Thursday, April 15, 2021

Rez Abbasi named 2021 Guggenheim Fellow

Acclaimed guitarist/composer Rez Abbasi wins 2021 Guggenheim Fellowship in Music Composition
 
Abbasi is one of a diverse group of artists, writers, scholars, and scientists selected to receive the honor

Guitarist and composer Rez Abbasi, one of the most celebrated artistic voices of his generation, has been named a 2021 Guggenheim Fellow in Music Composition. He’s one of 184 artists, writers, scholars and scientists, 13 in the area of Music Composition, receiving this year’s award.  A veteran of fourteen albums as a leader, his deep musicality has been applied with equal conviction to contemporary New York acoustic jazz, the Qawwali and Indian Classical traditions of South Asia and the heady fusion sounds of the 1970s, each time applying the filter of his own musical personality to deliver inimitable results.
 
“I am truly honored and grateful to be named a Guggenheim Fellow,” says Abbasi. “The award is a concrete affirmation that embracing my intuition and artistic values was the right thing to do.”
 
The Guggenheim Fellowship is one of the most distinguished awards an artist can receive. Since 1925, the Foundation has awarded nearly $400 million to more than 18,000 individuals. The Foundation offers “fellowships to exceptional individuals in pursuit of scholarship in any field of knowledge and creation in any art form, under the freest possible conditions. After a rigorous review involving hundreds of distinguished scholars and practitioners, the Foundation’s Board of Trustees appoints Fellows on the basis of past achievement and notable promise for future accomplishments.”
 
Chosen from almost 3000 applicants, the 2021 Fellows represent a broad range of disciplines and pursuits. “A Guggenheim Fellowship has always been meaningful,” says Foundation President Edward Hirsch, “but this year we know it will be a lifeline for many of the new Fellows at a time of great hardship, a survival tool as well as a creative one. The work supported by the Fellowship will help us understand more deeply what we are enduring individually and collectively, and it is an honor for the Foundation to help them do what they were meant to do.”
Guitarist and composer Rez Abbasi is among a rare breed of artists that continue to push boundaries while preserving the traditions he has embraced. Consistently placing on DownBeat’s International Critics Poll alongside luminaries Bill Frisell and Pat Metheny since 2014, Abbasi continues to forge new ground with his many multi-dimensional projects. 
 
“Abbasi is living, breathing proof that jazz music can be as vital and boundary-pushing as ever.” – AllAboutJazz.com.
 
Born in Karachi, Pakistan, migrating to the vastness of Southern California at the age of four, schooled at the University of Southern California and the Manhattan School of Music in jazz and classical music, and undertaking a pilgrimage in India under the guidance of master percussionist Ustad Alla Rakha, Abbasi is a vivid synthesis of many influences. Making New York home for the past 25 years, he has developed a singular sound both as a composer and an instrumentalist.
 
Among Abbasi’s recent projects is a commission by the New York Guitar Festival to create and perform a live score to the 1929 silent film A Throw of Dice. His Silent Ensemble recorded the score and released the album in 2019. He also received two highly coveted composition grants from Chamber Music America in order to complete a trilogy of albums with his acclaimed ensemble, Invocation.
 
In 2018 Unfiltered Universe, featuring bandmates Vijay Iyer and Rudresh Mahanthappa, was released as the completion of the trilogy. Like the previous two albums, Things to Come and Suno Suno, Unfiltered Universe received accolades worldwide. With fifteen albums of mostly original compositions, Abbasi’s wide-ranging projects continue to capture provocative sounds seldom heard in today’s music.  In 2021 he is featured on a duo album White Lotus with Min Xiao-Fen.

Steven Feifke Big Band - Kinetic (April 2021 Outside In Music)

Outside in Music is proud to announce the release of Kinetic, the spellbinding big band debut from pianist, composer, arranger, orchestrator, educator and Yamaha Recording Artist Steven Feifke.  One of the most in-demand artists of his generation, Feifke has amassed  an impressive discography having appeared on 30 albums all before  turning 30 years old.  After over a decade’s worth of work as a notable  sideman, conductor and arranger for esteemed artists as Steve Tyrell, Chad Lefkowitz-Brown, Santino Fontana, and most recently, Veronica Swift, Feifke finally comes to the fore on this smashing new album that highlights his singular vision and distinct voice. Kinetic will be available everywhere on April 9, 2021. 

Joining the bandleader is an ensemble  made up of players from the very frontline of the contemporary jazz  scene including drummer Ulysses Owens Jr., vocalist Veronica Swift, tenor saxophonist Lucas Pino, and alto saxophonist Alexa Tarantino among many others. The music on Kinetic was refined during the big band’s popular monthly residency at The Django in New York City that ran for nearly two years before COVID brought all live performances to halt. These  regular live performances afforded the band to develop a cohesive  common language and solid rapport, lending a rare intimate air to this  large ensemble recording. 

