Friday, May 7, 2021

NEW RELEASE: Dee Daniels Presents 'THE PROMISE: DELUXE EDITION - Her Spiritual Cellar Music Debut, Due Out May 7, 2021

Jazz & Inspirational Music Legend Dee Daniels Presents The Promise: Deluxe Edition,
Her Spiritual Cellar Music Debut, Due Out May 7, 2021
Cellar Music Group is thrilled to announce the May 7, 2021 release of The Promise: Deluxe Edition by multi-award winning jazz and inspirational music icon Dee Daniels. Her Cellar Music debut, The Promise is a deeply spiritual and powerful tour-de-force inspired by the acclaimed vocalist’s recent journey with breast cancer. Featuring twelve original compositions and one creatively-arranged traditional, The Promise solidifies Daniels’ standing as one of North America’s most extraordinary and beloved performers. The first single, “Let Freedom Ring: The Ballad of John Lewis”, was released earlier this year and the second single, “One Moment In Time” was released on April 9, 2021. Already a winner of the 2020 Western Canadian Music Awards' Best Spiritual Artist and numerous Global Music Awards, The Promise is one of the most anticipated spiritual albums of the year in a time when we all need inspiration.

The Promise is a major career milestone for the legendary artist, who has captivated global audiences for over four decades. Originally from Berkeley, California, Daniels moved to Vancouver in 1987 and has since become an internationally recognized artist with an extensive resume of top-tier performing and recording credits. She has performed with a who’s-who of jazz greats ranging from Wycliffe Gordon and Houston Person to Clark Terry and Benny Golson, and fronted numerous symphony orchestras and large ensembles. She’s is regarded as one of the leading vocal clinicians in the world with countless awards and honors: a 2002 induction into the BC Entertainment Hall of Fame, recipient of the 2003 Commemorative Medal for the Golden Jubilee of Her Majesty Queen Elizabeth II, and the 2009 receipt of an Honorary Doctorate Degree of Fine Arts from Capilano University. 
Despite all of her success, Daniels couldn’t shake the feeling that something was missing. With the blessing of her family, in 2011 she moved to a brownstone in Harlem, hoping to find what she was looking for. Her career certainly blossomed when she arrived in New York City - she recorded two popular albums including State of the Art (Criss Cross) and Intimate Conversations (Origin), was offered a teaching position at Queens College and performed regularly at top jazz venues throughout the city. “With all these, and many more wonderful events occurring daily in my life, I still had that empty feeling inside,” she shared. Though she prayed regularly throughout her life, it was then that she dialed up to “fervent” prayer - a state she describes as “total submission to the manifestation of my desire.” Two weeks after she started to fervently pray, in late 2014, she received the life-changing news that she had breast cancer. Instead of responding with shock and fear, Daniels felt a sense of calm. “I knew in my heart that I was about to embark on a journey that would lead me to the answer.” 

Throughout her treatment, Daniels made a number of lifestyle changes and shifts, including daily meditation practice. At the urging of a close friend, Daniels began to experiment with guided meditation - a practice that helped her dial in deeper spiritually, and access parts of her creative sector with ease. “The meditative sessions became a gateway to healing and creative adventures.” Through this daily practice, Daniels was “gifted” with countless original compositions. They came so rapidly, that she had to record them during her sessions on her cell phone. As the music continued to flow, Daniels’ journey of self-discovery began to crystallize. “I understood that my entire life has been a fulfilment, but it was about to expand. The songs that I was gifted with through meditation were to be shared with the world.” 
The resulting work is The Promise, a dynamic collection of original music that offer personal messages of healing, joy, hope, inspiration, guidance, and above all, unconditional love for oneself and others. Stylistically, the album finds Daniels circling back to her Gospel roots, though the music pulls from the many genres she’s so expertly performed throughout her career: jazz, r&b, blues, and rock music. Highlights include the mood setting opener, “Choose Me”, the unparalleled showstopper “Healed”, which showcases Daniels’ passionate and wide-ranging vocal prowess, and the red hot soul stirrer “Never Alone”. On this special Deluxe Edition, three bonus tracks are included: an alternate version of “One Moment In Time” featuring guitarist Felton Offard, a stirring rendition of the traditional “I Want Jesus To Walk With Me” and “Let Freedom Ring: The Ballad of John Lewis” - her uplifting anthem for a world on the precipice of a new beginning. The powerful video, which has been viewed over 140,000 times on YouTube, can be seen here

With the release of The Promise, Daniels presents her most fully realized project to date, and ushers in a new era of her already illustrious career. Daniels shares: “I am so happy and excited to share this music with you. May it bless you and be a vehicle for love and healing on all levels of your existence.” 

Track listing:
1. Choose Me (4:23)
2. One Moment in Time (5:12)
3. The Promise (5:40)
4. My Prayer (5:05)
5. Healed (6:18)
6. Grateful (4:49)
7. Love Inside (5:00) 
8. I am Forgiven (8:36)
9. Never Alone (5:33)
10. Dance With Me (5:12)
11. Love Is the Answer (4:28)
12. One Moment In Time (5:12)
13. I Want Jesus To Walk With Me (4:28)
14. Let Freedom Ring (5:04)

All music by Dee Daniels except 13, which is a Traditional


MORE ABOUT DEE DANIELS

Dee Daniels is a crowd pleaser and a musician’s musician. Whether accompanying herself at the piano, fronting a trio, big band or symphony, she is a unique talent who transcends musical borders when she brings her jazz styling, infused with gospel and blues flavouring, to the stage.

