Showing posts with label Hero Trio. Show all posts
Showing posts with label Hero Trio. Show all posts

Friday, November 5, 2021

Sat. Nov. 6 – Jazz at Princeton University presents Rudresh Mahanthappa’s Hero Trio

Jazz at Princeton University presents Rudresh Mahanthappa’s internationally acclaimed Hero Trio in concert
with Princeton’s Small Group I on Saturday, November 6, 2021

Other events for the fall season include performances by student groups led by Jazz at Princeton faculty members Mahanthappa, Trineice Robinson-Martin, Matthew Parrish and Darcy James Argue
 
“Mahanthappa is “making truly some of the most original jazz out there at the moment."
– Brian Zimmerman, Jazziz
 
“The riveting cry of his alto saxophone is one of the most recognizable sounds in jazz.” 
– Thomas Conrad, Stereophile

Jazz at Princeton University, helmed by trailblazing saxophonist/composer Rudresh Mahanthappa, returns to live performances on Saturday, November 6 with a concert featuring Mahanthappa’s internationally renowned Hero Trio performing with Princeton’s Small Group I. Other concerts this season include performances by student groups led by faculty members Mahanthappa, Trineice Robinson-Martin, Matthew Parrish and Darcy James Argue. The concerts are free and open to the vaccinated public. For information, go to https://music.princeton.edu/calendar.
 
“Interfacing with the community via concerts by our renowned faculty and accomplished students has always been an important aspect of Jazz at Princeton,” says Mahanthappa. “I’m excited that we are able to bring it back and offer audiences the joy of attending live performances for the first time since the beginning of the pandemic.”
 
Fall performances include:
 
Saturday, November 6, 2021 – Jazz Small Group I and Rudresh Mahanthappa’s Hero Trio 
8 pm, Richardson Auditorium, Alexander Hall.  Free and open to the public. For tickets and information, call 609-258-9220 or log on to https://music.princeton.edu/events/jazz-small-group-i-rudresh-mahanthappa‘s-hero-trio-concert

One of the top ensembles in jazz, Mahanthappa’s Hero Trio features the saxophone icon with bassist François Moutin and drummer Rudy Royston. Their album Hero Trio, released in 2020 at the height of the pandemic, earned wide acclaim including top spots as one of the best albums of the year in outlets and publications including NPR, Paste, DownBeat, JazzTimes, Jazziz, Chicago Tribune, Boston Globe, and Denver Post. Robert Baird of Qobuz calls the album “a near perfect mix of buoyancy and mastery, a welcome revelation.” John Murph of DownBeat writes: “These tributes burst with so much interpretive ingenuity, sparkling friction and caffeinated improvisational interplay that they demand considerable replay.” Jason Bivins wrote in Dusted that Hero Trio offers “a genuinely expansive, and often thrilling, ride through songs from Mahanthappa’s personal pantheon.…In a year of precious little joy, this is quite simply a jewel of a jazz record.”  

Wednesday, December 1 – Jazz Small Group I led by Rudresh Mahanthappa
7:30 pm, Taplin Auditorium, Fine Hall. Free and open to the public. For information, call 609-258-9220 or log on to https://music.princeton.edu/events/jazz-small-group-i-concert
 
Mahanthappa leads Princeton’s premiere small jazz ensemble in an energizing and beautiful evening of music.

Thursday, December 2 – Jazz Vocal Collective led by Trineice Robinson-Martin
7:30 pm, Taplin Auditorium, Fine Hall. Free and open to the public. For information, call 609-258-9220 or log on to https://music.princeton.edu/events/jazz-vocal-collective-3
 
Jazz at Princeton University’s Jazz Vocal Collective (JVC), Princeton University's elite small jazz ensemble that features solo voice, will join director Dr. Trineice Robinson-Martin and showcase their original arrangements of classic and contemporary jazz compositions. 
 
Internationally recognized as one of the leading educators in gospel and soul voice training, Dr. Trineice Robinson-Martin specializes in vocal pedagogy and performance practices for contemporary music styles (jazz, pop, gospel, R&B, country, rock, music theater). As the creator of Soul Ingredients®, a methodology for nurturing vocal freedom and authentic musical interpretation and expression, Dr. Robinson-Martin regularly travels nationally and internationally teaching voice, lecturing and giving workshops. She also performs internationally and recently released All Or Nothing, her highly acclaimed debut album as a leader.
 
