Tuesday, July 12, 2016

Playlist Summary for Tom Ossana / Dane Brewer – The Thin Edge – July 13, 2016 MST 7:00 to 9:00p.m.


http://www.kzmu.org/listen.m3u ~ Use this link to access the show online.


Simplicity (Storyville Records 2016) may or may not be the theme of this week's show, but it is the title of our first offering coming from Denmark's the Carsten Dahl Trio performing his "A Minor Mood for You." Lennart Ginman (bass) and Frands Rifbjerg (drums), fellow Danes, complete the piano trio. American drummer Tyshawn Sorey follows with an esoteric three minutes from his new PI Recordings The Inner Spectrum of Variables. Tyshawn's ensemble includes Cory Smythe: piano; Christopher Tordini: bass; Fung Chern Hwei: violin; Kyle Armburst: viola; Rubin Kodheli: violoncello. With an all-star cast, The Power Quintet gives us the hard bop "Look at Here" from their 2016 High Note High Art featuring luminaries Jeremy Pelt- Trumpet; Steve Nelson - vibes; Danny Grissett- piano; Ron Carter- Bass; Billy Drummond- drums. 

Markowitz/Andersson/Mogensen's In Transit (Hobby Horse Records 2016) follows with their musical interpretation of "Paris." The blind Danish bassist Richard Andersson is joined by countryman Anders Morgensen on drums and America's Phil Markowitz's piano. Clifford Brown & Max Roach's Study in Brown (Verve, 1954), a recording cited by The New York Times as "perhaps the definitive bop group until Mr. Brown's fatal automobile accident in 1956," closes this half-hour with Clifford's "Daahoud," featuring the leaders' trumpet and drums with Harold Land (t), Richie Powell (p) and George Morrow (b).


The first three cuts of the second-half revolve around the artistry of pianist Horace Parlan. From tenor saxophonist Stanley Turrentine1960's Blue Note Look Out! we find Horace as an important sideman and composer in "Return Engagement." George Tucker (b) and Al Harewood (d) provide the underpinning. Us Three, Horace's own 1960 Blue Note release, gives us his penned title track featuring the same rhythm section. US4, a group with one Swede, two Danes and an American, is a Stunt Records/Sundance Music celebration of Parlan in My Scandinavian Blues: A Tribute to Horace Parlan. 

The cover is Parlan's "Us Three." Although stricken with polio at an early age, Horace overcame all odds to become a distinctive jazz pianist; he moved to Denmark in 1972 when he was forty-one. Russian born Yelena Eckemoff, now living in America, performed as a classical pianist in the Soviet Union before embracing the jazz idiom. We'll hear her "Coffee & Thunderstorm" from her new L & H Productions' Leaving Everything Behind with Mark Feldman's violin, Bill Hart's drums and bassist Ben Street.

With trumpeter/pianist Chris Rogers' 2001 Art of Life Records' Voyage Home, just newly released, we get an ensemble that features legendary Michael Brecker in a performance  of Rogers' "Whit's End." Bassist/composer Matt Ulery follows with his new Woolgathering Records' Large - Festival with a 27-piece jazz orchestra featuring violin soloist, Zach Brock, in an unusual cover of Jimmy Rowles' "The Peacocks," a composition performed by dozens of jazz groups over the years. From the important voice of saxophonist JD Allen we'll hear his ideas about "Lightnin'" from his new Savant Records' Americana.


