Sunday, September 2, 2018

Alexis Ffrench - Evolution (SONY MUSIC 2018)


LA RÉVÉLATION NÉO-CLASSIQUE ET FIGURE DE PROUE DE
LA NOUVELLE GÉNÉRATION DE COMPOSITEURS SORT
AUJOURD’HUI SON NOUVEL ALBUM EVOLUTION

Pianiste anglais aux dizaines de millions de streams, ALEXIS FFRENCH est une étoile montante dans le monde de la musique néo-classique. Autant influencé par sa formation classique que par son amour du R&B et de la Roots Music, Ffrench souhaite apporter des moments de quiétude et de beauté dans un monde qui semble toujours plus chaotique.

EVOLUTION est donc une rencontre avec ses compositions puissantes et évocatrices, où les envolées majestueuses répondent à des mélodies plus intimes, toutes aussi envoûtantes les unes que les autres.

Alexis Ffrench

EVOLUTION s’inspire de la fragilité de l’expérience humaine – la mort, l’amour, la naissance,
le chagrin, la vulnérabilité, le triomphe et le désespoir… et par-dessus tout, notre capacité à
surmonter l’adversité et à répandre la meilleure version de nous-même.

Cet album explore la beauté cachée du monde et la vérité qui nous unit.


TRACKLISTING
Reborn
At Last
Moments
Bluebird
Tomorrow Song
Exhale
Flow and Begin Again
Forgiven
Where Worlds Collide
Waiting to Breathe
Waterfalls
The Last Post (Evolution)

Saturday, September 1, 2018

David Hazeltine - The Time is Now (SMOKE SESSIONS RECORDS October 26, 2018)


Pianist and composer David Hazeltine brings his long-held dream to fruition with fellow jazz masters, bassist Ron Carter and drummer Al Foster, on "The Time Is Now", available October 26!

1 The Time is Now
2 The Odd Couple
3 Smoke Gets in Your Eyes
4 Cabin in the Sky
5 Blues for Eddie
6 Don't Let Me Be Lonely Tonight
7 When I'm Here with You
8 The Parlayer
9 In a Sentimental Mood
10 Muse of Montgomery
11 Signals

Franco D'Andrea Octet - Intervals I (PARCO DELLA MUSICA 2018)

Il nuovo disco di Franco D'Andrea per la Parco della Musica Records  "Intervals 1" è il primo volume della registrazione integrale del concerto che l’Ottetto ha tenuto il 21 marzo 2017 all’Auditorium Parco della Musica di Roma. In esso si avverte la tipica onda dei concerti di Franco D’Andrea: grazie alla grande familiarità che D'Andrea ha con i propri musicisti e che loro hanno con la sua musica, tutto avviene in una sequenza logica, spontanea lungo un unico ampio arco narrativo.

Intervals, va ancora oltre, è il culmine di una ricerca che dura da decenni. Una ricerca che non produce risposte, ma ogni volta nuovi quesiti e nuove esplorazioni. Esso racchiude in un unico mondo sonoro, coerente e unitario, i molti mondi visitati da Franco D’Andrea nel corso della sua lunga carriera. Mondi a volte poco frequentati nel corso degli anni, come quello dell’elettronica, ma rimasti nella memoria. Ed è rivelatore che l’esito di tanto viaggiare sia un’indagine serrata sull’elemento più piccolo dell’organizzazione musicale: l’intervallo. L’elemento minimo in grado, sia dal punto di vista armonico che melodico, di caratterizzare e orientare la sonorità di un brano. Quindi, un’indagine e una sperimentazione sul suono che coinvolgono in un tutt’uno ogni parametro musicale: le altezze, il timbro, il ritmo.


Franco D’Andrea piano
Andrea Ayassot alto and soprano sax
Daniele D’Agaro clarinet
Mauro Ottolini trombone
Enrico Terragnoli guitar
Aldo Mella double bass
Zeno De Rossi drums
Luca Roccatagliati electronics


Lydian Sound Orchestra - We Resist! (PARCO DELLA MUSICA 2018)


La Parco della Musica Records presenta We Resist!, il nuovo album della Lydian Sound Orchestra registrato live all’Auditorium Parco della Musica per la rassegna Recording Studio. L’album viene pubblicato a due anni di distanza dall’ultima uscita discografica del gruppo “Music for Lonely Souls” che gli fruttò il Top Jazz 2016 come Miglior Formazione dell'anno.

