Saturday, September 10, 2016

Sept. 16: Satoko Fujii Orchestra Berlin in rare live performance


Satoko Fujii Orchestra Berlin performs rare live concert

Friday, September 16 at Aufsturz-Klub, Berlin

Satoko Fujii Orchestra Berlin with Matthias Schubert and Uli Kempendorff on tenor sax; Paulina Owczarek on baritone sax; Nikolaus Neuser, Nils Ostendorf, and Natsuki Tamura on trumpet; Matthias Müller on trombone; Keisuke Matsuno on guitar; Jan Roder on bass; Michael Griener and Peter Orins on drums

Group’s debut 2015 CD Ichigo Ichie earned wide critical acclaim   

"Fujii is the Ellington of free jazz." – Bob Rusch, Cadence

 “[Fujii has] reinvigorated the big-band concept for the new century – and placed herself at the forefront of the style at the same time.”  ⎯ Marc Chénard, Coda

“Unpredictable, wildly creative and uncompromising…. Fujii is an absolutely essential listen for anyone interested in the future of jazz.” – Dan McClenaghan, All About Jazz


Jazzkeller 69 e.V. presents a rare live performance by the internationally acclaimed Satoko Fujii Orchestra Berlin on Friday, September 16 at 9 p.m. at Aufsturz-Klub, Oranienburgerstr. 67, Berlin-Mitte, Germany.  

Tickets are 10 euro and 7 euro

 For more information, log on to: 





Joining pianist/composer/conductor Satoko Fujii are Matthias Schubert and Uli Kempendorff on tenor sax; Paulina Owczarek on baritone sax; Nikolaus Neuser, Nils Ostendorf, and Natsuki Tamura on trumpet; Matthias Müller on trombone; Keisuke Matsuno on guitar; Jan Roder on bass; Michael Griener and Peter Orins on drums.  

This is the second ever performance by the group, which has earned multiple 4-stars reviews and wide critical acclaim for its 2015 Libra Records release Ichigo Ichie. “Fujii…is the Ellington of free jazz… almost 55-minutes of mesmerizing music, this is a beaut,” says Bob Rusch in Cadence Magazine. It’s  “…a singular and unparalleled listening experience,” notes Hrayr Attarian in All About Jazz. “Ichigo Ichie…does not swing in the manner of a Basie- or Ellington-inspired big band or rock like a Gil Evans or Maynard Ferguson project.  Instead, it swells in oceanic crests from which its musicians… soar wildly…. leaves you dazed, possibly confused and definitely wonderstruck,” exclaims Derk Richardson in The Absolute Sound.


Over nearly twenty years of touring and collaborating with some of the world’s most renowned musicians, Fujii has become a global citizen, evidenced by the orchestras she’s established in several major cities. She’s earned a place in the Big Band category of the DownBeat Annual Critics Poll as well as being named a Rising Star Composer in the poll.  With Ichigo Ichie Fujii debuted her first European large ensemble. Based in Berlin where she lived for five years, the Orchestra Berlin joins a roster of improvising big bands based in New York and Tokyo, Nagoya, and Kobe in Japan.

“I like having orchestras in different cities because that kind of diversity can give my music energy,” Fujii says. “In Europe in general, musicians have excellent technique, because they have a long classical music history and the education is very good. Also, Berlin is a very international city, so I’m playing with musicians in Berlin but that doesn’t necessarily mean that they’re German musicians.”


Critics and fans alike hail Fujii as one of the most original and wide-ranging voices in jazz today. She’s “a virtuoso piano improviser, an original composer and a bandleader who gets the best collaborators to deliver," says John Fordham in The Guardian.  In concert and on more than 80 albums as a leader or co-leader, she synthesizes jazz, contemporary classical, avant-rock and Japanese folk music into an innovative music instantly recognizable as hers alone.  

The Tokyo native relocated to the U.S. to study at Berklee College of Music and New England Conservatory, where she was mentored by the likes of Paul Bley, Herb Pomeroy, George Russell, and Cecil McBee. Over the years, Fujii has led some of the most consistently creative ensembles in modern improvised music, including the ma-do quartet, the Min-Yoh Ensemble, and an electrifying avant-rock quartet featuring drummer Tatsuya Yoshida of The Ruins. In recent years she’s also formed fruitful collaborations with such inventive artists as pianist Myra Melford, drummer John Hollenbeck, violinist Carla Kihlstedt, guitarist Elliott Sharp and bassist Joe Fonda.

