Rachel Caswell "We’re All in The Dance" CD Release Jazz at Kitano: Saturday, September 15, 2018

Rachel Caswell

CD Release Concert

Saturday, September 15, 2018

Set Times: 8pm & 10pm

Jazz at Kitano

66 Park Ave. @ E. 38th St.,

New York, NY 10016

Reservations (212) 885-7119

www.kitano.com

Featuring

Rachel Caswell - vocals

Sara Caswell - violin

Dave Stryker - guitar

Glenn Zaleski - piano

Matt Aronoff - bass

Johnathan Blake - drums

There’s no mistaking the message of “We’re All in The Dance,” the title track of singer Rachel Caswell’s latest album. It’s a lovely waltz that pairs the dance of life with the dance of music and somehow, through her purity of tone, intelligent phrasing, and flowing time feel, Caswell—cosigned by an ascendant solo by her younger sister, Grammy-nominated violinist Sara Caswell—navigates an alternate, bespoke pathway through a song whose simplicity and elegance pose a challenge to a singer steeped in the complexities of jazz expression.

She addresses the subject of love head-on throughout the proceedings, comprising ten songs culled from a long timeline and a panoply of stylistic genres. Caswell tells each story with equivalent levels of individualism and interpretive mojo, imparting a continuity and identity from the first track (an inflamed, incantatory reading of Sting’s “Fragile”) to the last (a mesmerizing meditation on Jon Hendricks’ bittersweet-yet-optimistic lyric to Thelonious Monk’s “Reflections”).

Along the way, Caswell puts deep blues inflections on “Drown in My Own Tears,” the Ray Charles classic, followed by a soulful guitar declamation by master blues practitioner—and album producer—Dave Stryker. She channels her inner Ella Fitzgerald and Sarah Vaughan on “A Lovely Way to Spend an Evening,” eschewing a balladic approach for a well-wrought, lightly swinging delivery of the lyric. She renders the late Bob Dorough’s “Devil May Care” with apropos vertiginous flair, developing her rhythmic ideas on an instrument-like improvisation. She applies a spacious Latin feel to Henry Mancini’s “Two for The Road,” and showcases her broad registral range and deep pocket in conveying Tom Lellis’ evocative lyrics to Herbie Hancock’s “Tell Me A Bedtime Story.” Dave Stryker’s arrangement of Rodgers & Hart’s American Songbook classic “I Didn’t Know What Time It Was” plays on the title, shifting odd meters with finger-popping swing. And Rachel scats the melody of Charlie Parker’s “Dexterity” with an idiomatic bebop feel, giving her A-list partners full autonomy to play it in their manner and responding to their postulations with a pithy scat.

Another of the record’s great pleasures is an opportunity to hear how deftly each world-class member of the kinetic rhythm section locks into their task of reimagining and reconfiguring “standards.” Hopefully, Stryker’s imprimatur and this cutting-edge band will induce gatekeepers from radio and the press to listen closely to this superb album. If they do, and respond accordingly, Caswell may be moving to another level of visibility in the not so distant future.


Edited from liner notes by Ted Panken

“Rachel Caswell is that rara avis who is truly a jazz vocalist. Her intonation is impeccable, her diction precise, her jazz sensibilities above reproach, and she swings like mad!... Few improvisers – vocal or instrumental – have better ears than she possesses and she has an exceptional instrument that is immediately identifiable among a sea of other vocalists.”

David Baker, NEA Jazz Master & jazz education pioneer

1. Fragile – Sting – 7:05

2. A Lovely Way to Spend an Evening – Harold Adamson/Jimmy McHugh – 5:16

3. We’re All in The Dance – Will Jennings/Christophe Monthieux – 5:11

4. Devil May Care – Bob Dorough/Terrell P. Kirk Jr. – 6:46

5. Two for The Road – Leslie Bricusse/Henry Mancini – 5:42

6. Drown in My Own Tears – Henry Glover – 4:58

7. I Didn’t Know What Time It Was – Lorenz Hart/Richard Rodgers – 6:06

8. Tell Me A Bedtime Story – Tom Lellis/Herbie Hancock – 6:05

9. Dexterity – Charlie Parker – 6:01

10. Reflections (Looking Back) – Jon Hendricks/Thelonious Monk – 5:16

Rachel Caswell, vocals

Sara Caswell, violin

Dave Stryker, guitar

Fabian Almazan, piano & fender rhodes

Linda May Han Oh, bass

Johnathan Blake, drums

rachelcaswell.com

NATIONAL PRESS CAMPAIGN

JIM EIGO, JAZZ PROMO SERVICES

jim@jazzpromoservices.com • www.jazzpromoservices.com

“Specializing in Media Campaigns for the music community, artists, labels, venues and events.”