While Kinetic is his formal label debut, Boston-native Feifke has been a ubiquitous presence on the scene in a plethora of musical arenas. A  two-time semi-finalist in the Thelonious Monk Jazz Piano Competition,  Feifke has written commissioned work for such notable institutions as  the Manhattan School of Music Jazz Orchestra featuring jazz trumpet greats Sean Jones and Jon Faddis, the Vancouver Symphony Orchestra with Ken Peplowski, the Malmo Big Band with Katie Thiroux, and the New Generation Festival Orchestra featuring Dominick Farinacci. Additionally, Feifke works as musical director for musical theater luminary and Tony Award Winning actor and singer Santino Fontanato.  In the realm of television music, Feifke’s compositions and orchestrations have been prominently featured on such hit shows as Comedians in Cars Getting Coffee (Netflix), Impractical Jokers (TruTV), and Animaniacs (Hulu). Feifke is also a respected educator; he is currently on  faculty at The New School of Jazz and Contemporary Music where he  teaches composing and arranging.  He has served as a guest educator at  Moravian College, Yale University, Williams College among others, and  was the 2018 recipient of the “Pros Meet Pupils” grant from Arts  Mid-Hudson after developing a comprehensive curriculum about the history  of civil rights in America and its relation to jazz pedagogy and  performance. 

All of this and more informs Feifke’s unique artistry, which is on full display on Kinetic. “I  have been running my big band for the past 10 years — since just after I  moved to New York, pretty much. Of all the musical releases I have been  a part of since then, Kinetic is  the one that contains the most “Feifke” on there. It’s just 100% me.  It’s my own voice, and it’s my own unique stamp on the big band idiom,” Feifke says, adding, “I am really proud of the end result.” 
Acclaimed pianist, producer and arranger Gil Goldstein  notes, “There is a traditional quality to the music but upon closer  listening you can hear Steven’s voice and how he reinvents the big band  format to suit his musical personality. He plays with a similar  adventurous spirit, which is at once rooted in the modern jazz piano  tradition, while showing a curious and probing musical mind.”

Kinetic begins with the  bright tempoed swing of the album’s title track.  Feifke’s Coltrane –  McCoy tinged melodic refrains glide atop an unshakeable swing before the  band descends on the tune’s rich melody.  The track demonstrates the  pianist’s immense improvisational acuity with solo features from the  composer as well as trumpeter Gabriel King Medd and drummer Ulysses  Owens Jr.  The album’s first single, the video for “Kinetic” premiered late last year with JazzTimes. The album continues with another highlight, “Unveiling Of A Mirror”,  a composition rife with impressionistic intrigue.  The two contrasting  parts of the tune (a softer and more mysterious textured beginning, and  hard-hitting swing section) speaks to the complexities of reflections  and our often-diverging perceptions versus realities.  The piece  features solos by trumpeter Benny Benack III, saxophonist Sam Dillon,  and drummer Joe Peri.  The composer won second place, for “Unveiling of a  Mirror,” in the 2016 BMI Charlie Parker Jazz Composition Competition  (judged by Wynton Marsalis, Jimmy Heath and Alan Ferber).

“The Sphinx”  is a true feat of sonic exploration and instrumental virtuosity.  The  shifting time signatures and sonorities of the piece serves the overall  energy of the composition, not for one second sacrificing musicality for  the sake of technicality.  The piece is equally served by the stunning  musicianship of the ensemble and especially soloist Lucas Pino who acts  here as the Gonsalves to Feifke’s Ellington.  The album ventures on with  a sultry vocal feature for vocalist Veronica Swift on “Until The Real Thing Comes Along”.   Recalling iconic moments of this song’s rich history, from Andy Kirk to  Jackie Wilson, Feifke’s arrangement ultimately is one of restraint,  romanticism, even reverence.  

Showcasing a who’s who of acclaimed, virtuosic instrumentalists and masterful arrangements, Kinetic  offers audiences the polish of a studio album with the electric  intrigue and emotional ebb and flow of a live performance in a time when  gathering to enjoy live music is impossible. The echoes of the Django  residency ring throughout this album with ebullient arrangements of  gorgeous Feifke-penned originals and jazz standards, reflecting the very  pinnacle of orchestral jazz.

