With an octet that includes a string trio, guitarist/composer Paul Peuker has created an incredible universe of sound that catapults the guitar back into contemporary jazz. A fascinating fusion of jazz and European contemporary classical music characterize Peuker’s exceptional compositions – critically praised and vibrant in a live setting.
The guitar’s role in jazz has more importance than ever before. Now making his home in Berlin, Paul Peuker is one of those players. In order to establish a wider musical spectrum, in 2011 he formed his octet, Peuker8. Characterized by a fascinating fusion of jazz and European contemporary classical music, Peuker’s exceptional compositions have been highly praised and have proven to be viable in a live setting.
You might think, aha, Third Stream jazz, and ignore the whole business. But Peuker’s music has nothing to do with some sort of ambitious academic work; rather, it flows forth with a wonderful vitality. Coincidentally, the listeners’ pleasure is a forgone conclusion as they become conscious of the close, natural intertwining, of players and styles. Peuker’s seemingly effortless structures are filled with spontaneity. This music is not overly cerebral; it is agile, multi-faceted and self-consistent without being intrusively overpowering. And it's a music from the here and now primed with American jazz and colored by European experiences, with string trio integrated in such a way that it accomplishes far more than enhance the music’s ‘flavor’ or effect.
Luckily, Paul Peuker has kept his large group together as he continues the exploration of his ‘third way’. Having grown out of a multiplicity of joint musical experiences, his second album, "Influx", is the next step; with a heightened intensity, he decisively suffuses his concept with life. Dense and rugged while at the same time transparent and permeated with creative details, this spirited band navigates its way through the ten concisely structured compositions.
Peuker has written into them a balanced awareness of form and improvisational freedom, as if they could have never been any other way. The pieces allow this large group to play with the fluidity of an extremely flexible organism.
Peuker is a remarkable guitarist. He can breathe new life into a ballad, but he can also let loose, hands-on and rocking, without losing sight of his responsibility to the group. This goes for all of the players. Theirs is a collective sound – compact, playful – and it all makes sense. At times there is such a rhythmic intensity that it may well make you want to get up and dance. The solos are cleverly integrated into this musical cosmos, since each individual is a part of the common cause.
Ulrich Stock recently wrote in Germany’s prestigious der ZEIT newspaper, "Suddenly jazz is back – in the big cities, in improvised clubs – and at some of the concerts the listeners are as young as the musicians. How can that be?" Peuker8 offers one of the most plausible answers.
1 Love Song 7:28
2 The Skyward Escape 5:58
3 Grind Me Tender 6:19
4 Anthem 4:24
5 At Beinglas Farm 6:59
6 Metamorfosi 10:39
7 Fuge 8:08
8 Mnimi 3:54
9 Theme Music 5:25
10 Into the Wild White Yonder 4:27
Clemens Christian Pötzsch (piano)
Mark Weschenfelder (saxophone)
Alina Gropper (violinquinton)
Filip Sommer (violaquinton)
Elisabeth Coudoux (cello)
Eugen Rolnik (bass)
Florian Lauer (drums)
Sissi Rada (vocals on "Mnimi")
Recorded, produced and mixed by Max Trieder at Hirschberg Studio, Oberkirchen and Studio 5, Berlin. Mastered by Henning Birkenhake at Eastside Mastering, Berlin. Photos by Dovile Sermokas. Design and artwork by Travassos.
Concerts 2018
Jul 06, 2018 - Greifswald, DE @ Eldenaer Jazz Evenings