The stepdaughter of a Baptist minister, Dee was born and raised in Oakland, CA. Though she graduated with a B.A. degree in Art Education, music was always a big part of her life. However, she didn’t discover her true calling to it until after teaching art in a Seattle high school for a year. She then joined a band, resigned her teaching position, and the rest is history!
Dee has since traveled throughout the world with her music. She has shared the stage and/or recorded with numerous legends of jazz including Houston Person, Monty Alexander, John Clayton, Russell Malone, Cyrus Chestnut, Ken Peplowski, and Lewis Nash to mention a few. Her diverse career has seen her in clubs and prestigious music halls around the world, on theater stages, television and radio, performances for royalty and international dignitaries, and on many recordings as leader or guest.

Dee has also established herself as a jazz vocalist in demand by the classical world, performing her five symphonic Pops programs with orchestras in the US, Canada, and Europe. Many organizations and institutions in and out of the music industry have recognized Dee with awards for her contributions in music, education, and community service.

Bob Mintzer & WDR Big Band - Soundscapes (May 7, 2021)

Der renommierte Tenorsaxophonist und Leiter der WDR BIG BAND präsentiert sein neuestes Werk -CD im Digipack mit 12-seitigem Booklet und als Doppel-LP (Gatefold, 180-Gramm-Vinyl, 4c-bedruckte Innenhüllen) auf JAZZLINE.

BOB MINTZER hat einfach den Dreh heraus. Ob nun infolge seiner Zusammenarbeiten mit dem THAD JONES-MEL LEWIS ORCHESTER, der BUDDY RICH BIG BAND oder der WORD OF MOUTH BIG BAND von JACO PASTORIUS, ist unklar. Sicher ist aber, dass er seinen Instinkt für Orchestration und Kontrapunkt während der Jahre immer weiter perfektioniert hat. Mit „Soundscapes“ meldet sich der Maestro als Leiter der WDR Big Band nun mit zehn neu arrangierten Stücken zurück. Der Tradition der WDR-Chefdirigenten folgend, hat MINTZER sein Werk mit der Bigband aus neu geschriebenen und extra hierfür ausgesuchten Kompositionen geschaffen. „Soundscapes“, ein Amalgam von Stimmungen, Grooves und komplexen Strukturen, zeigt nicht nur MINTZERs Arbeiten für dieses allgemein anerkannte Ensemble, er leistet sogar doppelte Arbeit, als Hauptsolist am Tenorsaxophon und dem Electronic Wind Instrument (EWI), während er andere herausragende Solisten ins Scheinwerferlicht stellt - etwa die langjährigen WDR-Mitglieder PAUL HELLER (Tenorsaxophon), KAROLINA STRASSMAYER und JOHAN HÖRLÉN (Altsaxophon), RUUD BREULS und ANDY HADERER (Trompete) und ANDY HUNTER (Posaune). Das im Dezember 2019 aufgenommene Album gehört sicherlich zu den allerbesten in MINTZERs langer Karriere.

1 A Reprieve 5:53
2 The Conversation 5:50
3 Stay Up 6:13
4 Montuno 5:04
5 Whack 7:18
6 Canyon Winds 7:11
7 Herky Jerky 6:43
8 New Look 9:29
9 One Music 7:51
10 VM 6:33

The Vernon Spring - For All We Know (Versions) 2021 Lima Limo Records

The Vernon Spring releases an EP of 4 versions of this famous jazz standard previously performed by a who’s who of musical legends from Nina Simone, Billie Holiday, Donny Hathaway, Johnny Hartman and Keith Jarrett. In Beste's words: "This standard is dear to my heart; I first heard the song after being introduced to the music of Donny Hathaway by my late father as a teenager. The opening lyrics to the song are “For all we know, we may never meet again, before you go, make this moment sweet again” - it was one of the songs I played at my late father’s funeral together with singer and close friend Tawiah."

1. For All We Know 03:58
2. For All We Know II 04:05
3. For All We Know III 05:12
4. For All We Know IV 03:34

Performed, produced and mixed by Sam Beste at The Arboretum
Mastered by Peter Beckmann

The Vernon Spring - A Plane Over Woods (2021 Lima Limo Records)

Following a prolific stint of creativity, Sam Beste, aka The Vernon Spring, is set to release his cathartic debut album 'A Plane Over Woods'. Made in the light of losing his father in 2019, and completed during the first COVID-19 lockdown, the album explores new territory for The Vernon Spring, incorporating subtle electronic textures of voices, samples and vinyl crackle loops into his already established beautifully restrained muted piano sound-world.

Perhaps best known as a member of alt-soul trio Hejira, Beste's work as a producer, performer and composer covers a multitude of styles and roles. He has worked with Amy Winehouse, Kano, Kindness, Blood Orange and many more, produced virtuosic London string duo Fran & Flora and sat in as a hang player for Portico Quartet. He has released music on Matthew Herbert's label Accidental Records, composed for film and was commissioned by BBC Radio 3's Nick Luscombe for original work. Curated with Hejira, his TRAUM events in central London attracted performances from Micachu & The Shapes, The Invisible, Kwabs, Oliver Coates, Gwilym Gold, Eska and more. Despite his young age, Sam's musical CV rivals many seasoned pros'.