Kinetic
Unveiling of a Mirror
The Sphinx
Until the Real Thing Comes Along
Word Travels Fast
Wollongong; Nica's Dream
On the Street Where You Live
Midnight Beat
Closure

Steven Feifke: piano
Andrew Gould: saxophone
Alexa Tarantino: saxophone, alto
Lucas Pino: clarinet, bass
Sam Dillon: saxophone, tenor
Andrew Gutauskas: saxophone, baritone
Max Darché: trumpet
John Lake: trumpet
Benny Benack III: trumpet
Gabriel King Medd: trumpet
Robert Edwards: trombone
Jeffery Miller: trombone
Armando Vergara: trombone
Jennifer Wharton: trombone
Alex Wintz: guitar
Dan Chmielinski: bass
Ulysses Owens, Jr.: drums
Veronica Swift: voice / vocals
Jimmy Macbride: drums
Bryan Carter: drums

Sumari - Sumari IV (April 16, 2021 Unseen Rain Records)

SUMARI IV is the group's first studio album featuring the miraculous double-bassist Hilliard Greene. This is also Sumari's first studio album recorded and mixed after the passing of engineer Jim DeSalvo, who was responsible for documenting their previous work. SUMARI IV's commanding music, mixing the utmost in simplicity with taut, intricate layers of rhythm, appears here through the virtuosity of the musicians alone, eschewing overdubs and effects heard on Sumari II and III.

There are moments when a bell-like rhythm appears and one wonders if is it Hill Greene playing harmonics, the bell of Tom Cabrera's ride cymbal, Matt Lavelle's swallowed alto clarinet outcry or Jack DeSalvo's tintabulistic guitar and banjo pluckings, which is to say the players' musical consciousness merged during the many moments of coalescence. This an album of ancient dances and future visions.

1. Piece 1 14:55
2. Piece 2 13:45
3. Piece 3 17:39
4. Piece 4 13:54
5. Piece 5 14:10

MATT LAVELLE - alto and bass clarinets
JACK DeSALVO - guitar and banjo
HILLIARD GREENE -double-bass
TOM CABRERA - drums and percussion

Recorded at Woodshedd Studio, Westbury, NY
Mixed and mastered by Larry Hutter, Orlando, FL

Henrique Albino Quarteto - Música Tronxa (April 15, 2021 Boa Vista Jazz Records)

Encarando a história da música como uma trama de eventos que se sucedem numa dinâmica própria, é possível identificar em sua topografia obras singulares que se destacam ora por romper com cânones estabelecidos e criar um novo código; ora por se conectar à tradição a fim de reinventá-la ou simplesmente para “preservar a chama”, como dizia Mahler; ora por confluir raízes culturais e avant-garde num sincretismo abrangente que aponta novas direções. E este é justamente o caso de “Música Tronxa”, álbum de estreia do saxofonista pernambucano Henrique Albino.

Músico de sólida formação, com vasto domínio do material musical, portador de uma artisticidade vanguardista dedicada à busca incessante pelo inconvencional e com uma mente fervilhando de ideias, Albino apresenta em seu primeiro disco temas que articulam as raízes musicais pernambucanas à liberdade expressiva do jazz, à complexidade da engenharia polimétrica e às possibilidades melódico-harmônicas da música Pós-Tonal. O resultado é uma obra arrojada, mas não hermética ou acadêmica, que coaduna conflitos métricos, frases atonais, motes seriais e sonoplastias a melodias encantadoras que desvelam paisagens etéreas e improvisos incendiários plenos de risco, individualidade e senso de grupo.

Tudo isto, por sinal, sem comprometer qualquer traço da identidade nordestina. Daí que a música é “tronxa”, com “x”, no melhor “pernambuquês”, como revela “Apofenia”, tema de abertura que faz menção às batidas do maracatu rural da Zona da Mata do estado, ou “Salto Quântico”, faixa na qual podemos vislumbrar o frevo voltando-se para o amanhã.

Acompanhando Albino, um time de jovens e brilhantes músicos que incorporaram suas ideias e musicalidade ao ponto de formarem não um combo, e sim um organismo. Na sanfona, o virtuoso, moderno e peculiar Felipe Costta. No baixo elétrico, Filipe de Lima, o chão firme num espaço sonoro transmutável. E na bateria, o multidirecional, técnico e criativo Silva Barros.

Ao fim e ao cabo, só nos resta dizer que “Música Tronxa” é um disco atemporal e urgente, vértice de linguagens musicais diversas e cheio de uma densa e rara substância artística.

Portanto: boa escuta.

1. Apofenia 09:54
2. Diafragmas 06:07
3. Bugando 07:06
4. Claranã 10:06
5. Salto Quântico 09:28
6. Solo Tronxo nº 1 07:50

Todas as composições por Henrique Albino

Henrique Albino (sax tenor, barítono e flauta)
Felipe Costta (sanfona)
Filipe de Lima (baixo elétrico)
Silva Barros (bateria)

Wednesday, April 14, 2021

JAZZ NEWS: DC Jazz Festival Announces We Get to Talk Podcast Series

DC Jazz Festival Announces We Get to Talk Podcast Series
Hosted by DCJF Executive Director Sunny Sumter Starting Wednesday, April 14

WASHINGTON, D.C. – April 14, 2021 – DC Jazz Festival today announces a new podcast series titled We Get to Talk, where DCJF Executive Director Sunny Sumter engages jazz artists in captivating conversations that revolve around relevant topics, people and places. We Get To Talk launches Wednesday, April 14, with episodes being released on a bi-weekly basis. Listeners can tune in on Spotify, Apple Podcasts, Crossover Media or wherever they get their podcasts.

