Fredrik Nordström - Needs (2021 Clean Feed Records)

"In his new album, saxophonist and composer Fredrik Nordström deals with a format that reminds of a double quartet of the same type as Ornette Coleman recorded in the early 1960’s. For someone always interested in exploring different possibilities of group interaction, the decision isn’t really a surprise in itself: what surprises us are the results. Instead of acting as a double quartet, Nordström and his fellow Swedish musicians sometimes acts as an octet or as a trio, a quintet, or, you name it! The (double) rhythm section shows off some groovy and hard swinging parts as one unit, but the freedom to contribute individually in this collective of great improvisers is fundamental.

Nordström’s writing and conduction of the improvisational developments are, as always, subtle and meticulous, like hidden geometrical forms in an (apparently) abstract canvas. And if the double quartet matrix is generally connoted with the free jazz subgenre, in “Needs” something else is in equation, coming from the bop and hard bop traditions (Nordström’s tenor style owes something to Dexter Gordon) adding adventurous compositions with dazzling improvisations and giving expression to what the leader of this one day session calls «progressive jazz with unquestionable influence of contemporary classical and rock music». A must."

1. Needs 07:37

2. Fake Face 04:34

3. House of Tales 07:09

4. Hometown Prophet 05:51

5. Hope 07:29

6. Brand New Dollars 06:13

7. Morning Bliss 09:02

LEFT channel:

Fredrik Nordström - tenor & baritone saxophones

Mats Äleklint - trombone

Filip Augustson - double bass

Christopher Cantillo - drums

RIGHT channel:

Fredrik Ljungkvist - clarinet & tenor saxophone

Niklas Barnö - trumpet

Torbjörn Zetterberg - double bass

Fredrik Rundqvist - drums

All compositions by Fredrik Nordström

Recorded March 23, 2018 at BAS, Bandhagen Sweden by Mats Äleklint

Mixing and mastering at Bluenord Studio, Högdalen Sweden by Fredrik Nordström

Produced by Fredrik Nordström

Executive production by Pedro Costa for Trem Azul

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Fredrik Nordström - Needs (CLEAN FEED RECORDS 2018)

In his new album, saxophonist and composer Fredrik Nordström deals with a format that reminds of a double quartet of the same type as Ornette Coleman recorded in the early 1960’s. For someone always interested in exploring different possibilities of group interaction, the decision isn’t really a surprise in itself: what surprises us are the results. Instead of acting as a double quartet, Nordström and his fellow Swedish musicians sometimes acts as an octet or as a trio, a quintet, or, you name it! The (double) rhythm section shows off some groovy and hard swinging parts as one unit, but the freedom to contribute individually in this collective of great improvisers is fundamental.

Nordström’s writing and conduction of the improvisational developments are, as always, subtle and meticulous, like hidden geometrical forms in an (apparently) abstract canvas. And if the double quartet matrix is generally connoted with the free jazz subgenre, in “Needs” something else is in equation, coming from the bop and hard bop traditions (Nordström’s tenor style owes something to Dexter Gordon) adding adventurous compositions with dazzling improvisations and giving expression to what the leader of this one day session calls «progressive jazz with unquestionable influence of contemporary classical and rock music». A must.

LEFT channel:

Fredrik Nordström  tenor & baritone saxophones

Mats Äleklint  trombone

Filip Augustson  double bass

Christopher Cantillo  drums

RIGHT channel:

Fredrik Ljungkvist  clarinet & tenor saxophone

Niklas Barnö  trumpet

Torbjörn Zetterberg  double bass

Fredrik Rundqvist  drums

All compositions by Fredrik Nordström

Recorded March 23, 2018 at BAS, Bandhagen Sweden by Mats Äleklint | Mixing and mastering at Bluenord Studio, Högdalen Sweden by Fredrik Nordström

Produced by Fredrik Nordström | Executive production by Pedro Costa for Trem Azul | Design by Travassos | Photos of Fredrik by Mats Äleklint | (of basses) by Fredrik Nordström

