Friday, April 15, 2016

Jim Riggs & Stefan Karlsson - Texas Time (2016)



Jim Riggs - alto saxophone

As a University of North Texas student (1969–72), Riggs performed with the University of North Texas One O'Clock Lab Band. Riggs performed regularly with the Dallas Symphony Orchestra and the Ft. Worth Symphony Orchestra. Riggs performed with the Dallas Symphony on the European tour of the Netherlands, Belgium, Switzerland, Germany, England, and Ireland. He recorded Prokoviev's Lieutenant Kijé, Gershwin's Rhapsody in Blue, Porgy and Bess, and An American in Paris with the Dallas Symphony. Riggs also appeared as a jazz soloist with the United States Navy Commodores in Washington, D.C.

Riggs is the leader and founder of The Official Texas Jazz Orchestra, a Dallas based ensemble dedicated to performing state of the art large jazz ensemble music. Riggs has conducted All-State Jazz Bands in Michigan, Ohio, Oklahoma, Kentucky, Tennessee. Riggs has appeared as a featured performer and clinician at Jazz Festivals throughout the USA and Sweden. As a freelance artist he has performed with Frank Sinatra, Ella Fitzgerald, Tony Bennett, Nancy Wilson, Henry Mancini and Nelson Riddle. He also is a prolific studio-recording artist.

Until his retirement in August 2008, Riggs had been professor in the Jazz Studies and Performance Divisions of University of North Texas College of Music where he had taught applied saxophone, directed the Two O'Clock Lab Band, and taught Jazz Style and Analysis. Riggs joined the North Texas faculty in the fall of 1973. Riggs instructed many prominent alumni of the Jazz Studies program at North Texas.

Riggs directed the Two O'Clock Lab Band while coordinating the world's largest enrollment of saxophone students. The Two O'Clock Lab Band was named "winner" in Downbeat Magazine's "Annual Student Music Awards" in 1994, 1997, 2001, 2006 and 2008. He has produced many national and international award-winning saxophonists, including first place winners and finalists in the North American Saxophone Alliance Young Artist Competition, semifinalists in the Thelonious Monk International Jazz Saxophone Competition (Luis Hernandez 2002; Dave Pietro 1991 & 1996), and winners in Down Beat Magazine Student Music Solo Awards.

Riggs former students hold teaching and performing positions in numerous colleges and universities throughout the United States and in elite military bands in Washington, D.C. His students hold first call professional playing positions across the globe including Hamburg, New York City and Los Angeles.


Stefan Karlsson - piano

A native of Sweden, Stefan came to the United States in 1984 to study at the University of North Texas (UNT) due to his association with former UNT professors Rich Matteson, Jack Peterson and Jim Riggs. Stefan spent six years at UNT earning bachelor's and master's degrees.  While at UNT he became, for three years, a member of the well known One O'clock Lab Band, and received the "Outstanding Graduate Student in Jazz Studies Award" in 1991.  During his last year as a UNT student, Stefan signed a three-year recording contract with Justice Records in Houston, Texas. 

After graduation, Stefan lived in Denver, Colorado (1991-1994) and in Las Vegas, Nevada (1994-2002), where he fulfilled his duties as professor of music and coordinator of jazz studies at the University of Nevada.  In 2002, Stefan joined the jazz faculty in the division of jazz studies at the University of North Texas, where he taught until 2014. While at UNT, Stefan had a great deal of success with his combo class by implementing a guest artist residency program and recording experience for the students, which resulted in four combo CD releases.  He also established two student exchange programs between UNT's college of music and the Royal College of Music in Stockholm, Sweden, and the Conservatori Liceu in Barcelona, Spain.  As an active recruiter for the UNT jazz piano area, his former student accomplishments include:  first place winners of the Jacksonville Jazz Piano Competition and the Phillips Jazz Piano Competition in Pensacola; finalists in the All American Jazz Piano Competition and the Barry Harris Jazz Piano Competition; invitations to the Betty Carter's Jazz Ahead program at the Lincoln Center;  recipients of the Herb Alpert Young Jazz Composers Award (sponsored by ASCAP) and the Yamaha Young Performing Artist award; numerous Down Beat student awards; keyboardist with famed Eminem; and various college teaching positions throughout the USA.  He has also been part of the Stanford Jazz Workshop for eight years as a clinician and performer.