Fujii has established herself as one of the world’s leading composers for large jazz ensembles.  Her ultimate goal: “I would love to make music that no one has heard before.”






Richard Sussman - The Evolution Suite (2016) ZOHO MUSIC


Richard Sussman
“The Evolution Suite”
For Jazz Quintet, String Quartet,
and Electronics

CD Release Concert
Sunday Night, November, 6, 8:00pm
at The Greenwich House Music School
46 Barrow Street, New York, NY
Click HereFor Tickets & Info:




featuring
Richard Sussman-pno/electronics/composer,
Scott Wendholt-tpt, Rich Perry-ts,
Mike Richmond-bs, Anthony Pinciotti-dr,
The Sirius Quartet:
Fung Chern Hwei-vln, Gregor Huebner-vln,
Ron Lawrence-vla, Jeremy Harman-vcl
with special guest Zach Brock-vln.


Upcoming Evoution Suite Live Appearances

Friday, December 16th 
Union Arts Center, 2 Union St, Sparkill, NY 10976
Featuring The Quintet
Scott Wendholt-tpt, Rich Perry-sx, Mike Richmond-bs, Anthony Pinciotti-dr.

Sunday, February 5, 2017
Roulette, 509 Atlantic Ave, Brooklyn, NY 11217
Featuring the full ensemble

Richard Sussman's ground-breaking “Evolution Suite” for Jazz Quintet, String Quartet, and Electronics is the culmination of almost a decade of development.  This five-movement, hour-long composition was funded by a Chamber Music America New Jazz Works Grant, and premiered and recorded on December 20, 2015, at the Leonard Nimoy Thalia at Symphony Space in New York City.  It is now slated for an October 7, 2016 release on Zoho Records.

Long acknowledged as an accomplished and innovative jazz pianist, arranger, composer, and educator, Richard Sussman has been passionately exploring the inner and outer frontiers of contemporary musical expression throughout his entire career.  This includes a keen interest in music technology and the use of synthesizers and electronics in music, as well as a fascination for integrating elements from diverse musical genres.

The music for “The Evolution Suite” draws on Sussman’s many varied influences and areas of expertise, including straight ahead jazz, electronics, contemporary classical “New Music”, and elements from contemporary pop music.  The ensemble features members of the acclaimed Sirius Quartet, along with top jazz artists Scott Wendholt-trumpet/flugel horn, Rich Perry-tenor sax, Mike Richmond-acoustic and electric bass, Anthony Pinciotti-drums, and Sussman performing on piano, synthesizer, and laptop, with special guest Zach Brock on electric violin. The result is a truly cutting edge blend of highly original and marketable music with a completely contemporary appeal.

”Fundamental to “The Evolution Ensemble” is the belief that in order to meet the changing needs and cultural shifts of 21st century society, it is essential for both composers and performers to evolve in their aesthetic perspectives with regard to the changing artistic landscape. As contemporary composers and performers, I believe we should be free to draw on elements from any available musical genres in the composition of concert music, as long as it can be done in an organic and musical way.

Through this process of integration, inclusiveness, and the breaking down of artificial stylistic boundaries, I hope to create music which is a true reflection of the multi-cultural society in which we live, and is also accessible to a wider cross-section of that society, thus exposing and educating a larger portion of the population to an expanded concept of what “concert music” can be.”

- Richard Sussman


"Richard Sussman’s The ‘Evolution Suite’ is an amazing and very impressive work! 
BRAVO & CONGRATULATIONS! "
- Rufus Reid

"The Evolution Suite." is quite a tour-de-force by composer/pianist Richard Sussman. Suffice it to say that the music is engrossing, diverse, swinging, and the players are all top notch!"
- Ron Wasserman (NYC bass player, band leader, & blogger)

“Beautiful piece, Richard.  Congratulations!”
- Kenny Werner

“Man that’s been in my car stereo for a while. Really amazing music Richard... I love the acoustic/electronica collaborations, and of course great writing and playing.”
- Steven Bernstein

“The Evolution Suite” is sophisticated, soulful, compelling, and has at it’s core five of the best improvisers in jazz. It takes the listener on a fantastic journey of discovery and imagination.” 
– Jay Anderson 

“I checked out your “Evolution Suite”. WOW!! Great! What an ambitious project. Bravo!!”
- Ed Neumeister


National Press Campaign

Jim Eigo Jazz Promo Services

Ph: 845-986-1677 / jim@jazzpromoservices.com


"Specializing in Media Campaigns for the music community, artists, labels, venues and events.”