With 'A Plane Over Woods' he makes his first declarative long-form statement as a solo artist.

1. Unassigned 01:16
2. The Hum II 02:04
3. A Plane Over Woods 02:56
4. Mother's Love 03:41
5. Nothing Can Stop Us 02:25
6. Spiral 01:00
7. Sunset Village 03:37
8. Clouds 01:05
9. Blue In Green 03:58
10. SK-1 02:05
11. For All We Know 03:57
12. An Angel I Know 02:04
13. Before Medicine 01:25
14. The Hum III (Reprise) 01:24

All tracks written, produced and mixed by Sam Beste, except:
»Mother‘s Love« written by Emahoy Tsegué-Maryam Guèbrou (Sounds Like Publishing Limited),
»Sunset Village« written by Beverly Glenn-Copeland (Tsm UK Publishing),
»Blue In Green« written by Bill Evans and Miles Davis (Downtown Music UK Limited),
and »For All We Know« written by J. Fred Coots (EMI United Partnership Ltd) and Sam M. Lewis (Redwood Music Ltd)

Mastered by Peter Beckmann

Michael A. Levy - Philosophers (May 7, 2021)

This album is themed on the ideas of nine great philosophers. Produced entirely on the iOS platform using an iPad Pro2.

1. Lao Tzu 06:33
2. Upsetting Descartes 04:39
3. Ave Aquinas 06:33
4. The Death Of Socrates 05:38
5. Hume Alone 05:41
6. Kant 05:42
7. Maimonides 03:24
8. Kierkegaard / Sartre 04:15
9. Nietszche 02:51

Michael A. Levy, piano

Claudio Scolari Project: Cosmology (2021 Principal Records)

The Claudio Scolari Project releases its fifth album "Cosmology": the soundtrack of an imaginary journey into space, where acoustic and electronic sounds blend together in an endless dialogue.

With his 5th album Cosmology, the Claudio Scolari Project officially becomes a quartet since bassist Michele Cavalca joined the band composed of Claudio Scolari/Simone Scolari/Daniele Cavalca. Instinctive rhythms, jazz chords, melodies that interact with the synthesizers, all in an atmosphere of pure experimentation, transporting the project into a musical dimension that blends jazz and avant-garde music.The structural part of the songs is managed by Claudio & Daniele who, coming from two slightly different artistic realities, create a unique fusion during the recording sessions. And then Simone and Michele who complete the work with their rhythmic-melodic parts, making the music even richer and more colorful.

1. Dark Matter 06:45
2. Magnitude 07:45
3. Hyper Galaxy 05:24
4. Aurora 04:22
5. Zenith 04:17
6. Spectrum 06:17
7. Cosmology 02:39
8. Blue Shift 08:06
9. Aphelion 06:11
10. Lunation 04:46
11. Black Hole 06:22
12. Collision 06:27
13. Nebula 05:24

Format: CD & Digital
CLAUDIO SCOLARI: Drum set 1, Synth Programming
DANIELE CAVALCA: Drum Set 2, Live Synths, Rhodes, Piano
SIMONE SCOLARI: Trumpet
MICHELE CAVALCA: Electric Bass

All music composed by Scolari / Cavalca

Produced by Claudio Scolari, Daniele Cavalca
Published by: Principal Records

Recorded December 2020 at Vox Recording Studio,
Ghiardello RE, Italy.
Engineer: Andrea Fontanesi

Mastered January, 2021 by Andrea Fontanesi

Thursday, May 6, 2021

May 6: NEC Jazz Orchestra Celebrates Music of Ken Schaphorst in Concert Broadcast

NEC Jazz Orchestra Celebrates the Music of Ken Schaphorst

in Concert Broadcast on Thursday, May 6
The NEC Jazz Orchestra celebrates the music of Jazz Studies Chair Ken Schaphorst in their final concert of the season. The program includes Schaphorst’s compositions “Charlie Parker’s Tuxedo,” “Omega Man,” “Sleepwalkers,” “Blues Almighty,” and “Mbira,” as well as his arrangements of Mingus’s “Goodbye Pork Pie Hat,” Oliver Nelson’s “Stolen Moments,” Tadd Dameron’s “If You Could See Me Now,” and Chick Corea’s “Crystal Silence.”  Recorded in April at NEC’s iconic Jordan Hall, the concert will be broadcast on Thursday, May 6 at 7:30 p.m. EST.  To watch the performances, log on to https://necmusic.edu/events/nec-jazz-orchestra-music-ken-schaphorst
 