Beginning fall 2015, Stefan will be joining the jazz studies faculty at the University of Texas at Arlington as a visiting professor http://music.uta.edu/areasofstudy/index.php?t=p&performanceid=2.  In addition to his teaching duties, Stefan stays very active as guest performer and Artist-in-Residence at concert venues, festivals, clubs, and universities worldwide.  His extensive travel schedule has taken him both as a performer and educator throughout Japan, China, Korea, Taiwan, Thailand, Sweden, Finland, Denmark, Scotland, Italy, Spain, France, Germany, Mexico, Brazil, Puerto Rico, Venezuela, Dominican Republic, and the United States.  His discography includes 72 recordings, with nine CD projects under his own leadership.  He has been a recording artist for Justice Records, Cambria/Troppe Note Records and currently Bebyne http://www.bebyne.com/category/stefan-karlsson/

Since 1996, Stefan has been a member of the Eddie Gomez Trio and Quartet (including Jimmy Cobb, Billy Drummond, Billy Hart, Nasheet Waits, Ed Soph, Jeremy Steig, and Rodrigo Villanueva), frequently touring Asia, Mexico, South America, Europe and the United States.  The group has recorded six CD projects. In addition to performing with the Eddie Gomez group, he has also had the opportunity to share the stage and recorded with such jazz greats as: Steve Gadd, Herb Ellis, Jim Ferguson, Lou Fischer, Carl Fontana, Tim Hagans, Steve Houghton, Javon Jackson, Clay Jenkins, Marc Johnson, Larry Koontz, Joe La Barbera, Rich Matteson, Red Mitchell, Dick Oatts, Rich Perry, Chris Potter, Dave Pietro, Rufus Reid, Jim Riggs, Marvin ‘Smitty” Smith, Duduka Da Fonseca, Lynn Seaton, Bob Sheppard, Alex Sipiagin, Ed Soph, Marvin Stamm, Jim White, Mike Pope, Magnus Broo, Tom Warrington, Jiggs Wigham, Li Xiaochuan, Eliot Zigmund, and many others.

A sample of appearances at international venues are:  JZ Clubs and Festival (China), Blue Note Jazz Clubs (Fukyoka, Tokyo, and Osaka), Cotton Club (Tokyo, Japan),  Mahidol University Jazz Festival (Thailand), New Morning Jazz Club (Paris, France), Fasching Jazz Club (Stockholm, Sweden),  Terrassa Jazz Festival (Terrassa, Spain), Vierzen Jazz Festival (Vierzen, Germany), Terzo Festival Internazionale Isola D’Elba (Elba, Italy), Festival des Rencontres (Capbreton, France), Body and Soul Jazz Club (Tokyo, Japan), Star Eyes Jazz Club (Nagoya, Japan), Jazz Club Jambouree (Barcelona, Spain), Muroran Jazz Festival (Muroran, Japan), Edinburg Festival (Edinburg, Scotland), Royal Academy of Music (Stockholm, Sweden), Conservatori Liceu (Barcelona, Spain), Conservatory of Music in Shanghai (China),  Contemporary Music Academy (Beijing, China), Contemporary Music Institute (Zhuhai, China), University of Adelaide (Australia), International Association for Jazz Educators conference (IAJE), Jazz Educators Network (JEN), and many others. 

In addition, Stefan has performed with the Dallas, Fort Worth, and Richardson symphony orchestras (including as an accompanist for vocalists Patti Austin and Monica Mancini).

Further, as a composer, Stefan is currently a published composer with BUG MUSIC in Hollywood, California http://www.bmgchrysalis.com/.  His original music is copyrighted through ASCAP  http://www.ascap.com/. His music was featured in the 1994 movie releases "Sugar Hill" (featuring Wesley Snipes), "Twenty Bucks" (featuring Christopher Loyd), and the 1997 Independent film “Strays.”  During the latter part of the 90’s, Stefan's music was frequently heard on the television series "Melrose Place," "Party of Five," “Wings” and "Homicide."  His original compositions are also published in the European Real Book (Sher Music) http://www.shermusic.com/new/1883217245.shtml and the Colorado Cook Book.


Bolo Classique Records announces the March 18, 2016 release of “Texas Times”, the new recording by stellar jazz artists Jim Riggs and Steffan Karlsson. The two write, “For several years we have talked about playing duo music and recording together. Finally in the fall of 2014 we were presented with several opportunities that led to this recording. A friendship that goes back to 1980, this project is a special one extending from student to mentor and then to a professional relationship. The selected songs are tunes that feel comfortable in a duo setting and that we mutually share. Some are more well known than others, however our intention is to pay respect to the American Songbook. This is a ‘live recording’ with no over-dubbing and minimal edits. We recorded just a few feet from each other, in the same room without headphones, so what you hear is what we heard as we played. It seems that jazz and other serious music has taken a backseat in American culture. Evidence of this is the lack of quality performances on American radio and television. Our intention for this project was to record music that would be of interest to listeners of fine music. It seems that cultures worldwide possess a greater appreciation for the arts, and there is a need to help preserve jazz music as the great American art form”.