Con “We Resist!” si chiude un cerchio, per un progetto, musicale ma soprattutto culturale nel senso più lato, frutto di un lavoro che ha impegnato la Lydian per oltre un anno, con varie tappe di avvicinamento fra prove in studio, prove aperte e concerti (senza dire della commissione dell’opera in copertina della pittrice greca Tania Dimitriadi).

Il titolo si ispira chiaramente a un disco-manifesto inciso da Max Roach nel 1960, “We Insist! Freedom Now Suite” e, non casualmente, ha la sua parte centrale nella rilettura di due celebri brani di Roach che aprivano lo storico album, “Driva Man” e “Freedom Day”, qui proposti in una versione di grande impatto sonoro, nella quale, oltre al tentetto strumentale sono impegnati anche la voce solista Vivian Grillo e il settetto vocale “Broken Sword Ensemble”. Fra i due brani, quasi un interludio, vi è un original di Mauro Beggio e Vivian Grillo, il cui tema ritmico è ispirato a Roach ma il testo è tratto da una poesia dell’irredentista irlandese Bobby Sands, “The Rhythm of Time”, al quale è dedicato (Sands morì in carcere il 5 maggio 1981, a seguito di uno sciopero della fame. La pubblicazione gode della collaborazione della Bobby Sands Trust).

Ripartendo dunque da Max Roach ed Abbey Lincoln (non solo ‘’Driva Man’’ e ‘’Freedom Day’’ ma anche brani come l'accattivante, danzante ‘’Lonesome Lover’’ o il minor blues ‘’When Malindy Sings’’, a tratti furente grazie all’irruenza vocale di Vivian Grillo), la Lydian Sound Orchestra fa propria un’idea quantomai ampia di libertà.

arranged & conducted by Riccardo Brazzale
Vivian Grillo voice (tracks 1, 5, 6, 7, 9, 12)
Robert Bonisolo tenor, alto, soprano sax
Rossano Emili baritone sax, clarinet, bass clarinet
Gianluca Carollo trumpet, flugelhorn
Roberto Rossi trombone
Giovanni Hoffer french horn
Glauco Benedetti tuba
Paolo Birro piano
Marc Abrams bass
Mauro Beggio drums
and with Broken Sword Vocal Ensemble (tracks 1, 5, 7, 12)
Sara Gramola soprano
Giulia Fabrello mezzosoprano
Marianna Spadarotto contralto
Enrico Imbalzano tenor
Alberto Spadarotto baritone, choir master
Fabio Antoniazzi bass
Alberto Peretti bass

Hey! This week's mind blowing $5.00 album is...

Friday, August 31, 2018

Lucia Jackson “You And The Night And The Music” CD Release Show @ Zinc Bar Monday, September 10th


Lucia Jackson
CD Release Show
“You And The Night And The Music”
@ Zinc Bar 
82 W 3rd St
New York, NY 10012
212-477-ZINC (9462) 
Monday, September 10th 7pm

Featuring
Ron Jackson 7 String Electric Arch Top Guitar, 7 String Acoustic Classical Nylon String Guitar, Steel 7 String Guitar
Yago Vazquez Piano
Matt Clohesy Double Bass
Corey Rawls Drums

Special Guests
Daniel Garcia Flamenco Classical Guitar
Samuel Torres Cajón, Congas, Percussion
Javier Sanchez Bandoneón
Frederika Krier Violin


You And The Night And The Music is the debut of Lucia Jackson, a promising young jazz singer who displays a fetching voice on a set of standards along with a few surprises.  

With her father, jazz guitar great Ron Jackson, contributing arrangements and leading an impressive rhythm section joined by guests, Lucia Jackson creates fresh variations of timeless material.

Lucia Jackson has had busy careers as both a dancer and a model. However her love of singing, her obvious talents as a vocalist, the encouragement of her father, and very favorable receptions at many venues in the New York area have led her to release her debut recording. Her many fans raised $15,000 through Indiegogo for the project. With the vocal coaching of the world renowned bassist-vocalist Nicki Parrott and an inspired repertoire, Lucia is heard at her very best throughout the program.

For the memorable effort, Lucia Jackson is joined by her father Ron Jackson on guitars, pianist Yago Vazquez, bassist Matt Clohesy and drummer Corey Rawls, with guest appearances by Daniel Garcia on flamenco guitar, violinist Frederika Krier, Javier Sanchez on bandoneon and percussionist Samuel Torres playing cajon and congas.

