Since their debut record in 2008, the 3MA musicians have been through many individual experiences broadening their knowledge. They meet regularly to give 3MA concerts throughout the world and over the years, new ideas have sprung up, and then have been refined, giving birth to new compositions or reworking existing ideas. A decade after the beginning of their adventure, it was time to take stock and get back into the recording studio. This new album bears witness to their wonderful connection and mature experience. Percussionist Khalid Kouhen joins in on two tracks to add delicate pulses with his Pakistani percussions and Indian tablas and on two other tracks we can even hear Rajery, Driss and Ballaké singing. But for the rest of the record, the string instruments reign and weave their magic alone. Each piece is the result of a unique chemistry in which individual parts are hard to define. The sounds of kora, oud and valiha do not try to stand out over each other, but instead develop a common language. While we never lose sight of the rich traditions which Ballaké Sissoko, Driss El Maloumi and Rajery embody, we hear above all a shared message from 3MA, a message that rallies against the violence of our world, with their soft and invigorating harmonies, vital energy and universal poetry.
2 Samedi glace