On a Misty Night
Our Waltz
The Second Time Around
Some Other Time
Ruby
Good Morning Heartache
You Don’t Know What Love Is
Be My Love
All the Way
Young and Foolish
They Say It’s Wonderful


RIGGS / KARLSSON DUO PROJECT

Available For Concert & Clinic Appearances

For further information, please contact: 


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Dave Liebman & Richie Beirach - Balladscapes (2016)




Fast 50 Jahre. Eine Ewigkeit. Lyndon B. Johnson war damals noch Präsident, die Beatles standen zum letzten Mal bei einem Konzert auf der Bühne und der Film „My Fair Lady“ erhielt acht Oscars. Ein halbes Jahrhundert. So lange kennen und schätzen sich Dave Liebman und Richie Beirach schon als Menschen und Partner. Der heute 69-jährige Sopran- und Tenorsaxofonist und sein 68-jähriger Partner am Piano lernten einander bei einer Jamsession im Queens College in New York kennen. Zwei hungrige Studenten, berauscht, euphorisiert und inspiriert von all den Jazzgrößen, die für die Musiker jener Zeit den Horizont weiter nach hinten rückten.

Die beiden trafen sich regelmäßig. Entweder in Liebmans Loft an der 19. Straße in Manhattan oder in Beirachs Bude an der Spring Street. Der eine half dem anderen dabei, ein eigenes Vokabular herauszuarbeiten. Sie spielten, meist Freejazz in Stile des späten Coltrane, probierten alles Mögliche aus, ließen sich fallen und fanden allmählich einen gemeinsamen inneren Puls. Manchmal kam auch der Bassist Frank Tusa vorbei und ergänzte die kreative „Hanging Out“-Beziehung. Es sollte allerdings noch bis 1973 dauern, ehe die Seelenverwandten ihre erste gemeinsame Platte aufnahmen. Liebman war gerade mit Miles Davis in Japan unterwegs, als er Beirach traf, der sich just zur selben Zeit mit Stan Getz auf Tour befand. Zusammen mit Jack DeJohnette und Dave Holland nahmen sie schließlich Liebmans Debütalbum „First Visit“ auf.

Ein Song aus jener Session blieb den Freunden bis heute im Gedächtnis: „Round Midnight“. Das allererste Duett von zahllosen, die in den nächsten 43 Jahren folgen sollten, entweder bei Liveauftritten mit den Bands Lookout Farm und Quest oder aber anderen gemeinsamen Projekten. „Denn ein Duo“, erklärt der legendäre Produzent Michael Cuscuna in den Linernotes zu „Balladscapes“, „ist die wohl reinste und direkteste Form des musikalischen Dialogs. Es schenkt den Beteiligten eine ganz bestimmte Form von Freiheit, die sie für scheinbar endlose Solos voller Farbigkeit, Emotionalität und Tiefe nützen können und sich irgendwann darin verlieren. Alles, was Dave und Richie zusammen machen, besitzt enorm viel Substanz und Intelligenz, völlig unabhängig vom jeweiligen Kontext oder Genre.“

Obwohl Dave Liebman und Richie Beirach in den zurückliegenden Jahrzehnten ihre musikalischen Zwiegespräche regelmäßig mit Balladen anreicherten, ist „Balladscapes“  doch das erste reine Balladenalbum auf einem langen gemeinsamen Weg. Wer die musikalische Vita der Abenteurer jedoch kennt, der ahnt bereits, dass auch dieser Exkurs mitnichten automatisch auf dem glatt asphaltierten Mainstream enden muss. Die 13 im CMP-Studio in Zerkall aufgenommenen Songs beinhalten sowohl einige neue und alte Originalkomposition wie „Quest“ oder „Kurtland“, aber auch unorthodoxe Bearbeitungen von Johann Sebastian Bach („Siciliana“), Kurt Weill („This Is New“), Antonio Carlos Jobim („Zingaro“), Wayne Shorter („Sweet Pea“), Billy Strayhorn („Day Dream“) und natürlich John Coltrane („Welcome/Expression“). Dabei öffnet sich ein reiches, weites Feld, auf dem sich der Sopransaxofonist, der hier außerdem zum Tenorsaxofon sowie zur Flöte greift, und der Pianist im eingespielten, vertrauten, aber stets würdevollen Zwiegespräch nach Herzenslust aneinander reiben, ineinander verschränken und gegenseitig aufrichten können.

„In jeder meiner bisherigen Bands, an denen Richie beteiligt war, besaß er die Funktion eines Ankers, mehr als jeder Bassist und jeder Schlagzeuger“, preist Dave Liebman die besonderen Qualitäten Beirachs. „Denn seine Time ist einfach perfekt!“ Und so basiert das Zusammenspiel auch auf „Balladscapes“ auf einer inneren Symmetrie, die nur Menschen miteinander entwickeln können, die sich kennen und mögen. Seit fast einem halben Jahrhundert.

