Showing posts with label motéma music. Show all posts
Showing posts with label motéma music. Show all posts

Friday, October 22, 2021

Charnett Moffett Trio Set To Release Live EP Following Internationally Acclaimed “New Love” (Motéma Music)

Veteran bassist Charnett Moffett is following up his June album New Love with the release of a Live EP this October 22, 2021. Originally recorded at Yoshi's on July 25, 2021, Charnett Moffett Trio: Live, features vocalist Jana Herzen and drummer Corey Garcia.

Out on Motéma Music:  DIGITAL EP: “LIVE” drops 10/22/21  |  SINGLE: “Summertime” Out Now! 
“The interplay of this trio is stupendous and breathtaking.”
– JAZZ’N’MORE (Switzerland)

Renowned jazz bass virtuoso Charnett Moffett is set to release his first live trio recording in October, furthering an exciting, unpredictable and richly artistic jazz journey featuring guitarist/vocalist Jana Herzen with drummer Corey Garcia.  The chemistry of this trio has deep roots. Moffett has collaborated with Herzen for over 12 years now, and Garcia has joined them for many live performances since 2018 and recorded with them on Herzen’s 2021 Live quintet album produced by Moffett, and also on Moffett’s internationally acclaimed studio project, ‘NEW LOVE’, released by Motéma in June 2021.  

“Whatever the musical moment, there’s a tight synchronicity at play.”
– DOWNBEAT

Recorded at Yoshi’s on July 25th, 2021, CHARNETT MOFFETT TRIO: LIVE features Moffett’s legendary virtuosity on both fretless and fretted electric basses, Herzen’s warmly nuanced guitar and vocal musicality, and drummer Corey Garcia’s melodic, symbol-driven swing in a vibrant program of concert highlights that opens with an outstanding rendition of the Gershwin classic “Summertime” and journeys through four exceptional Moffett compositions (two reprised from New Love, and two which make their debut on LIVE).

“There’s something special whenever Charnett Moffett and Jana Herzen play music.”
– AMERICAN SONGWRITER

The musical marriage of Moffett’s long-seasoned bass artistry with Herzen’s instinctive yet refined guitar work and signature warm vocal sound, has inspired repeated press observations about a certain “magic” that arises when these two make music together. Whether performing together in their eclectic duo project, or in Herzen’s folk/rock/jazz projects, or in Moffett’s ensembles which fuse free-jazz, swing, post-bop, world, classical and psychedelic rock, the pair are gaining increasing acclaim as partners who complement each other on the front line.  While each of their projects has its own merits, Moffett’s power trio featuring Herzen and Garcia hit a special vein of jazz gold on the first five tracks of his trio/quartet project ‘New Love’ prompting critics on both sides of the Atlantic to call out this trio’s exciting chemistry.

The trio’s artistic connection becomes even more evident in live performance as Herzen and Garcia instinctively turn-on-a-dime together in response to Moffett’s creative and rapid-fire mercurial lead.    Moffett, who’s storied career includes collaborations with many of the world’s greatest jazz artists including drummers Charles Moffett, Art Blakey, Elvin Jones and Tony Williams realized a long-standing dream in assembling and grooming this trio. In 2018 he  discovered a valuable gem in the young, deep-swinging and sensitive drummer Corey Garcia who’s musical lineage as a protege of Eric McPherson, primed him well to learn Moffett’s musical language fluently. (McPherson, was a protege of Moffett’s father Charles, whom the famed bassist to this day claims as his most important influence.)  Charles Moffett was not only a great jazz drummer, he was also a multi-instrumentalist who innovated in Ornette Coleman’s 1960’s trio and went on to become an influential music educator who notably groomed Charnett and his sibs into The Moffett Family Band, a 1970’s phenom that first rose to fame in Oakland, California with an 8 year old Charnett charming crowds as he grooved hard on both upright and electric basses.