KZMU Music Director Serah turned us on to Miss Sophie Lee's cover of Robin/Shavers' "Undecided" from Lee's 2016 Traverse this Universe. The Heine Hansen Trio is next with a performance of Denmark's Hansen's "You're Gone and I Remain" from his new Storyville Records Signature. Judy Carmichael & Harry Allen's Can You Love Once More? (GAC Records 2016) follows with Carmichael and Allen's "An Almost Perfect Man." Along with vocalist Judy and Allen's tenor we have Mike Renzi's supportive piano. Roberta Piket contributes to this romantic half-hour with her "Saying Goodbye" from her Thirteenth Note Records' One for Marian/Celebrating Marian McPartland. Roberta's sidemen include Steve Wilson's alto, Harvie S on bass and others. Karrin Allyson gives us wonderfully sensual take on Dizzy Gillespie's "Con Alma" with lyrics added by Chris Caswell and retitled "Something Worth Waiting For" from her 2006 Concord Jazz Footprints. Bruce Barth's piano is featured. London/Decca's 1948The George Shearing Trio, one of early bop's important recordings, follows with "I Only Have Eyes for You," a popular love song by composer Harry Warren and lyricist Al Dubin, written in 1934 for the film Dames where it was introduced by Dick Powell and Ruby Keeler. Concluding this titillating half-hour and the show comes from Jane Monheit's 2004 Sony Taking a Chance, an idea I would recommend to all you would-be-lovers out there. Jane and Michael Bublé have fun explaining exactly why "I Won't Dance." Nevertheless, in the Youtube video they cavort! 

Let's have some fun!

A special thanks to KZMU's Music Director, Serah Mead and the troops @ Republic of Jazz for their help putting the show together: Agenor (BRA), Chris do Brasil (BRA), Domi & Victor (SPA), GAB (BEL), JR (SPA), Javi (SPA), Juan/Jazzzz61 (SPA), Lira (BRA), Luisa, Menos Que un Perro (ARG), Marcos (BRA), Melokan (VEN), Raz (ISR) and Sonia (SPA). Also friend, Raul Boeira, the Brazilian based in Passo Fundo and Spain's Javier Carrete.


EDITION sign Danish pianist, keyboardist and composer Morten Schantz with his new heavyweight trio featuring Anton Eger and Marius Neset.


EDITION sign Danish pianist, keyboardist and 
composer Morten Schantz with his new heavyweight
 trio featuring Anton Eger and Marius Neset


We’re very pleased to announce that pianist, keyboardist and composer Morten Schantz is about to bring his hi-octane, heavyweight new album ‘Godspeed’ to Edition Records, the home of innovative European music.

A founder member of the award-winning pan-Scandinavian group JazzKamikaze, Schantz hits with a fantastic new band featuring long-term collaborators and original JazzKamikaze members Anton Eger (Norway/Sweden) on drums and Marius Neset (Norway) on saxophones.

With ‘Godspeed’ the trio idiosyncratically stamp their bold imprint on the music in typically dynamic and imperious fashion creating music full of euphoric riffs and blissful melodic hooks. Utilising an impressive array of electronics with all the predictable skill and virtuosity at their command this trio generate some of the most vibrant music to burst onto the European jazz scene in recent times.


Founder of Edition, Dave Stapleton said “On my first listen to Morten’s album, I was immediately drawn to the compelling and exciting nature of his music. Of course, the playing demanded the highest virtuosity and skill, but it was compositional power, intricacies and rhythmical complexities that commanded my attention. The Edition team is very excited to work with Morten and help him to build a wider international audience.”

Morten Schantz added “I can't wait to become part of the Edition family. I’ve worked with and followed many of the label’s artists and I’m excited to be part of their story and ambition and looking forward to becoming involved with an already world class group of musicians!”

Those familiar with the work of Eger and Neset (from Phronesis and Marius’ own groups) can expect the usual fireworks, but add the compositional talent and individual skills of Schantz and this trio assumes even greater prominence, bursting at the seams with energy and spirit. It won’t be long before Morten is demanding in his own right the kind of attention the likes of Anton and Marius have garnered in previous years. ‘Godspeed’ is Weather Report (in its original and most creative form) for the techno generation.

NEXT PERFORMANCE:

Morten Schantz will perform with Julian Argüelles and Anton Eger at Sounds of Denmark, a week-long Danish jazz festival at Pizza Express Soho, London on 16th September 2016.

For guest tickets please reply to this email or contact mike@editionrecords.com

Sergio Pereira - Swingando (2016) KARI-ON PRODUCTIONS



present

IMMEDIATE RELEASE

Recorded in New York City and Brazil Featuring the finest in Brazilian Jazz
Helio Alves, Marcus Teixeira, Nilson Matta, Mauricio Zottarelli, 
Duduka da Fonseca and Itaiguara Brandao. 