The music on You And The Night And The Music features new twists on classics from the Great American Songbook, many of which are arranged in tango, bossa-nova or bolero styles by Ron Jackson, who is also the set’s producer. The song choices, which include not only vintage tunes that have special meanings for the singer such as “Beautiful Love,” “Sophisticated Lady” and “Never Let Me Go,” but Julia Michael’s recent “Issues,” the Beatles’ “And I Love Him,” and Ms. Jackson’s original “Feel The Love,” give the set both variety and consistent high quality. While the supporting cast is strong and Ron Jackson’s solos are colorful and tasteful, the main focus is on the young singer, who comes through in winning fashion.



Some of the highlights on You And The Night And The Music include:

“Just One Of Those Things”:  – The 1930s standard is taken uptempo, includes some superior and straightforward jazz singing, and has a hot guitar-drums tradeoff.

“And I Love Him”; - The Beatles classic is transformed into a vocal-guitar duet and sung with great tenderness.

“I’m A Fool To Want You”: - Lucia Jackson’s interpretation is full of quiet longing, accentuated by Frederika Krier’s passionate violin.

“Feel The Love”: - An original by the singer and Daniel Garcia, this piece gives her an opportunity to sing over a funky rhythm that, with Garcia’s acoustic guitar, also has the feel of flamenco.

“No Regrets” and “When You’re Smiling”: - The pair of joyful swingers are each given exhilarating treatments with Ms. Jackson also scatting quite effectively on the latter.

You And The Night And The Music is a significant recording debut for it introduces Lucia Jackson as a subtle and lightly swinging jazz singer, one with a very attractive and often-fetching voice who displays a quiet intensity and a real feeling for the lyrics that she interprets.

Lucia Jackson, who was born in New York, grew up in Madrid, Spain where she started singing when she was ten. She studied voice and piano at the prestigious Escuela de Musica Creativa when she was 13 and also ballet and flamenco at the Professional Dance Conservatory. Returning to New York when she was 18, she has since danced with the Alvin Ailey American Dance Theatre as a guest student, at the Jacobs Pillow Dance Festival and, as a member of FJK Dance, toured China for two months. As a jazz singer, she has performed with many groups including the Bud Maltin Orchestra, Marty Schwartz, and the Art Lillard Big Band.

At age 26, Lucia Jackson is set to make a major splash in the jazz and music worlds with the release of You And The Night And The Music from the Roni Music label.  Her large fan base, which through the Indiegogo crowdfunding campaign made the recording possible, will be pleased.


(Roni Music 6672)



Contact
Jim Eigo
Jazz Promo Services
E Mail: jim@jazzpromoservices.com
"Specializing in Media Campaigns for the music community, artists, labels, venues and events.”

Vivian Lee New CD "Let’s Talk About Love" + Upcoming Live Appearances


Upcoming Live Appearances

Saturday September 29 - Scarlett Productions presents Jazz at the Buddhist Church 1401 Riverside Blvd, Sacramento - The Blues and the Abstract Truth - Rick Shaw Septet with guests Vivian Lee Quartet, 6-9pm, $25 general admission. $10 students w/ID (night of)

Saturday October 20 - Red Tie Arts and the McHenry Museum - Vivian Lee Quartet - details TBA

Monday December 3 - Sacramento Jazz Coop presents - Vivian Lee Quartet Holiday Concert - Masonic Temple, 1123 J St, Sacramento 7-9, $25

Backed by an empathetic rhythm section, the vocalist shines on an amalgam of haunting ballads and swinging standards.


Vivian Lee is a musical raconteur. An evocative vocal instrument and impressive technique are certainly part of her package, but the jazz singers we prize are musical storytellers. On “Let’s Talk About Love,” Vivian Lee spins eleven memorable tales. Ms. Lee and her musical collaborators, including pianists Brenden Lowe and Joe Gilman, bassist Buca Necak, and drummer Jeff Minnieweather, offer the type of cohesive, group interplay that only comes from playing together on a consistent basis. When that happens, it’s as if the musicians are breathing in sync. Accordingly, the rhythm section provides the perfect magic carpet for Ms. Lee’s musical peregrinations. She has been recognized as one of the premiere jazz artists in Sacramento and this recording shows why audiences so appreciate her talent. 

As always, Vivian focuses on standards from the great American songbook. Here, the program is love, plain and simple. Keeping with the many aspects of love theme, but off the standards tracks, she includes notable exceptions: “Bein’ Green,” from Sesame Street and Bill Evans’ jazz classic, Waltz for Debby. 