The first round of episodes will feature a wide-ranging cast of guests who each have a unique story to share. In our first episode, piano prodigy Matthew Whitaker, who is blind, offers ways we can create a more inclusive and accessible world for the disabled community, particularly in music and the arts. In the second installment, Sunny and soul singer-songwriter Cecily discuss the power of mindfulness and music’s healing ability. In episode three, Allyn Johnson, Director of Jazz Studies at the University of the District of Columbia, shares his experiences as an arts educator and talks about the inspiration we can all find from love. Next, harmonicist Frédéric Yonnet sits down with Sunny to discuss what it means to truly be part of one’s community and the strength that comes from knowing your neighbors. From there we hear from Afro Blue alumnus Christie Dashiell as she shares her thoughts on how artists have been and can continue to adapt to the times. Finally, Sunny explores the importance of heritage and identity with hip-hop artist Maimouna “Mumu Fresh” Youssef and how they influence her musical stylings.

We Get To Talk will be presented in collaboration with Crossover Media. Each episode features snippets of guests’ past DC JazzFest performances and a segment dedicated to discussing each artist’s motivations and inspirations. “We are thrilled to welcome Sunny Sumter to the Crossover Podcast family,” said Crossover Media founder Alex Hollingsworth. “Whether discussing the latest Verzuz, politics, music or social issues, our hosts cover a variety of topics.” Join DC Jazz Festival and host Sunny Sumter on Wednesday, April 14, when We Get to Talk welcomes its first guest, jazz prodigy Matthew Whitaker.

For press inquiries or requests for information, contact Lydia Liebman, DCJF publicist, at lydia@lydialiebmanpromotions.com
 
Learn more about the DC Jazz Festival and all of our programs by visiting www.dcjazzfest.org.

Keep up with DCJF:
Twitter: @dcjazzfest
Instagram: @dcjazzfest

Mila Ogliastro - The Wisteria Suites (April 20, 2021 Dodicilune / Ird)

Prodotto nella collana Koinè dall'etichetta pugliese Dodicilune, distribuito in Italia e all’estero da IRD e nei migliori store on line da Believe Digital, martedì 20 aprile esce "The Wisteria Suites" di Mila Ogliastro

Nel suo esordio discografico, la cantante, compositrice e arrangiatrice ligure propone alcuni brani originali che guardano nella direzione del jazz contemporaneo ("7 Meters Tall", "Waltz Me To The Moon", "Wisteria", "Prima" e "The Consequences of Love"), alcuni "grandi classici" del repertorio del rock internazionale ("Message In A Bottle" dei Police, "Move Over" di Janis Joplin, "Come Together" dei Beatles e "We Will Rock You" dei Queen) e un'intensa versione di "‘Na Stella" di Fausto Mesolella, compianto chitarrista degli Avion Travel.

In questo viaggio sonoro l'artista sceglie come compagni di strada il batterista Giorgio Griffa, il bassista elettrico Nicola Bruno e il pianista Andrea Pozza, «il cui profondo rapporto con la storia del jazz non solo italiano è un dato di fatto testimoniato dalla sua biografia artistica», scrive nelle note di copertina Pietro Leveratto. «Registrare un disco significa anche decidere cosa si vuole fermare nel tempo e mai come in questi anni la scelta del repertorio, inteso come il veicolo che rende esplicita la propria poetica musicale, rappresenta una sfida», prosegue il musicista e scrittore. «Se il giacimento della canzone americana storica pare sfruttato fino all’ultima pepita, è altrettanto vero che molto del catalogo del song moderno e contemporaneo non sembra sempre adatto a contenere le peculiarità del linguaggio del jazz, vuoi per la forma, vuoi per l’evidente modestia del substrato armonico, vuoi per la difficoltà di scindere l’interprete - la pop star - da quello che esegue. Occorre quindi avere coraggio per mettere le mani su materiale che proviene da altre derive, magari estraneo al songbook tipicamente jazzistico e ancora più ne occorre per scrivere la musica che si vuole cantare e suonare».
«Quanti musicisti straordinari, nel corso degli anni, ci ha dato la Liguria! Ed ecco un nuovo bellissimo regalo. Una gran voce, un senso del jazz fuori del comune e soprattutto una notevole originalità sia come cantante che come compositrice: Mila Ogliastro. Benvenuta"», è il messaggio di rimasto colpito dalla freschezza di questo lavoro: composizioni raffinatissime e mai banali», sottolinea Fabrizio Bosso. «Una voce quella di Mila che oltre ad essere tecnicamente ineccepibile, regala all’ascoltatore tante sfumature e colori diversi. Importante il contributo di bravissimi musicisti tra cui spicca il sempre ispirato pianoforte del grande Andrea Pozza».