Early Reviews

The songs will take you on a journey of various Brazilian moods: from sipping a ‘Caipirinha’ by the quiet sunset of Leblon Beach to the powerful rhythms of modern Jazz Bossa. It sparkles, glows, and sweeps you onto the dance floor. This is a perfect appetizer for the Brazil Olympics. -Grady Harp, Top 100 Amazon Writer

Some people just have the right touch. Breezy stuff that might finds it’s seeds in samba but doesn’t’ rely on it to make it’s point, this is jazzy, snazzy and delightfully high octane in it’s approach. Joyful playing that really spreads the good vibes, if this is nu Brazil, put us down for more. Well done. -Chris Spector, Midwest Record


BIOGRAPHY 

Originally from Rio de Janeiro, Brazil, Sergio Pereira starting playing acoustic guitar (violao) at the age of 8 years old, influenced by his older brother who helped him play his first chords and the bossa-nova giants at the time such as: Joao Gilberto, Tom Jobim, Carlos Lyra, Joao Donato, Marcus Valle, and more, it was a time of personal discovery and what would be Pereira’s journey musically. Growing up in Rio in the 60’s and 70’s contributed tremendously to the energy, groove and rhythms reflected in his music today.

Moving to New York in the 80’s, exposed Pereira to an entirely different “scene.” It motivated the guitarist to not only continuing playing the guitar, but to further enhance his knowledge of the music and the instrument itself, which led him to studying with jazz greats including Chuck Wayne, Sal Salvador and Alex Adrian. Beginning in the early 90’s he has been travelling the world extensively, playing with different groups and at countless venues in many different countries in Europe, Africa and beyond.

In the United States, he has shared music with Gil Goldsten, Cidinho Teixeira, Leco Reis, Luis Ebert, Claudia Villela, Adriano Santos, Helio Alves, Nilson Matta, Mauricio Zottarelli, Lonnie Plaxico, Duduka da Fonseca, Olivia Foschi, Alex Sipiagin, just to name a few. For over 20 years Pereira has been a member of the United Nations Jazz band for which has afforded him the opportunity to perform in various high profile venues throughout New York City.

Pereira also spent time living in The Netherlands from 2003 until 2011, he played with some of top local musicians including Ferial Karamat and Arno Kolenbrander in which he arranged and recorded some of his music as well as participated in various radio programmes in Amsterdam. Together with other friend/musicians he founded the jazz/Brazilian/funk band named “Malandros”.

Again furthering his constant thirst to learn and grow, he began studying guitar with Marcus Teixeira in Sao Paulo, which further broadened his understanding of harmony, improvisation and technique required to be improve his skills as a composer, songwriter, arranger and guitarist.

Music has been his passion from an early age, and now he is able to express his ideas and vision with his first album entitled Swingando. Recorded in New York City and Brazil, the album includes some of the top musicians in Brazilian jazz today, such as Helio Alves, Marcus Teixeira, Nilson Matta, Mauricio Zottarelli, Duduka da Fonseca and Itaiguara Brandao. Swingando brings all of the emotions, energy and dynamics of growing up in Rio and keeping deeply in touch with his culture, along with his life’s journey as a traveling and performing musician, while keeping his foot firmly in the Brazilian tradition, a delightfully authentic listen with a cavalcade of Brazilian heavyweights.



CD DESCRIPTION

Music has been his passion from an early age, and now he is able to express his ideas and vision with his first album entitled Swingando. Recorded in New York City and Brazil, the album includes some of the top musicians in Brazilian jazz today, such as Helio Alves, Marcus Teixeira, Nilson Matta, Mauricio Zottarelli, Duduka da Fonseca and Itaiguara Brandao. Swingando brings all of the emotions, energy and dynamics of growing up in Rio and keeping deeply in touch with his culture, along with his life’s journey as a traveling and performing musician, while keeping his foot firmly in the Brazilian tradition, a delightfully authentic listen with a cavalcade of Brazilian heavyweights.