Gard Nilssen's Acoustic Unity - Live in Europe (3CD SET) CLEAN FEED RECORDS 2017

If we were in the seventies and a release like this – a triple LP – crossed our way, we would think that progressive rock was receiving its most ambitious conceptual album ever, but no. The year is 2017 and “Live in Europe” is something else entirely: a celebration of improvised music in its purest form, recorded in concert – as it should. Gard Nilssen’s trio Acoustic Unity played in the North Sea Jazz Festival, the Ljubljana Jazz Festival and the Oslo Jazz Festival in 2016 and the entirety of those performances were documented. Only in the first vinyll we find the triangle formed by the drummer with André Roligheten and Petter Eldh. The second has the contributions of Fredrik Ljungkvist and the third of Kristoffer Alberts and Jørgen Mathisen. The effect, anyhow, is very similar: this is a very special edition, and it has the same impact in the present creative jazz scene that it would have 40 years ago if it was something coming from King Crimson or Frank Zappa. The importance of this group in instantaneous composition with jazz as its foundation is equivalent. Nilssen’s enthusiasm on the liner notes is very clear: this is «one of the best bands I’ve ever been a part of by far». Why? Because these musicians are re-inventing melody and rhythm while improvising, and that’s not a common task.

CD1

1. When Pigs Fly 4:53

2. Hymne / Roudtrip 11:31

3. Mormor 5:27

4. Jack 6:47

5. Zig Zag 3:07

6. Rushen 3:47

7. Gammal Rottegift 5:47

CD2

1. Summer Ale 7:09

2. Ruchen 4:59

3. Gammal Rottegift 7:35

4. Hymne / Roundtrip 9:35

5. Zig Zag 3:12

6. Salad Days 4:51

CD3

1. Hymne / Roundtrip 13:40

2. Mormor 7:56

3. When Pigs Fly 5:53

4. Utleimegleren 4:30

5. Zig Zag 5:14

6. Adam's Ale 4:58

Gard Nilssen  drums

Petter Eldh  double bass

André Roligheten  tenor & soprano saxophones

Feat:

Fredrik Ljungkvist  tenor saxophone & clarinet (CD2)

Kristoffer Berre Alberts  alto,tenor & barytone saxophones (CD3)

Jørgen Mathisen  tenor saxophone & clarinet (CD3)

CD1 recorded live at North Sea Jazz Festival on July 8, 2016

CD2 recorded live at Ljubljana Jazz Festival on July 2, 2016

CD3 recorded live at Oslo Jazz Festival 18th of August 18, 2016

Fredrik Ljungkvist & Mattias Risberg - And Now the Queen, A Tribute To Carla Bley (LILALO RECORDS 2016)

”And Now the Queen” – a tribute to Carla Bley

with Fredrik Ljungkvist saxophones & clarinet 

and 

Mattias Risberg piano, mellotron, arp pro soloist & moog taurus 

More info in english coming soon…

Carla Bley är en av jazzens giganter, i maj 2016 fyllde hon 80 år och på detta album hyllar två av Sveriges mest namnkunniga musiker inom jazz och improvisationsfältet denna banbrytande kompositör.

Med musikantiskt driv och halsbrytande instrumentering i det lilla duoformatet skapar musikerna nya dimensioner för Carla Bleys kompositioner. Såväl hennes lyriska ådra som den mer fritonala och polyrytmiska får blomma ut i deras intima versioner.

Detta är den första utgivningen på kompositören och sångerskan Lina Nybergs eget bolag Lilalo records. Lina har tidigare producerat 17 CDs i eget namn och debuterar här som skivproducent.

Hon medverkar också som gästsolist på ett av spåren på skivan som hon satt svensk text på ”Vila” AKA Jesus Maria.

Fredrik Ljungkvist har medverkat på nästan 100 jazzskivor och har tilldelats ett flertal priser och stipendier, och var nominerad till DN Kulturpris 2010. År 2004 fick han Sveriges radios pris Jazzkatten som årets jazzmusiker. År 2011 tilldelades han Kungliga Akademiens stora Jazzpris. Han mottog priset med följande motivation: ”Saxofonisten, bandledaren och kompositören Fredrik Ljungkvist är en intensivt lysande centralgestalt inom den svenska improvisationsmusiken och han tilldelas Kungl. Musikaliska akademien jazzpris 2011 för ett djupt fängslande musikerskap präglat av stor värme och medryckande vitalitet” 

Mattias Risberg är väl etablerad som jazz/improvisationspianist bland annat med det egna bandet Ritualia och har de senaste åren i sitt samarbete med klarinettvirtuosen Francois Houlé också gjort sej ett namn i Kanada. Mattias arbetar också som kompositör, här några stycken i urval: Vinden som samtal 2015 Svit för kör och jazzkvintett, Bells & Pipes 2014 Svit för piano, kyrkorgel och liveelektronik, Skuggor av glas 1996 för Sthlms blåsarsymfoniker, m.m. Mattias och Fredrik träffades och spelade ihop första gången för 25 år sedan, när de båda gick på musikhögskolan i Stockholm. Sedan dess har de bägge hunnit spela ihop i flera olika sammanhang, främst i varandras band ”Ritualia” och ”Yun Kan 10”.