1 - 7 Meters Tall
2 - Waltz Me To The Moon
3 - Message In A Bottle
4 - Wisteria
5 - Move Over
6 - ‘Na Stella
7 - Come Together
8 - Prima
9 - We Will Rock You
10 - The Consequences of Love  

All compositons by Mila Ogliastro except 3 by Sting, 5 by Janis Joplin, 6 by Fausto Mesolella, 7 by John Lennon, Paul McCartney, 9 by Brian May

Mila Ogliastro - vocals, arrangements, piano (10)
Andrea Pozza - piano
Nicola Bruno - electric bass
Giorgio Griffa - drums

Recorded 29 August 2020 at Indiehub Studio, Milan, Italy
Mixed and mastered 30 September 2020 at Indiehub Studio, Milan, Italy
Sound engineer Stefano Giungato

Storione / Rossy / Schürmann - This Time the Dream's on Us (April 2021 Challenge Records)

"This Time the Dream’s on Me" is the name of Harold Arlen's 1941 song, which made it into the charts twice in the same year with none other than Glenn Miller and Woody Herman. It was composed for the film "Blues in the Night" with lyrics written by the famous singer and songwriter Johnny Mercer. Ella sang it especially tenderly, including it in her two Arlen and Mercer songbooks. It has been covered by many other great artists over the years, from Bird to Miles.

And now we have a technically stupendous pianist at the relatively young age of 27, a classic jazz trio and an album title referring to the Great American Songbook. What could go wrong? The temptation, especially with young jazz musicians (less often with female artists), is well known: to dazzlingly display their instrumental skills over a traditional framework, like a gymnast vigorously working out on the high bar. Unfortunately, the dismount often ends up, despite their virtuosity, stumbling into the mainstream of mediocrity.

Pianist Yuri Storione excels in this endeavour by teaming up with two experienced musicians: the deliberate, steady and precise bassist Dominik Schürmann, and one of the world's best drummers, Jorge Rossy. The balance between the players is already expressed in the trio’s name. Apart from the Arlen tune, another milestone in jazz history, Thelonious Monk's "Ruby My Dear" is the only other work from the Great American Songbook. The remaining ten compositions are Storione’s and Schürmann's own creations – consistently melodic and, in their creative interplay

brilliantly accented music — all of which reward the attentive listener with music that avoids all superficial gimmickry.

The bass is strikingly elegant: Dominik Schürmann is a team player who, from soulful ballads to up-tempo tunes, maintains a clear, reliable beat and a gentle touch. He creates stirring melodic lines that contrast with the piano, and short solos that are as honest as they are clean and inspired. Jorge Rossy’s contribution is an amazingly responsive, imaginative and sensitive drumming: it orders and underlines, decisively shapes, and in a restrained but effective manner accompanies his partners’ solistic excursions. This, like his entire presence here, is truly invaluable.

Within this flexible framework, where both of these stimulating and well-grounded musicians know how to let their vast experience flow fully into each musical moment, Yuri Storione's pianistic exuberance can wholly unfold, blossoming in all its splendor.

What were the last lines of the Mercer lyric? "It can't be true, but / This time the dream's on me." The Storione-Rossy-Schürmann Trio playfully twists and turns this dream. Without bombast and without hesitation, it transforms it in the most satisfying way: directly, easily, with depth and drive, into the reality of a surprising and captivating music: Yes, it can be true.

1. Father and Son 06:56
2. Violeta 06:07
3. Happy Hour 07:46
4. Ms. G. R. 05:23
5. One for Doris 06:21
6. This Time the Dream's on Me 05:17
7. Sambâle 05:48
8. Ruby My Dear 04:01
9. Viva Bud Powell! 05:29
10. Iberica 06:38
11. Lonely Owl 05:38
12. Holding Line 06:47

Yuri Storione - piano
Dominik Schürmann - bass
Jorge Rossy - drums

© 2021 - NewArts International / Challenge Records Int.

xLWBxDRx - Prairie spells, a ribbon wove (2021)

"Prairie spells, a ribbon wove" is the outcome of a long-distance collaboration between Lightning White Bison (Adam Parks, also of Timber Rattle) and Drekka (Mkl Anderson), who at the time of its culmination were in eastern Czechia and central Indiana respectively.

