Damon Smith + Peter Kowald, Joëlle Léandre & Bertram Turetzky - Bass Duos 2000​-​2007 (January 15, 2021 Balance Point Acoustics)

I met Joëlle Léandre when she was a visiting professor at Mills college in 2002. This was very exciting, as I had been collecting her albums since I started to play the double bass and she was an important influence on my work. I had a bass lesson scheduled with her the day we lost Maestro Kowald. She was very close to him and it was devastating to her. For me, it meant losing a role model; for her, it was losing a close friend and supporter. We had a long phone conversation and she told me many stories about him. A few days later, Henry Kaiser graciously offered to let me record a solo for Kowald in his home studio. I thought a bass duo with Joëlle would be more fitting and I believe it was. Still, the sadness surrounding the session kept us from dealing with it for many years. I would get it out and try to consider track order or titles, maybe email Joëlle about it, and that would be the extent. Both her work and his remain a guide for me as I continue my work in the music. I am glad to finally get this session out into the world!

The reason I started playing music was because of seeing the great Mike Watt play with the band fIREHOSE. His extremely physical and multi-textured approach to the bass guitar logically pushed me to improvised music and the double bass. In the 1990s I had formed a bass quartet with George Cremaschi, Lincoln Smith, and Morgan Gubberman and we decided to ask Watt for a composition for our next performance. Watt replied saying he has lots of compositions and that he would just come up and play them with us. The music he brought consisted of his pieces from the monumental minutemen album Double Nickels on the Dime. I am a bit too young to have seen the minutemen so this was an incredible experience: the first time I heard these songs live was playing them with Watt! I should mention that Watt's bass duo DOS, with the great Black Flag bassist Kira Roessler, is now his longest running band and the first time I ever heard a bass duo was one of their albums! We got quite a nice guarantee for the show and I asked Watt if we could spend half of it bringing Bertram on board.

Watt was excited by the idea! Bert was into playing a rock club and said "I used to play places where you had to check your guns and knives at the door. It will be great!" At the show a punk rocker yelled, "Play louder" during a break in his set that night. Bert replied, ”You listen louder.” I ended up getting lessons from Bert, organizing many Bay Area concerts and workshops for him, and we developed a friendship. For me as a young bassist, he was very generous with his time. His commitment to improvised music was very inspiring as was his tireless effort to catalog the available timbres and techniques for the instrument, resulting in his book The Contemporary Contrabass. Originally meant as a resource for composers, it is an incredible guide for improvisors trying to deepen their relationship to the instrument. During a phone conversation one of us casually suggested a duo album. The magnitude of recording with this master did not sink in until just a few days beforehand! It was originally released in an edition of 100 CDRs that sold out pretty quickly.

These experiences are formative for me and have shaped the way I work with the instrument in improvised music. Not everyone has the opportunity to go directly to the source of the area they are working in, and these duos are certainly the source for me. Dave Holland and Barre Phillips made the first improvised double bass duo LP. It seems to me that Kowald's series of three LPs on FMP with Barre Phillips, Maarten van Regteren Altena and Barry Guy solidified it as a working method, and this meant having the duo as an available format in which I could work. My longest running bass duo is with the Texas bassist Thomas Helton, and hopefully an album will come out of our work as well.