FÖRSTA RECENSIONERNA PÅ ”AND NOW THE QUEEN”!

Dagens Nyheter: ”Ljungkvist och Risberg går relativt varligt fram men utnyttjar samtidigt friheten som kommer med duoformatet – för att inte tala om Ljungkvists på en gång respektfulla och vildsinta soloversion av ”Donkey”. Framför allt lyckas de omsätta Bleys lekfullhet med traditionen och själva hantverket. En medveten och sensitiv dialog mellan musiker och musiken som är ett av Bleys främsta signum och som på intet sätt går förlorad här.”

Gefle Dagblad: ”Pianisten Mattias Risberg och saxofonisten/klarinettisten Fredrik Ljungkvist har valt ut elva låtar som de tolkar med stort gehör för såväl det lekfullt friska som det musikaliskt intrikata.”

Tidningen Lira: ”Så genomtänkt och genialiskt att låta duon Fredrik Ljungkvist, saxofoner och klarinett, och klaviaturspelaren Mattias Risberg närma sig några av Bleys emblematiska låtar. Ljungkvist har ett alldeles eget sätt att blåsa liv och svärta i de allra mest förborgade nu, och samtidigt: få kan som han bryta upp det alldeles outsägligt vackra, bräckligt sköra utsnitt i tiden som han ögonblicket innan ställt inför oss. Hos Risberg har Ljungkvist en kongenial följeslagare som heller inte räds att ta kommando med sin preparerade flygel, mellotron och moog taurus. Skivan kommer med all sannolikhet att höra till dem vi summerar året med…”


Dig Jazz: ”Albumet And Now the Queen är utan tvekan en stark kandidat till årets bästa svenska jazzalbum.”

01 And Now the Queen I 4:14

02 And Now the Queen II 4:20

03 Calls 3:16

04 Ida Lupino 5:03

05 Donkey I 2:17

06 Donkey II 4:19

07 Sing Me Softly of the Blues 3:41

08 Ictus 3:01

09 Lawns 3:59

10 Syndrome 4:49

11 Vila (Jesus Maria) 3:07

Fredrik Ljungkvist (sopr.s, as, ts, cl)

Mattias Risberg (p, mellotron)

Lina Nyberg (v)

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Fredrik Ljungkvist Yun Kan 10 - Ten (2013)

By EYAL HAREUVENI / allaboutjazz

Acclaimed Swedish reed player Fredrik Ljungkvist's key solo outfit is the Yun Kan band. This band, in its incarnation as a quintet, released two remarkable albums, Yun Kan 12345 and Badaling (Caprice, 2004 and 2007) and in recent years operated in a slimmed down version as Yun Kan 3 and as an ambitious outgrowth of the quintet as Yun Kan 10. Now, finally, more than five years after its last documentation, this ensemble has been beautifully recorded by Swedish Radio. 

Ljungkvist's ten original compositions swing between opposite sonic poles. It is a big band that rarely exhaust its full capabilities. The musical language encompasses modern, free-bop forms and new chamber music in well-crafted segments, sometimes focuses on soloists and at other times highlights Yun Kan as a musical collective. It bridges the gap between solid, intricate textures and powerful, intuitive free improvisations and between the contemplative and the ironic. It emphasizes unique sonic elements such as the operatic vocals of Sofia Jernberg, a member of Seval and The New Songs, or the vintage synthesizer sounds of Mattias Risberg. Ljungvist's playing can be fiery and expressive but also fragile and poetic. But eventually Ljungkvist and Yun Kan 10 aim to find a balance between these opposites, to find an organic forms of articulation that will cover the spectrum. 