Ken Schaphorst is an internationally acclaimed composer, performer, and educator. As Chair of the Jazz Studies Department at NEC, he teaches courses in jazz composition, arranging, theory and analysis as well as directing the NEC Jazz Orchestra. Before moving to Boston in 2001, he served for ten years as Director of Jazz Studies at Lawrence University in Appleton, Wisconsin. Schaphorst is also a founding member of the Jazz Composers Alliance, a Boston-based non-profit corporation promoting new music in the jazz idiom since 1985. Schaphorst studied at Swarthmore College, NEC, and Boston University, where he received the Doctor of Musical Arts in 1990. His composition teachers have included Thomas Oboe Lee, Gerald Levinson, William Thomas McKinley and Bernard Rands. Schaphorst was awarded Composition Fellowships from the National Endowment for the Arts in 1988 and 1991, the Wisconsin Arts Board in 1997, Meet the Composer Grants in 1987 and 1997, and was a Music Composition Finalist in the Massachusetts Fellowship Program in 1986. He won the Achievement Award for Jazz Education from DownBeat magazine in 2007. Schaphorst has released seven recordings as a leader: Ken Schaphorst Big Band: Making Lunch (1989), Ken Schaphorst Big Band: After Blue (1991), Ken Schaphorst Ensemble: When the Moon Jumps (1994), Ken Schaphorst: Over the Rainbow (1997), Ken Schaphorst Big Band: Purple (1999), Ken Schaphorst: Indigenous Technology (2002) and Ken Schaphorst Big Band: How to Say Goodbye (2015).
 
NEC’s Jazz Studies Department was the brainchild of Gunther Schuller, who moved quickly to incorporate jazz into the curriculum when he became president of the Conservatory in 1967. He soon hired saxophonist Carl Atkins as the first department chair, as well as other greats including NEA Jazz Master George Russell, pianist Jaki Byard and Ran Blake. The foundation of its teaching and success begins with the mentor relationship developed in lessons between students and the prominent faculty artists. In addition to its two jazz orchestras, faculty-coached small ensembles reflect NEC’s inclusive approach to music making, with ensembles focused on free jazz, early jazz, gospel music, Brazilian music, and songwriting, as well as more traditional approaches to jazz performance.
 
Students are encouraged to find their own musical voices while making connections and collaborating with a vibrant community of creative musicians, and ultimately to transform the world through the power of music. The program has spawned numerous Grammy winning composers and performers and has an alumni list that reads like a who's who of jazz, while the faculty has included six MacArthur "genius" grant recipients (three currently teaching) and four NEA Jazz Masters.

Cécile McLorin Salvant delivers intimate home performance to raise funds for public health in Haiti

Grammy Award-Winning Artist Cécile McLorin Salvant 
& Sullivan Fortner
Deliver an Intimate Home Performance
to Raise Funds for GHESKIO in Haiti

Grammy Award-winning artist Cécile McLorin Salvant has partnered with the Haitian Global Health Alliance to release an intimate fundraising performance, At Home, recorded in her Brooklyn loft. The video will be available for viewing from May 10 – 31, with all proceeds benefiting GHESKIO, a world-renowned public health organization serving patients in Haiti.

“Ms. Salvant has been a generous musical champion for Haitian causes, including GHESKIO,” said Scott Morgan, Executive Director of the Haitian Global Health Alliance. “Her vocal talent and genre-spanning repertoire are unmatched in the jazz world today.” 

Tickets to view this exclusive performance, which includes Salvant with pianist Sullivan Fortner, are available through May 31, 2021 at gheskio.org for a name-your-price donation. 100% of proceeds will support GHESKIO.
A composer, singer and cross-disciplinary visual artist, Salvant has received Grammy© Awards for Best Jazz Vocal Album for her three latest albums. In 2020, she received a prestigious MacArthur Fellowship and a Doris Duke Artist Award. More about Cécile McLorin Salvant, her music, art and photos can be found at cecilemclorinsalvant.com

About GHESKIO
GHESKIO, which operates a network of clinics in Port-au-Prince and throughout Haiti, is an international leader in clinical care and research for HIV, tuberculosis and other infectious and chronic diseases. Since the earliest days of the HIV epidemic, GHESKIO has been at the forefront of the HIV response, implementing testing and prevention strategies and treatment protocols that have influenced guidelines worldwide. GHESKIO has been a leader in Haiti’s decrease in HIV prevalence from 6.2% in 1993 to the current level of less than 2.0%. GHESKIO is also the Caribbean’s largest provider of tuberculosis diagnosis and treatment. GHESKIO is world-renowned for its research, with more than 35 years of continuous support from the National Institutes of Health (NIH) for clinical trials and decades of support from PEPFAR (President’s Emergency Plan for AIDS Relief) for treatment and care of people living with HIV in Haiti. GHESKIO is a member of the prestigious AIDS Clinical Trials Group, and GHESKIO researchers have published over 250 peer-reviewed publications.

About the Haitian Global Health Alliance
The Haitian Global Health Alliance is a U.S.-based 501(c)3 organization that provides fundraising and communication support for GHESKIO.

Contact Scott Morgan
scott@hgha.org
973-865-0128

Tony Malaby - Turnpike Diaries Vol​.​3 Big Mammals (2021)

Two of my favorite sound designers, William Parker and Billy Mintz, came and propelled me into beautiful landscapes bringing out the soaring screech of raptors, the sea mammal and dancing bear in me.

