Showing posts with label Tenderlonious. Show all posts
Showing posts with label Tenderlonious. Show all posts

Friday, January 28, 2022

Nick Walters - Singularity (January 28, 2022 D.O.T. Records)

Nick Walters returns to his D.O.T. Records imprint with a suite of forward thinking, cosmic, electronic-jazz experiments, inspired by NASA & the concept of gravitational singularity. Each track on “Singularity”, his first home studio produced album, is built around an audio sample recorded by NASA in space, then expertly transported back to earth by Walters via some magical trumpet and synth work on his newly purchased Juno-106. The album features key contributions from Ruby Rushton drummer Tim Carnegie, 22a Music’s Tenderlonious on flute and some sublime guitar work from Thibaut Remy.

'Singularity' is an album inspired by the concept of the gravitational singularity, thought to be found at the centre of black holes, and also thought to be the initial state of the universe at the beginning of the Big Bang. These are the points where current scientific understanding breaks down, where general relativity meets quantum mechanics and current theories are unable to comprehend how density or the curvature of spacetime can reach infinite levels. The album is dedicated to Professor Roger Penrose, the scientist who alongside Stephen Hawking did so much to develop theoretical understanding of singularities and black holes, and rightful recipient of the Nobel Prize in Physics in 2020.
Each of the tracks features an audio sample recorded by NASA and made available for download and further artistic use. They include samples taken by the Cassini spacecraft as it studied Jupiter, Saturn, and their many moons, whistler waves picked up by NASA's Van Allen Probe as it passed around Earth, and interstellar plasma sounds picked up by the Voyager probe after leaving the Solar System.

The tracks grew gradually over time in an organic process, with key assistance provided by Ruby Rushton drummer Tim Carnegie, whose powerful and lively drumming added real impetus and energy to the programmed drum parts. Tenderlonious also added beautifully melodic flute parts to four of the tracks, and Thibaut Remy also contributed with some tasty guitar. The icing on the cake was the purchase of a Juno-106, which provided a load of spacey synth sounds perfect for the realisation of the project.

The artwork by Lorna Robertson matches the music by utilising a NASA image taken by the Hubble Space Telescope, combined with hand drawn elements inspired by the visual style of Kubrick's classic film '2001: A Space Odyssey'. She depicts on the front cover a spacecraft journeying towards a bright star, controlled by operating a Juno-106, the analog synth so important to the sound of the album. The reverse shows a spaceman, trumpet in hand, ready to leave the safety of the ship to explore whatever is to be found outside. 

1. Cosmos
2. Interstellar Void
3. Penrose
4. Event Horizon
5. Enceladus
6. Supernova
7. Sagittarius A*
8. Entropy

Nick Walters - trumpet, synths, piano, percussion
Tenderlonious - flute (tracks 1-3 & 6)
Thibaut Remy - guitar (tracks 1, 3 & 6)
Tim Carnegie - drums (tracks 1-6 & 8)

Live instruments recorded by Thibaut Remy at Peckham Road Studio

Mixing Engineer - Rhys Downing
Artwork - Lorna Robertson
Executive Producer - Oli Reeves

Friday, May 28, 2021

Jaubi - Nafs at Peace (May 28, 2021 Astigmatic Records)

JAUBI - Nafs AT PEACE
Spiritual Journey from Pakistan

JAUBI continues the Nafs journey, which commenced with the well received single “Satanic
Nafs” (featuring the remix by legendary LA producers The Gaslamp Killer & Mophono) released
in March 2021. Now JAUBI draws on the elements of North Indian classical music, Hip-Hop and
modal/spiritual jazz in their debut LP entitled “Nafs At Peace”.
Nafs ( نَفْس ) is an Arabic word meaning “self”/“soul”. There are three levels of Nafs described in the Qur’an; (I) the soul inclined to evil, (II) the self-reproaching soul and (III) the tranquil soul.

This journey officially began back in April 2019 when London’s multi- instrumentalist and 22a Record label boss Ed “Tenderlonious” Cawthorne and Polish pianist/composer Marek “Latarnik” Pędziwiatr of EABS/Błoto, visited the group to record in Lahore, Pakistan.

Together they channelled their personal struggles at that time into the two recording sessions allowing the musicians to find a spiritual path to transcendence through this musical purge. The Vox Humana Oslo chamber choir provides beautiful choral harmony on the opening track.

Nothing whatsoever was written down during the recording sessions - no sheet music and no song titles, which allowed the six musicians to forget about their worldly issues. In many ways, the journey represents an expression of gratitude and an acknowledgement that the musician's inspiration comes from a higher power.

