Showing posts with label James Hegarty. Show all posts
Showing posts with label James Hegarty. Show all posts

Monday, February 21, 2022

Del Robles & James Hegarty - 3 Days + 2 Cities Live Jam Day 1 (February 2022)

Del in Washington DC. Hegarty in St. Louis. Distance improvisations over Zoom, recorded locally in high def on Jan. 29, 2021. These tracks are from day 1 of the three-day project. www.jimhegarty.com

1. Day 1 Track 1 08:26
2. Day 1 Track 2 11:24
3. Day 1 Track 3 15:36
4. Day 1 Track 4 12:55
5. Day 1 Track 5 22:51

Yamaha G3 piano 1964
Moog Voyager
Moog Mother 32 - Doepfer Theremin controller
Eurorack with Kilpatrick, Dave Smith, Doepfer, and Industrial Music Electronics modules
Keystep sequencer/keyboard
MicroFreak
Handmade flute, AT4040 microphone
Lexicon MPX1
Electrix Mo-FX
Mackie 1602VLZ4

Del Robles, percussion
James Hegarty, piano and electronics

Saturday, March 24, 2018

HSR: Hegarty / Steinbeck / Robles - Soundtrack for a Subconscious Film (2018)


Recorded on March 3, 2018. No edits, only minor EQ, leveling, and balancing. No. 5 is based on a pre-composed melodic theme. All other tracks are collective improvisation.

1. HSR: Hypothetical No. 7 04:24
2. HSR: Hypothetical No. 3 16:02
3. HSR: Hypothetical No. 1 20:16
4. HSR: Hypothetical No. 6 14:29
5. HSR: Hypothetical No. 5 07:28
6. HSR: Hypothetical No. 2 14:08
7. HSR: Hypothetical No. 4 08:47

James Hegarty, piano & modular synthesizer with Kaoss pad
Paul Steinbeck, bass and little instruments
Shane Del Robles, percussion

Monday, March 19, 2018

Hegarty / Steinbeck / Robles - HSR. Live. (2018)


This album was recorded live on February 20, 2018 in Davis Music Hall at Principia College. The music features analog audio tape loops of excerpts of speeches or writings of three women's rights advocates. The tape recorder is visible behind Paul's bass. When I introduced the piece, I told the audience it just seemed like this is something that needs to be said today. 

I interactively controlled the level of the tape loops with a mixer. Additionally, I performed samples of Charlie Parker and Art Pepper solos using a Wacom tablet controlling a Kyma Capybara. We received a standing ovation and decided to play a short encore.

1. HSR Live, Sojourner Truth: “Ain't I A Woman” read by Ashna Rodjan 15:47
2. HSR Live, Fannie Lou Hamer 15:50
3. HSR Live, Nikki Giovanni: “Talk to Me Poem, I Think I've Got the Blues” 19:17
4. HSR Live: encore 06:49

James Hegarty, piano and electronics
Paul Steinbeck, bass
Shane Del Robles, drums