Showing posts with label Cowboys & Frenchmen. Show all posts
Showing posts with label Cowboys & Frenchmen. Show all posts

Tuesday, February 2, 2021

Cowboys & Frenchmen - Our Highway (February 26, 2021 via Outside In Music)


 Cowboys & Frenchmen offer a cohesive view of America on eclectic new video album

Our Highway, due out February 26, 2021 via Outside In Music, reflects on the balance of nature and humanity, the mundane and the spiritual, accompanied by stunning visuals of life on the road


"[Cowboys & Frenchmen] is smart, cohesive, and credible in a way like The Bad Plus or Mostly Other People Do The Killing, using virtuosic skills and rhythmic power to walk the line between irony and earnestness, with listenability as high a priority as group creativity." – Howard Mandel, DownBeat


“The swirling layers this group is able to build upon is remarkable, and when one really listens deep into the music, the interaction is breathtaking.” 

– Geannine Reid, All About Jazz 

Video Album Premiere February 26 via Live From Our Living Rooms



On their forthcoming release, Our Highway (due out on February 26, 2021 on Outside In Music), the inventive quintet Cowboys & Frenchmen reflect on the nomadic life of touring musicians while widening their gazes to take in the landscapes and byways that connect America’s towns and cities.

Recorded live at SubCulture in New York City, the “video album” juxtaposes high-definition footage of the band — saxophonist/co-founders Ethan Helm and Owen Broder, pianist Addison Frei, bassist Ethan O’Reilly and drummer Matt Honor — onstage in one of the Big Apple’s most renowned venues with beautifully shot footage taken during a cross-country tour.

The video captures the hectic pace of big cities, the majestic tranquility of nature and the unexpected surprises and tiresome aggravations that arise while hustling from nightclub to nightclub. Conceived long before the COVID pandemic, these images assume added resonance in light of a lockdown that’s kept most of these venues dark for the better part of the past year.

“Watching this video come together, I got emotional remembering how happy I was when I was the most stressed out,” laughs Helm. “It really comes across that those times when we could get out there and struggle were actually the good times. That made a huge change in the way I think about Our Highway.”

An audio-only edition of Our Highway will be released digitally on February 26, 2021. The band will also partner with venues across the country to present the full video album as live-streaming events, allowing each space to offer the experience to their audiences for a 24-hour period. While far from a typical album release tour, the partnerships offer an innovative new virtual highway for Cowboys & Frenchmen to traverse.

While Helm and Broder typically split compositional duties on the band’s projects, Helm took the lead for Our Highway, writing all of the music and envisioning the theme. Broder contributed to the concepts in the video, and the whole band took turns filming over the course of their travels. Significantly, the majority of the footage comes from one of three locations: Broder’s hometown of Jacksonville, Florida; Helm’s native Yorba Linda, California; and the band’s birthplace and home, New York City. “When you’re always in motion, sometimes you have to invent your own sense of home,” Helm points out.


Broder connects that notion with the struggles of making a life in music. “A lot of what we do has to do with finding a balance in our lives – dealing with all that comes with living in New York while piecing together the disparate elements of a freelance career, and also balancing the different paces of life. I really like removing myself from the concrete jungle and being out in nature for a little while, but I don't think that I would like either one to the exclusion of the other.”

Though it arrives during the aftermath of a divisive presidential election, Our Highway looks past politics and offers a more united, holistic perspective of America. “ “It’s a view of the country through our eyes and through the windows of our band’s minivan,” Broder says. “It’s closer to a memoir than a political position.”

“Our Highway was inspired in part by something I’ve noticed when we’ve been on tour,” Helm explains. “It’s amazing to me just how much music connects with people. We see it at every single performance; we have no idea who voted for whom when we’re on the road, but people everywhere come together and enjoy the music. I can’t help but think that’s meaningful.”

A suite collectively entitled “American Whispers” weaves through the album, representing the tension between humanity and the natural world — towering “Pines,” fast-rushing “Streams,” daunting “Mountains,” their imposing stature shaping the frenetic tempos and angular melodies of the pieces. Inspired by Alice Coltrane, “Alice in Promisedland” takes the opposite viewpoint. The piece channels the great harpist/pianist/composer’s spiritual philosophy to locate the harmony between natural splendor and encroaching civilization, illustrated here by relocating the band members to a bustling public park.