The album cover portrays the mother of JAUBI’s bandleader, tearfully praying to God to get her son through that dark period of his life. The album title ‘Nafs At Peace’ refers to the last purification step the self has been through. At this level, the Self no longer struggles because one has complete love of God, by becoming at peace and tranquil with God’s will. We hope all can achieve the stage of “Nafs At Peace” … Inshallah.

JAUBI’s album ‘Nafs at Peace’ is due to be released by Astigmatic Records on 28th of May, 2021. The album will be available on vinyl, CD and all streaming platforms.
1. Seek Refuge 02:18
2. Insia 05:15
3. Raga Gurji Todi 06:13
4. Straight Path 07:27
5. Mosty 07:40
6. Zari 05:51
7. Nafs at Peace 07:54

All songs composed by Ali Riaz Baqar except for 'Mosty' composed by Marek Pędziwiatr

Ali Riaz Baqar - Guitar
Zohaib Hassan Khan - Sarangi
Qammar 'Vicky' Abbas - Drums
Kashif Ali Dhani - Tabla, Vocals
Tenderlonious - Flute, Soprano Saxophone
Latarnik - Fender Rhodes Mark II, Grand Piano, Yamaha PSR-550,
Korg MS-20, Moog Voyager, Hohner Clavinet Pianet Duo
The Vox Humana Chamber Choir - Vocals on 'Seek Refuge'

Recorded at Riot Studios in Lahore, Pakistan in April 2019 (A2, A3, A4, B1, B2) and Newtone Studios in Oslo, Norway in August 2019 (A1, B3)

Session Engineers: André Viervoll (Newtone Studios) annd Farhad Humayun (Riot Studios)

Mix: Rhys Downing
Mastering: Paweł Bartnik
Executive Producer: Łukasz Wojciechowski
A&R: Łukasz Wojciechowski, Sebastian Jóźwiak & Oliver Reeves
Photography: Ali Riaz Baqar, Uzma Rao, Sebastian Jóźwiak
Graphic design: Animisiewasz
Calligraphy: İlkay Kanar

Sunday, March 7, 2021

Jaubi - Satanic Nafs (with The Gaslamp Killer & Mophono REMIX) / March 26, 2021 Astigmatic Records

Eastern mysticism re-imagined
by Jaubi & The Gaslamp Killer collab

In Islamic philosophy, each person has an aspect of the Self called the “Nafs” which is divided into multiple layers. Every day, a person enters into a spiritual battlefield with their dark side, their lowly desires, and Satan. Satanic Nafs is thus the lowest level of the self, due the love of oneself and evil desires. Achieving spiritual transformation involves a constant struggle against the lower nature of the self (Satanic Nafs). This struggle led JAUBI to discover the complex Qur’anic and philosophical concept of “Nafs”, which became the major conceptual driving force behind the all-new and original music.

The spiritual journey began when London flautist/saxophonist Tenderlonious and Polish Pianist Marek Latarnik Pędziwiatr (EABS/Błoto), both amongst the torchbearers of the new European Jazz scene, visited JAUBI in Lahore, Pakistan during April 2019. The six musicians collectively poured their personal turmoil of experiencing death, divorce, unemployment, drug addiction and religious disaffiliation into the recording sessions that served as a spiritual path to transcendence and artistic purity.
‘Satanic Nafs’ serves as a teaser for Jaubi’s debut album entitled ‘Nafs At Peace’ which itself is a musical exploration of Qur’anic verses and Islamic philosophies through a prism of Spiritual/Modal Jazz, North Indian Classical Music and Hip-Hop. The Nafs journey is strengthened with remix on B side done by Los Angeles legends The Gaslamp Killer and Mophono. Single artwork was designed by Australian artist A.Kid, also known for his work with Brownswood Recordings.


1. Satanic Nafs
2. Satanic Nafs (The Gaslamp Killer & Mophono Remix)

A Side

Written by Ali Riaz Baqar (A.Baqar)

Zohaib Hassan Khan - Sarangi
Kashif Ali Dhani - Tabla, Vocals
Tenderlonious - Flute
Latarnik - Moog Voyager

Recorded by André Viervoll at Newtone Studios
Mix: Rhys Downing

B Side

Written by Ali Riaz Baqar, The Gaslamp Killer & Mophono (A.Baqar, W. Bensussen, B. Illgen)

Drums: Gene Coy

Recorded by Mario Caldato Jr. at MCJ Studio
Mix: Mophono

Both tracks mastered by Paweł Bartnik - Heavyweight.pro
Executive Producer: Łukasz Wojciechowski
A&R: Łukasz Wojciechowski, Sebastian Jóźwiak & Oliver Reeves