The four 11-minute tracks are a sonic document of the exploration and reconciliation of geographic disparity, the distance between the places in which the collaborators each found themselves in a time of isolation. That document is here assembled as a quadripartite image of unity in concept and sound.

Built from a simple palette of exchanged raw materials, minimal drones, and field recordings from Mkl’s and Adam’s individual wanderings and past travels together, “Prairie spells, a ribbon wove” towers like a structure of unknown origin in a frosty plane, looming and beautiful and committing to neither threat nor its counterpart. These recordings call to mind the masterful tension of Fatima al Qadiri’s "Atlantique" score or Tim Hecker’s gentler moments. And although the music never tips into the pulsating realms that Coil’s "Hellraiser themes" do, this work similarly dances the line between pleasant and unsettling.

At this point in Drekka’s quarter century career, it would make sense to acknowledge his own hearty catalogue as an antecedent to this work. But like many of the most engaging collaborations, it’s difficult to decipher where one’s vision ends and another begins. And this can be said of the aesthetic of these recordings as well. Sight and site and sound and memory seem to all play a significant role. The result is rich and haunted.
1. untitled, at sinjin 11:00
2. through creatures, night return 11:00
3. bird and savior, sacred illness 11:00
4. at telč, an empress embalmed 11:00

Out Friday, April 16 – Rubén Blades y Roberto Delgado & Orquesta – SALSWING!

Rubén Blades has a fabulous new album that defies the SALSWING genre! with the Roberto Delgado Orchestra. Fusing salsa and jazz, the album comes out this Friday, April 16.

The album will also be released in separate editions, SALSA PLUS! on April 23 and SWING! April 30. For now it is digital, but there will be physical copies at a later date.

“SALSWING! As an album it has different purposes. One, to present the Roberto Delgado Orchestra as an ensemble capable of expanding its original Panamanian roots to encompass other musical genres, ”says Blades. “Another, to present my interest in exploring other vocal directions and thus eliminate the stereotype that affirms that we are conditioned to exist only artistically within specific limits, according to our nationality. Perhaps the most important point is to exemplify that, as artists, we direct our music to the world, not just to a specific segment of its population. "

Saskatchewan All Star Big Band - Saskatchewan Suite (April 30, 2021 Chronograph Records)

Through this recording project, the Regina Jazz Society seeks to communicate the beautifully unique history of Saskatchewan in the vernacular of jazz, by offering a live recording of a commissioned work by one of Canada’s most talented composers, Fred Stride. Recorded live at Casino Regina on December 28, 2019, the event featured many of the best local and ex-patriate musicians of the province in a truly special performance of Stride’s unique composition. It was an evening which allowed a fantastic group of artists to tell Saskatchewan’s story through music for the very first time ever.

The group of musicians on stage that night was one of the most impressive gatherings of talent in Saskatchewan’s history, and resulted in a caliber of performance unlikely to be replicated anytime soon. The Saskatchewan All Star Big Band is comprised of players that grew up here, got their musical start here, and were then exported to every corner of the globe to share their craft. They are joined by other players who came here to live, teach, and perform because Saskatchewan affords them that grand opportunity.

So, what is “The Saskatchewan Story”? It is the stories of everyone living here and all those that have gone before us. It is more than 150 years of narrative threads, weaving the canvas of our history since the days when Saskatchewan was ruled by the thundering hooves of the buffalo. It tells the story of how people arrived here. You will hear the train whistle bringing all the various settlers and immigrants to the province. It tells of the initial clash of cultures, followed by the important journey towards inclusiveness that has culminated in our society today. It tells the story of the seasons. You will hear the biting sounds of winter, the fierce wind howling at you over the brittle crunch of snow underfoot. You will also hear the soft, carefree nights of summer, with their cool refreshing breeze and orchestra of frogs croaking, crickets chirping, and songbirds singing sweet lullabies.
You will hear that Saskatchewan folk are farmers, businesspeople, potash workers, railroaders, hockey players, story tellers, writers, artists, and soldiers marching off to war. We are all The Saskatchewan Story, and that is what the Saskatchewan Suite is all about. This is the most novel, ambitious, progressive, and challenging project in the history of the Regina Jazz Society, and they are thrilled at the opportunity to share it with the world.