The title of “An Old Church” offers a synecdoche for those idyllic scenes of American life that a band on the move rarely has time to stop and appreciate. The somber interlude “Where Is Your Wealth?” can be heard as an accusatory demand or a spiritual challenge, in either case raising questions about what we truly value in life. “Gig Life” celebrates the funky, offbeat experiences that forge the bonds of a band, while “The Farmer’s Reason” ends the album with a gorgeously reflective slice of Americana, as mythic as it is profoundly meaningful.

“For us, the traveling is not separate from the art,” Helm concludes. “It’s all part of one lifestyle. Jazz musicians are really lucky because our art form allows us to place a frame around a snapshot in time. The music is always in motion, which is a special quality that we want to highlight with Our Highway.”



New York City-based Cowboys & Frenchmen offers a new take on instrumentation, composition and orchestration for the jazz quintet. Founded by saxophonists Owen Broder and Ethan Helm, the band garnered stellar reviews with its 2015 debut, Rodeo. Their 2017 follow-up, Bluer Than You Think, received a four-star review from DownBeat Magazine, and was celebrated with an eight-market tour visiting historic stages including Blues Alley (Washington D.C.) and Cliff Bell’s (Detroit). The inspiration for the band’s name comes from a short film by David Lynch, The Cowboy and The Frenchmen — a Western with a unique, left-field interpretation of that classic genre echoed in Cowboys & Frenchmen’s inventive approach to jazz: one foot firmly planted in a genre, the other busy trying to kick down the genre’s door.

1. American Whispers: Pines
2. Alice in Promisedland
3. American Whispers: Streams - An Old Church
4. Where Is Your Whealth?
5. Gig Life - American Whispers: Mountains
6. The Farmer's Reason


Composer
Ethan Helm

Producer
Ryan Truesdell

Mixing Engineer
Brian Montgomery

Mastering Engineer
Sonny Nam
Jacob's Well Mastering

Recording Engineers
James Hartnett
Mac Stringer

Recorded Sept. 29, 2019 at SubCulture, NYC
Release date February 26, 2021



Sunday, September 24, 2017

Cowboys and Frenchmen (produced by Ryan Truesdell) - Bluer Than You Think (October 13, 2017)


Bluer Than You Think

New album by Cowboys & Frenchmen

Available October 13, 2017 on Outside in Music

Eight-city album release tour October 17-27, 2017
October 17 - An Die Musik, Baltimore, MD
October 18 - Blues Alley, Washington D.C. 
October 20 - Radio Bean, Burlington, VT
October 21 - Three Heads Brewing, Rochester, NY 
October 22 - Cliff Bell's, Detroit, MI
October 24 - Alphabet City, Pittsburgh, PA 
October 26 - High Rock Outfitters, Lexington, NC
October 27 - Sharp 9 Gallery, Durham, NC

"[Cowboys & Frenchmen] are masters of mood and atmosphere, with the ability to coordinate colour and structure to a rare degree. Bluer Than You Think consistently reveals their exceptional versatility and resourcefulness...."
- Raul da Gama, Jazz Global Media

Outside In Music will release the sophomore album by the innovative quintet Cowboys & Frenchmen on Friday, October 13, 2017.  For this album, the band joined forces with Grammy award winning producer Ryan Truesdell and the result is an album that "consistently reveals their exceptional versatility and resourcefulness," says Raul da Gama of Jazz Global Media.  The album is the ideal vehicle for co-leaders/saxophonists/composers Owen Broder and Ethan Helm to further explore their individuality within the context of the ensemble.  The group celebrates the album with a eight-city US tour October 17-27, 2017.  

Following the success of their widely praised 2015 debut recording Rodeo, which JazzTimes called "innovative as well as inspiring . . . electric and emotional," Cowboys & Frenchmen were featured presenters at the 2016 North American Saxophone Alliance Conference, and guests at both the D.C. Jazz Festival and the Umbria Jazz Festival's Conad Jazz Contest. Over the two years since their debut, the band - which along with Broder and Helm includes Chris Ziemba (piano), Ethan O'Reilly (bass), and Matt Honor (drums) - has honed and solidified their vision and conceptual direction, deftly weaving ideas from a broad spectrum of influence into their sound.

"There is no one tune that encapsulates our sound, and that's what we like about the band. When looking for inspiration, we are not reaching beyond ourselves to create some sort of postmodern stylistic collage, but reaching within ourselves to access the multitudes we contain as artists and human beings," says Helm about their genre-bending aesthetic.