Saturday, December 4 – Small Groups X & Z led by Matthew Parrish
7:30 pm, Taplin Auditorium, Fine Hall. Free and open to the public. For information, call 609-258-9220 or log on to https://music.princeton.edu/events/jazz-small-groups-x-z
 
The Princeton University Jazz Ensembles X & Z perform under the direction of master bassist Matthew Parrish. Group X evokes the small group tradition of the Art Blakey groups of the 50’s and 60's where improvisation and inspiring interaction are key. The group performs as a septet with several featured trio performances. Group Z is new this year, created in response to the expanding number of excellent student musicians participating in Princeton’s jazz program.   
 
Matthew Parrish is a sought-after performer, arranger, composer, producer, and instructor. Matthew’s warmth in his playing and loyalty to delivering heartfelt, passionate works is apparent in every note, every tune, and every interaction with his fellow musicians. Born in central California, Matthew has performed and recorded with top names in jazz including Regina Carter, Wynton Marsalis, Dee Dee Bridgewater, Paquito D’Rivera, Clark Terry, Etta Jones, Orrin Evans, Clark Terry, Dr. Jonnie Smith, Savion Glover, Bill Charlap, Houston Person, and many others. He has recorded over sixty works, including his debut CD Circles (2000) and his most recent recordings with Karine Aguiar.  
 
Monday, December 6 – Small Group A led by Rudresh Mahanthappa
7:30 pm, Taplin Auditorium, Fine Hall. Free and open to the public. For information, call 609-258-9220 or log on to https://music.princeton.edu/events/jazz-small-group
 
Jazz at Princeton University's Small Group A, directed by Rudresh Mahanthappa, presents an evening of jazz at its most intimate in a showcase of improvisation and inspiring interaction. 
 
Friday, December 10 – Creative Large Ensemble – Led by Darcy James Argue
8 pm, Richardson Auditorium, Alexander Hall.  Free and open to the public. For tickets and information, call 609-258-9220 or log on to https://music.princeton.edu/events/jazz-creative-large-ensemble-fall-concert
 
Hear Jazz at Princeton University’s Creative Large Ensemble led by Darcy James Argue in their first live performance since the start of the pandemic. The ensemble continues to redefine the big band in an innovative program encompassing classic and contemporary repertoire.
 
Vancouver-born, Brooklyn-based composer and bandleader Darcy James Argue has toured nationally and internationally with his 18-piece ensemble, Secret Society. Argue made his mark with his critically acclaimed 2009 debut Infernal Machines. 2013 saw the release of Brooklyn Babylon, which, like Infernal Machines before it, earned the group nominations for both GRAMMY and JUNO Awards. His most recent recording, Real Enemies, released in the fall of 2016, earned a third consecutive GRAMMY nomination. Secret Society maintains a busy touring schedule, with European, Canadian, and South American tours and four appearances at the Newport Jazz Festival. Argue has also toured Australia and New Zealand leading the Jazzgroove Mothership Orchestra. He has led performances of his music by the WDR Big Band, the Danish Radio Big Band, the Frankfurt Radio Big Band, the Cologne Contemporary Jazz Orchestra, the Big Band Palácio das Artes, and the West Point Jazz Knights. Argue has composed works for chamber duo and string quartet, art songs for Newspeak, and created arrangements for the Atlanta Symphony. In 2015, Argue was awarded a Guggenheim Fellowship in Music Composition and a Doris Duke Artist Award. He has received commissions from the Fromm Music Foundation, the Jazz Gallery, the Manhattan New Music Project, the Jerome Foundation, and BAM, as well as ensembles including the Danish Radio Big Band, the Hard Rubber Orchestra, the West Point Jazz Knights, and the Orquestra Jazz de Matosinhos. He is the recipient of grants and fellowships from the New York Foundation for the Arts, New Music USA, the Aaron Copland Fund for Music, Composers Now, the Mid Atlantic Arts Foundation, the Canada Council for the Arts, and the MacDowell Colony.
 
