Jared Sims - The New York Sessions (ROPEADOPE RECORDS October 12, 2018)

Jared Sims seems to often speak of places; with his 2017 release Change Of Address he brought us from the busy streets of Boston to his home in West Virginia as he took the chair heading up the Jazz Studies department at WVU. And now, Jared returns with The New York Sessions, his tribute to the places and sounds of New York City. There's something about the sax that can describe the feeling of New York, that sexy and gritty feel on the street, that energy, that flow, that feeling that you not only belong but that it's YOURS. Jared captures the heat on the street as he and the band are in absolutely top form, taking us through the city with tracks titled Tribeca Tap Bar, The Bodega, Pelham and more.

This is both a story and a journey; tune in here for pre-order info as we prepare for an October 12 release.

Jared Sims - baritone and tenor saxophone 

Chris McCarthy - piano 

Alex Tremblay - bass 

Evan Hyde - drum set

1. Tribeca Tap Bar

2. Wetlands Preserved

3. Brooklyn Tea

4. The Bodega

5. Pelham

Recorded and mixed at Engine Room, NYC 

Recording and mixing - Sasha Jankovic, chief engineer / Igor Bulovic, assistant engineer

Recording/mixing session executive producer: Darko Velichkovski, Director - Mon Hills Records and WVU Music Industry Program

Mastering - Joshua Swiger, Blues Alley Studios, Morgantown, WV

Recording/mixing session project management and assistance: Mon Hills Records managers and associates / WVU Music Industry Program students

Jared Sims - Change of Address (ROPEADOPE RECORDS 2017)

After two decades in New England, where multi-reed virtuoso Jared Sims made his mark as an instrumentalist, bandleader, educator, and all-around musical provocateur, Sims celebrates his return to West Virginia with "Change of Address," his fifth album as a leader. On the new CD, which will be released April 14 by Ropeadope Records, Sims sticks to his favorite instrument—the baritone sax—in the company of an airtight, organ-dappled quintet.

"Change of Address" commemorates Sims’s homecoming to his alma mater, West Virginia University in Morgantown, which has named him Director of its Jazz Studies Department 20 years after he earned his own jazz studies degree there.

The music on the album is notable for instilling the jazz-soul tradition with an up-to-the-minute sensibility and is deftly interpreted by the leader, joined by an intriguing collection of players for whom he wrote its tunes, Ellington-style. They include the wife-and-husband team of organist Nina Ott and bassist Chris Lopes (a longtime crony of guitarist Jeff Parker), and a pair of young Boston-area veterans in guitarist Steve Fell and drummer Jared Seabrook (older brother of guitar provocateur Brandon).

Among the highlights on "Change of Address" are “Ghost Guest 1979,” which showcases a full range of textural effects from Fell and seamless interaction between bass and Hammond B-3; the sprightly, wide-open “Lights and Colors”; and “Forest Hills,” inspired by the Boston neighborhood in which he lived.

Sims (b. 1974) started playing the baritone in the fifth grade in his hometown of Staunton, Virginia, but only became dedicated to this most colossal of saxes after bringing a tenor to a class at the New England Conservatory (NEC) and having his instructor chide him he would never be great on it because he would be following in the footsteps of too many legends.

Far from taking offense, Sims took his teacher’s words to heart. “There are a lot of gold standards on tenor,” he says. “I was trying to find a way to move past those influences. Playing the baritone felt really natural to me. I felt like I could do something personal and interesting with it.” A compelling example of this is Sims’s “Seeds of Shihab,” a tribute to baritone great Sahib Shihab, which like the other tracks on "Change of Address" luxuriates in the brawny, bottom-rich sound of the instrument.

Sims attended his first jazz concert, by Michael Brecker, in tenth grade, and saw the World Saxophone Quartet perform the following year. His fascination with the saxophone went “over the top” after he spoke with members of the WSQ following the show.

At WVU, he had a strong saxophone teacher in David Hastings, who schooled him in traditional styles. At NEC, where he played clarinet in addition to baritone, alto, and tenor, he tried to catch up to all the kinds of music he hadn’t been exposed to, including Third Stream, under the wing of distinguished faculty members Gunther Schuller, George Russell, and Ran Blake.

Sims went on to study for his doctorate in classical music performance at Boston University, where his lecture recital was on the modern Italian composer Luciano Berio and his solo Sequenza pieces. He also did research work on Igor Stravinsky, Charles Ives, and American popular music.

While in Boston, where he earned a reputation as a “saxophone colossus,” Sims roomed for four years with standout baritone saxophonist Charlie Kohlhase, a cog in Either/Orchestra, who turned him onto Shihab. One of his mentors at NEC was Allan Chase, with whom he continues to play in a band, Blow-up!, dedicated to the music of bebop baritone legend Serge Chaloff (they recorded in March 2017). He also played in numerous Boston-based bands including the Afro-Latin group Mango Blue (in which he continues to perform); the organ funk outfit Akashic Record; Blueprint Project with guitarist Eric Hofbauer, and the jazz-rock quartet Miracle Orchestra. The list of artists he has collaborated is an eclectic one and ranges from the late Bob Brookmeyer, Han Bennink, Matt Wilson, Dave Liebman, and Anat Cohen to the Temptations, 10,000 Maniacs, and Oasis’s Noel Gallagher.

Sims made his recording debut as a leader with the trio effort "Acoustic Shadows" (2009). He followed it with another three-man outing "Convergence" (2011), the collective quartet album "The New Stablemates" (2012), and "Layers" (2016), on which he overdubs himself playing saxophones, clarinets, and flute on tunes by Ellington, Monk, and Mingus.

Offer for Wilson

Seeds of SHihab

Ghost Guest 1979

Leap of Faith

Forest Hills

Tower of Fazenda

Lights and Colors

Jared Sims: baritone saxophone

Steve Fell: guitar

Nina Ott: organ

Chris Lopes: bass

Jared Seabrook: drums