Our light shines brightest in the darkness and things in life don’t always turn out the way that we have planned. It is with these maxims in mind that the brilliant pianist and composer Shamie Royston presents her new recording, Beautiful Liar. Her second release is a testament to perseverance and the proposition that learning from mistakes will help in the pursuit of goals and subsequent triumphs.
Though the path might not have always been an easy one, Royston’s light is luminous and her music has served her in establishing herself as a leading voice in the jazz world. Originally from Denver, Colorado, Royston has been an integral part of the New York jazz scene as a performer and educator. Her contributions as a pianist can be heard alongside celebrated leaders like Tia Fuller, Ralph Peterson, Sean Jones and Terri Lyne Carrington.
On Beautiful Liar, the core sound is that of the piano trio, embellished by one or two horns for different sonic possibilities. Drummer Rudy Royston provides a strong rhythmic foundation and centric fire when paired up with bassist Yasushi Nakamura, whose strong bass presence is essential to the leader’s compositions.
Royston expands the ensemble on a number of pieces, exploring possibilities of a quartet and of a quintet. The melodic approach of saxophonist Jaleel Shaw serves as a perfect voice for Royston’s compositions. Royston also adds trumpet player Josh Evans, who ignites a sound of juxtaposing harmonies into Beautiful Liar. This recording focuses on the piano trio as a lead voice, while the horns’ roles are reminiscent of background singers and soloists, for a few of the compositions.
The pieces present on Beautiful Liar are all original compositions, except the great “A Lovely Day,” which was made famous by Bill Withers. Furthermore, every original composition represents trials and tribulations of life, reflecting Royston’s life journey and personal development.
The fantastically swinging “Dissimulate” is about concealing one’s true character, which is illustrated by the melody being played by one voice and then recreated by a second voice, the interweaving lines of sax and trumpet only coming together at the end, moving from chaos to a united resolution. She chose to add Bill Withers’ “Lovely Day” because it represents times of happiness and hope. This particular arrangement features the horns as background singers. “Circulo Vicioso” represents a sequence of reciprocal cause and effect in which two or more elements intensify and aggravate one another, leading to a worsening of a situation. The song is musically constructed around a circular melodic pattern intertwined with Afro-Cuban rhythms.
A personal favorite, “Uplifted Heart,” comes from a poignant melody Royston created that gives a feeling of happiness and peacefulness in the world. “A Tangled Web We Weave” describes a complex or difficult situation that one creates out of deceit. The piece begins with the trio before adding Shaw’s soprano sax. Both piano and sax melodies intertwine as the music continues to grow. The recording concludes with a solo piano take of “Precious Lullaby,” a moment of reflection and calm.
Beautiful Liar is a luminous portrayal of the full spectrum of life’s possibilities. Shamie Royston explores the full breadth of her experience and inspiration from the good, the bad and the obscure, to create a lovely recording. In essence, her message is that the key to life’s fulfillment is showering oneself with passion, positivity and promise.
1. Sunday Nostalgia
3. Beautiful Liar
4. Precious Lullaby
6. Lovely Day
7. Circulo Viscioso
8. Uplifted Heart
9. A Tangled Web We Weave
10. Precious Lullaby (Outro)
Jaleel Shaw - alto, soprano saxophone
Josh Evans - trumpet
Yasushi Nakamura - bass
Rudy Royston - drums