Porta-Jazz ao Relento | pLoo - 4 de Agosto - 22:00 - Jardins do Palácio de Cristal

Em Agosto a Porta-Jazz volta aos jardins do Palácio de Cristal com mais um  Porta-Jazz ao Relento, apresentado em parceria com a Porto Lazer.

O Porta-Jazz ao Relento é uma oportunidade para ouvir ao vivo alguns dos projectos editados com Carimbo da Porta-Jazz.

Concertos sempre aos Sábados às 22:00, com entrada livre.

pLoo

Sábado 4 de Agosto   22:00 

Jardins do Palácio de Cristal

PELE DE PAPEL, o segundo disco dos pLoo pretende uma convivência multicultural dentro do mesmo espaço, um local onde o jazz, a música do mundo, a música improvisada livremente e a música contemporânea possam coabitar.

Daniel Dias - Trombone

José Soares - Sax

Eurico Costa - Guitarra

Diogo Diniz - Contrabaixo

Paulo Costa - Bateria

Rebecca Angel - What We Had (TIMELESS GROOVES RECORDS August 3 2018) + SHOWS

REBECCA ANGEL AT RIVER SPIRIT MUSIC & ARTS FESTIVAL

September 8, 2018

@ 80 Washington Ave, Hastings-On-Hudson, NY 10706

Purchase tickets here

REBECCA ANGEL AT BARNES AND NOBLE IN EASTCHESTER, NY

September 26, 2018

@ Eastchester

680 White Plains Rd

Scarsdale NY 1058

Rebecca Angel's voice makes the difference. With her refined charm, she gives the songs on What We Had the overwhelming splendor.

- Hans-Bernd Hülsmann www.smooth-jazz.de

Jason Miles' work playing, producing, arranging, and guiding some terrific musicians in support of this must-hear chanteuse brings a real sense of warmth to the work. WHAT WE HAD is a real treat, and Rebecca Angel's voice and writing are superb evidence of an artist with a very bright future ahead of them.

- Chris Gibson Broadway World

Talented young singer Rebecca Angel has released her first EP the memorable “What We Had”, an innovative set of fresh and heartfelt music.

The 22 year-old vocalist has an appealing and captivating voice. Using jazz as her base to explore different grooves, she collaborated with Grammy-winning Jason Miles, who produced recordings of celebrity artists including Miles Davis, Grover Washington Jr., Luther Vandross, etc. Jason is producer and arranger of “What We Had”, her debut EP, Miles and other top-notch musicians accompany her with a variety of backgrounds that showcase her soothing and distinctive voice at its very best.

In addition to Miles’ keyboards, the six selections (plus two remixed performances) utilize such fine musicians as soprano-saxophonist Hailey Niswanger, guitarists Ricardo Silveira, Jonah Miles Prendergast and Christian Ver Halen, bassists James Genus, Reggie Washington and Adam Dorn, drummer Brian Dunne, percussionists Mino Cinelu and Cyro Baptista, cellist Sebastian Stoger, flugelhornist Dennis Angel and flutist Gottfred Stoger. Rebecca excels at singing heartfelt lyrics and showcases her innovative scatting.

Rebecca’s version of the rarely performed Hoagy Carmichael gem “Winter Moon” features interplay between the singer and Niswanger on saxophone, catchy Latin rhythms and a haunting melody.  

Rebecca co-wrote the minor-toned and nostalgic “What We Had” with her father Dennis Angel and guitarist Prendergast, a celebratory look at the past. 

The Brazilian vocalese “Agora Sim” puts the focus on her instrumental ability in unison with Jonah’s guitar.

“Feel Alive”, which was also co-written by Rebecca, is a superior pop tune that is both funky and infectious.

Leiber and Stoller’s “Stand By Me”, heard in both radio and electro mixes, has a tight bass-drum rhythm, dynamic keyboards, a bluesy vocal by Rebecca and some natural and creative scat-singing.

The program closes with the first-ever vocal recording of Marcos Valle’s 2005 instrumental hit “Jet Samba” which is given both a radio and an electronic Ipanema mix.