Two real jazz legends - saxophonist Dave Liebman and pianist Richie Beirach - join forces in this duet, playing ballads in the smallest possible band constellation.

Over the years, these two have used ballads in their performances and recordings, but this is the first all-ballad album they've done. And it's quite unusual in its approach. The program offers some originals (new and old), but includes far-ranging material from Bach, Weill, Jobim, Strayhorn, Shorter and Coltrane. Beirach and Liebman take fewer liberties with the material that one might expect and the music is better off for that restraint. This is a gorgeous, mesmerising chamber music recital. And like all great music, it bears fruit with every repeated listening.

April 15, 2016

Dave Liebman, soprano and tenor sax, flute
Richie Beirach, piano

Siciliana (J.S. Bach)
For All We Know (Fred Coots)
This Is New (Kurt Weill)
Quest (D. Liebman, R. Beirach)
Master of the Obvious (D. Liebman)
Zingaro (Antonio Carlos Jobim)
Sweet Pea (Wayne Shorter)
Kurtland (D. Liebman, R. Beirach)
Moonlight in Vermont (Karl Suessdorf)
Lazy Afternoon (Jerome Moross)
Welcome/Expression (John Coltrane)
DL (R. Beirach)
Day Dream (Billy Strayhorn, Duke Ellington)

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Domi

Zingaro

Thursday, April 14, 2016

Henning Sieverts - Vibes & Strings (2016)




An exciting Live CD with my new quartet from the famous Munich jazz club „Unterfahrt“: with New York vibraphonist Tim Collins, Australian guitarist Peter O´Mara and Matthias Gmelin on drums. This cd was released as part of a new series in collaboration with „Enja Records“ and it´s a big honour to be the opening group for the "Edition Unterfahrt"!

"Henning Sieverts: Vibes & Strings" springs to life through the appealing combination of crystaline vibraphone and warm strings. The compositions are mostly groovy with a striking beauty arising from this unique instrumentation.

Henning Sieverts (Kontrabass, Komposition) - double bass, compositions
Tim Collins (Vibraphon) - vibes
Peter O´Mara (Gitarre) - guitar
Matthias Gmelin (Schlagzeug) - drums

01. All and More
02. One for Q
03. Memories of C.J.
04. Grosser Urwald
05. Light at Night
06. Come Rain or Come Shine
07. In Dependance? Independ-Dance!
08. Forward
09. Baumruine Rainhardswald
10. Kabodaschdr
11. The Right Decision

Der international renommierte Münchner Bassist, Cellist und Komponist Henning Sieverts hat ein neues Quartett zusammengestellt mit dem New Yorker Weltklasse-Vibraphonisten Tim Collins und dem australischen Meistergitarristen Peter O`Mara. Hinzu kommt das feinfühlige Schlagzeug von Matthias Gmelin.

Das Quartett spielte vom 26.bis 30.August 2014 eine Sommerwoche im „Jazzclub Unterfahrt“, drei Abende wurden vom Toningenieur Florian H. Oestreicher („Realistic Sound“) mitgeschnitten und vom „Klangmagier“ Christoph Stickel (MSM Studios) gemastert. Ihnen ist es optimal gelungen, die packende Live-Atmosphäre mit einem begeistert mitgehenden Publikum einzufangen. Die Höhepunkte dieser drei Konzerte sind nun auf CD nachzuleben.

Die 11 Kompositionen von Sieverts folgen auf der CD der selben Reihenfolge (und Dramaturgie) wie bei den Konzerten.

Die CD "Henning Sieverts: Vibes & Strings“ ist bei „Enja Records“ erschienen, in der „Edition Unterfahrt“- eine neue CD-Reihe, die der Jazzclub produziert – es eine besondere Ehre, diese „Edition Unterfahrt“ eröffnen zu dürfen.

„Henning Sieverts: Vibes & Strings“ lebt von der reizvollen Klangkombination aus gläsernem Vibraphon und warmer Gitarre. Dabei stehen groovige zupackende Stücke im Mittelpunkt, die durch diese ungewöhnliche Instrumentierung eine aparte Schönheit entwickeln.


Pressestimmen:

Der Musikjournalist Oliver Hochkäppel (Süddeutsche Zeitung) äußert sich begeistert über „Henning Sieverts: Vibes & Strings“. Er schreibt:

"Das Quartett demonstrierte wieder spektakulär Sieverts`Kunst, auf intellektuelle Weise zu sinnlichen Melodien zu kommen und dann zu stets spannendem, rhythmisch verzinkten Hochglanzjazz auszuformen.

