Outside the Soiree: Erin McDougald’s latest album exemplifies the concept of thinking - and singing - outside the box
Featuring Jazz Luminary-Legends David Liebman & Tom Harrell
Available March 16, 2018 via Miles High Records
“...ebullient, deeply soulful singing.”—Chicago Tribune
CD Release Concerts: • April 20 – Bar Fedora, LA, CA • May 9, Small’s Jazz Club, NYC • May 30 – Vibrato Grill & Jazz Club, LA
Ever feel left out of the party? Vocalist Erin McDougald’s fourth studio recording, Outside the Soiree, is a heartfelt ode to all the outsiders – those independent-minded souls who find themselves, by choice or by fate, living outside the halls of power: neglected by history, oppressed by the majority, lonely in love, bucking the trends, swimming upstream.
She’s joined by a stellar band featuring guitarist and pianist Rob Block, bassist Cliff Schmitt, drummer Rodney Green, percussionists Mark Sherman and Chembo Corniel, and saxophonist Dan Block. The band is given the imprimatur of a couple of born outsiders who’ve become insiders (and legends) through decades of singular artistry: saxophonist David Liebman and trumpeter Tom Harrell.
McDougald is well acquainted with the outsider’s existence; she tends to be one herself. Known by her fans as “the Flapper Girl,” the Chicago-based improvisational jazz singer is a progressive thinker with a throwback aesthetic. She embodies the sensuality and fierce emancipatory attitude of an audacious fashionista and political egalitarian in her personality and artistry. With a moniker evoking a ‘20s-era flapper she’s not interested in glamorous nostalgia, but instead spotlights the formidable female icons that stemmed from an era of resistance that forever changed American culture and its musical heritage.
As McDougald regularly points out to audiences, flappers were suffragists, with libidos, rhythm, style and social cachet. As “the flapper girl of modern vocal jazz”, Erin’s artistry has become synonymous with marrying vintage foundations and contemporary concepts in her rhythmic, daring interpretations of era- spanning jazz, from American Swing through the Post-Bop catalogue. Her ability to borrow music from other genres and infuse a jazz treatment has garnered her fans of all ages, and collaborators with global renown.
Miss McDougald has appeared and or recorded with members of the elite jazz scene that include Nicholas Payton, Paul Wertico, Ira Sullivan, Carlos Henriquez, Ben Wolfe, Von Freeman, Howard Levy, Roy Hargrove and many others. Downbeat critic and Jazz Journalist Association President Howard Mandel declares, “McDougald is one of the finest and freest voices in jazz OR pop today.” The late Verve Records producer/conductor/arranger Buddy Bregman emphatically stated of Erin in 2006, “There’s an essence to her singing that is all her own... not a mimicked, watered-down version of someone else, but... a very deep, soulful connection to the songs she chooses. Her pitch and phrasing are superb, but there is something about her interior—very sweet... she has ‘It’. My favorite singer to come along since Anita O’Day in her prime.”
With performances in sold-out venues from Chicago to Paris, McDougald has headlined The Chicago Jazz Festival’s Heritage Stage, and premier jazz venues such as The Jazz Showcase, The Allerton, Green Dolphin Street, The Green Mill, 54 Below, Smalls, Anthology, Savanna Jazz, The Mint, Dizzy’s of San Diego, The Velvet Note, BluJazz, The Acorn Theater, Notes Jazz Club, and Le Bilboquet in Paris, among many others.
Brothers Rob and Dan Block create an ethereal, sorrowful beauty on the group’s Chorinho-styled adaptation of the Broadway musical song “Unusual Way;” Tomoko Block (Rob’s wife) teamed up with Rob to arrange this gem, showcasing Rob’s quietly weeping guitar solo and Dan’s haunting clarinet playing. Percussionist Wilson “Chembo” Corniel is strongly showcased along with bassist Cliff Schmitt on Erin’s original composition and title track “Outside the Soiree” in a connected, reflexive and moving journey through Erin’s poetic lyricism and mournful melody. Hard-swinging is Erin with her band on songs like “Spring Can Really Hang You Up the Most” and “Don’t Be on the Outside;” exceptional elements of avant-garde singing and playing are showcased on the CD’s final cut, “The Parting Glass,” a deftly reimagined traditional Irish funeral hymn in a minor key, performed with thundering gravity. The addictively nuanced Cha-Cha rendition of “Brother, Can You Spare a Dime?” gloriously highlights the band with undulating musicality and fervor.
McDougald celebrates with a concert on her birthday – the album’s release date – Friday, March 16, 2018 at The Acorn Theater in Three Oaks Michigan. Admission is $35 and includes a copy of the CD or $20 without a copy of the CD. Tickets should be purchased in advance at www.acorntheater.com.