Rebecca Angel has loved music all of her life. She remembers her father introducing her to the recordings of Louis Armstrong, Ella Fitzgerald, Peggy Lee, Elvis and the Beatles, Astrud Gilberto and Sade, all of whom became inspirations in her eclectic style.  She graduated with a degree in Vocal Jazz Studies from Ithaca College and has performed at the Iridium, The Metropolitan Room and CaféNoctambulo in New York.

Rebecca Angel creates consistently memorable musical statements throughout “What We Had”, with her substantial talents, a very impressive debut.

1 Winter Moon

2 What We Had

3 Agora Sim

4 Feel Alive

5 Stand By Me - Radio Mix

6 Jet Samba - Radio Mix

7 Stand By Me - Electro Mix

8 Jet Samba - Ipanema Remix

Rebecca Angel, vocals

Jason Miles keyboards, Fender Rhodes, Moog bass, pads, and percussion

Dennis Angel flugelhorn

Gottfried Stoger flute

Hailey Niswanger soprano saxophone

Sebastian Stoger cello

Jonah Miles Prendergast guitar

Christian Ver Halen guitar

Ricardo Silveira acoustic rhythm guitar

James Genus acoustic bass

Reggie Washington bass

Adam Dorn bass

Mino Cinelu percussion,

Cyro Baptista percussion

Brian Dunne drums

rebeccaangel.net

Media Contact

Jim Eigo

Jazz Promo Services

272 State Route 94 South #1

Warwick, NY 10990-3363

Ph: 845-986-1677 

e mail: jim@jazzpromoservices.com

www.jazzpromoservices.com

"Specializing in Media Campaigns for the music community, artists, labels, venues and events.”

Jack Davies - Colossus (2018)

A mixture of Prog-rock, jazz fusion, electronic, and ambient, Colossus is an immersive, reverberated, descent into the soundscapes painted into each track.

1. Overture 01:27

2. Dying Dance / Dissension 09:45

3. Linear Monarch Valley 03:06

4. Blossom (Live) 04:38

5. Interlude 00:53

6. Temenos 10:02

7. Paradigm Shift 02:07

Jack Davies - Bass, keys, drum programming, guitars, vocals, harmonica, synths, production

Joe Narducci - Guitar (Track 4)

Daniel Clemenzi - Drums (Track 4)

Jack Davies - Live Trios (2018)

1. Footprints (Live at SAC, 2018) 05:35

2. Greensleeves / My Favorite Things (Live at RTH, 2017) 03:46

3. Summertime (Live at SAC, 2018) 03:52

4. Delightful Children Setlist (Demo, 2016) 31:24

Tracks 1, 2, & 3:

Jack Davies - Bass

David Kyle - Piano

John Richardson - Drums

Track 4:

Jack Davies - Bass

Joe Narducci - Guitar

Daniel Clemenzi - Drums

John Dikeman / George Hadow / Dirk Serries / Martina Verhoeven / Luis Vicente - Ideal Principle (RAW TONK RECORDS August 13, 2018)

1. Ideal 15:50

2. Infinite 02:41

3. Motion 15:59

4. Principle 08:01

5. Substance 05:50

John Dikeman: tenor & alto saxophone

George Hadow: drums

Dirk Serries: electric guitar

Martina Verhoeven: double bass

Luis Vicente: trumpet

Performed, recorded and mixed at Sunny Side Inc. Studio, Anderlecht (Belgium) on February 20th 2016.

Mastered by Dirk Serries.

XOL: XOL plays X​.​EN (CHANT RECORDS August 13, 2018)

XOL is a quartet of veteran improvisers on the vibrant European free music scene, with Guy Bettini on cornet, trumpet and fluegelhorn, Harri Sjöström on soprano sax, Luca Pissavini on bass and Francesco Miccolis on drums and percussion. Going beyond traditional structures and tonalities and composing collectively in the moment, they take the listener on a sonic journey to the outer reaches of the universe. XOL has toured extensively with the legendary Peter Brötzmann, and members have worked with other luminaries including Derek Bailey, Cecil Taylor, Gerry Hemingway and Tiger Okoshi.