Track Time

1. Chega Ai 5:42

2. Let It Out 6:14

3. My Girls 6:21

4. Leblon 6:38

5. Swingando 5:19

6. Ela 3:34

7. Spring 5:51

All Songs Written by Sergio Pereira


Player and instrument:

Sergio Pereira (acoustic and electric guitar, voice)

Helio Alves (piano)

Nilson Matta (bass)

Mauricio Zottarelli (drums)

Duduka Da Fonseca (drums)

Marcus Teixeira (guitar)

Itaiguara Brandao (bass)

Claudia Villela (voice)

Olivia Foschi (voice)

Candida Borges (voice)

Osmario Marinho (drums)

Felipe Fidelis (bass)

Felipe Silveira (keyboard)




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Monday, July 11, 2016

PROBLEMS



Hola!

Existen algunos problemas técnicos que impiden presentar nuevos trabajos

Es cuestión de horas estar de nuevo informando a nuestros visitantes

Disculpen las molestias

Sunday, July 10, 2016

Eric Hargett Trio - Steppin' Up (2016)



Source & Label:http://home.nestor.minsk.by/jazz/news/2016/07/0806.html 
Genre: Hard-bop
GAB's Rating: ★★★★★


Steppin' Up features Eric Hargett and his baritone sax truly stepping out

There's certainly something about the baritone sax that gets your attention. The sounds are commanding; they grab and don't let go. They can throttle. They can lurk. They can dominate the soundscape. In the right hands, it's devastating. Eric Hargett has just those hands.

On Steppin' Up, Hargett's remarkable debut as a bandleader, the upstart leader manages to avoid opening night jitters, thanks to a diverse and tasty ten-spot of tunes and the incredible support of Joey DeFrancesco on the B3 and piano, and drummer Gerry Gibbs. Of course, when you've got that kind of seasoned experience behind you, one can only imagine how it'd soothe the nerves.

Right out of the gate, Hargett, DeFrancesco and Gibbs really bring it. There's the raw and sizzling funk of the title track that kicks things off. There's the hard bop of "Woody's Dream, " which starts in high gear and then shifts into overdrive, led by Hargett's charging bari, and the nifty interplay of his rhythm-mates lifting things to a higher elevation. "Baretta" is an homage to '70s TV theme song funk, with Hargett doing some seriously heavy lifting. There is even a handful of tunes—"West, " "Hackensack, " and "Pacific Voyage, " in particular—in which Hargett puts down the bari and picks up the tenor, with excellent results.

On the flip side (not literally), Hargett is not averse to taking it down a notch, smoothing the edges, as he does on his super-tender cover of "You Don't Know What Love Is, " with the B3 laying down a comfortable bed of chord changes and Gibbs urging Hargett with nothing more than sexy brushes. The result is heart-felt, deeply moving … and just the kind of break listeners need in order to jump back into the dirty bari that Hargett serves up for much of the session. The same poignance emerges on the lovely "Myra." Lucky girl, that Myra, to have such a sweet ode written to her. But lest you start thinking Hargett is hopelessly romantic, check out the closer, "Sunday Fog, " a nasty, virtuosic, locomotive of a piece that will leave you breathless and satisfied.

Hargett hails from Houston, got schooled in Austin, and has since moved to LA. He met up with Gibbs after an invite to play in his Thrasher Big Band back in 2006. Hargett later teamed up with Gibbs' father, the vibist and composer Terry Gibbs, in the master's own Terry Gibbs Dream Band. He has clearly gained some savvy and some sophistication along the way, and it shows up grandly on Steppin' Up. From ballads to burning funk, Hargett proves he can do it all, and this, his first real crack at leadership. He's had some good apprenticeships during his brief career thus far, and he's got A-list support to bring it all home, which is why Steppin' Up is an incredible step in the right direction.



 



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https://www.amazon.com/Steppin-Up-Eric-Hargett-Trio/dp/B01HND6GKY

 

Jeff Beck - Loud Hailer (2016)



Label: Deuce Music Ltd
Source: Something Else Reviews
Genre: Jeff Beck!
GAB's Rating: ★★★★★


Jeff Beck has a new CD out – his first for six years – and it is appropriately titled Loud Hailer. The title sends something of a message of intent, and the album does not disappoint.