Friday, September 9, 2016

James Morton - The Kid (2016)



James Morton is one of the most exciting saxophone players of his generation. After his critically acclaimed release Don’t You Worry ‘Bout That (2010) by James Morton’s Porkchop, his highly anticipated new solo album The Kid is due for release in June 2016 with an all-star line up, including a four-piece horn section and an array of special guests including Fred Wesley, Pee Wee Ellis, Andy Sheppard, Ollie Teeba (The Herbaliser), Ian Mathews (Kasabian) and The Easy Access Horns (The Herbaliser).

The album’s title owes itself to James’ nickname, “The Kid”, which was earned after playing the clubs, venues and festivals in and around Southern England from the age of twelve. As a teenager he was heavily influenced by the funk music of James Brown, hip-hop and jazz and it is these influences – not to mention the presence of his biggest mentors on the album – that he brings together on The Kid, making it an exciting funky, soulful, gospel tinged album. The Kid features all original material, and is, for the most part instrumental, driven by grooving funk beats. Tracks such as Do Dat, Stand Up and The Swerve fall very much into JB’s territory, while Step Up brings in some different textures through vocalist Alex Johansen. The Hymn then takes things down to a more soulful groove with the Soul Collective Gospel Choir. Andy Sheppard, who has been a major mentor, features on If They Only Knew, a track James specifically wrote for him. By bringing all his key mentors and influences – Pee Wee Ellis, Fred Wesley, Andy Sheppard – together, the album becomes a storyboard for his career, charting his musical journey from where he began, to where he is now. And it’s quite an achievement!


These days, James regularly plays with his idols – he has worked extensively (15 years) with Pee-Wee Ellis and recently recorded (and performed) with Fred Wesley and The New JB’s. He is also a member of British hip-hop legends The Herbaliser who he continues to tour and collaborate with. His unique lyrical and rhythmic style, which allows him to directly “speak” to his audience, conveys a strong sense of emotion that really connects with people and is what makes him such a special – and in demand – player.

Throughout his career James has worked with some of the world’s best known and exciting artists, including Kasabian, Raphael Saadiq, Pendulum, George Clinton, Tony Allen, Roni Size, Angelique Kidjo, Carleen Anderson, Jazz Jamaica and Fred Wesley and The New JB’s, to name a few. Most recently he worked as part of NPG Hornz playing with Liv Warfield and other members from Prince’s band and in 2014 he was appointed Ambassador of Music for his home town, Bristol.


01. Do Dat 4:15
02. Stand Up 3:45
03. Eyelets 6:39
04. Step Up 4:36
05. The Hymn 3:02
06. By the Way 4:42
07. The Swerve 5:31
08. Phone Me Tomorrow 3:54
09. If They Only Knew 7:38
10. Trouble 6:38

James Morton (alt)
Fred Wesley (tmb)
Pee Wee Ellis (ten)
Andy Shepherd (sax)
The Easy Access Horns
Alex Johansen (vcl)
Simon Picton (gtr)
& Others




Novas Trio - Gravity's Empire (2016) DISCOS PENDIENTE




"Gravity's Empire" Is the second record from Novas Trio. Features Jeff Miles on guitar, Carlos Vera L on Vibes and Rodrigo Recabarren on Drums. Dayna Stephens is a special guest on Vesak and Throughout.

Hi Everyone!

We are getting ready to release our second album Gravity's Empire worldwide with a tour in the East Coast!!!!

Join us for the CD Release party at ShapeShifter Lab in Brooklyn on Tuesday September the 13th. It will be a great hang since we'll have Dayna Stephens on Sax and EWI and Bryan and the Aardvarks playing before us.

If you are not in the NY area you will be able to stream it on http://live.shapeshifterlab.com/ for $3 bucks.

Don't miss it!!!!

The awesome poster (and all of our artwork) was made by the one and only Frannerd!!!

Gravity's empire will be available on all platforms from September 8th on Discos Pendiente


Amigos!
Este mensaje es para contarles que el segundo disco de Novas Trio “Gravity's Empire” está disponible desde hoy 8 de Septiembre en todas las plataformas digitales y físicas.

Para celebrar este gran evento, vamos a hacer una serie de presentaciones en Estados Unidos y la gran celebración de lanzamiento de nuestro disco será el martes 13 de septiembre en Shapeshifter lab, en Brooklyn, Nueva York.