As for Herzen, although an accomplished thespian and singer/songwriter for over 35 years, and the legendary label leader of Motéma Music for the past 18 years, it was Moffett who first encouraged her to stretch out as a jazz instrumentalist by inviting her to play guitar in his band in 2018. No one was more surprised than Herzen to discover her talents in this arena, but to Moffett it was a natural choice to add her on guitar as the two had developed their own musical language over the many years that she had supported his artistry at Motema, and he had supported her artistry by playing bass on her acclaimed singer/songwriter recordings.
“[Herzen’s] feather-light guitar proves to be the ideal sparring partner for this music”.
– JAZZTHING  (Germany)

“The pair put out a rich sound full of spirituality and positive emotion.”
– ALL ABOUT JAZZ

Due to the nature of this trio, and his choice to select and groom these particular musicians, the dual legacies inherited from his namesakes Charles Moffett and Ornette Coleman (Char-Nett) showed up more palpably on NEW LOVE than on his prior albums, and became even more pronounced at Yoshi’s as Moffett’s instinctual showmanship led the trio on a new adventure that he looks forward to continuing.  

The EP opens with a unique and beautiful free-form rendition of the Gershwin classic “Summertime” featuring Jana Herzen’s soulful angelic voice flying heavenward as it entwines around, dances with, and is lifted up by Moffett’s dramatic and melodic bass lines. 

Next is “Remembering Your Love,” a spiritual, danceable and swinging new  ‘jazz standard’ with a Brazilian/Latin tinge penned by Moffett and Herzen on which Herzen’s rich vocals ride the syncopated inter-locked swing of the bass, drums and guitar. Midway, the instruments engage in some fun call-and-response interplay. 

A spontaneous trio rendition of Moffett’s “Flying in the Air,”a composition which debuted on New Love, follows next.  In this live version, Moffett begins with a freely improvised raga in D that expands in several directions before suddenly morphing into the “Flying in the Air ” theme at the 2:25 mark. The spirituality and showmanship flowing through this track, and throughout the set can be recognized, in part, as a legacy of Moffett’s seven years in the trio of the great McCoy Tyner, one of the most successful runs in jazz. 

Moffett’s spirited Ornette Coleman inspired composition “Higher Dimensions” in true harmolodic form, (or perhaps we should say “Charmelodic” form) is also reprised from New Love and takes on entirely new dimensions in the live setting. Moffett uses effects and a Wah-Wah pedal to emit his signature ‘voice-like’ sound from the fretless bass; Herzen improvises long soaring guitar lines in counterpoint to his high octane bass; Garcia swings with power and finesse throughout and takes a fantastic solo feature. 

Closing out the program with fire and passion is “Inside Outside,” Moffett’s newest composition. Using multi-effects, he delivers a fretless bass opus that only he (with this trio) could deliver.  The driving synchronized theme takes off with power then quickly evolves into a freely-improvised modal excursion. Moffett’s bass romps through multiple realms from nursery rhymes to overdrive outer-space sci-fi sounds to high speed funk thumping and plucking. All the while Herzen’s sustained melodic guitar joins with Garcia’s driving swing symbols to provide a harmonic and rhythmic framework to both contain and elevate Moffett’s firework improvisations. 

“Engaging… feels connected to bands like Mahavishnu Orchestra and the ’70s work of artists  like Pat Metheny and Larry Coryell.”
– ALLMUSIC.COM

In a Moffett show, the band never knows what will happen next, a trait he first picked up from his days with free-jazz innovator and Pulitzer Prize winner, Ornette Coleman. “One time Mr. Coleman rehearsed us for a month on one set of compositions, then threw them all out at show time handing us an entirely new set to play!” The “surprise the band” at any moment approach ensures true improvisation on the band stand, and evokes fresh playing. It also requires fearlessness on the part of the band and is certainly not for the faint of heart!