All the compositions were arranged by Ljungkvist and are spread on a double album, make full use of the singular and resourceful voices of the ensemble members. On the first disc, "Lackritz" stresses the playful, suggestive vocals of Jernberg and the expressive tuba of Per-Åke Holmlander, a member of the original quintet as well of Peter Brötzmann's Chicago Tentet and the Barry Guy Orchestra, contrasted with the sonic searches of violinist Katt Hernandez and bassist Mattias Wellin, also of the quintet, and the free improvisations of drummers Jon Fält, another member of the quintet, and Raymond Strid. "How To Break A Fever" is a quiet and subtle piece that attempts to find middle ground between the celstial vocals of Jernberg and the low drone of the horn and brass instruments. 

Only on "Hold On To Your Hat!" does Yun Kan 10 begin to sound like a band whose musical vocabulary is rooted in jazz legacy, swinging happily over an infectious melodic theme, with passionate solos by trombonist Mats Äleklint and Ljunkvist. A chaotic, dark soundscape is formed on "Fighter," torn between the idiosyncratic vocals of Jernberg, the brooding keyboards of Risberg and the whole ensemble. "Kun Lun" revolves between the restless, otherwoldly sonic explorations of Jernberg, Risberg, Holmlander and Äleklint and calm reasoning. 

The second disc continues to present this ensemble's ability to create a colorful range of arresting forms. It opens with the poetic "Dolphinian Motion," structured around Ljungkvist and Jernberg, in a delicate dance that suddenly erupts into an energetic storm and then gradually involves other participants in the emotional dance. Drummers Fält and Strid stimulate each other on "Tuulikki" and anchor Ljungkvist and Jernberg flights in a flexible rhythmic framework. "No Panic, Just Curious" patiently matures from a reserved, chamber jazz form, featuring Hernandez, to an open-ended, collective free improvisation, linked cleverly with the powerful, orchestral arrangement of " Abraxas," concluding with a charismatic solo by Ljungkvist. The final, contemplative composition, "Russia," finds a fragile balance between all the previous forms and the highly personal voices of its members and shines with elegant creative energy. 

A masterful achievement. Ten presents Ljungkvist's musical vision at its best. One of the best releases, so far, of 2013.

CD1

Lackritz

How To Break A Fever

Hold On To Your Hat!

Fighter

Kun Lun

CD2

Dolphinian Motion

Tuulikki

No Panic, Just Curious

Abraxas

Russia

Fredrik Ljungkvist: soprano, tenor and baritone saxophones, clarinet

Sofia Jernberg voice

Mats Äleklint: trombone

Per-Åke Holmlander: tuba

Klas Nevrin: piano

Mattias Risberg: hammond, ARP pro soloist and Moog Taurus

Katt Hernandez: violin

Mattias Welin: bass

Jon Fält: drums

Raymond Strid: drums

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Domi

Fredrik Ljungkvist & Yun Kan 5 - Badaling (2007)

By EYAL HAREUVENI / allaboutjazz

Badaling is the sophomore release of the excellent Swedish quintet Yun Kan 5. The group is led by saxophonist/clarinetist Fredrik Ljungkvist, better known as one of the key composers in the Swedish/Norwegian quintet Atomic, and for his association with saxophonist Ken Vandermark in various incarnations of Vandermark's Territory Bands.

The quintet also features Jon Fält, the drummer with the Bobo Stenson Trio, tuba player Per Åke Holmlander, who is also a member in Ken Vandermark's Territory Band (as well as other forward thinking large ensembles such as the Peter Brötzmann Tentet and Barry Guy Orchestra), pianist and zither player Klas Nevrin, and bassist Mattias Welin. Three years ago, the band released its highly acclaimed debut Yun Kan 12345 (Caprice), and has since toured extensively.

As in his compositions for Yun Kan 12345 and for Atomic, Ljungkvist's work here plays with both the inside and the outside of free-bop. He incorporates elements of new music, and arranges the seven new compositions in a manner that sounds wide open, leaving a lot of space for each individual musician to sculpt the unique colors of the ensemble. The opening title track is a fine example of Ljunkgvist's composing skills. He draws the angular, clear theme on the tenor saxophone, and then in turn the piano and the tuba, the bass and the piano, the saxophone and the piano, and the piano and the drums, follow with a series of thematic reflections, until Ljungkvist takes the lead again with an elegant and nuanced solo, before leaving Holmander for a searching passage that slowly finds its way back to the theme.