Schon über den Opener „All and More“ legte sich die ganze Jazzgeschichte wie ein wärmender Mantel. Das Helmut Qualtinger gewidmete Stück „One for Q“ wurde gleich zum rollenden Alpen-Blues. Wie einige andere ist es vertonte Malerei, einem Konzert zum Jubiläum des Kallmann-Museums in Ismaning entstammend.
Von den Porträts und Urwald-Gemälden Hans-Jürgen Kallmanns inspiriert, frönte Sieverts wieder seinem Faible, Geburts- und Sterbedaten sowie Namenslettern in Musiknoten umzuwandeln. Als buchstäblich wohlklingendster Name erwies sich Ernst Bloch, umgesetzt in einem zum Weinen schönen Duett von O`Mara und Collins.

Jeweils passend zum Thema konnte die – im übrigen in der Jazzgeschichte ziemlich einmalige – Besetzung mit Bass, Gitarre, Vibraphon und Drums Sieverts´Gedankenspiele fast zärtlich inszenieren, es aber auch ordentlich krachen lassen.“

Henning Sieverts ist mit mehr als 120 CD-Veröffentlichungen und zahlreichen Preisen (u.a. ECHO Jazz, Bayerischer Staatspreis, Neuer Deutscher Jazzpreis) einer der meistbeschäftigten Jazzbassisten und -cellisten Europas. Er unterrichtet darüber hinaus an der Musikhochschule München und arbeitet als Jazz-Moderator beim Bayerischen Rundfunk.

Tim Collins stammt aus New York und lebt seit einigen Jahren in München. „A world-class vibes player“ (CJSR-FM Radio), „Musician of fire“ (Washington Post), „Nothing less than exemplary“ (Downbeat) – das sind nur einige Lobeshymnen über den virtuosen Vibraphonisten.

Peter O`Mara stammt aus Sydney, Australien und lebt über 20 Jahren in München. Er spielte mit Größen wie Joe Lovano, Dave Holland, Kenny Wheeler, Charlie Mariano und Bob Mintzer. O`Mara war langjähriges Mitglied bei Klaus Doldingers „Passport“ und hat zahlreiche Lehrwerke für Jazzgitarre geschrieben, die längst zur Standardliteratur gehören.

Der mehrfach preisgekrönte Schlagzeuger Matthias Gmelin („Jugend Jazzt“ in Bayern und Bundeswettbewerb) ist wegen seines einfühlsamen, geschmackvollen Spiels einer der gefragtesten Drummer der Szene. Er spielte mit Bireli Lagrene, John Ruocco, Ack van Rooyen, Johannes Enders oder Judy Niemack.

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Kenziek - The Last Bow (2016)



Oh man, where do I even begin? I guess for amateur musicians, making a record is always the dream but being in college and having a million other things to do, it often seems to be an impossible task. The struggle is real.

This project really started in the summer of 2015. I woke up one morning and realizing all of us would be graduating in a year. Although we would probably stay friends, it would be difficult to see each other again after college; playing music together is almost out of the question. It just seemed wrong to not put in any effort to draw a conclusion. I immediately started writing and arranging (with pencil and paper, it’s still the best way), a few hours every night, until the end of summer. After I finished the last song, I realized, man, this could happen.

Having the music ready isn’t even half of the battle. I hit walls after walls looking for musicians, rehearsal space, recording studios, budget and scheduling rehearsal times and logistics. Everyone came back to school early for three days of intensive rehearsals. Man, we must have played over 10 hours a day. Music was the only thing that was going on in our heads and for these few days, music was the only thing that mattered in the world. I didn’t know who was going to be on this album until two days before the recording. Step by step, The Last Bow was complete.

It has been my philosophy that musicians are messengers and our mission is to spread music, the magic, happiness and love it brings to as many as people as we can. The Last bow is our first and perhaps last record; either way it’s our last bow to college and all of you that helped us along the way. Rain Zhou (2016)



1. … And Foremost (01:17)
Composed by Marshall Mucasey
Soloist: Marshall Mucasey (bass)

2. New Beginnings (06:58)
Composed by Marshall Mucasey and Rain Zhou; arranged by Rain Zhou
Soloist: Alec Staples (tenor sax)

3. Missing the Blues (05:53)
Composed by Marshall Mucasey and Rain Zhou; arranged by Rain Zhou
Soloists: Alec Staples (tenor sax), Ian Montague (guitar), Marshall Mucasey (bass), Rain Zhou (organ)

4. Not So Josh (08:45)
Composed by Rain Zhou and Josh Rollin; arranged by Rain Zhou
Soloists: Jaden Gladstone (tenor sax), Matt Venora (trumpet), Rain Zhou (talkbox), Skyler Gray (drums)

