Showing posts with label Michael Herring. Show all posts
Showing posts with label Michael Herring. Show all posts

Monday, October 22, 2018

Way North - Fearless And Kind (November 2, 2018)


“The music is instantly inviting and infectious with a capacity for taking the listener to unexpected places.” 
– Ted Quinlan, The Whole Note

Fearless and Kind is the second album by collective roots-jazz quartet Way North. There’s a joy in this music that comes from having recorded on the heels of a tour. The band is tight and loose, freely improvising and having fun, while fully in control of the music they are playing. That they love playing together is obvious, and this feeling is contagious, drawing listeners into their love of roots musics mixed with improvising and jazz. This is a community minded band, and they are looking to uplift people with this music. This is jazz you can dance to! 

If you know their critically acclaimed first album “Kings County”, you will find the band serving up a similar roots stew, but maybe even more heavily weighted toward street-beats and dancing good times. The collective horn improvising and conversational rhythm section approach comes from modern jazz and roots music at the same time. This gives Way North their unique sound, which is equally at home in a folk house concert as it is on a Jazz Festival stage. 

There is music from all four band members here, but it would be hard to tell, as the songs go seamlessly together. Cancura’s Mississippi-Beat “Boll Weevil” opens the album and announces the good times that are ahead. You can also hear his tender waltz “Ready or Not” and “The River’s Flow”. Hennessy’s “Lagoon” is next, and the rhythm section generates a lazy-cowboy lope which the horns ride on top of with the quirky harmonies. She also contributes the Ornette Coleman inspired calypso “Birds for Free” and the ballad “Inchworms”. Barshay’s “Airport to Knowhere” cooks with a Balkan-jazz groove, and he brought the Jelly Rolly Morton medley to the band, which fittingly connects the band’s modern sound with the early New Orleans roots of jazz. Herring’s title track “Fearless and Kind” is a bluesy waltz, and he also wrote the street-beat meets Jazz Messengers “You Know A Song”. 


Way North is:

1. Boll Weevil
2. Lagoon
3. Airport To Knowhere
4. Jelly Roll Morton Medley, Act I: Buddy Bolden's Blues
5. Jelly Roll Morton Medley, Act II: King Porter Stomp
6. Inchworms
7. You Know A Song
8. Ready Or Not
9. Birds For Free
10.Fearless And Kind
11.The River's Flow

Fearless and Kind
Produced by Way North
Recorded at Canterbury Studios by Jeremy Darby
Mixed & Mastered by Reuben Ghose
Art & Design by Howie Shia & Leo Shia

Tracks 1, 8, 11 by Petr Cancura (SOCAN)
Tracks 2, 6, 9 by Rebecca Hennessy (SOCAN)
Track 3 by Richie Barshay (BMI)
Tracks 7, 10 by Michael Herring (SOCAN)
Tracks 4, 5 by Jelly Roll Morton

© 2018 Way North
TOUR

November 2018
5 - Toronto, ON - The Rex
6 - Toronto, ON -The Rex
7 - Ottawa, ON - The National Arts Centre
8 - Montreal, QC - Resonance Cafe
9 - Quebec City, QC - tbc
10 - Quebec City, QC - tbc
11 - Kingston, ON - Kingston Jazz Society

January 2019
6 - Halifax, NS - Open Waters Festival
14 - Toronto, ON - The Emmet Ray
15 - Victoria, BC - tbc
16 - Nanaimo, BC - Quadwrangle Music at the Lighthouse Bistro
17 - Vancouver, BC - Frankie's
18 - Edmonton, AB - The Yardbird Suite
19 - Saskatoon, SK - The Bassment

Here's a little more about Way North...

Way North is a cross-border mash-up of Canadian and American artists born out of the joy of playing together. Formed in Brooklyn in 2014 by three Canadians and a New Yorker, the band features saxophonist Petr Cancura (Down Home - JUNO nominee), trumpeter Rebecca Hennessy (2018 Toronto Emerging Jazz Artist/Women’s Blues Revue bandleader), bassist Michael Herring (Peripheral Vision - JUNO nominee) and American drummer Richie Barshay (Herbie Hancock/Chick Corea/ Esperanza Spalding).

The quartet brings together four composers who love to explore folk and world music with a backbone in jazz improvisation.  They love to use their musical connection to reach audiences, building community wherever they play.


They are releasing their second album, Fearless And Kind following their debut CD, Kings County, which was picked by the Ottawa Citizen as one of the best Jazz CD’s of 2015.  Their last album was launched with high-energy Canadian touring, and expect more of this as they head back on the road in support of “Fearless and Kind”.  Way North’s music is a roots stew, seamlessly threading together the blues, old-time, Balkan, Brazilian, Calypso, and other folk genres with jazz and improvisation.  

In January 2016, Way North was invited to perform and teach at the Panama Jazz Festival by artistic director Danilo Perez, and also appeared at the Mamoni Valley Preserve as part of the Earth Train NGO Geoversity campaign.  In 2017 Way North was awarded a grant by the Canada Council for the Arts to tour Canada, and once again the CCA has supported both their new album and tour in 2018 and 2019.