Si usted por casualidad no está en Nueva York el martes, puede ver el concierto en línea en la siguiente dirección live.shapeshifterlab.com

Queremos aprovechar de agradecer a nuestros amigos de Discos Pendiente, al fondo Nacional de la música, a la más seca Frannerd y a todos los que han estado involucrados en este gran proyecto.

Ojalá nos puedas acompañar física o virtualmente y esperamos que disfrutes nuestro nuevo disco!


Gravity's Empire
Novas Trio
DPCD 41
September 2016

01. Gravity’s Empire (J. Miles)
02. The Flux Capacitor (R. Recabarren)
03. Throughout (B. Frisell)
04. Vesak (J. Miles)
05. El derecho de Vivir en Paz (V. Jara)
06. PP (C. Vera L.)
07. Submillimeter Galaxy (R. Recabarren)

Jeff Miles, guitar
Carlos Vera L., vibes
Rodrigo Recabarren, drums

Special guest:
Dayna Stephens, EWI on Vesak; Tenor Sax on Throughout

Recorded April 26, 2014 by Andy Plovnick at the Bunker studios, Williamsburg, Brooklyn, NYC. Edited by Joshua Kwassman September, December, 2014 at Squareast studios in Brooklyn, New York. Mixed and Mastered in March‐July 2015 in Los Angeles California

Art: Frannerd
Produced by Novas Trio



Matt Marantz - Aura (2016)



Originally from Texas, Matt Marantz got his start growing up in a musical family. At a young age, he was exposed to the music of Charlie Parker, Phil Woods, and Cannonball Adderly via his father's record collection sparking a love affair with the saxophone & the bebop language that  kindled a flame of musical discovery.

At Booker T. Washington High School for the Perfoming and Visual Arts in Dallas, Marantz grew alongside like-minded musical peers and was propelled to learn the ropes of playing in ensembles under the tutelage of then-director of the jazz bands, his father Bart Marantz. It was here that Marantz was shown tons of new music by friends ranging from Keith Jarrett's 70's quartets to Radiohead's cutting edge rock albums to D'Angelo's Voodoo. Arts Magnet High School provided a musical palette with a wide array of colors and Marantz was a sponge for all of the information. Some of Marantz's peers at Arts, most notably pianists Sam Harris and Frank LoCrasto, have gone on to lead musical careers of their own and are known to collaborate with Marantz on musical outings.

With the goals of becoming a performing artist in mind, Marantz moved to New York City in 2004 and began a musical journey that has taken him as far away as The Middle East, Europe, and Asia for tours performing live with the likes of Herbie Hancock, Terence Blanchard, and Jason Moran along the way. Marantz's 2010 album "Offering" got 3 1/2 stars in Downbeat, and two more full length albums are slated for 2015 and 2016 releases.


1. Aura 05:20
2. D.A.D.'s (The 80s) 05:09
3. Abyss 05:38
4. Endless... 03:59
5. Spectre 05:28
6. Roads Yet Traveled 08:47
7. Rain 04:28
8. Filter 03

Matt Marantz - Saxophone (tenor, soprano on "Endless")
Luke Marantz - Piano, Fender Rhodes, DX7 synthesizer
Greg Ritchie - drums
Zack Lober - bass




Lupa Santiago 4teto + Ed Neumeister - Ubuntu (2016)



Ubuntu is an ancient African word meaning, “I am what I am because of what we are.” Ed and I met briefly in Austria in 2012, where he lives. This was a special occasion for me because, in the history of jazz, Ed is an exceptional and renowned trombonist, arranger, and composer. After a few emails, we set up a week of shows in Brazil playing my music and his. When I received Ed’s compositions, I realized how to make the project something even more interesting and bring it all up to the next level: I called Leandro, Bruno and Alex, who are excellent instrumentalists and composers, besides being great friends. Paulo Aredes, an experienced producer from the Soundfinger studio and label, willingly took on the project and contributed with his great ideas. Everything happened really quickly and the band found an instantaneous identity and sonority. It seemed like the compositions had been just waiting for the occasion and the group started to exist that very week! The music of this album is the sum of the cooperation, generosity, warmth and respect we experienced. Our souls, raw, spontaneous, honest…here for all. “Ubuntu!”