5. Ask Your Friends (05:16)
Composed and arranged by Rain Zhou
Soloist: Ian Montague (guitar)

6. Weiser Wiser (05:03)
Composed by Rain Zhou; arranged by Nick Weiser
Soloists: Alec Staples (tenor sax), Matt Venora (trumpet), Ian Montague (guitar), Rain Zhou (piano)

7. Moment of Silence (09:25)
Composed and arranged by Rain Zhou
Soloists: Marshall Mucasey (bass), Ian Montague (guitar), Jaden Gladstone (tenor sax), Alec Staples (tenor sax), Matt Venora (trumpet)

8. Golden Thing (07:51)
Composed and arranged by Rain Zhou and Josh Rollin
Soloists: Matt Venora (trumpet), Rain Zhou (talkbox), Jaden Gladstone (tenor sax), Alec Staples (tenor sax)
———————————————————————————
Personnel

Rain Zhou Keyboards & Talkbox
Marshall Mucasey Electric Bass
Ian Montague Electric Guitar
Skyler Gray Drums
Jaden Gladstone Tenor Sax
Alec Staples Tenor Sax
Matt Venora Trumpet
Nate Schickler Trumpet

Recorded by Will Russell @ Electric Wilburland in New field, NY
Edited and Mixed by Will Russell
Mastered by Will Russell
Photographed by Connor Archard
Produced by Rain Zhou
———————————————————————————
Thank yous
We’d like to thank our families and friends for supporting us, 3unit, Alan Rose, Roddy Russell Jr., and Karim Hutton for musical support, Geoffrey Keating for supporting the project, Josh Rollin for playing with us and shaping our sound in the beginning, Cornell Thumpty for the rehearsal space, Sam Lupowitz for directing us to Electric Wilburland, Will Russell for making our first recording as smooth as possible, Cornell JAM for fostering the beginning of this band, Snarky Puppy for being the true inspiration, and all of our mentors who’ve led us to this point.

And we’d like to thank all of our Kickstarter backers for making this project possible in the first place (in alphabetical order): Aaron Fink, Alan Rose, Anonymous, Arash, BMITW & the Trail Boss, Camille and William Prip, Cari and Jack Brandt, Connor Daly, Elle dawg, Evan Mucasey, Geoffrey Keating, Gregg Sheena, John Lowry, Lucy Metz, Luke Moll, Marina Howarth, Michael Gray, Michelle & Mario Argentina, Mitch Levy, Mitchell Tiras, Nick Ruggiero, Noreena Lau, Paul Giannelis, Peter Ericksen, Sabria & Kevin Lewis, Sal Qadir, Sam Saloff-Coste, Sarah Baldessari, Stefan Peierls, Yao Li & Angie Ding, Ying Yuan, 周一鸣, 周成杰&李雪梅, 李晋, 李慧民.

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Steve Einerson - Arrival (2012)


Source & Label: Cellar Live
GAB'S RATING: ☆ ☆ ☆ ☆ ☆  


Steve Einerson is on his way to becoming one of the greatest pianists in the history of jazz. I said it. I mean it.
The evidence is all here, on this CD, his first as a leader. Back when Bud Powell and Art Tatum roamed the earth, it was easier for a jazz pianist to innovate.
All a player had to think about were a few other innovators–or even just one–who’d come before.  And then, assimilate them, and go beyond them.
The music was that young. It’s older, now.
So if you are Steve Einerson, age 38 in 2011, you have a lot more to think about, a lot more seeds within yourself to harvest.
“I think, for me,” says Einerson, “it all starts with Bud Powell. If you really want to learn to speak the language of bop, you have to get with Bud…



1. Nikki's Joy
2. Cookin' At The Colonels
3. I Guess I'll Hang My Tears Out To Dry
4. Here's To You Mrs. Anderson
5. Like A Blues
6. With Love And Squalor
7. Your Song
8. That Sunday, That Summer
9. Fleeting Moments

STEVE EINERSON piano
PAUL GILL bass
PETE VAN NOSTRAND drums
 






 

Satoshi Inoue & Kiyoshi Kitagawa - Second Round (2016)


Label: Indie Japan


2002年、ニューヨーク アップタウンにあるスモークにおける伝説のライヴ作品「Live At Smoke」から12年、ジャズを追求してきた二人が再会、さらに熟成を重ねた二人が描く究極のデュオ世界をじっくり味わえる前作を凌ぐ傑作が生まれた。
ベースの北川潔は現在、ケニー バロントリオを始めニューヨークで活躍しているトップミュージシャンとの共演も多く、世界各国を飛び回る程多忙なミュージシャンの一人である。
一方の井上智はニューヨークで、ジャズギターの巨匠ジム ホールの愛弟子として21年間活躍し数多くの足跡を残し帰国し国内外で精力的に活動。
この二人が再び日本で相見え、音楽性よく歌うギターと重厚な音色で力強くスイングするベース,白熱したインタープレイを展開しジャズギターとアコースティックベースのデュオ作品に新たなページが加える。
収録曲もマニアックなものではなく魅力溢れるジャズ・スタンダードの名曲が勢揃いでジャズファンにはたまらない作品に仕上がっています。