1. The Dancing Bear (for Tatiana) and Birds of Pray
2. Big Mammals

Tony Malaby - Tenor and Soprano saxophones
William Parker - Bass and Tuba
Billy Mintz - Drums

Recorded by Randy Thaler
Mastered by Eivind Opsvik
Cover art by Tim Berne
Thank you Kevin Reilly

Tony Malaby - Turnpike Diaries Volume 2 (2021)

There’s a type of Kung Fu one needs to drive in New Jersey. Hidden signs, many types of drivers with constantly changing velocities that are ahead, behind, and alongside one at all times. It’s very similar to this first track that I am calling Jersey Merge Redux (I have used this title before). I hope you can feel the Kung Fu as I did - unbelievable flow and intelligence from Michael and Mark. Enjoy. T

1. Jersey Merge Redux 48:47
2. Bonus Track - Elbow Up ! 34:59

Tony Malaby - Tenor and Soprano Saxophones
Michael Formanek - Bass
Mark Ferber - Drums

Recorded and Mixed by Randy Thaler
Mastered by Eivind Opsvik
Cover by Tim Berne
Recorded on November 10, 2020

Tony Malaby - Turnpike Diaries Volume 1 (2021)

I started playing sessions on July 6, 2020 with Billy Mintz and John Hebert under a turnpike bridge not far from my home. We would play 3 to 4 times a week, slowly more friends began to come to play with me in addition to the trio with Mintz and Hebert. I want to share some of these field recordings with you and want to begin with this session that took place on October 19. My walk to the spot with both horns on my back was so full of joy and anticipation because I was going to throw sound with some of my favorite improvisors and mentors - my “ Jefes”.

I hope you enjoy this as much as I did . I can’t begin to thank Randy Thaler and Kevin Reilly for their commitment to documenting these sessions - it still keeps me looking forward and positive during these trying times . Thank you for listening. Tony Malaby

1. Los Jefes 39:32
2. Slap Happy 27:31

Tony Malaby - Tenor and Soprano saxophones
Tim Berne - Alto Saxophone
Mark Helias - Acoustic Bass
Michael Formanek - Acoustic Bass
Ches Smith - Drums

Recorded by Randy Thaler
Cover art - Tim Berne
Mastered by Eivind Opsvik
Recorded on October 19 2020

Tony Malaby - Cellar Notes (2021)

I never had the opportunity to document this quartet, so I am happy that I can now share these live sets from Cornelia St. Cafe. At the time of these recordings, I was leading the groups Tamarindo, Apparitions, and Paloma Recio, as well as many sideman projects, several of which featured Ralph Alessi and John Hébert . The three of us were yearning for an outlet to stretch out in a casual, relaxed setting with no predetermined solo order, solo length or complicated road maps. When I was offered a weekend at Cornelia Street, I jumped at the chance and called Billy Drummond.

I put together four books of tunes that were laying around the pad, mostly by peers such as Chris Lightcap, Angelica Sanchez, Dave Scott, Michael Attias, Eivind Opsvik, and Billy Mintz. We filled out the book with Ralph and John’s tunes, along with some Ornette, Frisell, Motian, and Sidney Bechet. At the time I called it “The Reading Band.” Drew Gress often subbed for Hébert . This group never played to an empty room. Please follow us here at Bandcamp and enjoy Cellar Notes.

1. Ralph and the Red Head (Dave Scott), Blind Pig (John Hébert), Flight (Billy Mintz) 29:31
2. Mirror Me (Angelica Sanchez), Humpty Dumpty (Ornette Coleman), Endless(Paul Motian) 21:17
3. Cajun Christmas (John Hébert) 10:59

Tony Malaby - Tenor Saxophone
Ralph Alessi - Trumpet
John Hébert - Bass
Billy Drummond - Drums

Recorded by Scott Friedlander
Mastered by Eivind Opsvik
Cover Art by Tim Berne
Recorded Live at Cornelia St. Cafe on March 13, 2009

Nacho Loring - Noneto (May 17, 2021)

Trumpetter and composer based in South of Spain, releasing his new album "Noneto". New compositions with a new group of nine musicians from the Andalusian jazz scene

Este disco que estás a punto de comprar se grabó en octubre de 2019 en EMMAT, Alhaurín de la Torre (Málaga). Tras una proposición de Leyla Esteso de componer música para un noneto y estrenar la música en el Festival de Jazz de Torremolinos del mismo año, el trompetista y compositor malagueño Nacho Loring pensó en los amigos con los que quería contar para dicha formación y escribió para ellos. En este EP aparecen algunos de esos temas y dos composiciones de miembros de la banda (Pablo Guzmán y Marcos Merino) que también sonaron en el ya citado festival. Deseo que lo disfruten tanto como nosotros. escribiendo y tocando esta música.

1. Vanidad
2. Aquellos ojos verdes
3. Jarana
4. Pra machucar meu coraçao
5. Calle Elvira

Nacho Loring (Trumpet and flugelhorn)
Moisés Fernández (Trombone)
Pablo Valero (Flute)
Dani Torres (Tenor sax)
Juanpe Berrocal (Alto sax and flute)
Pablo Guzmán (Guitar)
Marcos Merino (Piano)
Alejandro Tamayo (Doublebass)
Sergio Díaz (Drums)

Alejandro Lévar (Mixing, master, sound engineering)
Javier Gómez (Sound engineering)
Nita Loring (Artwork)
Luis Castillo (Poem "Calle Elvira")

Peter Brötzmann / Peter Friis Nielsen / Peeter Uuskyla - Flying Feathers (May 6, 2021)

1. The Ravens Cry At Dawn 14:37
2. Flying Feathers 10:13
3. Willie´s Chilly 12:02
4. Chilly Willy 15:23
5. Muiko 10:59

Recorded September 7, 2001 at Bohus Sound Recording, Kungälv, Sweden. All music originally released by FMR records UK, 2002.