Each composition on Bluer Than You Think has been thoughtfully conceived and conceptualized to draw out the individual personalities within the whole of the ensemble. The album begins in a state of harmonic openness with Broder's "Wayfarer," which hovers somewhere between major and minor, the melody symbolic of a traveler wandering the world, open to its mysteries, eventually weaving itself into a dance of merging ideas and tonalities. Helm's "Beasts" is embodied by different tiny, circulating, interwoven melodies, underpinned and united by repeating rhythms and patterns like an otherworldly creature DNA.


Playing with the theme of independence within interdependence is Broder's "Companion Plan," with individual hemiolic patterns in each part, creating an interlocking complexity that would be incomplete without each element. "Lilies Under the Bridge" (Helm's sequel to his "A Bridge Inside My Mind" from Rodeo), evokes the impressionist floral imagery of Monet with the lush serenity in the piano, while acerbic microtonal melody lines in the reeds render the daring color palettes of later Pissarro or Seurat. "We were seeking to elicit a wide variety of expression with these compositions," said Broder. "We feel it arises primarily for us from the intellect, body, and soul, and in this recording, it coalesced in dynamic and interactive performances in service to an inclusive vision of both music and the humans that make it."

The title track, "Bluer Than You Think," is an unusual blues with a quirky melody that starts out groovy and quickly unwinds, in a microcosm of Cowboys & Frenchmen's aesthetic: rooted in the conventional forms of jazz, but transformed beyond the boundaries of tradition. "One of my more technical goals for this band," Helm says, "is to find ways to package esoteric musical concepts in a way that is not alienating to jazz listeners. This album has quarter tones, mixed and odd meter, and some very quirky ideas about harmony, melody and form. My hope is that the listener will appreciate these aspects, because as a band we still groove, interact, and emote." 

The remaining three compositions on the new album - "Clear Head" by Chris Misch-Bloxdorf (the only composition from an outside source and the result of a "composition trade" between Helm and Misch-Bloxdorf), Helm's "C&F Jam," (inspired by the dueling car stereos on the streets of NYC), and Broder's "Uncommon Sense" with a push and pull of uncommon phrase structures beneath the flowing melody - round out an album that is a veritable map of Cowboy's & Frenchmen's diverse musical palette, and a promise of this inventive quintet's musical exploration to come. 




Wednesday, May 18, 2016

Cowboys & Frenchmen - Rodeo (2015)


Label:


Today's jazz is a mix of culture and music; with a fresh mixing of the American song book along with American folk, R&B and pop music with the ever evolving canon of post-bop jazz. The ensemble that has taken an unusual name of Cowboys & Frenchmen found its inspiration for the band name in the short film by David Lynch, called The Cowboy and The Frenchmen. The film is a Western -but a "Lynchian" Western with a unique interpretation of a classic story genre. Similarly, according to the quintet, "the music has one foot firmly planted in a genre, while the other one is busy trying to kick down the genre's door." You've got to love a Jazz band who calls themselves Cowboys & Frenchmen. The band is comprised of five creative musicians based in the New York Jazz scene. Owen Broder on alto sax, clarinet and bass clarinet, Ethan Helm on alto sax, flute and clarinet, Chris Ziemba on piano, Ethan O'Reilly on bass, and Matt Honor on drums. Their debut project consists of eight selections, with six being originals from various band members and two being arrangements pulling from pop and folk genres.

The opening selection, "Jazz Styles" takes its time to develop, starting with Honor's cymbals and various hand percussion, the group slowly layer in, each adding a unique element to the musical mix. That is the strong point of the project, it is a group effort in every sense of the word. Each player is instrumental in the overall sound of each of the compositions and ultimately the entire musical statement. Helm and Broder continually converse through "Jazz Styles," both providing counterpoint to each other and the rhythm section. The swirling layers this group is able to build upon is remarkable and when one really listens deep into the music, the interaction is breath taking.

"King Barry," by Broder, starts with a rhythmic piano arpeggio figure that is developed by the ensemble into a swelling saxophone melody. Honor's drum coloring really gives the melody an interesting undercurrent that is something special. The tracks form is interesting and the counterpoint is natural and used in just the right spots to add to the melodic flow and lift the energy of the phrase. The fun thing about this two horn group is while the one horn player is soloing, the other will play background figures, integrating into the rhythm section. And speaking of rhythm section, Ziemba's voicings and harmonic colors a stunning. Read more...
 

Jazz Styles
King Barry
A Bridge Inside My Mind
Man of Constant Sorrow
Because
Brode’s Abode
More
Bells of Mindfulness



Owen Broder: alto sax, clarinet, bass clarinet
Ethan Helm: alto sax, flute, clarinet
Chris Ziemba: piano
Ethan O’Reilly: bass
Matt Honor: drums