01 The Surrey With The Fringe On Top           
02 Equinox           
03 You'd Be So Nice To Come Home To           
04 I'm In The Mood For Love           
05 Ask Me Now           
06 Soul Eyes           
07 Freight Trane           
08 All The Things You Are           
09 Peace             
10 The Everywhere Calypso 


Satoshi Inoue - guitar
Kiyoshi Kitagawa - double bass






 

Trialogo Jazz Quartet - Horizontes & Perspectivas (2016)


Label: Self Released
Source: Cdbaby


Contemporary Jazz Quartet: A journey to new Horizons and Perspectives.
Trialogo Jazz Quartet born in Guadalajara, Mexico in 2013 as an exploration to bright and dark sonorities.

Every one of us is at the same time the composer and the performer, taking the improvisation to a very intimate personal process.


1. Más Allá
2. Dista un Pensamiento
3. Prueba de Fe
4. Lux G
5. Esperanza de un Sueño
6. Holograma
7. Mazunte
8. Horizonte en Calma
9. Raíces de Neptuno

Gil Rios (bass)
Chuko Soto (sax)
Jorge Verdin (keyboard)
Angel Madrigal (drums) 
 






 

Michel Petrucciani - Both Worlds: Live at the North Sea Jazz Festival (2016)


Label: Dreyfus Jazz


Michel Petrucciani was born on December 28, 1962 in Orange, Vaucluse, France and passed away on January 6, 1999 in New York City.
Michel Petrucciani was born to Italian parents in Montpellier, France. His family was musical, and as a child he played the drums in a band with his father, Tony, a guitarist, and his brother Louis, a bassist. Michel was born with osteogenesis imperfecta, also known as “glass bones,” a disease that stunted his growth (he was only three feet tall and weighed barely 50 pounds) and weakened his bones.
From the beginning, Petrucciani had always been musical, reportedly humming Wes Montgomery solos by the time he learned to speak. The musician that would prove most influential to Petrucciani was Bill Evans, who he began listening to at around the age of ten. Petrucciani’s layered harmonies, lyrical style, and articulation of melody have always been linked most strongly to this early exposure to Evans. Petrucciani trained in classical piano starting at the age of four, and was making music with his family by the age of nine.
When Michel was thirteen, he gave his first concert as a professional at the Cliousclat Festival. He had to be carried onto the stage, and used a special attachment to work the sustaining pedal of the piano.  This disadvantage didn’t affect his hands, however, and, according to reports, he played with amazing vigor and enthusiasm.   Also performing at the festival was the American trumpeter Clark Terry, who needed a pianist that day. When Michel offered him his services, Clark thought it was a joke. “‘Let’s play the Blues,’ he said. The minute Michel played, Clark embraced him, and that was where it all started.
After his stint in Paris, Petrucciani returned to his family only for a brief visit. He began his professional life living with the drummer Aldo Romano. Petrucciani began recording with Owl Records and began a friendship with the recording company’s owner, Jean-Jacques Pussai. Pussai recalls that Petrucciani always seemed to be in a hurry to record, saying, “I don’t want to lose time.” But eventually Petrucciani desired independence from Romano too. Romano remembers: “He didn’t feel free with me. He needed to escape. He needed to go very far, as far as he could go, and that was California.” Read more...



1. 35 Seconds Of Music And More
2. Brazilian Like
3. Training
4. Colors
5. Chloé Meets Gershwin
6. Chimes
7. Take The "A" Train
8. Home (Live With TheHague Philharmonic) Bonus
9. Trilogy In Blois (Live With The Hague Philharmonic) Bonus


Michel Petrucciani
Anthony Jackson
Steve Gadd
Flavio Boltro
Stefano Di Battista
Denis Leloup






 

Wednesday, April 13, 2016

Don Latarski - D'Trio (2016)



Don Latarski has released a new CD of original music called D’Trio. It features Jason Palmer on drums and long time collaborator Mark Schneider on bass. This trio has been together for 20 years and it shows on this new disc. The eight songs are all instrumental and draw on the wide ranging stylings of the band members and eclectic influences that Latarski incorporates in his music. Jazz harmonies abound, but melody and groove are the glue on these tracks which includes funk, ballad, bossa, and a touch of country. The recording took place at Crescent Studio in Eugene, Oregon in August 2015. This is the first recording of the Trio which captures the live interplay between the players and the give and take is evident throughout the songs.