01. Probably Maybe
02. Dauphine
03. Night Eyes
04. Two For Eleven
05. Trails
06. Enfim SUS
07. Eco System

Lupa Santiago, guitar
Leandro Cabral, piano
Bruno Migotto, bass
Alex Buck, drums

Ed Neumeister, trombone



Shu Odamura - Cloud Illusions (2016)


Born in Kyoto, Japan, Shu Odamura is a New York-based guitarist, composer. He holds bachelor’s degree in jazz composition. He started taking guitar lessons at the age of 12. In 2003, he competed in the Gibson Jazz Guitar Contest as a youngest and won the special prize. In 2006, He moved to Boston to study at Berklee where he was given the Toshiko Akiyoshi Award. His teachers include Jon Damian, John Wilkins, Diavid Gilmore (guitarist for Wayne Shorter), Greg Hopkins (arranger/trumpeter for Buddy Rich big band), Scott Free, and Ken Pullig.

As a guitarist, Shu has performed with various kinds of groups, such as jazz ensembles, pop/rock bands, church choirs, as well as his own jazz duo/trio. He has been credited on numerous recordings. In 2010, he played on Mina Cho’s album “Originality,” which led him to be selected for Third Place in the 32nd Jazz Station Poll (Acoustic Guitar) conducted by renowned jazz journalist Arnaldo DeSouteiro. As a composer and arranger, he works for jazz orchestra, flute/saxophone ensemble, pop singers, and films. His minimal-music piece “Kitchen Talk” was selected to air on Ryuichi Sakamoto’s radio program in Japan.


01. Rain
02. Viko
03. Primera Vez
04. Dear Boston
05. Blue Space
06. Onsen Waltz
07. Say Hello To Oscar
08. Flowing Colors
09. Beyond The Clouds
10. Believe

Shu Odamura: guitar, compositions
Yoshiki Yamada: electric bass, double bass
Yutaka Uchida: drums




Joshua Redman & Brad Mehldau - Nearness (September 9, 2016) NONESUCH RECORDS




Nonesuch Records releases saxophonist Joshua Redman and pianist Brad Mehldau's Nearness, the longtime friends' and collaborators' first duo album, on September 9, 2016. Nearness, a selection of duets recorded live during their recent European tour, is available for pre-order now at iTunes and in the Nonesuch Store, where an instant download of the album track “Ornithology” is included with purchase. You can hear the track and find out where the duo will be performing together this fall below; for all the latest tour details, visit nonesuch.com/on-tour.

Brad Mehldau first came to prominence as a member Joshua Redman's quartet in the 1990s before becoming a bandleader himself. The pair first reunited in 2010 when Redman was featured on Mehldau's album Highway Rider. In 2013, Mehldau was featured as a performer and producer on Redman's Walking Shadows.

"It's like one of those friendships where you don't see someone for a long stretch and then you fall right back where you left off," Mehldau told the Ottawa Citizen when he and Redman performed at the city's jazz festival in 2011. According to the Citizen's Peter Hum, these two friends are "among the most potent and influential jazz instrumentalists of their generation, and what Mehldau calls 'picking up' is in fact world-class improvising before rapt audiences."


Each artist has recorded extensively for Nonesuch, with a wide variety of collaborators. Brad Mehldau's label debut was the 2004 solo disc Live in Tokyo and includes six records with his trio: House on Hill, Day Is Done, Brad Mehldau Trio Live, Ode, Where Do You Start, and Blues and Ballads. His collaborative records on the label include Love Sublime, Highway Rider, Metheny Mehldau, Metheny Mehldau Quartet, Modern Music, and Mehliana: Taming the Dragon. Mehldau's additional solo albums on Nonesuch include Live in Marciac and last year's 8-LP/4-CD 10 Years Solo Live, which the New York Times says "contains some of the most impressive pianism he has captured on record."

Joshua Redman's first album on Nonesuch was the Grammy-nominated Momentum, released in 2005. His other releases on the label include Back East, Compass, and Trios Live, all of which explore the trio format; MoodSwing, originally released in 1994 with Redman's own band, including Mehldau, and re-released by Nonesuch in 2009; Walking Shadows, his first recording to include an orchestral ensemble, from 2013; and The Bad Plus Joshua Redman, his 2015 collaboration with the acclaimed trio, which the New York Times called "a knockout" and NPR called "a roaring and beautiful summit meeting." In 2004, he was a founder of the SFJAZZ Collective, an eight-piece, multi-generational ensemble of accomplished musicians. Since 2009, Redman has been performing with a new collaborative group called James Farm, whose members also include pianist Aaron Parks, bassist Matt Penman, and drummer Eric Harland. The group has two releases on Nonesuch; their self-titled album from 2011, and City Folk, released in 2014.