Wednesday, June 6, 2018

Tenderlonious shares new track ‘Expansions’ ahead of tour and debut album release


Track taken from upcoming album ‘The Shakedown’ featuring the 22archestra, released via 22a on 15th June

Live dates:

June 7th - Brighton – Patterns - tickets
June 8th - Wales - Gottwood Festival – tickets
June 14th - Manchester - Soup Kitchen - tickets
June 15th - Poland – Wrocław (22archestra show) – tickets
June 22nd - London – Oslo – tickets
June 30th – London – Red Bull Music Odyssey – River Thames – tickets
July 30th - Croatia – Soundwave – tickets
August 30th - Cornwall - Knee Deep Festival – tickets

“Flawless. Every track 5 stars from start to finish” Bradley Zero

“Swaggerific gangster jazz - I f*****g love this guy and all his ideas!” Gilles Peterson

“An original, sophisticated and challenging slice of modern jazz.” London In Stereo

“The future of UK jazz is bright. If ever proof were needed that London’s young jazz scene is on fire right now, here it is.” Evening Standard

“Not enough people realise how much this artist has helped to shape the U.K underground right now. A don.” The Move

“Tenderlonious is one of the hardest working men in music, bridging jazz, house and beats with restless ease.” The Vinyl Factory

“Loosey-goosey grooves and stoned soul chords” Resident Advisor

“The sheer force of this musician's personality is forging out a fresh universe for others to explore” Clash


More info...

Sunday, May 13, 2018

Tenderlonious - THE SHAKEDOWN featuring The 22archestra (22a Music June 15, 2018)




“The future of UK jazz is bright. If ever proof were needed that London’s young jazz scene is on fire right now, here it is.” Evening Standard

“Not enough people realise how much this artist has helped to shape the U.K underground right now. A don.” The Move 

“Tenderlonious is one of the hardest working men in music, bridging jazz, house and beats with restless ease.” The Vinyl Factory      

“South London beat maker Tenderlonious has made waves with his beautiful hybrid productions of jazzy, house, hip-hop and more. Every new release is a must listen.” Stamp The Wax 

“Loosey-goosey grooves and stoned soul chords” Resident Advisor

“The sheer force of this musician's personality is forging out a fresh universe for others to explore” Clash

22a label founder, flautist, saxophonist, producer and DJ extraordinaire Ed Cawthorne - aka Tenderlonious - has gained a reputation as one of the hardest working, most well respected and influential figures in South London’s burgeoning jazz scene.

Whether dropping sought-after deep house / broken beat 12”s on 22a, releasing via the likes of Ninja Tune, Brownswood, Yoruba Sounds Of The Universe and Far Out, or making inspirational sounds with his other band Ruby Rushton, Tenderlonious is one of the jazz renaissance’s leading lights.

He has helped turn the UK music scene on its head and shifted the focus back from aesthetic and sartorial posturing to live real musicianship, alongside other key piers like Moses Boyd, Nubya Garcia, Henry Wu/Kamaal Williams and Shabaka Hutchins.

Tenderlonious’ credentials in both electronic and jazz worlds are impeccable. He already has a Solid Steel Radio, a monthly slot on Gilles Petersons Worldwide FM mix and NTS shows under his belt, whilst his productions have gained praise and club plays from Gilles Peterson, Benji B, Huey Morgan, Lefto, Bradley Zero, Bonobo, Soul Clap, Osunlade, Alexander Nut. Mr G, Henry Wu and Banoffee Pies.

The Shakedown is Ed’s debut album proper as Tenderlonious and features a new band - the dream team of top talent he named the 22archestra, who he leads seamlessly throughout. Listeners are exposed to the full breadth of Cawthorne’s technical and compositional skills, ranging from subtly meandering jazz, to hip-hop, afrobeat, Latin and exhilarating free form jazz.

SV Disco, a nod to the mighty Slum Village, is a chunk of sensually-contorted disco vibes that brings on full party mode instantaneously, with the slinky bass licks and pitch-bent synthesiser recalling Roy Ayres’s blissed-out funk, blended with flute flurries reminiscent of mind Max Cilla’s La Flûte des Mornes.

Maria showcases Ed’s roots as sample-based producer, pulling influence from around the globe to create an undulating piece of flute-led Brazilian fusion that fans of Ruby Rushton will find familiar. The eastern-inspired embellishments raise the temperature further, whilst former Yussef Kamaal member Yussef Dayes’ sizzling cymbals and shuffling snare work propel the track onwards, locking down a signature 22a groove.