The Saskatchewan Suite: The Story of Us
1. I. The Place 11:18
2. II. The First 8:52
3. III. The Newcomers 5:34
4. IV. The In-Between 4:52
5. V. September 1905 4:58
6. VI. Saskatchesport 9:08
7. VII. Thank You, Mr. Douglas 5:02
8. VIII. Saskatchejazz 19:38

Fred Stride – Musical Director, Composer, Keyboards

Dean McNeill – Lead Trumpet
Al Muirhead – Trumpet
Andy King – Trumpet
Brent Ghiglione – Trumpet
Dave Mossing – Trumpet

PJ Perry – Lead Alto Saxophone
Donny Kennedy – Alto Saxophone
Kelly Jefferson – Tenor Saxophone
Steve Kaldestad – Tenor Saxophone
Trent Reschny – Bari Saxophone

Shawn Grocott – Lead Trombone
Ross Ulmer – Trombone
Tom Richards – Trombone
Dave Dick – Bass Trombone

Jon Ballantyne – Piano
Jack Semple – Guitar
Miles Foxx Hill – Bass
Ted Warren – Drums
Dylan Weist – Vibraphone/Percussion

Ed Minevich – Violin
Cam Wilson  – Violin

Tuesday, April 13, 2021

April 17-18: Chris Potter, Antonio Sanchez trios perform in Central Park as 'Walk With The Wind' continues

Artist-focused non-profit Giant Step Arts presents new edition of acclaimed concert series Walk With The Wind

April 17-18 free performances at NEW LOCATION in Central Park: Summit Rock in Seneca Village

Concerts honor legacy of congressman and civil rights leader John Lewis

Featuring James Brandon Lewis Freed Style Free Trio, Chris Potter Trio, Antonio Sanchez Trio, Marquis Hill Quartet, Michael Thomas Quartet, Nasheet Waits, Mark Turner, Marika Hughes, Johnathan Blake, Abraham Burton, Jason Palmer

"Sitting socially distanced on The Mall and listening to live jazz feels like an optimistic moment...Jimmy Katz and Giant Step Arts are plugging a gap with Walk With The Wind." - Dan Bergsagel, London Jazz News

Giant Step Arts with additional funding from Jazz Generation’s KEYED UP! continues the acclaimed performance series Walk With The Wind honoring civil rights activist and congressman John Lewis. The concerts – curated by Jimmy Katz and Nasheet Waits – will take place at pop up locations in New York City’s Central Park. Shows will be rescheduled in case of inclement weather.

CONCERT SCHEDULE

• Saturday, April 17 – at Summit Rock in Seneca Village (map below)
     Noon: Robert Lotreck Quartet with Drew Anderson, Sarah Hanahan, Nolan Nwachukwu
     1 p.m.: Sarah Hanahan Trio with Jason Clotter, Michael Ode
     2 p.m.: Chris Potter Trio with Joe Martin and Nasheet Waits

• Sunday, April 18 – at Summit Rock in Seneca Village (map below)
     Noon: Robert Lotreck Quartet with Coby Petricone-Berg, Anthony Hervey, Phil Norris
     1 p.m.: Steve Slagle Trio with Marty Kenney, Jason Tiemann
     2 p.m.: Antonio Sanchez Trio with Donny McCaslin and Matt Brewer

• Saturday, April 24 – Marquis Hill Quartet

• Sunday, April 25 – Michael Thomas Quartet with Michael Rodriguez, Edward Perez, and Johnathan Blake

• Saturday, May 1 – James Brandon Lewis, Freed Style Free Trio with Rashaan Carter and Chad Taylor; Aaron Burnett Quartet with Peter Evans, Nick Jozwiak, and Tyshawn Sorey

• Saturday, May 8 – Marika Hughes: The New String Quartet with Hughes, Charlie Burnham, Marvin Sewell, and Rashaan Carter

• Saturday, May 15 – Mark Turner Trio with Vicente Archer, Johnathan Blake

• Sunday, May 23 – Johnathan Blake Trio; Nasheet Waits Quartet with Mark Turner, Steve Nelson, Rashaan Carter

• Saturday, May 29 – Abraham Burton Trio with Dezron Douglas, Eric McPherson

• Monday, May 31 – Jason Palmer Quartet with Mark Turner, Edward Perez, Kendrick Scott

“The pandemic has been disastrous for musicians, many of whom normally earn a living through live performances and tours,” says Katz. “We wanted to find a way to continue supporting musicians, bring them together with audiences safely, and enable them to have a payday! Walk with the Wind, honoring the legacy of the great American John Lewis, is one way we are accomplishing this, and the response has been tremendous.”  

The well-received series, which began August 28, 2020 with Wayne Escoffery’s trio, has also featured The Marquis Hill Quartet, the Michael Thomas Trio, Marcus Strickland Trio, the Eric McPherson Trio, the Leap Day Trio and the Joel Ross Quartet. 

Founded by renowned photographers Jimmy and Dena Katz in January 2018, Giant Step Arts is an innovative, artist-focused non-profit organization dedicated to commissioning and showcasing the work of innovative modern jazz artists. Giant Step Arts offers musicians the artistic and financial resources to create bold, adventurous new music free of commercial pressure. Giant Step Arts provides promotional material and publicity services, presents premiere performances and compensates artists, records performances for independent release, provides artists with CDs and digital downloads to sell directly, conveys complete ownership of masters to artists, and provides PR support for the recordings. “Giant Step Arts does not sell any music,” Katz says. “Our goals are to help musicians make bold artistic statements and to advance their careers.”