Ms Lee certainly knows the meaning of swing, and it’s out front on the Bachrach/David’s “Wives and Lovers.” The track is driven by the swinging, perfectly in sync interconnection of the musicians. On “Before We Fall in Love,” music by John Clayton (the bassist), lyrics by Alan and Marilyn Bergman, a more, gentle swing emerges as Vivian urges us not to rush into the one thing we all seek. On “Some Other Time,” a luscious ballad, music by Leonard Bernstein, lyrics by Betty Comden and Adolph Green she laments not having enough hours in the day to spend with the one she loves. On “Secret Love” she reveals her love is a secret no more her vocal is joyful, celebratory and tangible. Jazz listeners prize Ella Fitzgerald’s rendition of “You Turned the Tables on Me,” and it’s her phrasing that we love.

Once again, Vivian’s phrasing and the way she articulates the notes comes from that deep well of emotional reserve. Clayton brother Jeff guests on Johnny Mandel’s memorable ballad, “Emily,” with lyrics by Johnny Mercer. George Gershwin’s “The Man I Love,” another medium tempo swinger, finds Vivian looking for love, wondering what could be. The pace quickens with “Out of Nowhere,” which also showcases pianist Brenden Lowe’s up-tempo chops. “Didn’t We” provides a platform for Ms. Lee’s musical meditation. She returns to a more joyful perspective on Bill Evans’ “Waltz for Debby,” with lyrics by Gene Lees, true jazz classic. “Bein’ Green,” from Sesame Street, is wrapped in poignancy. But it also strikes a blow for being unique, which ain’t easy, whether you’re a frog, or just an ordinary guy. 

The musical artistry of Vivian Lee is far from ordinary. On “Let’s Talk About Love,” we learn she’s truly a singer’s singer, with her own unique emotional approach to love and how to express it.


Brenden Lowe piano
Joe Gilman piano (Track #3)
Buca Necak bass
Jeff Clayton alto sax (Track #6)
Jeff Minnieweather drums

WIVES AND LOVERS
BEFORE WE FALL IN LOVE
SOME OTHER TIME
SECRET LOVE
YOU TURNED THE TABLES ON ME
EMILY
OUT OF NOWHERE
THE MAN I LOVE
DIDN'T WE
WALTZ FOR DEBBY
BEIN' GREEN


Contact
Jim Eigo
Jazz Promo Services
E Mail: jim@jazzpromoservices.com
"Specializing in Media Campaigns for the music community, artists, labels, venues and events.”

"Malita-Malika" by Carol Liebowitz & Birgitta Flick (LEO RECORDS 2018)


Carol Liebowitz
Birgitta Flick
MALITA-MALIKA 

New Release

With this duo's first CD, the New York based pianist and singer Carol Liebowitz and Berlin based tenor saxophonist Birgitta Flick create an extraordinary soundscape  —  where freedom of expression connects with an intense lyricism in original compositions, spontaneous improvisations, and inspired explorations into the Great American songbook. Whether it is a spontaneous free improvisation or a standard that dates back nearly a century — to them it's all one: they are guided by the spirit and the intuition of the very moment the music comes into being. A continuity of feeling and inspiration, each time anew.

Photo © Kate Koenig

Carol Liebowitz, piano, voice
Birgitta Flick, tenor saxophone

1. Moon
2. Portrait 
3. Visions
4. Malita-Malika (for Johanna)
   (Birgitta Flick, GEMA)
5. Hummingbird
6. Marionette/September in the Rain*
    Marionette (Billy Bauer); September in the Rain (Harry Warren & Al Dubin)
7. Jasmine
8. You Don’t Know What Love Is*
    (Gene De Paul & Don Raye)
9. Sehnsucht
10. Crossed Lines
11. Reflections

All tracks by Carol Liebowitz and Birgitta Flick (GEMA), except where noted. 
Published by Alissa Publishing / PRS
Recorded November 4 & 6, 2017 by Ryan Streber at Oktaven Audio, Mount Vernon, NY
Mixed by Brian Montgomery
Mastered by Jim Clouse, Park West Studios, Bklyn, NY
Photography by Kate Koenig
Produced by Birgitta Flick, Carol Liebowitz & Leo Feigin
Supported by the Senate Department for Culture and Europe