Jeff Back says he wanted to make a statement about some of the nasty things he observed in the world and loved the idea of being at a rally, using a loud hailer to shout his viewpoint. Beck wrote the tracks with the aid of singer Rosie Bones and guitar player Carmen Vandenberg. They met via Queen’s drummer John Taylor, and worked together so well that the pieces came together pretty swiftly. The input of Rosie Bones’ and Vandenberg’s feisty, strong styles come through in spades here.

Producer Filippo Cimatti recruited drummer Davide Sollazzi and bass player Giovanni Pallotti and a mercuric mix ensued. This is confident, virtuoso music production from a veteran performer who loses not a jot of cutting edge, provocative style as time passes.

Loud Hailer begins with “The Revolution Will Be Televised,” a sumptuous opener with wild guitars throwing shapes, forms and sounds around an echoed vocalization. Jeff Beck’s guitar solo, as expected, is virtuoso and perfectly appropriate for the piece. “Live in the Dark” is a prog-rocky piece with clear, well-worked vocals over impressive fretwork and powerful lyrics. It, incidentally, is going to be released as a single. “Pull It” is a gorgeous instrumental interlude, heavy on the rock, easy on the ear – a superlative experience for the senses with guitar work that weaves, snakes and entwines the senses.


Just over two minutes passes in a flash before the next track “Thugs Club,” which opens with sonorous guitar into which the vocals insert a story about the various doings of various poor n’ere-do wells in the twilight life surrounding the making of riches for other men. There is a thunking guitar and drums intersection and a huge energy backing the drive right through this number, driven in no small measure by the power of the vocals.

“Scared for the Children” is a beautiful ballad, creating a place of calm and reflection among the power and force of the album. It tells a story of Billy, a child whose life takes shape surrounded by people and things which take his innocence away. The piece works its way up to a precocious guitar solo interlude where Jeff Beck shows his experience and understanding of melodic innovation to the full.

“Right Now” is a rock song, pure and simple. Guitars announce the theme, the propulsive vocals tell the tale of greed and the structure is rounded, explosive and angry. “Shame” opens like a country and western number, is sung like a blues and played like a rock song. Twangy, swingy guitar create the textures over which the vocals weave in and out with the story. “Edna” is one of the two signature instrumentals from Beck (the other being “Pull It”) and is short (quite), sweet (very) and good (extremely). “The Ballad of the Jersey Wives” has something to say and Jeff Beck may as well have his loud hailer to his lips – but he gives it this time to the vocals, who acquit the story of truth seeking in a powerful, gutsy delivery.

“O.I.L.” is funky and rolls back the veils to reveal pure, open rhythms and an essence of the beat delivered not only by the drums but by the finger-flicking fret working of Beck on his guitar and the entire structure of the piece. A great number and, again, supported by intense, powerful vocals. Sitting still listening to this is not an option. “Shrine,” a classy ballad, closes out Loud Hailer in style.

Here is an album which is enjoyable, fun and also delivering a personal statement of observations about the time we are living in. Jeff Beck innovates and continues to add different essences to guitar playing. He once said his aim was to make people forget he was a guitar player and, while you may understand what he means, there is little chance of that. But he is a guitar player who keeps delivering, bringing new sounds to the instrument, finding new doors to break through and never for an instant hitting inertia. The choice of compadres on Loud Hailer is sublime, with the vocals delivering more than a passing compliment to the music: At times, they make it what it is and the character behind them is engaging and very charismatic. Good music, excellent production and a combination of top-tier musicians combine to make this a quality, listenable and worthy album.
Beck is touring the U.S this summer with blues legend Buddy Guy. And in August the Hollywood Bowl will be the setting for a celebration of 50 years of music making with special guests and, of course, Jeff Beck at the helm. As he has twice been inaugurated into the Rock and Roll Hall of Fame, first with the Yardbirds and the second as a solo artist, won a total of eight Grammy Awards, has been included in Rolling Stone’s 100 greatest guitarists of all time and been a guest performer with Stevie Wonder, Buddy Guy, Tina Turner, Mick Jagger and countless others, it should be a night to remember.  Sammy Stein