The second composition, the eerie "Folkhemmet", dedicated to Swedish film maker Jan Troell and written together with Nevrin, is more concise. Holmander begins with a brooding solo that establishes the framework for Ljungkvist and Nevrin to improvise upon. "Oslo" is reminiscent of Ljungkvist's compositions for Atomic with its intense and flowing interplay between all the members of the quintet. Holmander shines again, with a subversive and ironic low-end recalibration of Ljungkvist. "Kun Lun" begins with similar interplay but leaves more space for individual solos by the articulate Wellin, the always inventive Holmander, and Nevrin inside his piano. 

"Ray Battle", dedicated to Swedish master drummer Raymond Strid, a former collaborator of Ljungkvist's, is an open-structured improvisation that features Fält as the leader. Fält explores his percussive vocabulary, while the others contribute often strikingly odd sounds, especially Ljungkvist, with an intense free saxophone solo. "Altro?" features Nevrin leading Fält and Wellin into a stormy opening before Ljungkvist and Holmander join in for a more relaxed elaboration of the theme. The closing composition, "Kopi Luwak," named after the expensive Indonesian coffee, is a cinematic piece that unfolds slowly, with short introductions by Ljungkvist on the bass clarinet duetting with Fält, and Nevrin duetting with Wellin, before the quintet rolls into a tight swinging interplay that highlights the unusual sonic combinations available to the lineup.

A varied and well executed set of thoughtful compositions played by a mature and ambitious quintet. Warmly recommended. 

Fredrik Ljungkvist: tenor saxophone, clarinet (Bb), bass clarinet

Klas Nevrin: piano, zither

Mattias Wellin: bass

Jon Fält: drums

Per Åke Holmlander: tuba

1 Badaling

2 Folkhemmet

3 Oslo

4 Kun Lun

5 Ray Battle

6 Altro?

7 Kopi Luwak

Recorded at Atlantis Studio May 2006 

Mixed at Epedemin Studio 

Mastered at CRP Recording 

Made in EU

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Domi

Fredrik Ljungkvist Yun Kan 12345 (2004)

The Swedish jazz group Yun Kan 5 was formed in Stockholm in 2003 by the composer, saxophone- and clarinetplayer Fredrik Ljungkvist. The group emerged from Yun Kan 3, which included the musicians Mattias Welin on doublebass and Jon Fält on drums. Later on, Yun Kan 3 was added by the musicians Klas Nevrin on piano and zither and Per-Åker Holmlander on tuba. They literally had their first encounter in the studio for four days in december 2003 when they recorded the debut album ”Yun Kan 12345”, which was released in march 2004 by the Swedish record label Caprice. The band made a ”Jazz in Sweden 2004”-tour (from the prestigeous Swedish Jazz Award) in October and November -04 and it also included concerts in Kongsberg (Norway), London, Beijing and Shanghai. In the year 2005 they toured in Slovenia and France. In april 2005 Yun Kan 5 were choosen as the ”Jazz group of the year” by the Swedish Broadcasting Corporation and Fredrik Ljungkvist was awarded the prize ”Jazz musician of the year”. In may 2006 they recorded their second album ”Badaling”. The record included 8 new compositions of Fredrik Ljungkvist and was released in 2007. Fredrik can also be heard in the successful and worldwide known Norwegian/Swedish group Atomic. The other members in Yun Kan 5 are also working with groups as: Bobo Stenson trio (Fält), Ken Vandermarks Territory Band (Ljungkvist, Holmlander), Peter Brötzmann Tentet, Barry Guy Orchestra(Holmlander). Fredrik Ljungkvist has been touring in Canada four times with various constellations, Atomic and Per ”Texas” Johansson are a few of them. The audience as well as the critics received his compositions and his performance with great enthusiasm. 