Latin and African influence can be heard across many of the tracks. Togo is a smoky afrobeat jam that leaves space for Tenderlonious’ flute to soar above, his playing mimicking old school styles you might catch from MF Doom or J Dilla.


Yussef’s Groove kicks off with driving drums, and each of the 22archestra enter steadily, fully utilising their virtuosic power, switching between low-slung bass, chic open piano solos and hazy electric piano.

The Shakedown exercises more restraint, with Bitches Brew style ambience providing a palpable sense of anticipation and passion, whilst still retaining that stomping, low-riding 70s swing they do so well.

The 22archestra was conceived after Tenderlonious was invited to record at Abbey Road Studios. The whole crew was rounded-up and the album was recorded during a single 8 hour session – a testament to their musicianship and ability to nail a take, which has been honed on stage.  

Live performances include sessions for Red Bull and Boiler Room, shows for Jazz Re:freshed, House of Vans, Dulwich Picture Gallery and Worldwide FM’s 2017 birthday party, plus a support slot for Ethio jazz legend Malatu Astatke at The Barbican. Crowds have also been wowed in Paris, Milan, Brussels, Croatia and Amsterdam.

22a is an independent record label founded in London in 2013. Born out of a duty to release their music, the focus is on a collective family of artists sharing work through the vehicle of the label, for the love of the music itself. 22a is firmly establishing itself as one of the leading independent labels in the UK, with a consistent output of quality releases spanning house, hip hop, broken beat, rare groove and jazz. They are residents on Worldwide FM and hosted and sold out the re-launch of Jazz Cafe in 2016.


1. Expansions
2. Yussef’s Groove
3. Togo
4. SV Interlude
5. The Shakedown
6. Maria
7. You Decide
8. SV Disco
9. Red Sky At Night

Ed ‘Tenderlonious’ Cawthorne: flute & synth
Hamish Balfour: keys
Fergus Ireland: bass
Yussef Dayes: drums
Tim Carnegue: drums
Mo Kolours: Percussion
Al Dobson Jr: percussion
Aidan Shepherd: keys
Nick Walters: trumpet
Reginald Omas Mamode IV: percussion
Jeen Bassa: percussion
Konrad: percussion

Producer; Tenderlonious 
Executive Producer; Dennis Ayler 
Engineer; Matt Mysko 

All tracks written & arranged by Tenderlonious & The 22archestra 

Recorded at Abbey Road Studios, 26th March 2017 

Cover Design; Theo Ackroyd 
Cover Photography; Lou Jasmine




Shows

May 19th - Paris - La Petite Halle
May 26th – Liverpool - The Reeds
May 27th - Leeds - World Island
June 1st - Bristol - Louisiana
June 7th - Brighton - Patterns
June 8th - Wales - Gottwood Festival
June 14th - Manchester - Soup Kitchen
June 15th - Poland – Wrocław 22archestra show
June 22nd - London - Oslo
July 30th - Croatia - Soundwave
31st August - Cornwall - Knee Deep Festival

Tuesday, April 10, 2018

Tenderlonious - THE SHAKEDOWN featuring The 22archestra (22a Music June 15, 2018)




“The future of UK jazz is bright. If ever proof were needed that London’s young jazz scene is on fire right now, here it is.” Evening Standard

“Not enough people realise how much this artist has helped to shape the U.K underground right now. A don.” The Move 

“Tenderlonious is one of the hardest working men in music, bridging jazz, house and beats with restless ease.” The Vinyl Factory      

“South London beat maker Tenderlonious has made waves with his beautiful hybrid productions of jazzy, house, hip-hop and more. Every new release is a must listen.” Stamp The Wax 

“Loosey-goosey grooves and stoned soul chords” Resident Advisor

“The sheer force of this musician's personality is forging out a fresh universe for others to explore” Clash

22a label founder, flautist, saxophonist, producer and DJ extraordinaire Ed Cawthorne - aka Tenderlonious - has gained a reputation as one of the hardest working, most well respected and influential figures in South London’s burgeoning jazz scene.

Whether dropping sought-after deep house / broken beat 12”s on 22a, releasing via the likes of Ninja Tune, Brownswood, Yoruba Sounds Of The Universe and Far Out, or making inspirational sounds with his other band Ruby Rushton, Tenderlonious is one of the jazz renaissance’s leading lights.

He has helped turn the UK music scene on its head and shifted the focus back from aesthetic and sartorial posturing to live real musicianship, alongside other key piers like Moses Boyd, Nubya Garcia, Henry Wu/Kamaal Williams and Shabaka Hutchins.