 1  The Revolution Will Be Televised
2  Live in the Dark   
3  Pull It   
4  Thugs Club   
5  Scared for the Children   
6  Right Now   
7  Shame   
8  Edna   
9  The Ballad of the Jersey Wives
10 O.I.L. (Can't Get Enough of That Sticky)
11 Shrine
 

Jeff Beck - Guitar
Rosie Bones - vocals
Carmen Vandenberg - guitar
Davide Sollazzi - drums
Giovanni Pallotti - bass


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Saturday, July 9, 2016

JAZZ PROMO SERVICES - New Releases July / August / September 2016


Carla Hassett – “+ Blue”
(Paulista Records)
→Street Date: 07/01/2016

Gwen Hughes – “Native Land”
→Street Date: 07/01/2016

Ben Adkins – ““Salmagundi””
(Ben Adkins Music)
→Street Date: 07/08/2016

Denny Zeitlin – “Early Wayne”
→Street Date: 07/08/2016

Brazzamerica – “Brazzamerica”
(Self Produced)
→Street Date: 08/05/2016

Carlos Barbosa-Lima – “Plays Mason Williams”
→Street Date: 08/05/2016

Carlos Barbosa-Lima – “The Chantecler Sessions Vol. 2 1960 – 6”
→Street Date: 08/05/2016

Harmonie Ensemble / New York – “Gershwin: American In Paris – Concerto In F”
(Harmonia Mundi HMU 907658)
→Street Date: 08/05/2016

Rebekah Victoria & JAZZKWEST – “OldFashionedTwitterTwitt”
(Jazzkwest CD001)
→Street Date: 08/05/2016

Ron King – ““Triumph”
(Self Produced)
→Street Date: 08/05/2016

Bob Mintzer – “All L.A. Band”
→Street Date: 08/19/2016

Jay Willie Blues Band – “Hell On Wheels”
→Street Date: 09/02/2016

To See January through June 2016 Click HERE



Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677 / F: 845-986-1699 

"Specializing in Media Campaigns for the music community, artists, labels, venues and events.”

Sei Miguel - (Five) Stories Untold (2016) CLEAN FEED RECORDS



present


A new record by the «best kept secret of Portuguese creative music», as one British critic once wrote about trumpeter extraordinaire Sei Miguel. Specifically, a collection of “stories untold” with different line-ups, from a duo with Fala Mariam to a sextet with Mariam, Nuno Torres, Rodrigo Amado, José Bruno Parrinha and Paulo Curado, including the participation of other musicians like Carlos Santos, Hernâni Faustino, Luís Desirat and Moz Carrapa. This is how jazz sounds when inspired by John Cage and Alvin Lucier, each piece creating its own world, either reminiscent of Greek and Balkan chants, based on a Raksin-Mercer song, “Laura”, dedicated to the guitarist of the free rock band Caveira or having the same notion of space Miguel finds in both Gil Evans and Keith Rowe. 

A veteran of the Portuguese scene, active since the Eighties, revered by some and misunderstood by others, Sei Miguel refuses to be considered an “institution” by always renewing his concepts and his playing, facing each project simultaneously as the first and the last one, letting himself to be surprised and at the same time dealing with it as a definitive statement. The consequence: a shining diamond, for you to take and cherish…

Sei Miguel  trumpet
Fala Mariam  trombone
Moz Carrapa  acoustic guitar (on track 2)
Carlos Santos  computer (on track 3, 4)
Nuno Torres  alto saxophone (on track 5)
Rodrigo Amado  tenor saxophone (on track 5)
Bruno Parrinha  alto clarinet (on track 5)
Paulo Curado  flute (on track 5)
Pedro Lourenço  electric bass (on track 5)
Hernâni Faustino  electric bass (on track 3, 4, 5)
Luìs Desirat  drums (on track 3, 4)

1. Asterion 9:20
2. Abrigo Dos Pássaros 17:33
3. Os Céus 9:25
4. Oito Lançamentos para Pedro Caveira 9:02
5. Sentinela 16:57

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