Jazz at Princeton University under the direction of Rudresh Mahanthappa serves to promote this uniquely American music as a contemporary and relevant art form. Our goals are to convey the vast musical and social history of jazz, establish a strong theoretical and stylistic foundation with regard to improvisation and composition, and emphasize the development of individual expression and creativity. Offerings of this program include academic course work, performing ensembles, master classes, private study, and independent projects. Students also have the opportunity to participate in academic courses from the music department curriculum that encourage the study of the historical, social, theoretical, stylistic, and creative issues that pertain to the jazz idiom.
Hailed by Pitchfork as “jaw-dropping… one of the finest saxophonists going,” alto saxophonist, composer and educator Rudresh Mahanthappa is widely known as one of the premier voices in jazz of the 21st century. He has over a dozen albums to his credit, including the acclaimed Bird Calls, which topped many critics’ best-of-year lists for 2015 and was hailed by PopMatters as “complex, rhythmically vital, free in spirit while still criss-crossed with mutating structures.” His most recent release, Hero Trio, was considered to be one of the best jazz albums of 2020 by critics and fans alike.  Rudresh has been named alto saxophonist of the year for nine of the last eleven years running in Downbeat Magazine’s International Critics’ Polls (2011-2013, 2015-2018, 2020-1), and for five consecutive years by the Jazz Journalists’ Association (2009-2013) and again in 2016. He won alto saxophonist of the year in the 2015-2018 & 2020 JazzTimes Magazine Critics’ Polls and was named the Village Voice’s "Best Jazz Artist" in 2015.  He has also received the Guggenheim Fellowship and the Doris Duke Performing Artist Award, among other honors, and is currently the Anthony H. P. Lee ’79 Director of Jazz at Princeton University.
 
Born in Trieste, Italy to Indian émigrés in 1971, Mahanthappa was brought up in Boulder, Colorado and gained proficiency playing everything from current pop to Dixieland. He went on to studies at North Texas, Berklee and DePaul University (as well as the Stanford Jazz Workshop) and came to settle in Chicago. Soon after moving to New York in 1997 he formed his own quartet featuring pianist Vijay Iyer. The band recorded an enduring sequence of albums, Black Water, Mother Tongue and Codebook, each highlighting Mahanthappa’s inventive methodologies and deeply personal approach to composition. He and Iyer also formed the duo Raw Materials.
 
Coming deeper into contact with the Carnatic music of his parents’ native southern India, Mahanthappa partnered in 2008 with fellow altoist Kadri Gopalnath and the Dakshina Ensemble for Kinsmen, garnering wide acclaim. Apti, the first outing by Mahanthappa’s Indo-Pak Coalition (with Pakistani-born Rez Abbasi on guitar and Dan Weiss on tabla), saw release the same year; Agrima followed nine years later and considerably expanded the trio’s sonic ambitions.  In 2020, Rudresh released Hero Trio, an album of “covers” paying tribute to his musical heroes.  He also co-led a project celebrating the centenary of Charlie Parker with the blessing of the Parker estate. 
 
Mahanthappa has also worked with Jack DeJohnette, Mark Dresser, Danilo Pérez, Arturo O’Farrill’s Afro-Latin Jazz Orchestra, the collaborative trios MSG and Mauger, the co-led quintet Dual Identity with fellow altoist Steve Lehman, and another co-led quintet with fellow altoist and Chicago stalwart Bunky Green (Apex). His exploratory guitar-driven quartets on Samdhi and Gamak featured David Gilmore and Dave “Fuze” Fiuczynski, respectively. In 2015 he was commissioned by Ragamala Dance to create Song of the Jasmine for dancers and a hybrid jazz/South Indian ensemble. He was also commissioned by the PRISM Saxophone Quartet to compose a chamber piece, “I Will Not Apologize for My Tone Tonight,” which can be heard on the quartet’s 2015 double-disc release Heritage/Evolution, Volume 1.
 
Mahanthappa is a Yamaha artist and uses Vandoren reeds exclusively.

Saturday, February 13, 2021

Rudresh Mahanthappa - Hero Trio (Whirlwind Recordings)

Over the course of an illustrious twenty-five-year career Rudresh Mahanthappa’s music making has constantly pushed at the artistic boundaries to encompass such diverse influences as classic bebop, the flash and fury of electric fusion, and the complexities of Carnatic music, while always maintaining a clear sense of his own fiercely intelligent, uncompromising musical personality.

On 'Hero Trio', his sixteenth release as a leader/co-leader, he has moved the focus away from his own compositions to pay tribute to his greatest influences with an album of interpretations. All of the material is presented in Mahanthappa’s characteristically original arrangements, and to approach them with the greatest degree of freedom and spontaneity he chose to record in trio format, enlisting the talents of long-time associates François Moutin on bass and Rudy Royston on drums.