1. still water has no mind

2. to receive the image

3. of the migrating geese

4. the whole moon

5. and the entire sky

6. are reflected in one

7. dewdrop on the grass

Guy Bettini: cornet, trumpet, fluegelhorn

Harri Sjöström: soprano sax

Luca Pissavini: double bass

Francesco Miccolis: drums, percussion

Recording, mix and master by Eliyah Reichen - Beyond Groove Studio – Switzerland 

Photo and graphic by guy bettini 

Playing Band Photo by marx@photomusix 

Produced by guy bettini CircoRu, www.circoru.org 

Label: chantrecords.com New York City

Makaya McCraven - Where We Come From (CHICAGOxLONDON Mixtape) INTERNATIONAL ANTHEM RECORDING 2018

1. Makaya McCraven, Joe Armon-Jones, Theon Cross, Nubya Garcia - Halls 03:49

2. LeFtO (feat. Soweto Kinch) - McCraven On The Mic 03:09

3. Makaya McCraven, Joe Armon-Jones, Theon Cross, Nubya Garcia - Ox Tales 06:22

4. Don Leisure (Darkhouse Family) - Suite For Artis Gilmore 03:02

5. Earl Jeffers (Darkhouse Family) - Jupiter Jawn 03:15

6. Makaya McCraven, Joe Armon-Jones, Theon Cross, Nubya Garcia, Kamaal Williams - The Oracle 03:18

7. Makaya McCraven, Joe Armon-Jones, Theon Cross, Nubya Garcia - The Bounce! 02:53

8. Ben LaMar Gay - King Drive, '86 Cutlass, No Plates 03:38

9. Makaya McCraven, Joe Armon-Jones, Theon Cross, Nubya Garcia - Run 'Dem 07:27

10. Emma-Jean Thackray - Too Shy 03:02

11. Quiet Dawn - Drums&Bruk&FeelTheVibe 03:03

12. Makaya McCraven, Joe Armon-Jones, Theon Cross, Nubya Garcia - Birthday Solo 01:21

13. Lexus Blondin - TRC Thank You Outro 00:43

14. Makaya McCraven, Soweto Kinch, Kamaal Williams - Where We Come From 01:11

Recorded live at Total Refreshment Centre 18 & 19 October 2017 (CHICAGOxLONDON).

Live recordings mixed at Total Refreshment Studios 20 & 21 October 2017.

Remixed live at Total Refreshment Centre 22 October 2017 (FRESH ROASTED: Live Beat-Making & Battle).

Performed by Makaya McCraven - drums; Soweto Kinch - saxophone, voice; Theon Cross - tuba; Joe Armon-Jones - Rhodes piano; Nubya Garcia - saxophone; Kamaal Williams - keys.

Remix Production & Additional Overdubs by LeFtO; Don Leisure & Earl Jeffers (Darkhouse Family); Ben LaMar Gay; Emma-Jean Thackray; Quiet Dawn; Lexus Blondin.

Mixtape Production by Makaya McCraven

Recorded & Mixed by Dave Vettraino & David Allen

Recording Assisted by Matteo Musetti

Edited by Makaya McCraven

Mastered by David Allen

Photography by Fabrice Bourgelle

Design by Raimund Wong

Associate Production by Alejandro Ayala, Tina Edwards & Lexus Blondin

Executive Production by Scott McNiece

Special Thanks: Will Savery, Steven King, Garrett Shelton, Lauren Kasper, Mark Pallman, David Burkhart, Lori Mendoza, Angel Bat Dawid, Ken Okuda, Simbad, Stella Kun, Emma Warren, Lexy Morvaridi, Oran Maneti, Will Shanahan, Kim Alpert, Junius Paul, Jaimie Branch, Tomeka Reid, Alexander Hawkins, Tina Richard, Aly Gillani, Kristian 'Capitol K' Robinson, and Gus.

Keep Calm, or not...

until July 31

Rafal Sarnecki's new CD Climbing Trees, due out July 27, 2018 via Outside In Music

Polish-Born, NY-Based Guitarist/Composer Rafal Sarnecki Faces and Embraces His Fears on Exhilarating New Album

Climbing Trees, out July 27 on Outside In Music, features Sarnecki's stellar sextet with

Lucas Pino, Bogna Kicinska, Glenn Zaleski, Rick Rosato and Colin Stranahan

"Sarnecki ventures far beyond the bebop and post-bop idioms of the past and into a freer - though still chordal - musical language [that] already shows originality and daring. - Howard Reich, Chicago Tribune

"Sarnecki is a composer with a skillful touch at dramatic tension and pacing within his involved but highly melodic tunesŠ they're laden with dense arrangements, but the underpinning is a light touch of single-note guitar lines that vibe like a piano." - Michael J. West, Washington City Paper

CD Release Concert August 27 at Smalls, NYC

As a young child, Polish-born guitarist/composer Rafal Sarnecki suffered from an intense fear of heights and watched with envy as other kids climbed trees. Eventually he gathered the courage to face his fears, ascending branch by branch until he reached the top. That early triumph was the first of several fears that Sarnecki has faced down throughout his life, some of them directly impinging on his passion for music - stage fright, most pointedly, but also a more nebulous trepidation about pushing his music into ever more challenging territory. On his latest album, Climbing Trees, Sarnecki celebrates the ability to overcome one's most deep-seated anxieties and the exhilaration that can come from those confrontations.