Tenor sax, alto sax (2) and tarogato (4): Peter Brötzmann
Electric bass: Peter Friis Nielsen
Drums and recording session producer: Peeter Uuskyla
Recording engineér: Dragan Tanascovic
Photo (not original cover): Gudrun Edel-Rösnes

Birgit Ulher / Damon Smith / Chris Cogburn - The Eternity Cult (May 2021 Balance Point Acoustics)

1. Is the Longest Disease of Mankind 35:05

Birgit Ulher - trumpet, radio, speaker, objects
Damon Smith - double bass
Chris Cogburn - percussion, electronics

Recorded Feb 17th, 2018 in Denton, TX
Mastered by Weasel Walter

qitus - Twee (May 2021)

1. Live On Peaks 05:55
2. In Waltzed Mood 05:15
3. Twee 07:00
4. The Wise 07:37

Mindaugas Apulskis - Tenor Sax (1, 2 and 4)
Alper Elmaci - Fender Rhodes (1 and 3), Piano (2 and 4)
Sophia Guenst - Vocals / Lyrics (3)
Dimitris Koulentianos - Double Bass
Joshua van der Beek - Guitar
Marc Laguna - Drums / Composition / Artwork

Recorded by Giorgos Kravvaritis on February 29th 2020 in Amsterdam
Assistant engineers: Pantelis Pilavios & Ayla Versluis

Mixed and mastered by Giorgos Kravvaritis

Tom O'Halloran Trio - Axiom (May 6, 2021)

Tom O’Halloran leads his own original jazz piano trio outfit and conducts orchestras from time to time, and composes experimental jazz music.

1. Gears 10:27
2. Elegy 10:41
3. The Grounding 08:01
4. Hectic 12:19
5. Shimmer 11:42
6. Conception 06:48
7. Cascade 07:03
8. One Page Indigestion Blues 06:44

Pete Jeavons (double bass)
Daniel Susnjar (drums)

Compositions and arrangements by Tom O’Halloran.

Conception originally composed by George Shearing, 1950.

Recorded, Mixed and Mastered by Lee Buddle from Soundmine, Perth, Western Australia, late 2020.

Wednesday, May 5, 2021

Jazz at Home Watch the JLCO, Paquito D'Rivera, and Lakecia Benjamin Live; Plus, The LA Scene and FREE Access to Jazz Congress

2020-21
 

Witness the World Premiere: Freedom, Justice, and Hope

Featuring the Jazz at Lincoln Center Orchestra with Wynton Marsalis and Social Justice Advocate Bryan Stevenson
Premieres May 21 at 7:30pm ET
On-demand through May 26
Virtual ticket: $20  

In collaboration with Bryan Stevenson—a globally acclaimed activist, public interest lawyer, and founder of the Equal Justice Initiative—the JLCO with Wynton Marsalis will perform compelling and deeply personal new music by emerging composers Josh Evans (trumpet) and Endea Owens (bass; Jon Batiste’s Stay Human). Join us for this inspiring night of music.

Leadership support provided by Gregory Annenberg Weingarten, GRoW @ Annenberg  

In these trying times, we plan to continue entertaining, enriching, and expanding the global community for jazz through online education and our social platforms. Please consider supporting Jazz at Lincoln Center at whatever level you can. 

Live from Dizzy's Club is Back!

Join us from the comfort of your own home as we bring stunning New York views and the live jazz club experience to your living room. See the upcoming shows listed below and get your virtual ticket today.

Thursday, May 6 - 7:30pm ET
Paquito D'Rivera & Alex Brown (Buy Tickets)

Thursday, May 13 - 7:30pm ET
Lakecia Benjamin (Buy Tickets)

Thursday, May 27  - 7:30pm ET
Sullivan Fortner (Buy Tickets)
Register for Jazz Congress 2021

Registration is open for Jazz Congress, which will take place virtually on May 17-20, 2021. Presented by Jazz at Lincoln Center and JazzTimes, the conference for artists, media, and industry leaders in the global jazz community is free this year!

For a sample of what went down at last year's Jazz Congress, check out  "We Insist: Speaking Truth to Power,” the newest episode of the Jazz Congress Podcast, available now on all platforms.

Swing U Spring Term Now in Session!
 
Swing University - Spring Virtual Term
Now–June 30
$10-$12 for individual classes
All-Access package available

Swing University offers engaging virtual classes for jazz fans, enthusiasts, and students of all backgrounds and levels. This term, learn more about jazz legends like Louis Armstrong, Ella Fitzgerald, John Coltrane, and more!

Our fun and informal classes are taught by industry experts like Seton Hawkins, Todd Stoll, and Justin Poindexter as well as members of the Jazz at Lincoln Center Orchestra including Victor Goines, Vincent Gardner, and more. Explore jazz history, discuss new and classic tunes, and discover listening methods that will improve your concert experiences.

