Saturday, January 2, 2016

Tyler Kaneshiro & The Highlands - Amber of the Moment (Limited Edition Compact Disc) 2014



First impressions mean everything. Amber of the Moment, trumpeter / composer Tyler Kaneshiro's debut album opens with a cloying cover of Bjork's "Who Is It." While nicely rendered, and suitably arranged, Kaneshiro's version plays it safe, replacing all of the oddness of the original with slick nu-jazz gloss. The cover of Bon Iver's "Holocene" fares better, though it's not that interesting a tune to begin with. Further penetration into the tracklist of Amber of the Moment, however, reveals that Kaneshiro's overall musical vision is a bit more individualistic than his cover versions would lead you to expect. Occasionally, the music here even gets a little transgressive. The first such move comes courtesy of guitarist Keisuke Matsuno, whose gloriously effects-laden solo on "Irene" is both eloquent and attention-grabbing. 

The party continues with Matsuno's own piece, "Elevator," a dynamic 6/8 romp which uses an extended feedback-charged drone as a jumping-off point. Kaneshiro's "Dawn at Sea" is a dark, rubato piece enlivened by Chad Lefkowitz-Brown's emotive tenor solo against a backdrop of sizzling cymbals and spectral electronic sounds. "Passing Fields" is yet another pretty tune that is abruptly energized by Matsuno's guitar solo. The remainder of the album is less distinctive, but thoughtfully composed and arranged, with warm, inviting surfaces reminiscent of contemporary fusion artists such as Brian Blade's Fellowship, James Farm, and Kurt Rosenwinkel. 

As a player, Kaneshiro takes some cues from Dave Douglas: he's an economical soloist with a clear, bright, almost classically-informed tone, but with unmistakably jazzy phrasing. His website has a section dedicated to his work in film scoring, which seems compatible with his musical vision as presented on Amber of the Moment.

Who Is It
Irene
Elevator
Dawn at Sea
Holocene
Time That Never Was
Passing Fields
'Til We Meet Again
Our Love



This album, co-produced by 2013 Downbeat Critics Poll Best Vibraphonist, Stefon Harris, is a vision that melds the rough edge of rock with the spontaneous nature of jazz. It hopes to guide the listener through the sonic worlds of 21st Century imagination.

Released October 21, 2014

Tyler Kaneshiro - Trumpet & Effects 
Chad Lefkowitz-Brown - Tenor Saxophone 
Keisuke Matsuno - Guitar & Effects 
Adam Kromelow - Piano 
Dave Baron - Bass 
Jason Burger - Drums 

All compositions written by Tyler Kaneshiro except: 
"Who Is It" - Composed by Björk Guðmundsdóttir 
"Elevator" - Composed by Keisuke Matsuno 
"Holocene" - Composed by Justin Vernon 

Executive Producer - Howard Wenger 
Producers - Tyler Kaneshiro & Stefon Harris 
Recorded, Mixed, and Mastered in September 2013, by Mike Marciano 
at Systems Two, Brooklyn, NY 

Photography by David Bailen 
Album Artwork by William Cathcart


JAVI