“Moffett’s fretless electric bass is a remarkable lead instrument”
– ★★★★ – JAZZWISE (UK)

1. Summertime
2. Remembering Your Love
3. Flying in the Air
4. Higher Dimensions
5. Inside Outside

Charnett Moffett: Fretless Electric Bass
Jana Herzen: Electric Guitar/Vocals
Corey Garcia: Drums

Friday, June 11, 2021

Charnett Moffett - New Love (June 11, 2021 motéma music)

Fretless electric bass master Charnett Moffett delivers a love letter to humanity with his new trio/quartet album, New Love. Further refining his signature and virtuosic sound in collaboration with his skilled and fearless ensemble, Moffett's twelve original tracks range boldly through contemporary-, free-, soul-, and world- instrumental jazz while he also breaks new ground as a vocalist/lyricist with a spiritual message.

With intensely engaging dynamism: the album one-moment swings with passion and fervor -  evoking Moffett's early years with Tony Williams, Ornette Coleman, Wynton Marsalis, McCoy Tyner .. - and the next moment swirls with contemplative beauty as Moffett spreads his message of joy and love.

1. Swinging in the Realms
2. We Remember
3. Little Flowers
4. Today
5. Higher Dimensions
6. I Didn't Know
7. Flying in the Air
8. ETQ
9. New Love
10. Spirit & Bride
11. Love for the People
12. Rejoice

Thursday, March 18, 2021

Jihye Lee Orchestra - Daring Mind (March 26, 2021 motéma music)


Motéma Music is proud to announce the release of Daring Mind, the sophomore album by the Jihye Lee Orchestra, which streets on March 26, 2021. Produced by Lee, in collaboration with the innovative composer and Secret Society bandleader Darcy James Argue, and with renowned trumpeter Sean Jones as a key contributor, Lee’s Motéma debut showcases the South Korea native’s personal and adventurous storytelling approach to large-ensemble jazz over the course of nine spellbinding compositions. 


As a  follow up to her widely-acclaimed 2017 debut April, Daring Mind presents selections from Lee’s ‘Mind’ Series, including her BMI Charlie Parker Jazz Composition Prize-winning “Unshakable Mind” and her Manny Albam Commission “Revived Mind.” The album reflects her struggles, doubts, joys, and hopes while living in the amazing city of New York. The compositions explore the human mind, heart and soul, the various states of the human psyche from confusion to rage to enlightenment. 

Lee describes composition as a form of record-keeping for herself, as the documentation of her life, the process of finding musical equivalents to the images, thoughts and emotions in her mind. She writes first and foremost for herself, to release her feelings, which makes her music deeply personal. “My goal is to invite listeners into my creative world, to relate to my stories, and to reflect on the truth that as humans, we share similar struggles and triumphs regardless of where we come from. It is my hope that we can create genuine connections with each other through art,” she says. 

A native of South Korea, Lee had no jazz or classical training growing up, and she first found success in Korea performing as an indie pop singer. She graduated from Dongduk Women’s University with a degree in Voice Performance, discovering her love of large-ensemble jazz only after beginning her studies at Boston’s Berklee College of Music in 2011. Confidently she began to explore her own identity and voice within this exciting, historically rich medium, winning Berklee’s Duke Ellington Prize just months after declaring her Jazz Composition major (and again the following year). Though she could never have anticipated this new path, she has followed it to greater heights, moving to New York in 2015 and earning a master’s degree at Manhattan School of Music under the guidance of the great Jim McNeely. “Her music is imaginative and creative.” says McNeely. “And she’s not afraid to take some exciting chances in her writing.” 