ALL-ACCESS PACKAGE RATE: $200 (to purchase, please email swingu@jazz.org or call 212-958-9877

SINGLE CLASSES:  
$10 - pricing available through the Saturday prior to class
$12 - starting Sunday prior to class

Watch: “It Come ‘Round ‘Gin”

In the spirit of #JusticeAndHope, the Jazz at Lincoln Center Orchestra Septet with Wynton Marsalis gives a lively performance of “It Come ‘Round ‘Gin” from The Democracy! Suite. Listen to the full album out now on Blue Engine Records.

Listen to the Sounds of Los Angeles With Our Playlist

From Lionel Hampton to Gerry Mulligan to Kamasi Washington, the City of Angels has been a West Coast hotspot for jazz innovation. Explore the evolution of LA jazz through our kaleidoscopic playlist.


Watch JALC Live and Create Your Own House of Swing

Check out this week's digital offerings (all times ET) and view our full schedule here.

Wednesday, May 5

7pm - Swing University: Jazz 101 (Register)

Thursday, May 6

12pm - A Closer Listen with Seton Hawkins and Yunie Mojica (Zoom and Facebook Live)

7pm - Swing University: Boss Guitar: The Music of Wes Montgomery (Register)

7:30pm - Live from Dizzy's Club: Paquito D'Rivera & Alex Brown (Buy Tickets)

Friday, May 7

7pm - Swing University: Pops is Tops: Celebrating Louis Armstrong (Register)

Saturday, May 8

3pm - Swing University: 88 Keys: Iconic Jazz Pianists (Register)

Sunday, May 9

2pm - Swing University: Change of the Century: Ornette Coleman's Genius (Register)

Tuesday, May 11

12pm - A Closer Listen with Seton Hawkins and Yunie Mojica (Zoom and Facebook Live)

7pm - Swing University: The Life of John Coltrane (Register)

Rino Arbore - Temporary Life? (May 4, 2021 Dodicilune / Ird)

After having explored the world of rituals and grief in his album “The Roots of Unity”, Rino Arbore - in this record titled “temporary life?” - deals with several thorny ethical issues: the ability to resist evil, indifference or empathy with other people’s suffering and the value of life. As starting point there are three mug shots of Czeslawa Koka, a Polish girl interned in Auschwitz who died in 1943 at 14 years old, after only three months of detention. She was probably killed by a phenol injection. Wilhelm Brasse, the photographer of the camp, portrayed her posing in three different ways, as Nazi used to “identify” their prisoners: a frontal photo and two profile photos. His shots depict a terrified little girl, with her head shaved and a wound on her lip: the same Brasse then reported that the girl, who couldn’t grasp a single word of German and that felt like she was thrown with her mother in an incomprehensible horror, in the picture had just been beaten by a Kapo with a stick.

In the photos she stays motionless in shock and with fear. The album “temporary life?” is dedicated to Czeslawa Koka and to Brasse. In fact the titles of the tracks are conceived to suggest a sort of narration of their life stories. The powerful and tense music is entrusted to a classical jazz quintet, that is classical on paper alone: you are not going to listen to unison themes and long solos accompanied by rhythmic music. The music texture is more complex and free, as it follows a chamber-music cosmetic that continuously divides the group in smaller units, until the rhythm is entrusted to single musicians. More compact tracks in the name of free-bop, like “Czeslawa cries”, “The train at dawn” or “Dance of pigs”, alternate with more sophisticated tracks like “Temporary life?” or the final “Corpi inutili” (Useless bodies). The tune is suggestive and alienating in “L’amore in fondo” (Love at the bottom), a typical shady ballad whose secret is known by Arbore.

All the involved musicians play in a marvellous way: Rubini with his zigzagging paths, Distante with is lyric pathos, Vendola with his warm presence and D’Ambrosio with his always dramatically meaningful contribution, to end with Arbore’s guitar, that directs the rhythm and colour of music. All this contributes to mark a work whose beauty and stunning depth will stay with us for a long time. Fabrizio Versienti
1 - Temporary life?
2 - Czeslawa cries
3 - Nie rozùmiem ci
4 - The train at dawn
5 - Dance of pigs
6 - Fabrika
7 - L'amore in fondo
8 - Block
9 - Wilhelm Brasse
10 - Corpi inutili  

All compositions by Gennaro Arbore

Rino Arbore - guitar
Giorgio Distante - trumpet
Mike Rubini - alto sax
Giorgio Vendola - double bass
Pippo D’Ambrosio - drums

Produced by Maurizio Bizzochetti, Gabriele Rampino, Dodicilune, Italy
Label manager Maurizio Bizzochetti (www.dodicilune.it)
Recorded 15, 16 February 2018 at Studio Sorriso, Bari, Italy
Mixed and mastered 18 April 2018 at Studio Sorriso, Bari, Italy
Sound engineer Tommy Cavalieri
Photos by Lorenzo Zitoli, Alessandro Pensini, Giovanna Sodano, Marina Damato

Grammy-Nominated Brazilian Guitarist Ricardo Silveira Releases SOLO

ACCLAIMED BRAZILIAN GUITARIST RICARDO SILVEIRA RELEASES SOLO


Renowned Brazilian guitarist RICARDO SILVEIRA is releasing his first solo album, aptly titled SOLO (April 16, 2021, Moondo Music LLC). Silveira is a prolific recording and performing artist in both Brazil and the United States. He has worked with a Who’s Who of legendary Brazilian artists, and he has recorded over a dozen albums as a leader or co-leader. He has also appeared on numerous CDs as a sideman for other artists, including Elis Regina, Milton Nascimento, Wayne Shorter, Gilberto Gil, Ivan Lins, Joao Bosco, Gregg Karukas, Marcos Ariel, Diana Ross, Vanessa Williams, and others.