Fearless and Kind will be released on Friday, November 2nd and the release will be celebrated with a Canadian tour from November 5th to 11th and January 6th to 19th. 

Tuesday, March 20, 2018

Peripheral Vision - More Songs About Error And Shame (2018)


JUNO-nominated Canadian jazz quartet, Peripheral Vision launches their fourth album, More Songs About Error And Shame. "A rules-breaking quartet made up of some of the best modern players around" (CBC), Peripheral Vision extends their no-holds-barred performance aesthetic into the production concept on this album. Once again, they have teamed up with mad-scientist engineer, Jean Martin (Barnyard Records) to orchestrate a bigger sound for the record, adding layers of overdubs and studio treatments to the live-off-the-floor recordings. Peripheral Vision has always been a live show band, and the seven new Herring and Scott originals on More Songs About Error And Shame show what can be gained from years of touring, including three recent tours throughout Europe as well as many trips across Canada. 

Co-leaders Michael Herring (bass) and Don Scott (guitar) delve into their own neurotic psyches, finding inspiration not only in music, but also in art, literature and standup comedy. The album title is a reference to the iconic album by famously neurotic band, Talking Heads, and this cross genre nod is indicative of how they like to mix genres and themes, blending classic and modern jazz, the rock music of their youth, and non-musical influences such as the Catalonian artist Miró, and British comedian Stewart Lee. 

This is a working band with a long-time rapport - Herring and Scott have been joined by drummer Nick Fraser and tenor saxophonist Trevor Hogg since the band’s inception in 2008. Peripheral Vision is fuelled by this long-time musical friendship, bringing years of tour van talks about music and life to the stage and studio, and this dynamic group interaction creates the provocative sound of More Songs About Error And Shame.


1. The Blunder 08:02
2. Syntax Error 07:40
3. "And the metaphysical concept of shame." 07:46
4. Portrait of a Man in a Late Nineteenth-Century Frame 05:57
5. Chubby Cello 06:19
6. Mycelium Running 07:25
7. Click Bait 09:31


The recording was made possible through a grant from the Ontario Arts Council

Produced by Michael Herring and Don Scott with Jean Martin
Recorded at Canterbury Studios by Jeremy Darby
Mixing & Additional Recording at the Farm by Jean Martin
Mastered by Fedge
Art & Design by Howie Shia & Leo Shia
© 2018 Don Scott & Michael Herring (SOCAN)


Buy

CONCERSTS

April 2018
Apr. 3 The TranzacCD RELEASE PARTY!

May 2018
May. 1 The TranzacOpening Band: Stephan Heggerat 

June 2018
Jun. 5 The TranzacOpening Band: Tara Kannangara 

July 2018
Jul. 3 The TranzacOpening Band: Andrew Marzotto

August 2018
Aug. 7 The TranzacOpening Band: TBA

September 2018
Sep. 4 The TranzacOpening Band: TBA

October 2018
Oct. 2 The TranzacOpening Band: TBA

November 2018
Nov. 6 The TranzacOpening Band: TBA

December 2018
Dec. 4 The TranzacOpening Band: TBA

Tuesday, March 15, 2016

Michael Herring Quartet - A Very Large Gap (2016)


Label: Self Released


The Michael Herring Quartet is a new project from accomplished Toronto bassist and composer Michael Herring that explores the influences and sounds of 1960’s jazz in a classic chord-less quartet format. The front-line is made up of saxophonists Chris Gale and David French, each taking turns playing tenor and baritone, and joining Herring in the rhythm section is his long-time collaborator, drummer Nick Fraser.

The band has a real rapport, and brings a hard-swinging 1960’s sound to its performances. This is a horn blowing party inspired by Mingus and Ellington, mixing classic jazz sounds with Herring’s more modern approach to composition.

They will be releasing their debut album, A Very Large Gap, in 2016, dedicated to the reconciling of disparities – rebalancing inequities, and building bridges between cultures – and it uses a grooving bluesy sound to deliver this message.

“Michael Herring has established himself as one of the most creative musicians on the Canadian scene” Joseph Blake – Times-Colonist

“the boss’s bass soars and swoops and the overall impact is tremendous” Geoff Chapman –  Toronto Star


1. Treefology 04:51
2. Midden 07:14
3. Impermanence (Changes) 04:50
4. With Both Feet On The Ground 05:05
5. Moanin' 05:42
6. Fearless and Kind 05:23
7. Seedy Underbelly Button 05:52
8. Roadhouse, Mass. 05:50
9. Blues Bird (White Throated Sparrow) 04:46
10.Further Than The Future 04:34
11.Quantum 04:00
12.Tzac 06:02
13.A Very Large Gap 05:02
    

David French -- Tenor and Baritone Saxophones (left channel)
Chris Gale -- Tenor and Baritone Saxophones (right channel)
Michael Herring -- Double Bass
Nick Fraser -- Drums


BUY THIS ALBUM