Don Latarski, guitar
Mark Schneider, bass
Jason Palmer, drums

1. Pepperoo (feat. Mark Schneider & Jason Palmer) 5:35
2. Clakker's Revenge (feat. Mark Schneider & Jason Palmer) 7:41
3. Alpinista Azul (feat. Mark Schneider & Jason Palmer) 5:08
4. More Than Memories (feat. Mark Schneider & Jason Palmer) 4:50
5. Feral Logic (feat. Mark Schneider & Jason Palmer) 5:22
6. Up in the Air (feat. Mark Schneider & Jason Palmer) 5:05
7. Palavras Perdidas (feat. Mark Schneider & Jason Palmer) 4:46
8. Funkity (feat. Mark Schneider & Jason Palmer) 4:25

BUY THIS ALBUM


Playlist for Tom Ossana / Dane Brewer – The Thin Edge – April 13, 2016 MST 7:00 to 9:00p.m.


http://www.kzmu.org/listen.m3u ~ Use this link to access the show online.

"Make it short!" I tell my self before writing a summary. Let's see if I can do it!

Don Cheadle is Miles Davis in Sony's movie Miles Ahead. "Frelon Brun" (Brown Hornet) from the film gets the show started. The cut is notable as it marks an unique moment when Miles moves from bop/post bop/modal to the fusion that characterized his later work. Francesco Ciniglio with Aaron Parks (piano), Joe Sanders (bass) follows with the group's take on Bud Powell's "Dance of the Infidels" from his Fresh Sound Records 2016 Wood. Newcomer Adrienne Fenemor's 2016 Mo' Puddin' Featuring Peter Bernstein (2016) gives us a fascinating cover of "The Boss", penned by the legendary organist, Jimmy Smith. Closing this half-hour we go all the way back to 1948 when George Shearing finally got bop. "Consternation" is the miraculous result with Jimmy Fallon on bass and "Klook"-like bombs dropped by percussionist Norman Burns.

DADO MORONI

Gonzalo Rubalcaba returns from his 2016 5Passion CD Charlie, a dedication album celebrating the work of the late Charlie Haden with Haden's "Sandino", a reference to Augusto C. Sandino (1894-1934), the leader of a Nicaraguan guerrilla movement. 

Harmonicist Hendrik Meurkens makes his second appearance this month with a cover of Brubeck's "In Your Own Sweet Way" from his 2016 Height Advantage Harmonicus Rex. German pianist Joachim Kühn returns as well covering The Doors "The End" from his new ACT Beauty & Truth. Next, we go to Italy for one of their foremost pianists, Dado Moroni, and his cover of McCoy Tyner's "Contemplation" from his 2014 Five for John, a reference to recordings made by John Coltrane with, in this case, Tyner percussing the piano.

MARK MURPHY

Danny Green Trio's Altered Narratives (Origin OA2 Records 2016) kicks off the third half-hour with his composition "Chatter from all Sides". A 2012 reissue of Germany's clarinetist Rolf Kühn 's 1965 AMIGA release, Solarius, follows with "Sie Gleicht Wohl Einem Rosenstock" ("You Probably Like a Rosebush" - a 1602 folk song) with his younger brother, pianist Joachim Kühn. Rolf, at 86, is still with us. Wayne Shorter's "Tom Thumb" is next as performed by the Ark Ovrutski Quintet - Intersection (Origin Records 2016) featuring Michael Dease's trombone, Michael Thomas' reeds and Helio Alves' piano. The Ukrainian Ark, no relation to Noah, arrived in New York a decade ago. Noah Preminger's 2016 Dark Was the Night, Cold Was the Ground brings this segment to a close with his cover of Richard M. Jones' "Trouble in Mind".

Romance begins with a request from a Salt Lake City avid listener. "Why Don't We Run Away" - a David Zippel tune - comes to us from Nancy LaMott's 1995 Midder Music Beautiful Baby. Newcomer Gonzalo del Val and his piano trio tackle Jobim's "Inutil Paisagem" from his 2016 Koiné. What's up all this intrigue with toes? From several sources I've received requests for Michael Frank's "Popsicle Toes" - this time performed by Diana Krall from her 1999 Verve When I Look in Your Eyes. Guillaume de Chassy & Daniel Yvinec's Songs From The Last Century (Bee Jazz 2009) is next with the piano trio's take on Leo Chauliac and Albert A Beach's "I Wish You Love" sung by one of our favorite male vocalists, Mark Murphy. Quincy Jones joins forces with Amy Winhouse in a performance of "It's My Party". Michal Franks brings us closer to bedtime with his penned "Your Secret's Safe with Me" from his 1985 Skin Dive.





Let's have some fun! TOM OSSANA