The opener “Somebody Like You” sets the tone for Angels. Scott swings from the beginning—the band lays down an old school groove and Scott glides in, part starry-eyed romantic, part sophisticate, expressing himself with easy, adjusting to the fickle winds of romance with each syllable. The influence of the classy, jazz-based crooners is there—Nat “King” Cole and Johnny Hartman—but Scott doesn’t attempt to “sound like” them. He’s absorbed their styles and adapted them to his own singular approach, adding a bit of grit, a touch of irreverence, and a lot of heart.
Scott makes his way down Lonely Avenue, a street of dreams where the blues are kept at bay by “Valium & Soda”—he’s a nightclub philosopher in the manner of Jimmy Scott and Bob Dorough, singing in a sly, worldly drawl. Chestnut’s piano is luminous in a spare, funky manner and Freddie Hendrix’s trumpet provides a sweet balm for Scott’s condition.
01. Somebody Like You 3:01
02. Angels (Always Welcome 'Round Here) 4:19
03. What Magic Is This 4:11
04. Valium & Soda Pop 3:22
05. Haunted House (The Other Side of Blue) 3:25
06. The Things We Leave Behind 4:24
07. Ninety-Nine 5:00
08. Someday You'll Be Sorry 3:22
09. Learning to Fly 5:27
10. Whatcha Gonna Do on Monday 2:33
11. Blowin' Kisses at the Moon 4:09
12. Bye, Bye, Blackbird 3:46
13. Swingtime Lullabye 4:23
MUSICIANS
ANDY SCOTT – vocals
CYRUS CHESTNUT – piano
DEZRON DOUGLAS – bass
EVAN SHERMAN – drums
SPECIAL GUESTS
ABELITA MATEUS – vocals & fender rhodes piano (track 3)
RONELL BEY – vocals (track 7)
YOTAM SILBERSTEIN – guitars (tracks 1,2,3,7,9,10)
GREG GISBERT – trumpet (tracks 3 & 5)
FREDDIE HENDRIX – trumpet (track 4)
ANDRES BOIARSKY – tenor sax & clarinet (tracks 4, 5,6,11)
ANNE DRUMMOND – alto flute (tracks 1 & 3)
CAFÉ – percussion (track 3)
VINCE ECTOR – drums & percussion (tracks 2 & 7)
ROGER SQUITERO – percussion (tracks 3 & 7)
ROSENA HILL JACKSON – background vocals (track 7)
SONNY WILLIAMS – background vocals (track 7)
TONY HEWITT – background vocals (track 7)
Produced by: John Lee
Executive Producer: Lisa Broderick