Their effortless collective virtuosity, and the perfect attunement of their musical thinking honed over two decades of playing together, makes this album an outstanding addition to the genre. “Playing chordless trio, you’re very exposed but you also have a degree of freedom that’s very special. There’s also a great history of piano trios that have a beautiful way of functioning like a single organism, and I wanted to capture that energy. I wrote the arrangements, and when we came together to rehearse I didn’t have to reorganise a thing. I felt like within ten minutes we were ready to make an album.”
His role as Director of Jazz at Princeton stimulated Mahanthappa to conduct a deep exploration of the standard repertoire, and this in turn led him to focus in on the diverse individual tunes that have helped shape his own career. Charlie Parker’s ‘Red Cross’ was one of the first Parker tunes Mahanthappa ever learnt, and appealed to him for its humour, an often overlooked component of Parker’s genius. The trio give it a thorough reworking. “It’s been interesting for me to take things apart - we play the melody divided into three different sections that are really three different moods, but it felt really natural at the same time.” ‘Overjoyed’ is an arrangement of the Stevie Wonder classic by Danilo Perez, with whom Mahanthappa has played in duo format - “Just an awesome tune in any way shape or form. Danilo’s arrangement goes through different meters and complex harmony but still flows beautifully: Francois has the ability to suggest all kinds of harmony even without a piano being present and I took full advantage of that.”

Mahanthappa wanted to acknowledge that his path would not have been possible without both Charlie Parker and John Coltrane, and he boldly combines their compositions in ‘Barbados/26-2’, emphasising the unifying strength of the melodies and the ingenuity of his arranger’s touch. By contrast, in live performance the trio have developed a strategy where the three of them create a spontaneously improvised groove for Mahanthappa to take in any direction he chooses - 'I Can’t Get Started' replicates that approach to powerful effect, showcasing how his sophisticated rhythmic conception can accommodate his love for Sonny Rollins and Benny Carter without compromise. ‘The Windup’ is from Keith Jarret’s ‘Belonging’, one of Mahanthappa’s favourite ever albums – “A ridiculously awesome album. I also liked the challenge of recording Jarrett with a pianoless group - if you can do that, then you can do anything.”

June Carter Cash wrote ‘Ring of Fire’ for her husband Johnny, and the tune connects Mahanthappa with his Colorado childhood. "Like Dolly Parton, when you take a closer look at what they did compositionally you realise that it has a conversational flow, with odd length phrases and extra bars here and there, and I wanted to capture that freedom." Reinvigorated jam session favourite ‘I’ll Remember April’ is inspired in part by the majestic version on Lee Konitz’s ‘Motion’ album, but Mahanthappa and the trio stamp their own idiosyncratic personalities onto this stunningly original performance. ‘Sadness’ explores the legacy of Ornette Coleman’s mid-sixties trio with David Izenzon and Charles Moffett - “The sonic landscape the three musicians created is pretty amazing - we wanted to explore those textures.” Mahanthappa wanted to include some lesser known Parker tunes and ‘Dewey Square’ was a last-minute spontaneous addition in the studio that provided a perfect bookend for the album.

Hero Trio is both a striking statement of Mahanthappa's own unique vision, and a tribute to his musical inspirations. “I have always wanted to record in the powerful yet intimate trio format. It would be an incomplete venture without somehow celebrating the quintessential saxophone trio work of Sonny Rollins, Lee Konitz, and Ornette Coleman. Outside of the jazz world, I first saw both Johnny Cash and Stevie Wonder on Sesame Street as a child and have always found their work to be beautiful, humorous, pensive, and utterly joyful. They have played such a strong role in helping me to look beyond the illusory boundaries of genre towards seeing music as a magical force that binds humanity. With this album, we seek to endorse and spread that message widely.”

1. Red Cross 06:29
2. Overjoyed 06:42
3. Barbados - 26/2 06:40
4. I Can't Get Started 05:30
5. The Windup 04:42
6. Ring Of Fire 03:56 video
7. I'll Remember April 05:45
8. Sadness 03:07
9. Dewey Square 02:42

Rudresh Mahanthappa - alto saxophone
François Moutin - acoustic bass
Rudy Royston - drums