Reviews:

”Ljungkvist is one of the best kept secrets of the European continent..” All about Jazz

”...he explores the richness of his horn with an endless flow of ideas” Jazzreview.com

"Ljungkvist is capable of eyebrow scorching intensity as well as that trademark Nordic introspection...he's never in danger of the misty eyed sentimalism that sometimes dogs the genre." BBC, Jazzreview

”The Swedish alto and tenor man is a special case as well. A switch hitter from outside to inside jazz and back again, he initially helped organize Atomic as a reaction against so-called mountain jazz, associated with the ECM school which characterized most Scandinavian improvising in the 1970s and 1980s. He too has freer associations with Gustafsson, French guitarist Marc Ducret and even went to Chicago to play with Ken Vandermark's Territory Band in 2001.” jazzweekly.com

Tracks

01 King Kolax 6:59

02 Jag Vet Inte 5:37

03 Sunburst 7:02

04 Eddie A. 5:13

05 Västgötaklimax 5:24

06 Birger 7:16

07 Ballad För Eva 7:06

08 Abraxas 6:50

09 Rumi 6:50

10 Man About Town 3:00

Personnel

Tenor Saxophone, Alto Saxophone, Baritone Saxophone, Clarinet – Fredrik Ljungkvist

Tuba – Per-Åke Holmlander

Piano, Zither – Klas Nevrin

Double Bass – Mattias Welin

Drums – Jon Fält

Recorded and mixed at Atlantis Studio December 2003

Label: Caprice Records [CAP 21690] CD, Sweden 2004

Series: Jazz I Sverige

Producer: Per "Texas" Johansson

Genre: Jazz, Contemporary Jazz

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OLDHIPPIERICK

Fredrik Ljungkvist & Mattias Hjorth - Past in Present (2015)

De båda musikerna har spelat ihop i perioder sedan uppväxtåren i Lidköping då de tillsammans började utforska jazzens olika former och uttryck. Duon framför kompositioner och improvisationer i tätt samspel. Vackra melodier och musikaliska fantasier i det lilla kammarmusik-formatet med det stora uttrycket.

"En alldeles utmärkt jazzkväll. Blåsaren Fredrik Ljungkvist och basisten Mattias Hjorth började spela ihop för 30 år sedan. Sånt firas förstås bäst med det första duoalbumet, "Past in Present", och en releasekonsert på Underground.De två spelar egna låtar, kluriga, snirkliga och sirliga och nästan lika oberäkneliga som Ljungkvists solon. Farten går sällan upp och emellanåt blir det melodiöst på ett lite avigt och eget sätt. Luften och pauserna har så viktiga roller att de kändes som ett tredje instrument där på scenen. Mattias Hjorth och Fredrik Ljungkvist växlar hela tiden mellan att spela unisont, i stämmor och helt olika saker. Lyhört. De kan sina låtar, men utforskar dem samtidigt. Och musiken hinner liksom smyga in under kragen på en innan man riktigt fattar hur bra den är.

Ljungkvist har gjort sig känd för att kunna skapa egensinniga avantgardistiska musikprojekt och grupper och att kunna friblåsa helt utan spärr. Ihop med Hjorth nöjer han sig med enstaka korta utbrott, men känslan av att Fredrik Ljungkvist närsomhelst kan ryta till eller spurta loss sätter en positiv spänning i den varma och vänliga duomusiken. Läckert, och ovanligt, att tenorsaxofonisten så gärna plockar fram klarinetten. Dess träklang tillför inte minst modern jazz en extra dimension."

- Alexander Agrell/Sydsvenskan

Fredrik Ljungkvist - saxes, clarinet

Mattias Hjorth - double bass

1. Presley Left Town

2. Augusti

3. Skissen

4. Be Wafted

5. X2000

6. Börje

7. Tulik

8. Svante

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Domi

LSB (Ljungkvist·Strid·Berthling) - Walk, Stop, Look and Walk (Live) 2000

Originally formed in the late 1990s and composed of Fredrik Ljungkvist (saxophone and clarinet), Johan Berthling (bass) and Raymond Strid (drums), LSB is one of the longest lasting and most creative Swedish jazz bands. The third album of this much sought-after super group is set for release in 2015, promising more of their highly pleasing formula: melodic and swinging free jazz, full of intensity, excess, virtuoso musicianship and a huge dose of irreverence. This is not a nostalgic form of music; instead, it is contemporary and open to other influences, markedly European and always innovative.

LSB

Fredrik Ljungkvist (tenor & baritone sax, clarinet)

Johan Berthling (bass)

Raymond Strid (drums)

1. Ebony Swing

2. Walk, Stop, Look And Walk

3. Kurt

4. Kyrkitten

5. Leather Soul Walk

6. Different Directions

7. Natti-natti

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Courtesy of PEPE (Many Thanks)