Carol Liebowitz, piano/voice

Pianist Carol Liebowitz brings a uniquely expressive and personal sound to the jazz and free improvisation scene. After focusing on classical repertoire at the High School of Performing Arts and NYU, her musical direction turned to improvisation and she began studying with Connie Crothers. Other influential teachers have included Sal Mosca, Jay Clayton and Sheila Jordan. She has performed in Europe and throughout the New York City metropolitan area in venues such as Roulette, The Stone, Cornelia Street Cafe, IBeam, The Firehouse Space, Arts for Art, Spectrum, and Birdland. In addition to frequent solo concert appearances, Carol has worked in various groups with musicians including Tom Blancarte, Adam Caine, Daniel Carter, Claire de Brunner, Maryanne de Prophetis, Andrew Drury, Ken Filiano, Andy Fite, Birgitta Flick, Ratzo Harris, Ron Horton, Louise D.E. Jensen, Adam Lane, Eva Lindal, Nick Lyons, Ryan Messina, Kevin Norton, Bill Payne, John Pietaro, Lorenzo Sanguedolce, John Wagner, Michael Wimberly, and Andrea Wolper.  

Her CD “Payne Lindal Liebowitz” on Line Art Records with clarinetist Bill Payne and violinist Eva Lindal was voted one of the Top Ten Jazz CDs in the 2015 NPR Jazz Critics Poll by Art Lange. Also on Line Art Records are “First Set” (a duo with alto saxophonist Nick Lyons), “Poetry from the Future” (To Be Continued, a quartet with Claire de Brunner, Daniel Carter, and Kevin Norton), and most recently in 2018, “Spiderwebmandala,” a duo with Bill Payne, featuring poet Mark Weber. Carol has two releases on the New Artists label: “Waves of Blue Intensities,” a duo with tenor saxophonist Bob Field, and “Time on My Hands,” a voice/guitar duo with Andy Fite.

“...three-dimensional kaleidoscopic displays.” —Mel Minter (musically speaking), melminter.com

“...chords that brim with ardent energy and hypnotic beauty.” — All About Jazz

Birgitta Flick, tenor saxophone 

Birgitta Flick is a saxophonist and composer and lives in Berlin. She studied saxophone and Jazz at the Jazz-Institut Berlin (UdK) and the Royal College of Music, Stockholm. Current projects—besides her Duo with Carol Liebowitz—are her Berlin-based quartet and the German-Swedish-Finnish band Flickstick, with whom she won the 2012 Jazz Baltica Förderpreis and released the 2nd album in January 2018. Ms. Flick’s other work includes playing in the Nico Lohmann Quintet, and in drummer Sebastian Voegler’s Stockholm-based band Fluxmaschine and the German Women’s Jazz Orchestra.

In 2011–12 her research and composition project on traditional Swedish music was sponsored by the Elsa Neumann Scholarship of the state of Berlin. The resulting suite for the Swedish singer Lina Nyberg, Silke Eberhard (bass clarinet), Nico Lohmann (alto saxophone, flute) and the Birgitta Flick Quartet was released in April 2016 by Double Moon Records. The quartet’s debut CD, “Yingying” was released in 2013 by Jazz thing Next Generation. In autumn 2018 the new CD “Color Studies” will be published by Double Moon Records/Challenge, supported by the Initiative Musik gGmbH. Further CD productions include those with the Nico Lohmann quintet, Esther Kaiser and Z’lil schel bet Haskala, amongst others. 

Her concert tours have taken her to several European countries, the USA and the Middle East, and in winter 2014–15, to New York for a three month stay including private studies with Connie Crothers. Festival concert appearances include XJazz Berlin, Elbjazz in Hamburg, JazzBaltica, Jazzwoche Burghausen, Jazzahead German Jazz Meeting and Cairo Jazz Festival. Since 2013 Birgitta also contributes to the monthly Psalmton Jazz Pop Services at Kaiser-Wilhelm-Gedächtnis-Kirche in Berlin—both as a performer, composer and coordinator. Since 2015 she also serves as the artistic director of the summer concert series “InSpirit“ at the Kaiser-Wilhelm-Gedächtnis- Kirche.

In 2017 she received a scholarship of the City of Berlin to realize a new improvisation project and the CD recording for “Malita-Malika" together with Carol Liebowitz. 

“An excellent tenor-saxophonist based in Berlin, Birgitta Flick has an original sound on her horn, not sounding like any of her historical predecessors.” —Scott Yanow

“The large scale of Flick’s music is testimony to her rich orchestral experience, and this album first of all surprises the listener with her outstanding talent as a composer.” —Kayo Fushiya, JazzTokyo

Contact
Jim Eigo Jazz Promo Services
Ph: 845-986-1677 / jim@jazzpromoservices.com
"Specializing in Media Campaigns for the music community, artists, labels, venues and events.”