Dongfeng Liu Band
"China Caribe" CD Release Concert
Weill Recital Hall
57th Street and Seventh Av
Dongfeng Liu, Piano and Keyboards
John Benitez, Bass
Roberto Quintero, Percussion
Francis Benitez, Drums
Min Xiaofen, Ruan and Pipa
Feifei Yang, Erhu
Liu’s CD celebrates and dramatizes these cultural cross currents. On this album, we hear what happens when cultures collide – a new sound, a unique aesthetic is born. You haven’t heard anything like China Caribe. I hadn’t. In a word, Liu’s music is peerless. These eight original compositions and arrangements are special and sparkling, meditative and magnificent.
The opening notes of In the Clouds are performed on the morin khuur, a Mongolian instrument that is also called a horsehead fiddle, in soundclips by the Hanggai Band, one of the leading folkloric Rock groups from Mongolia, and friends of Liu’s. This sound alone foreshadows what’s to come: We begin in the East, but by the time John Benitez’s round electric bass enters, we’re not quite back in the West but somewhere in between – a place that China Caribe will inhabit throughout each musical chapter.
Min Xiaofen plays the melody elegantly on the ruan, a traditional Chinese string instrument similar to a lute, with a round body and four strings. This piece is inspired by the Mongolian throat singing tradition called khoomei in which a vocalist sings two notes at once. In this tune, there is the sustained bass and melody. At the same time, the floating chords, taken together, form the second note. Indeed, the piece is masterfully conceived and arranged.
Colorful Clouds Chasing the Moon takes the melody from an ancient and folkloric Chinese song. Min Xiaofen takes the lead on the pipa, another ancient lute-style stringed instrument. She is followed by Liu performing the melody on the piano. There is a trenchant Afro-Cuban beat in 6/8 that creates an undulating, propulsive feeling until the timba 4/4 rhythm takes over during the solo section, in which Liu unleashes an incandescent improvisation that builds with block chords and dynamic phrasing.
I Know You starts with the intrepid hand percussion of Roberto Quintero which blends seamlessly into John Benitez’s syncopated bass groove. Indeed, the prelude and A section are in the odd-meter of 5/4, which transitions to 7/4 in the B section. “Latin music makes people want to dance,” says Liu. “But this piece isn’t suitable for dancing,” he observes. He notes that this is one of his favorite songs because the musicians have to interlock over an uneven rhythm, and ultimately have to learn about each other in the process. This piece is unadulterated virtuosity.
Arcadia is pure fusion. From the heavy synthesizer introduction and forceful back beat of the drums to piano painting and finally the melody on pipa. Liu chose the name of the song because it sounded like that of another world, the feeling he tries to evoke in this piece. Ultimately, the music is harmonious and suggests that it’s possible for people to make music (and live together) in a peaceful manner. Here too, Liu’s piano solo is pitch perfect, inhabiting the empty space, yet not clustering the piece with a barrage of sounds. The maestro uses the stillness, the calmness as an instrument itself which serves to dramatize the melody.
Coltrane’s Tune is Liu’s tribute to John Coltrane, whom he has long admired. The harmony is from Coltrane’s classic “Countdown.” Liu admits that the song is also inspired by Miles Davis’ “Tune Up.” Indeed, you can hear shades of both these vintage jazz songs. Of course, Liu renders them with novelty and originality. This tune is pure, uninhibited jazz trio.
Fisherman’s Song At Dusk comes from an ancient Chinese folkloric song. It refers to the performance of the Chinese Jiangnan Water Village during the sunset, as the fishing boats are sailing in the distance. Liu took this melody and recast it with several parts, from the cascading piano to the drums accenting the beats at the same time. Feifei Yang plays the melody on the erhu, a traditional Chinese bowed string instrument.
Admittedly, to say that this album is Chinese and Cuban can be reductionist. There are fifty-six ethnic groups in China alone who speak different languages and perform their own styles of music. Cuban and Afro-Caribbean music is certainly not without variety either. But this album will launch any listener onto a journey, even safari of discovery. It has been a pleasure producing Liu’s album with John Benitez and Doug Davis. We thoroughly enjoyed the adventure of fusing cultures and civilizations.
“I wanted to contribute a new voice, my voice to the conversation,” said Liu. Indeed, Liu has given us something to hold dear as we face the future. No matter the shifting sands of time and fate, we’re in a better place when we look for commonality. Liu has enriched and advanced that common language of all mankind – music.
Multi-Grammy and Latin Grammy Award Winner New York Times bestselling author
1 In The Clouds 5:45
2 Mirror Image 8:38
3 Colorful Clouds Chasing the Moon 6:42
4 I Know You 7:37
5 Arcadia 5:31
6 Coltrane’s Tune 5:09
7 Fisherman’s Song at Dusk 6:03
8 Moophy 12:03
Dongfeng Liu Piano
John Benitez Electric bass, Acoustic bass
Roberto Quintero Percussion # 1 – 5, 7
Francis Benitez Drums
Min Xiaofen Ruan # 1, Pipa # 3, 5
Feifei Yang Erhu # 7
Hanggai Band Mongolian horsehead fiddle, Mongolian throat singing # 1
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