"Once I challenged myself to climb to the top of one tree I felt an urge to climb a higher tree," Sarnecki recalls. "The satisfaction from fighting the fear was very strong and addictive. This memory from childhood resembles many situations in my adult life."

On Climbing Trees (due out July 27, 2018 via Outside In Music), Sarnecki takes his cue from that formative experience, crafting a set of risk-taking original compositions that dare him and his remarkable sextet to scale daunting heights. The stellar group - saxophonist Lucas Pino, vocalist Bogna Kicinska, pianist Glenn Zaleski, bassist Rick Rosato, and drummer Colin Stranhan - not only manages to deftly navigate the composition's knotty turns but finds exhilarating inspiration in its surprising branchings. The result is music that combines attentive focus on fine detail with the euphoria of an adrenaline rush.

What's clear from the chemistry and complexity displayed by the sextet is that this is a true working band, a relative rarity on the modern jazz landscape. In its present form the band has played together for nearly seven years, though many of the relationships stretch back even further. Pino and Zaleski have been a part of Sarnecki's band for the better part of a decade; Rosato and Stranahan joined the band in 2011. Since 2009 the guitarist and Zaleski have been members of Pino's acclaimed No Net Nonet, enjoying a monthly residency at Smalls Jazz Club for the past five years.

The sextet originally featured a trumpet as part of the frontline, until Sarnecki acceded to a Brooklyn club owner's request to add a singer to the band. Rather than hiring a standards-crooning chanteuse, Sarnecki enlisted Kicinska - a fellow native of Poland who uses her versatile voice and gift for improvisation like an instrumentalist. The addition gave the band's sound an ethereal but urgent quality, and the line-up fell into place.

"It took me a few years to learn how to take advantage of the potential of the musicians," Sarnecki says. "I have absolutely incredible players in my group that do things that are very unique, so as a composer I feel a responsibility to feature their individuality in my music. That can be a little risky, because sometimes I can push it a little too hard, but fortunately, we're a working band so I don't have to be afraid of that. This allows me to come up with ideas that sound really surprising, not the same as every other modern jazz song."

Zaleski's foreboding chords open the album on "Solar Eclipse," which contrasts Kicinska's airy vocal line with Sarnecki's gnarled lines. The leader's probing solo is a standout, exploring every hidden corner and skewed angle of the tune. The title comes not from the recent astronomical phenomenon but from the unusual way the piece was composed: it originated with a particularly tricky bass line, which eventually was dropped as the tune progressed, essentially eclipsing what was once the core idea of the piece. The growling lurch of "Dadaism" doesn't immediately suggest the subversive art movement that gives the piece its title, but it comes from a time when Sarnecki was studying Dada while working on his PhD in Music Composition at the Fryderyk Chopin Music University in Warsaw. Pino and Kicinska take a tandem soar into their upper registers, launching Zaleski into an intricately focused turn.

Sarnecki's shimmering arpeggios open the three-part "Little Dolphin" suite, which, like the elegant, Rachmaninoff-inspired "Zhongguo," reflects on the guitarist's travels to China. He first visited the country in 2013 at the prompting of saxophonist Nathaniel Gao, and has since returned annually to perform and teach. "I just fell in love with the culture," Sarnecki says. "Jazz was banned in China for about 30 years and in smaller towns people have no idea how to react to this music. But in bigger cities like Beijing or Shanghai there's a huge jazz audience and wherever you go, you feel more appreciated. In New York there's so much music that it's hard to impress people, so when you come to a place like China you feel like someone actually needs what you're doing." ("Little Dolphin" is the translation of "Xi_o h_itún" - the nickname given to Sarnecki by his Chinese fans.)

The heartfelt "Write a Letter to Yourself" was inspired by a friend's self-directed missive on Facebook, while "Disappointing Fresh Peach" takes its title from an anecdote in Kenny Werner's influential book Effortless Mastery. The dizzying "Hydrodynamics" is highlighted by a taut tug-of-war between Sarnecki and Stranahan, while closing track "Homo Sapiens" straddles the line between meditative jazz and chamber music, with Pino and Rosato steering through winding curves in perfect synchronicity.