Silveira grew up in Rio de Janeiro, surrounded by the lush rhythms of Brazilian music. Attracted to the top rock and blues acts of the day, like the Beatles, Jimmy Hendrix, Led Zeppelin, Cream, and BB King, he began playing guitar at the age of 11. He also started exploring jazz artists like Dave Brubeck, Miles Davis, Joe Pass, George Benson, and Wes Montgomery.

Silveira started developing his chops by jamming with friends and playing at various school shows and festivals. He decided to become a professional musician and began studying classical guitar and music theory to pursue his music studies in college. Although Brazilian universities at that time offered courses in music, they didn’t offer courses specifically designed for guitar, so Silveira signed up for a summer course at Berklee College of Music in Boston. That summer course changed his life as he got a scholarship to continue studying at Berklee. He also began shuttling regularly back and forth between Brazil and the U.S.

While in Boston, he met guitarist Bill Frisell, who recommended him for a salsa band called Latin Stars. It was the beginning of Silveira’s career as a professional musician. When he wasn’t in school or playing gigs, Silveira also started travelling back and forth to New York City to play music and hang out with friends. Another Brazilian guitarist, Claudio Roditi, soon told renowned flutist Herbie Mann about Silveira.

Mann was one of the pioneers of fusing jazz and World music. At the time, he was looking for a Brazilian guitarist who could play Brazilian rhythms as well as straight-ahead jazz, blues, and other styles. He hired Silveira on the spot. Silveira quit Berklee, moved to New York, and spent two years performing and recording with Mann. While living in New York, he also began working as a studio musician with some of the top jazz musicians around, like Steve Gadd, Richard Tee, Marcus Miller, Michael Brecker, Jason Miles, and Nana Vasconcelos. He has shared the stage with Sergio Mendes, Dave Grusin, Oscar Castro Neves, Dori Caymmi, Diana Ross, Justo Almario, Toots Thielemans , Baby Face, Pat Metheny, Ernie Watts, and Abe Laboriel, among many others. He toured Europe and made eight trips to Japan with Sadao Watanabe and Don Grusin.

Silveira recorded his first album as a leader in 1984 for the Polygram label. The album, Bom De Tocar (Good to Touch), became a huge radio hit and established his reputation as a top recording artist in his own right. He moved to Los Angeles not long after the album was released. He explains, “I travelled to Southern California several times to perform, and after living in Boston and New York for several years, I just wanted a change. And coming from Brazil, I really wanted to move to a warmer climate.”
Silveira became a regular on the California jazz scene and went on to record albums for several labels, most notably four CDs for Verve Forecast between 1988 and 1992, and an album for Kokopeli, Herbie Mann’s label, in 1995. He also released six albums for the Adventure Music label, the New York-based label which became a home for many Brazilian, African, and New Age musicians. His first release for Adventure, Noite Clara, received a Latin Grammy nomination for Best Instrumental Album in 2004.

Silveira played on Randy Brecker’s Randy in Brazil, which won a Grammy in 2009 for Best Contemporary Jazz Album. Also in 2009, Silveira was the music director for singer-songwriter Joao Bosco’s I'm Not Going to Heaven, But No Longer Live on the Ground, which was nominated for the Brazilian Music Award and a Latin Grammy Award in 2010.

Like almost all musicians, Silveira’s normally busy touring schedule became wide open because of the Covid-19 pandemic. Quarantined at home, he decided it was a good opportunity to finally record a solo album. At first, he considered just putting out his music on YouTube, but he changed his mind after talking with Colombian-American guitarist, Juan Carlos Quintero, who recently revived his label, Moondo Music LLC. Silveira’s album was a perfect fit for the high-quality, artistically rendered jazz and World Music that Quintero envisions for his label.

SOLO is an atmospheric, romantic album that pairs well with a glass of wine on a balmy night. JazzTimes Magazine has said, “Silveira chooses each note carefully, and his compositions are wonderfully detailed yet understated.” Silveira included six of his original tunes, all of which he recorded on previous albums but re-imagined here for solo guitar, as well as songs by great Brazilian composers Marcos Valle & Paulo Sergio Valle, Antonio Carlos Jobim, and Johnny Alf, as well as a gorgeous rendition of Rodgers & Hart’s “My Romance.”

Silveira’s music is graceful, and his style is straight-ahead, contemporary, and audience friendly. Although Latin jazz and Brazilian flavors are sprinkled throughout this album, the music is reflective and airy while still maintaining its groove-based roots.

1. Rio Texas
2. Preciso Aprender A Ser So
3. That Day in Tahiti
4. Tango Carioca
5. Luiza
6. Francesca
7. My Romance
8. Zingaro/Retrato em Branco e Preto
9. Noite Clara
10. Eu e Brisa
11. Amazon Secrets

SOLO will be available on Spotify, Amazon, iTunes and all digital platforms