After some years spent roaming the Valley of the Ultrablacks and exploring the Mountain of Forever, (where they narrowly avoided the lethal traps of The Voice of Besbunu), Binker and Moses are back with a new offering.
'Feeding The Machine' is their first studio album in five years, due for release on February 25th on all formats.
Recorded at Peter Gabriel’s Real World Studios by legendary, GRAMMY-winning producer Hugh Padgham, the new record features honorary third member Max Luthert on tape loops and electronics, moving their sound into an entirely new dimension that crosses into ambient, minimalism and experimental electronic territories.
With the use of modular synths and sampling, traditional melody and song structures are left behind as the musicians are pushed creatively to respond and in turn, 'feed the machine'.
1. Asynchronous Intervals
2. Active-Multiple-Fetish-Overlord
3. Accelerometer Overdose
4. Feed Infinite
5. After The Machine Settles
6. Because Because
Binker Golding: soprano and tenor saxophones
Moses Boyd: drums
Max Luthert: live tape loops and electronic effects
All tracks composed by Binker Golding, Moses Boyd and Max Luthert
Recorded at Real World Studio, 29th-31st March 2021
Engineered and mixed by Hugh Padgham
Assisted by Oliver Middleton
Mastered and cut by Caspar Sutton-Jones and Darrel Sheinman at Gearbox Records
Mastered using all-valve Decca equalisation and Telefunken limiters. Lacquer discs cut on a Haeco Scully lathe with Westrex RA1700 series amps, Westrex 3DIIA cutting head. Monitored using Audio Note equipment
Produced by Darrel Sheinman and Hugh Padgham
Photography by Dan Medhurst
Graphic design by Alan Foulkes