Jazz Generation was founded in 1999 to emphasize the importance of live jazz as an art form and the performing arts as a cultural asset. The Jazz Discovery Program (JDP) and The Jazz Standard Youth Orchestra (JSYO), and since 2014 KEYED UP!, an anti-poverty program, has offered services that support professional jazz artists in their performing careers, revitalize local businesses, and develop a new generation of audiences and performers. KEYED UP! Has quickly become a favorite NYC entity for musicians, audiences, and venues. Operating simultaneously in over 25 partner venues spanning from Jersey City to Boston, KeyedUP! Is proud to keep hundreds of musicians working and thousands of jazz listeners happy at no extra cost to partner venues.

Fifth Element - Fifth Element

“FIFTH ELEMENT” incorporates the musical talents of each member to create the ensemble sound you hear on every track. Bassist, Ron Johnston, brings decades of experience to provide the big sound that is the foundation of every great ensemble. His lines weave in and out of the changes in a seamless manner and he is also a wonderful soloist. Drummer, Glenn Anderson, provides the ideal balance bringing his vast knowledge to supply just the right touch to every tune. In Swing and Latin tunes, Glenn provides energy and drive to the ensemble and he is equally gifted with impeccable brush work on Ballads.

Pianist, Dale Scaife, has a musicality in his accompaniments that demonstrates remarkable sensitivity in backing the vocals and soloists. His own solos have a thoughtful compositional approach and are, at times, playful. Our vocalist, Nina Richmond, has a complete mastery of every genre on this album. With her gift of musical phrasing and lyricism, she has an ability to communicate with her audience in large and intimate settings, which translates beautifully in this recording. 

Tenor saxophonist, Dave Coules, ensures that he complements each vocal in an eminently tasteful manner. As a soloist, he consistently gives the listener access to the song clearly rooted in the lines he crafts. "FIFTH ELEMENT" displays the strengths of the individual players and provides the perfect vehicle for this ensemble to perform 12 of its most requested tunes, all arranged by Dave Coules.

We released "FIFTH ELEMENT" on December 3, 2020, and plan to celebrate with a performance as soon as live music is allowed once again in Toronto.

"All About Jazz" recently chose our opening track "I Can't Believe That You're In Love With Me" as its upcoming "Track of the Day" for May 7th. Within 5 days we have had over 900 listens! 
1. I Can't Believe That You're In Love With Me 04:06
2. A Nightingale Sang In Berkeley Square 04:06
3. It Might As Well Be Spring 03:13
4. I Love Being Here With You 03:53
5. The Gentle Rain 05:12
6. There Will Never Be Another You 03:27
7. More Than You Know 05:09
8. September In The Rain/On A Misty Night 05:01
9. The Look of Love 03:32
10. Days Of Wine And Roses 04:13
11. My Romance 05:19
12. My Shining Hour 04:06

Charles / Lauzier / Epps - Écoute à l'Envers (April 2021)

1. Victor 33:13
2. Reznor 17:01

Xavier Charles, clarinette
Philippe Lauzier, clarinette basse
Ellwood Epps, trompette

Dijkstra / Epps / Caloia / Hollenbeck in Montreal (2021)

1. Dijkstra/Epps/Caloia/Hollenbeck-19022019 40:00

Jorrit Dijkstra, alto saxophone, lyricon, analog electronics
Ellwood Epps, trumpet
Nicolas Caloia, bass
John Hollenbeck, drums

Recorded by Ellwood Epps
February 19 2019 at Casa del Popolo, Montréal as part of the Mardi Spaghetti series.
Mastered by Nicolas Caloia.

Zinman​ / ​Epps - Duets (Set of 3 albums) 2021

1. Briar 25:27
2. For John Heward 18:24
3. Duet one 06:47
4. Duet two 05:09
5. Duet three 05:09
6. Duet four 05:46
7. Duet five 06:42
8. Duet six 03:58
9. March Afternoon 2020 09:54
10. July 2020 11:06
11. August 2020 07:25

Ellwood Epps trumpet
Eric Zinman piano, percussion, synthesizer

Tracks 1 & 2: ''Obscura!''
Recorded at Casa Obscura, Montréal
May 19 2018
Originally released as Mr. E Records # 9

Tracks 3-8: ''Duets''
Recorded at Studio 234, Cambridge

Tracks 9-11: ''Assemblage''
Recorded in March, July, and August of 2020 in Cambridge and Montreal.
Released September 29, 2020
Produced by Eric Zinman
Originally released as Mr. E Records #16 and Studio234 0019

All music composed by the performers.
All music registered with SOCAN.