Tenderlonious’ credentials in both electronic and jazz worlds are impeccable. He already has a Solid Steel Radio, a monthly slot on Gilles Petersons Worldwide FM mix and NTS shows under his belt, whilst his productions have gained praise and club plays from Gilles Peterson, Benji B, Huey Morgan, Lefto, Bradley Zero, Bonobo, Soul Clap, Osunlade, Alexander Nut. Mr G, Henry Wu and Banoffee Pies.

The Shakedown is Ed’s debut album proper as Tenderlonious and features a new band - the dream team of top talent he named the 22archestra, who he leads seamlessly throughout. Listeners are exposed to the full breadth of Cawthorne’s technical and compositional skills, ranging from subtly meandering jazz, to hip-hop, afrobeat, Latin and exhilarating free form jazz.

SV Disco, a nod to the mighty Slum Village, is a chunk of sensually-contorted disco vibes that brings on full party mode instantaneously, with the slinky bass licks and pitch-bent synthesiser recalling Roy Ayres’s blissed-out funk, blended with flute flurries reminiscent of mind Max Cilla’s La Flûte des Mornes.

Maria showcases Ed’s roots as sample-based producer, pulling influence from around the globe to create an undulating piece of flute-led Brazilian fusion that fans of Ruby Rushton will find familiar. The eastern-inspired embellishments raise the temperature further, whilst former Yussef Kamaal member Yussef Dayes’ sizzling cymbals and shuffling snare work propel the track onwards, locking down a signature 22a groove.

Latin and African influence can be heard across many of the tracks. Togo is a smoky afrobeat jam that leaves space for Tenderlonious’ flute to soar above, his playing mimicking old school styles you might catch from MF Doom or J Dilla.


Yussef’s Groove kicks off with driving drums, and each of the 22archestra enter steadily, fully utilising their virtuosic power, switching between low-slung bass, chic open piano solos and hazy electric piano.

The Shakedown exercises more restraint, with Bitches Brew style ambience providing a palpable sense of anticipation and passion, whilst still retaining that stomping, low-riding 70s swing they do so well.

The 22archestra was conceived after Tenderlonious was invited to record at Abbey Road Studios. The whole crew was rounded-up and the album was recorded during a single 8 hour session – a testament to their musicianship and ability to nail a take, which has been honed on stage.  

Live performances include sessions for Red Bull and Boiler Room, shows for Jazz Re:freshed, House of Vans, Dulwich Picture Gallery and Worldwide FM’s 2017 birthday party, plus a support slot for Ethio jazz legend Malatu Astatke at The Barbican. Crowds have also been wowed in Paris, Milan, Brussels, Croatia and Amsterdam.

22a is an independent record label founded in London in 2013. Born out of a duty to release their music, the focus is on a collective family of artists sharing work through the vehicle of the label, for the love of the music itself. 22a is firmly establishing itself as one of the leading independent labels in the UK, with a consistent output of quality releases spanning house, hip hop, broken beat, rare groove and jazz. They are residents on Worldwide FM and hosted and sold out the re-launch of Jazz Cafe in 2016.


1. Expansions
2. Yussef’s Groove
3. Togo
4. SV Interlude
5. The Shakedown
6. Maria
7. You Decide
8. SV Disco
9. Red Sky At Night

Ed ‘Tenderlonious’ Cawthorne: flute & synth
Hamish Balfour: keys
Fergus Ireland: bass
Yussef Dayes: drums
Tim Carnegue: drums
Mo Kolours: Percussion
Al Dobson Jr: percussion
Aidan Shepherd: keys
Nick Walters: trumpet
Reginald Omas Mamode IV: percussion
Jeen Bassa: percussion
Konrad: percussion

Producer; Tenderlonious 
Executive Producer; Dennis Ayler 
Engineer; Matt Mysko 

All tracks written & arranged by Tenderlonious & The 22archestra 

Recorded at Abbey Road Studios, 26th March 2017 

Cover Design; Theo Ackroyd 
Cover Photography; Lou Jasmine




Shows

May 05th - Roundhouse - London, UK
May 19th - Paris - La Petite Halle
May 26th – Liverpool - The Reeds
May 27th - Leeds - World Island
June 1st - Bristol - Louisiana
June 7th - Brighton - Patterns
June 8th - Wales - Gottwood Festival
June 14th - Manchester - Soup Kitchen
June 15th - Poland – Wrocław 22archestra show
June 22nd - London - Oslo
July 30th - Croatia - Soundwave
31st August - Cornwall - Knee Deep Festival