Damon Smith

1. Peter Kowald & Damon Smith - Broken Mirrors April 28th 1 15:34

2. Peter Kowald & Damon Smith - Broken Mirrors April 28th 2 16:07

3. Peter Kowald & Damon Smith - Reflections on April 28th 1 03:45

4. Peter Kowald & Damon Smith - Reflections on April 28th 2 03:58

5. Peter Kowald & Damon Smith - Reflections on April 28th 3 03:12

6. Peter Kowald & Damon Smith - Reflections on April 28th 4 04:38

7. Peter Kowald & Damon Smith - Reflections on April 28th 5 02:32

8. Peter Kowald & Damon Smith - Reflections on April 28th 6 03:57

9. Peter Kowald & Damon Smith - Reflections on April 28th 7 07:20

10. Joëlle Léandre & Damon Smith - Throw off the Husk 04:35

11. Joëlle Léandre & Damon Smith - Ancestor & the Future 03:04

12. Joëlle Léandre & Damon Smith - Lost & Lucid 03:24

13. Joëlle Léandre & Damon Smith - Time Dries Up (DS solo) 01:18

14. Joëlle Léandre & Damon Smith - Mirrors Without Dust 02:34

15. Joëlle Léandre & Damon Smith - Uweaving the Threads (JL solo) 04:50

16. Joëlle Léandre & Damon Smith - Listening to the Same Blood 02:46

17. Joëlle Léandre & Damon Smith - Hive of Instants (DS solo) 02:19

18. Joëlle Léandre & Damon Smith - Building our Erosions 03:31

19. Joëlle Léandre & Damon Smith - Flowers Without Venom 03:05

20. Joëlle Léandre & Damon Smith - Unfingers its Grasp 04:22

21. Joëlle Léandre & Damon Smith - Sky Without Birds 01:58

22. Bertram Turetzky & Damon Smith - Vulturegrip 04:12

23. Bertram Turetzky & Damon Smith - Coalmarked 10:37

24. Bertram Turetzky & Damon Smith - Chalkravine 06:35

25. Bertram Turetzky & Damon Smith - Woodsong 02:05

26. Bertram Turetzky & Damon Smith - Slickensides 06:14

27. Bertram Turetzky & Damon Smith - Southbright 10:51

28. Bertram Turetzky & Damon Smith - Northtrue 08:27

Damon Smith Bass Duos

Peter Kowald 2000

Joëlle Léandre 2002

Bertram Turetzky 2007

Disc One:

Peter Kowald double bass

Damon Smith double bass

Broken mirrors:

Recorded on 28 April 2000 at Gallery 2310 Oakland, California; this is one piece with an index point for convenience only.

Reflections on April 28th 2000:

Recorded on 3 May 2000 in Oakland, California

Remastered by Weasel Walter 2021

Front cover drawing (reproduced above) by Peter Kowald; design by Kowald and Jürgen Schäfer.

Disc Two:

Joëlle Léandre double bass

Damon Smith Jdouble bass

Recorded by Henry Kaiser September 2002

DAT transfer by Ryan Edwards

Mixed by Maikol Seminatore 2020

Mastered by Weasel Walter

Titles from English translations of poems by Andrée Chedid

Disc Three:

Bertram Turetzky double bass

Damon Smith double bass.

Remastered by Weasel Walter 2021

Recorded on 11 November 2007 at 1510 8th St. Performance Space, Oakland, California, tracks 1-5 in studio, tracks 6-7 live.

Front cover photograph (reproduced above) by Damon Smith; design by Alan Anzalone.

Titles are English translation of invented German compound words by Paul Celan

Front cover drawing by Peter Kowald

Overall design by Allen Anzalone

Thanks to Clifford Allen for editing help!

PDF of full cover art & liner notes including the original Mirrors, Broken, But No Dust notes included with all downloads

PRE-ORDER

Peter Brötzmann Octet – Machine Gun (Alternate Takes) TROST RECORDS 2018

First time issued on vinyl: alternate takes from the essential "Machine Gun" album on Brotzmann's BRO label in 1968, aggressive but astute music from now-legendary players Brotzmann, Evan Parker & Gerd Dudek on tenor sax (Brotzmann doubles on baritone sax), Peter Kowald on bass, Fred Van Hove on piano, Buschi Niebergall on bass, and two drummers - Han Bennink & Sven-Ake Johansson.

"Alternate versions, never before released on vinyl from Peter Brotzmann Octet's Machine Gun (1968)."-Cien Fuegos

"The Tet Offensive. The Democratic National Convention In Chicago. The MLK and RFK assasinations. And if 1968 wasn't violent enough, West German avant garde tenorman Peter Brötzmann unleashed Machine Gun unto the world.

Unhinged, utterly devoid of subtlety. In your face. Of all the entries that may follow in my Whack Jazz series, none will be as extreme an expression of free jazz as this one, John Zorn's Naked City with Yamatsuka Eye notwithstanding.

Major eruptions are followed by minor ones. Occasional rat-a-tat-tats on the drums by Han Bennink for the various takes of the title song is a simple reminder of the theme. The other saxophonists Willem Breuker and Evan Parker join PB for some impromtu faux choruses but despite everyone blowing at their hardest, Brötzmann's tenor always manages to rise above the chaos; the man has steel lungs. Pianist Fred Van Hove is barely audible most of the time and even having two bassists...Peter Kowald and Buschi Niebergall...doesn't make for a consistently strong presence on the low end, either, although where they are heard, they make the most of the opportunity. Just as the alert ear can begin to pick up some semblance of a simple melody rising from the chaos, the ensemble blows it up into total disintegration, as if to be playing an evil game of creating enemies for the pleasure of cutting them down; an influence of the then-living Albert Ayler.

Virtually all the players on this record were at the beginning of their careers and have since become some pretty significant jazz players in Europe and the world. Bennink himself will merit his own entry on this blog one day.

So while it's pretty cool to say that Peter Brötzmann is a favorite tenor player of the former Leader Of The Free World, it's even more cool to explore his music and discover how he's become such a giant in both European jazz and free jazz. Machine Gun is where the greatness begins."-S. Victor Aaron, Something Else Reviews (originally published in Whack Jazz)

Peter Brötzmann: baritone saxophone, tenor saxophone

Peter Kowald: acoustic bass

Buschi Niebergall: acoustic bass

Sven-Ake Johansson: drums

Han Bennink: drums

Fred Van Hove: piano

Evan Parker: tenor saxophone

Willem Breuker: tenor saxophone

SIDE A

1. Machine Gun (Second Take)

SIDE B

1. Responsible / For Jan Van De Ven (First Take)