Originally from Warsaw, Poland, Rafal Sarnecki is a jazz guitarist and composer currently living in New York. As a leader of his own projects Rafa_ has toured China, Malaysia, South Korea, Chile, Israel, the East and West Coasts of the U.S. and many European countries. He has shared the stage with top musicians from the U.S. jazz scene including Joel Frahm, Ben Wendel, Ron Blake, Ingrid Jensen, Alex Sipiagin, Willie Jones III and Gary Thomas, to name a few. Rafa_'s debut album, Song From a New Place (2008), was nominated for the 2009 Fryderyk Award, the Polish equivalent of a Grammy.

Rafal's second album, The Madman Rambles Again, was released in 2011 by Fresh Sound New Talent. Dave Sumner from All About Jazz selected the album as among the 12 most interesting jazz releases of 2011. In August 2014 Rafal's third CD, Cat's Dream, was released by Brooklyn Jazz Underground Records. In 2015 a group of jazz musicians in Kyiv, Ukraine started a sextet project dedicated to his music, performing compositions from all of his albums. In addition to his career as a bandleader Sarnecki is performs in a variety of New York based groups and projects such as the Lucas Pino No-Net Nonet, Annie Chen Group and David Bertrand Quartet.

rafalsarnecki.com

www.outsideinmusic.com

Hazelrigg Brothers - Songs We Like (2018)

Some things in life are worth waiting for. The Hazelrigg Brothers’ debut album, Songs We Like, is one of them. George and Geoff Hazelrigg—pianist and bassist, respectively—have been making music together for most of their lives, but it wasn’t until recently that the New Jersey-born siblings were certain that all of the elements they required were in place to cut an album of their own.

Songs We Like is the result of all of the brothers’ painstaking work and patience. The album’s nine tracks include re-imagined material originally performed by classic rock giants such as Led Zeppelin (“Ten Years Gone” and “What is and What Should Never Be”), the Jimi Hendrix Experience (“If 6 Was 9”), Steely Dan (“King of the World”), Jethro Tull (“Living in the Past”) and the Police (Sting’s “Spirits in the Material World”), plus one from the ’80s Australian band Men at Work (“Catch a Star”) and two classical works, Béla Bartók’s “Evening in the Country” and “Passacaglia,” by Johann Caspar Ferdinand Fischer.

Although most of the tracks on the self-produced Songs We Like are derived from the rock canon, a genre in which Geoff and George have worked in the past, the two brothers long ago gravitated toward jazz as their common means of expression.

For the album, the trio recorded many tunes before deciding on the nine that made the final cut, all of them penned by outside composers. “We are interpreters of music,” says George. “Neither of us feels the need to compose substantial pieces for this idiom.

What you hear on the album is the sound of innovation, originality, inspiration, open-mindedness and care, enough of the latter that the Hazelrigg Brothers had to be 100 percent certain they’d achieved an honest, natual representation of their music before they would release it for public consumption. “We play what we like, for whatever reasons we like it,” says George, echoing the album’s title. One listen and you’ll immediately feel the love that went into Songs We Like.

1. Living in the Past (Ian Anderson) - 4:48

2. Catch a Star (Colin Hay) - 4:20

3. If 6 Was 9 (Jimi Hendrix) - 4:09

4. EveningintheCountry (Bela Bartok) - 3:37

5. Ten Years Gone (Jimmy Page and Robert Plant) - 6:46

6. King of the World (Walter Becker and Donald Fagen) - 4:46

7. Passacaglia, from The Daughters of Zeus, Urania (Johann Caspar Ferdinand Fischer) - 3:42

8. SpiritsintheMaterialWorld (Sting) - 3:34

9. What Is and What Should Never Be (Jimmy Page and Robert Plant) - 4:49

George Hazelrigg: piano

Geoff Hazelrigg: bass

John O’Reilly, J.: drums

Hey! This week's wonderful $5.00 album is....

Thumbscrew at the Village Vanguard

Hi there!

Speaking of 'jazz' (well, we will be in a moment), we'd like to take a moment and make sure that everyone on this list, especially folks in the New York City area, are aware of / are reminded about THUMBSCREW's residency at the legendary and legendarily great sounding Village Vanguard next week : July 17-22!

Mary Halvorson (guitar)

Michael Formanek (bass)

Tomas Fujiwara (drums)