Navigating the transition from pop singer to jazz composer has given Lee a different angle on jazz composition, providing her not only with a lyrical melodic sense but also a way of imagining characters in every composition, and writing memorable themes with which people can identify. Her first instinct is not to find chords and melodies — Lee is not herself an instrumentalist — but rather an idea, image or message, and then find a way to express it through musical elements. All of this and more is realized on Daring Mind.
Daring Mind begins with “Relentless Mind”, which emulates the bustle of New York City with its twisted rhythmic feel and repetitive notes. Featuring Sean Jones and trombonist Alan Ferber, the vibrancy and beauty of a pre-COVID city that never slept is on rich display in this dazzling opener. Following is “Unshakeable Mind”, winner of the 2018 BMI Charlie Parker Composition Prize. Inspired by the competitive environment of the New York music scene and the effects it has on one’s own psyche, “Unshakeable Mind” explores the nature of a determined and persevering spirit, with strong solo and ensemble support from alto saxophonist Ben Kono. The gorgeous “Suji” comes next. Written for one Lee’s dearest friends, this bright composition features only major chords played through chamber-like instrumentation. Kono once again plays a leading role here, as does pianist Adam Birnbaum. 

Gears shift on the fourth track, “I Dare You”, which was commissioned by American entrepreneur Matt Mullenweg. “Since I am not a traditional swing big band style composer, sometimes I face the famous question ‘what is jazz?’” states Lee. That same question arose in an interview with Wayne Shorter by Max Dax in 2014, and his answer is “To me, jazz means: “I dare you!’” This is the title of this song and in many ways the inspiration of Lee’s entire approach to jazz. “I believe that jazz is not a style or genre, but a daring spirit, being creative by cultivating your instincts.” Tenor saxophonist Quinsin Nachoff shines on this track which is full of sonic surprises. 

The BMI Manny Albam Commission piece “Revived Mind” showcases soloist Mike Fahie on trombone. This colorful composition is an homage to nature and Earth, to rebirth and rejuvenation. Track 6, “Struggle Gives You Strength” was originally written for Carnegie Hall’s NYO Jazz and once again features Sean Jones. On this uplifting and inspiring composition, Lee comments:  “Struggle is an essential part of life and it molds us into beautiful individuals with character.” 

The final third of Daring Mind features the bluesy “Why Is that” with solos by Jones and alto saxophonist Rob Wilkerson; the dissonant tri-tone filled odyssey “Dissatisfied Mind” which ruminates on the negatively that can intrude ones’ thoughts; and “GB”, a stunning closer inspired by love found and lost. Highly cinematic, the beauty and joy of happy memories slowly gives way to crushing breakdown, before reluctant acceptance sets in. As an aspiring film music composer, this vivid track particularly showcases Lee’s great potential in that arena. 

With the release of Daring Mind, Jihye Lee makes a major statement that will likely propel her, deservingly, to the top echelon of contemporary jazz composers and bandleaders. Late last year, it was announced that Lee earned a 2021 ASCAP Foundation & Symphonic Jazz Orchestra commissioning prize, further defining a clear next step in her bright future. The first single “Struggle Gives You Strength” will be released on February 5th, and the second single, “Revived Mind” will release on March 5th.

1. Relentless Mind (feat. Sean Jones, Alan Ferber) 6:18
2. Unshakable Mind 9:57
3. Suji 8:53
4. I Dare You 5:49
5. Revived Mind 6:44
6. Struggle Gives You Strength (feat. Sean Jones ) 5:57
7. Why Is That 5:50
8 Dissatisfied Mind 5:54
9. GB 9:24

Ben Kono: Alto Saxophone
Rob Wilkerson: Alto Saxophone
Quinsin Nachoff: Tenor Saxophone
Jeremy Powell: Tenor Saxophone
Brian Pareschi: Trumpet
Sean Jones: Trumpet
John Lake: Trumpet
Alex Norris: Trumpet
Mike Fahie: Trombone
Alan Ferber: Trombone
Nick Grinder: Trombone (All tracks except 2, 5)
Mark Patterson: Trombone (tracks 2, 5)
Jennifer Wharton: Trombone
Adam Birnbaum: Piano (tracks 1, 3, 4, 6, 7, 9)
Haeun Joo: Piano (tracks 2, 5, 8)
Sebastian Noelle: Electric Guitar
Evan Gregor: Double Bass
Mark Ferber: Drums