

Jon Arkin: Drums

Amparo Conde, Carmen Carrasco: Palmas & Compas (hand claps, foot stomps)

1. Played Twice 

2. Thelonious 

3. Think of One 

4. Ugly Beauty 

5. 'Round Midnight

6. Monk's Dream 

7. Evidence 

8. Ruby My Dear

9. Pannonica

BUY THIS ALBUM!!!

Domi